Born in 1897, Milly Bennett lived an extraordinary life that led from her native San Francisco, to Honolulu, to China for the revolution, to the Soviet Union on the eve of World War II, to the Spanish Civil War, and home again, a journey punctuated with many love affairs, triumphs, and disappointments. This memoir of Milly's early years through her extended stay in China, places the current political turmoil there into a broader historical perspective. Nominally an autobiography of a remarkable woman and her brief time in China, it goes beyond the narration of an individual life by contributing details of a period of great instability, as well as exploring the sensitive topic of the involvement of foreigners in the internal politics of China.
Empire of the Air tells the story of three American visionaries—Lee de Forest, Edwin Howard Armstrong, and David Sarnoff—whose imagination and dreams turned a hobbyist's toy into radio, launching the modern communications age. Tom Lewis weaves the story of these men and their achievements into a richly detailed and moving narrative that spans the first half of the twentieth century, a time when the American romance with science and technology was at its peak. Empire of the Air is a tale of pioneers on the frontier of a new technology, of American entrepreneurial spirit, and of the tragic collision between inventor and corporation.
Polly is a real estate solicitor. She is also losing her mind. Someone keeps drinking her coffee. And talking to her clients. And doing her job. And when she goes to the dry cleaner's to pick up her dress for the party, it's not there. Not the dress -- the dry cleaner's. And then there are the chickens who think they are people. Something strange is definitely going on -- and it's going to take more than a magical ring to sort it out. From one of the funniest voices in comic fiction today comes a hilarious tale of pigs and parallel worlds.
This monumental work of history, The Seventh Million, shows the decisive impact of the Holocaust on the identity, ideology and politics of Israel. With unflinching honesty, Tom Segev examines the most sensitive and heretofore closed chapters of his country's history, and reveals how this charged legacy has at critical moments (the Exodus affair, the Eichmann trial, the Six-Day War) been molded.
Family Child Care Contracts and Policies, Fourth Edition offers the most up-to-date tools for family child care providers to establish and enforce contracts and policies. Topics include, how to establish good business relationships with parents, what to look for before signing contracts with parents, what information is vital to include in contracts and policies, how to prevent conflicts with parents over contracts and policies, when and how to end a contract. Updates to the new Fourth Edition include offering and charging for part-time care and extended care rates and policies for child care during the summer months expanded advice for how to handle siblings and family discounts expanded advice on charging for vacation time how to handle parent objections to paying for care when a child stays home information on bad-weather policies advice on how to deal with parents visiting during program hours caring for children who aren’t immunized expanded advice for how to turn down a client updated information on comparing income to minimum wage expanded advice for how enforce polices that previously weren’t enforced
Seventeen-year-old narcoleptic Tom Lovett struggles against Tyler, his alter ego, meanwhile working with Pandora, a secret government agency, to destroy the mastermind that created him.
This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.
The greatest duel in FORMULA 1 history: the 1976 season between Austrian Niki Lauda and Britain's James Hunt. As the '75 season ended, Hunt was out of FORMULA 1 racing while Lauda was world champion and the odds-on favorite for ’76 with a year’s contract ahead of him and Enzo Ferrari begging him to sign a multi-year deal. James Hunt, without a drive until Emerson Fittipaldi broke his McLaren contract, grabbed the McLaren drive with both hands and the help of friend John Hogan and Marlboro cigarettes. The result? Two drivers in an epic sixteen-race battle across the globe for the '76 title, ultimately decided by a single point. Fame, wealth, drugs, sex, and the rest of globetrotting 1970s FORMULA 1 racing are encompassed in the Lauda vs. Hunt duel. At the '76 German Grand Prix, Lauda nearly died in a fiery crash, only to emerge six weeks later, severe burns on his face and head, to pursue his rivalry with Hunt. It all came down to the last race, a rain-soaked affair in Japan, where Hunt won the championship by the slimmest possible margin. The book is a study in contrasts during an era of Brut aftershave and disco sex parties. James Hunt, legendary philanderer and FORMULA 1 rock star, versus supernatural racer Niki Lauda, who in '75 set the first sub-seven minute lap around the Ring.
In a cultural climate saturated by technology, marketing professionals have focused their energies on creating newer and more digital methods of advertising their brands, with the fear that if they don't embrace "Big Data," they will fade into obscurity. But Tom Doctoroff, Asia CEO for J. Walter Thompson, argues that this frenzy over digital and social media has created a schism in the marketing world that is hindering brands from attaining their true business potential. The tension between traditional branding and the seemingly unlimited possibilities presented by the advent of "digital" branding leads companies to abandon the tried and true aspects of marketing for the flash of the new. In Twitter is Not a Strategy, Doctoroff explains why a strategy that truly integrates the two ideas is the best way for a brand to move into the future. Using some of the biggest brand names in the world as examples, such as Coca-Cola, Nike, and Apple, he breaks down the framework of marketing to explain how digital marketing can't stand without the traditional foundation.
Some of the most beloved characters in film and television inhabit two-dimensional worlds that spring from the fertile imaginations of talented animators. The movements, characterizations, and settings in the best animated films are as vivid as any live action film, and sometimes seem more alive than life itself. In this case, Hollywood’s marketing slogans are fitting; animated stories are frequently magical, leaving memories of happy endings in young and old alike. However, the fantasy lands animators create bear little resemblance to the conditions under which these artists work. Anonymous animators routinely toiled in dark, cramped working environments for long hours and low pay, especially at the emergence of the art form early in the twentieth century. In Drawing the Line, veteran animator Tom Sito chronicles the efforts of generations of working men and women artists who have struggled to create a stable standard of living that is as secure as the worlds their characters inhabit. The former president of America’s largest animation union, Sito offers a unique insider’s account of animators’ struggles with legendary studio kingpins such as Jack Warner and Walt Disney, and their more recent battles with Michael Eisner and other Hollywood players. Based on numerous archival documents, personal interviews, and his own experiences, Sito’s history of animation unions is both carefully analytical and deeply personal. Drawing the Line stands as a vital corrective to this field of Hollywood history and is an important look at the animation industry’s past, present, and future. Like most elements of the modern commercial media system, animation is rapidly being changed by the forces of globalization and technological innovation. Yet even as pixels replace pencils and bytes replace paints, the working relationship between employer and employee essentially remains the same. In Drawing the Line, Sito challenges the next wave of animators to heed the lessons of their predecessors by organizing and acting collectively to fight against the enormous pressures of the marketplace for their class interests—and for the betterment of their art form.
“A lovely, fascinating book, which brings science to life.” —Alan Lightman Combining science, history, and adventure, Tom Shachtman “holds the reader’s attention with the skill of a novelist” as he chronicles the story of humans’ four-centuries-long quest to master the secrets of cold (Scientific American). “A disarming portrait of an exquisite, ferocious, world-ending extreme,” Absolute Zero and the Conquest of Cold demonstrates how temperature science produced astonishing scientific insights and applications that have revolutionized civilization (Kirkus Reviews). It also illustrates how scientific advancement, fueled by fortuitous discoveries and the efforts of determined individuals, has allowed people to adapt to—and change—the environments in which they live and work, shaping man’s very understanding of, and relationship, with the world. This “truly wonderful book” was adapted into an acclaimed documentary underwritten by the National Science Foundation and the Alfred P. Sloan Foundation, directed by British Emmy Award winner David Dugan, and aired on the BBC and PBS’s Nova in 2008 (Library Journal). “An absorbing account to chill out with.” —Booklist
No work has ever been produced previously that shows how historically geography has been constructed as a subject for the senior years of secondary schooling in Western Australia from 1917 to 1997. In doing so, this book contributes to the existing corpus of international research on the history of curriculum and particularly the history of geography as a senior secondary school subject. Much of it is based on primary sources, including the textbooks and atlases used, along with syllabus manuals and geography examination papers. It also provides a framework for investigating the construction of senior secondary school geography curricula in other constituencies, and could act as a model for engaging in further research in curriculum history for other school subjects state-wide, nationally and internationally. The book also makes an important contribution to the fields of curriculum design, curriculum development and curriculum innovation. It will be of great interest to historians of education, comparative educationists, education leaders, policy makers and librarians.
These tales follow the exploits of Ben Drake, a detective with a passion for small cigars and big fights, a love of Old Grand Dad and a weakness for women in trouble. North of Las Vegas in the fictional town of Testacy City, Drake sniffs out killers, thieves, kidnappers, double crossers, crooked cops and number runners, all culminating in the bizarre murder of Gentleman Joe Biggs, a well loved bowling hero. As he continues to crack clues in the case, Drake is drawn deeper into a city wide criminal conspiracy.
Two disabled Korean Vets discover love, companionship and team up to make a life in Rodeo barrel racing. Romance, humor, excitement, suspense, heartbreaking loss and thrilling climax all form a part of this wonderful adventure. This is a story you'll want to enjoy many times over and make a favorite part of your library.
In the vein of the bestselling Nothing General About It and Always Young and Restless, a revelatory account of the pioneering Emmy Award-winning, beloved daytime drama— featuring the words of stars including Helen Gallagher, Malcolm Groome, Ron Hale, Ilene Kristen, Michael Levin, Ana Alicia, Roscoe Born, Catherine Hicks, Geoff Pierson, Andrew Robinson, and Gordon Thompson, along with writers, producers, directors and family members—plus never-before-seen photos and plot synopses. From the opening scene of its first episode, in which Mary Ryan walks jauntily down a New York City street to her family’s neighborhood bar, it was clear that Ryan’s Hope would be unlike every daytime soap that had come before. Indeed, from 1975 to 1989, the Emmy award-winning ABC TV serial drew viewers into the world of Maeve and Johnny Ryan, their children, friends, and extended family. This page-turning chronicle gathers memories and exclusive interviews to reveal the show’s fascinating origin story—and explore why it’s missed to this day. Ryan’s Hope was set in a real city, within recognizable communities. The working-class, Irish-Catholic, immigrant Ryans were the core of a show that credibly tackled such topics as infidelity, addiction, religious faith, and women’s rights. There was melodrama, to be sure, but also heart, depth, grit—provided by co-creators and head writers Claire Labine and Paul Avila Mayer. Labine and Mayer were also the executive producers in the early years, which gave them full control over their creation, from character backstories to lighting and costume. But there were also some missteps along the way, from the constant recasting of fan-favorite characters to ABC’s ill-judged attempts to infuse the homey, family-oriented show with intrigue and adventure. Featuring the words of stars including Helen Gallagher, Malcolm Groome, Ron Hale, Ilene Kristen, Michael Levin, Ana Alicia, Roscoe Born, Catherine Hicks, Geoff Pierson, Andrew Robinson, and Gordon Thomson, along with writers, producers, production crew, and family members—plus never-before-seen photos and plot synopses—soap opera fans will find this insider account as captivating as the beloved show itself.
Hollywood legend, Academy Award-winning actor, and recipient of the Golden Globe Award for lifetime achievement in film, Frank Sinatra carved out one of the biggest careers in the history of Hollywood, yet paradoxically his screen legacy has been overshadowed by his extraordinary achievements as a singer and recording artist. Until now. With the publication of Sinatra in Hollywood, an analytical yet deeply personal look at the screen legend of Frank Sinatra, Sinatra's standing as a significant, indeed legendary, screen actor has now been placed in full perspective. Examining each of Sinatra's seventy film appearances in depth, Tom Santopietro traces the arc of his astonishing six-decade run as a film actor, from his rise to stardom in "boy next door" musical films like Anchors Aweigh and On the Town, through his fall from grace with legendary flops like The Kissing Bandit, to the near-mythic comeback with his Oscar-winning performance in From Here to Eternity. Laced throughout with Sinatra's own observations on his film work, Sinatra in Hollywood deals head-on with his tumultuous marriages to Ava Gardner and Mia Farrow and directly addresses the rumors of Mob involvement in Sinatra's Hollywood career. Ranging from the specifics of his controversial acting nickname of One Take Charlie to the iconic Rat Pack film Ocean's Eleven, from the groundbreaking performance in The Manchurian Candidate to the moving and elegiac late-career roles as tough yet vulnerable detectives, the myths and personal foibles are stripped away, placing the focus squarely on the work. Oftentimes brilliant, occasionally off-kilter, but always compelling, Frank Sinatra, the film icon who registered as nothing less than emblematic of "The American Century," here receives his full due as the serious artist he was, the actor about whom director Billy Wilder emphatically stated, "Frank Sinatra is beyond talent.
The third eidtion of this history of the art and craft of screenwriting from the silents to the present provides information and stories about those who write and have written for film. Includes anecdotal insights into the working lives of directors, producers, and stars, as well as how American movies get made.
A “compelling [and] carefully researched” account of greed, duplicity, and an unholy partnership between Switzerland and the Third Reich (The Washington Times). In the third and fourth decades of the twentieth century, the European continent fell, nation by nation, to Nazi Germany’s invincible war machine. But Switzerland remained neutral during World War II, taking no side and bowing to no master. For a long time after, that was the accepted history—but it was a lie. Respected British investigative journalist Tom Bower reveals the shocking truth about how the government of Switzerland and the Swiss banking industry knowingly collaborated with the Reich during the darkest era in modern history. With the knowledge and acquiescence of the Swiss government, hundreds of millions of dollars stolen from Jewish Holocaust victims—including gold teeth extracted from the mouths of those murdered—were systematically hidden away in Swiss bank accounts. But these crimes did not end with the defeat of Hitler. For the next half century, Swiss authorities engaged in a covert campaign of lies, subterfuge, and corruption to hide the wealth from its rightful owners—concentration camp survivors and the families of the slain—while freely dispensing the illegally obtained funds to fugitive Nazis. Written by “one of the finest investigative journalists in the English-speaking world,” Nazi Gold is an explosive true account of state-endorsed crimes and atrocities; of former victims fighting courageously for their due in the face of prejudice, hatred, and indifference; and of the dedicated US Treasury agents who worked tirelessly for decades to right an unconscionable wrong (The Washington Times).
Since his first appearance in Action Comics Number One, published in late spring of 1938, Superman has represented the essence of American heroism. “Faster than a speeding bullet, more powerful than a locomotive, and able to leap tall buildings in a single bound,” the Man of Steel has thrilled audiences across the globe, yet as life-long “Superman Guy” Tom De Haven argues in this highly entertaining book, his story is uniquely American. Created by Jerry Siegel and Joe Shuster in the midst of the Great Depression, Superman is both a transcendent figure and, when posing as his alter-ego, reporter Clark Kent, a humble working-class citizen. An orphan and an immigrant, he shares a personal history with the many Americans who came to this country in search of a better life, and his amazing feats represent the wildest realization of the American dream. As De Haven reveals through behind-the-scenes vignettes, personal anecdotes, and lively interpretations of more than 70 years of comic books, radio programs, TV shows, and Hollywood films, Superman’s legacy seems, like the Man of Steel himself, to be utterly invincible.
In their third and final screen teaming, Judy Garland and Gene Kelly starred together in the MGM musical Summer Stock. Despite its riveting production history, charismatic lead actors, and classic musical moments, the movie has not received the same attention as other musicals from MGM’s storied dream factory. In C’mon, Get Happy: The Making of “Summer Stock,” authors David Fantle and Tom Johnson present a comprehensive study of this 1950 motion picture, from start to finish and after its release. The production coincided at a critical point in the careers of Kelly and an emotionally spent Garland. Kelly, who starred in An American in Paris just one year later, was at the peak of his abilities. On the other hand, Summer Stock was Garland’s final film at MGM, and she gamely completed it despite her own personal struggles. Summer Stock includes Kelly’s favorite solo dance routine and Garland’s signature number “Get Happy.” The authors discuss in rich detail the contributions of the cast (which included Gloria DeHaven, Eddie Bracken, Phil Silvers, and Marjorie Main); the director (Charles Walters); the producer (Joe Pasternak); the script writers (George Wells and Sy Gomberg); the songwriters (which included Harry Warren and Mack Gordon); and top MGM executives (Louis B. Mayer and Dore Schary). The volume features extensive interviews, conducted by the authors, with Kelly, Walters, Warren, and others, who shared their recollections of making the movie. Deeply researched, C’mon, Get Happy reveals the studio system at work during Hollywood’s Golden Era. Additionally, the authors have written a special section called “Taking Stock” that buttonholes numerous contemporary dancers, singers, choreographers, musicians, and even Garland impersonators for their take on Summer Stock, its stars, and any enduring legacy they think the film might have. Artists from Mikhail Baryshnikov, Ben Vereen, and Tommy Tune to Garland’s and Kelly’s daughters, Lorna Luft and Kerry Kelly Novick, respectively, offer their unique perspective on the film and its stars.
An in-depth study of the magical era of amateur baseball in Minnesota, from 1945 to 1960, looks at the social and economic factors that contributed to the sport's success, profiles some of the teams and their players, and includes a collection of anecdotes, vintage photographs, and statistics.
It is an understatement to say that women are real people with true and great abilities just like men, yet it does seem like forever that we have been debating the rights of women and how they match up against the rights of men. By every reckoning, there is no blockage to the total equality of women to men, yet again, there it is. In spite of everything that has been accomplished, there still exists somewhat of a prejudice. In spite of this prejudice, young women need to know about those great, sometimes not-too-well-known, women who have pushed and prodded and fought like crazy to get todays women to a spot that would have been unheard of only a relatively short time agowomen who deserve the highest praise, and placed in the highest echelons of respect and honor. And even in politics, women have been able to bring more choices for the voters, with more women being elected as mayors, to county and state legislatures, executive offices, congress, and beyond. And despite the hectic pace and all the infighting, there have been far fewer who have been forced to resign because of incompetence or criminality. Many of the women discussed in these pages could have been even more useful and helpful had they not had faced that wordtradition. Elizabeth Cady Stanton and Susan B. Anthony were some team. Their organizational skills and tireless efforts could not have been met with failure. It goes back to Stanton calling a womens rights convention in Seneca Falls, New York, in 1848. Someday we will truly be a land of equality, practicing what it preaches, and the women will get us there. Hopefully, this book will encourage young women of today to keep up the good fight.
Explores the complex nature of the enigmatic silent-film star through the eyes of his close friends and associates, recreating his vaudeville days, his great successes in the 1920s, and the years of decline
After his wife and children are killed in a traffic accident, Peter Allen Clarke vows revenge. Unable to unleash hell on the the person responsible, Clarke strikes back in a murderous rampage that paralyzes an entire city. With the police now in hot pursuit, Clarke mysteriously disappears, only to return to Los Angeles months later. There, he begins plotting his final revenge. Soon bodies turn up, leaving the police with no suspects or motive. Baffled, the police little realize that his next victims are his real targets. LAPD Homicide Detectives Ray Harris and Doug Walls leave no stone unturned in their efforts to catch their killer. Can they catch him before it’s too late?
This book is a compilation of 25 years of interviews with stars ranging from vaudeville to Gregory Peck, Charlton Heston and Bob Hope with rare photos taken by the authors themselves.
The updated version of this popular MixBooks title--which, because of the advent of DVD, is as timely as the day the movies first appeared--features the details of assembling audio tracks for some of the highest-profile motion pictures of the 1990s, including: Titanic, The Thin Red Line, Austin Powers 2: The Spy Who Shagged Me, Yellow Submarine and The Green Mile. Also included is an exclusive interview with the dean of film mixers, Walter Murch, Larry Blake's comprehensive glossary of film sound terminology, a complete appendix of Oscar for Best Sound and Best Sound Effects Editing, and much more
Two shocking exposés of Nazi cruelty and international collusion from “one of the finest investigative journalists” (The Washington Times). Nazi Gold: The Full Story of the Fifty-Year Swiss-Nazi Conspiracy to Steal Billions from Europe’s Jews and Holocaust Survivors This riveting exposé reveals the shocking truth about how the Swiss banking industry knowingly collaborated with the Third Reich during the darkest era in modern history. With the knowledge and acquiescence of the Swiss government, hundreds of millions of dollars stolen from Jewish Holocaust victims were systematically hidden away in Swiss bank accounts. For the next half century, Swiss authorities engaged in a covert campaign of lies, subterfuge, and corruption to hide the wealth from its rightful owners—concentration camp survivors and the families of the slain—while freely dispensing the illegally obtained funds to fugitive Nazis. Nazi Gold is an explosive account of state-endorsed crimes and atrocities; of former victims fighting courageously for their due in the face of prejudice, hatred, and indifference; and of the dedicated US Treasury agents who worked tirelessly for decades to right an unconscionable wrong. “Compelling [and] carefully researched.” —The Washington Times Klaus Barbie: The Butcher of Lyons In 1942, SS Gestapo chief Nikolaus “Klaus” Barbie was dispatched to Nazi-occupied France after leaving his bloodstained mark on the Netherlands. In Lyons, Barbie was entrusted with “cleansing” the region of Jews, French Resistance fighters, and Communists, an assignment he undertook with sadistic cruelty. Thousands died on Barbie’s orders. Following the D-Day invasion, Barbie fled, slaughtering all his prisoners. But the war’s conclusion was not the end of the “Butcher of Lyons.” With the dawning of the Cold War, Barbie went on to find a new employer: the US intelligence services. He escaped to South America, where he lived a free man until extradited to France to finally stand trial for war crimes in 1983. “[A] taut, richly backgrounded story.” —Kirkus Reviews
‘Tom Bennett is the voice of the modern teacher.’ - Stephen Drew, Senior Vice-Principal, Passmores Academy, UK, featured on Channel 4’s Educating Essex Do the findings from educational science ever really improve the day-to-day practice of classroom teachers? Education is awash with theories about how pupils best learn and teachers best teach, most often propped up with the inevitable research that ‘proves’ the case in point. But what can teachers do to find the proof within the pudding, and how can this actually help them on wet Wednesday afternoon?. Drawing from a wide range of recent and popular education theories and strategies, Tom Bennett highlights how much of what we think we know in schools hasn’t been ‘proven’ in any meaningful sense at all. He inspires teachers to decide for themselves what good and bad education really is, empowering them as professionals and raising their confidence in the classroom and the staffroom alike. Readers are encouraged to question and reflect on issues such as: the most common ideas in modern education and where these ideas were born the crisis in research right now how research is commissioned and used by the people who make policy in the UK and beyond the provenance of education research: who instigates it, who writes it, and how to spot when a claim is based on evidence and when it isn’t the different way that data can be analysed what happens to the research conclusions once they escape the laboratory. Controversial, erudite and yet unremittingly entertaining, Tom includes practical suggestions for the classroom throughout. This book will be an ally to every teacher who’s been handed an instruction on a platter and been told, ‘the research proves it.’
This results-oriented resource is a must-have strategic partner for project managers of every industry. Shifting priorities, budget cuts, unexpected interruptions….the obstacles that project managers face daily are sometimes relentless and always burdensome. Now, the average project is only growing more complicated. The Project Management Tool Kit is filled with step-by-step guidance that will enable managers to complete even the most complex projects both on time and on budget. The book also offers 100 powerful, practical tips and techniques in a variety of areas, including: Scope planning Schedule development and adjustment Cost estimating and control Defining and using project metrics Decision-making and problem solving Motivation and leadership Stakeholder engagement and expectation management Risk identification and monitoring Extensively updated and revised to reflect the latest changes to A Guide to the Project Management Body of Knowledge (PMBOK® Guide), the checklists, charts, examples, and tools for easy implementation in this invaluable resource will help project managers of all types tackle any challenge that comes their way.
Theatre Studios explores the history of the studio model in England, first established by Konstantin Stanislavsky, Jacques Copeau and others in the early twentieth century, and later developed in the UK primarily by Michel Saint-Denis, George Devine, Michael Chekhov and Joan Littlewood, whose studios are the focus of this study. Cornford offers in-depth accounts of the radical, collective work of these leading theatre companies of the mid-twentieth century, considering the models of ensemble theatre-making that they developed and their remnants in the newly publicly-funded UK theatre establishment of the 1960s. In the process, this book develops an approach to understanding the politics of artistic practices rooted in the work of John Dewey, Antonio Gramsci and the standpoint feminists. It concludes by considering the legacy of the studio movement for twenty-first-century theatre, partly by tracking its echoes in the work of Secret Theatre at the Lyric, Hammersmith (2013–2015). Students and makers of theatre alike will find in this book a provocative and illuminating analysis of the politics of performance-making and a history of the theatre as a site for developing counterhegemonic, radically democratic, anti-individualist forms of cultural production.
An exploration of the darker corners of ancient Rome to spotlight the strange sorcery of anonymous literature. From Banksy to Elena Ferrante to the unattributed parchments of ancient Rome, art without clear authorship fascinates and even offends us. Classical scholarship tends to treat this anonymity as a problem or game—a defect to be repaired or mystery to be solved. Author Unknown is the first book to consider anonymity as a site of literary interest rather than a gap that needs filling. We can tether each work to an identity, or we can stand back and ask how the absence of a name affects the meaning and experience of literature. Tom Geue turns to antiquity to show what the suppression or loss of a name can do for literature. Anonymity supported the illusion of Augustus’s sprawling puppet mastery (Res Gestae), controlled and destroyed the victims of a curse (Ovid’s Ibis), and created out of whole cloth a poetic persona and career (Phaedrus’s Fables). To assume these texts are missing something is to dismiss a source of their power and presume that ancient authors were as hungry for fame as today’s. In this original look at Latin literature, Geue asks us to work with anonymity rather than against it and to appreciate the continuing power of anonymity in our own time.
Love once inspired sonnets, plays, novels, and countless romantic songs. But romance can become obsession, and nowadays, love songs are creepier than ever. Even the Police's stalker anthem "Every Breath You Take" is a popular choice at weddings and funerals. In Touch Me, I'm Sick, Tom Reynolds offers hilarious riffs on 52 love songs that have gone off the rails into the realm of the tawdry, the overwhelming, the obsessive, the self-absorbed, and the completely weird. Including songs by artists as diverse as Melissa Etheridge, Michael Jackson, Paul Anka, Sinéad O'Connor, and Slipknot, he also pillories a handful of the 1,700 different songs called "Butterfly." Praise for Tom Reynolds' I Hate Myself and Want to Die: "A tremendous idea . . . Reynolds ameliorates the pain of having put his ear up close to some of the most inconsiderate despair anthems of our time by having enormous fun deconstructing them." --The Sunday Times "Full of premium trivia and pinpoint pomposity-pricking, Reynolds has made comedy gold from the full base metal of misery." --NME "An entertaining and well-researched set of cautionary tales music fans will enjoy. Consider the list a batch of enthralling liner notes for a box set that comes with razor blades." --Playboy "Bridget Jones would love it." --The Scotsman
Record Label Marketing, Third Edition is the essential resource to help you understand how recorded music is professionally marketed. Fully updated to reflect current trends in the industry, this edition is designed to benefit marketing professionals, music business students, and independent artists alike. As with previous editions, the third edition is accessible for readers new to marketing or to the music business. The book addresses classic marketing concepts while providing examples that are grounded in industry practice. Armed with this book, you’ll master the jargon, concepts, and language to understand how music companies brand and market artists in the digital era. Features new to this edition include: Social media strategies including step-by-step tactics used by major and independent labels are presented in a new section contributed by Ariel Hyatt, owner of CYBER PR. An in-depth look at SoundScan and other big data matrices used as tools by all entities in the music business. An exploration of the varieties of branding with particular attention paid to the impact of branding to the artist and the music business in a new chapter contributed by Tammy Donham, former Vice President of the Country Music Association. The robust companion website, focalpress.com/cw/macy, features weblinks, exercises, and suggestions for further reading. Instructor resources include PowerPoint lecture outlines, a test bank, and suggested lesson plans.
Record Label Marketing offers a comprehensive look at the inner workings of record labels, showing how the record labels connect commercial music with consumers. In the current climate of selling music through both traditional channels and new media, authors Tom Hutchison, Paul Allen and Amy Macy carefully explain the components of the contemporary record label's marketing plan and how it is executed. This new edition is clearly illustrated throughout with figures, tables, graphs, and glossaries, and includes a valuable overview of the music industry. Record Label Marketing has become essential reading for current and aspiring professionals, and for music business students everywhere. The book also has a companion website located at www.recordlabelmarketing.com. Record Label Marketing. * Gives you an exclusive and complete look at SoundScan and how it is used as a marketing tool * Presents essential information on uses of new media, label publicity, advertising, retail distribution, and marketing research by record labels * Offers insight into how successful labels use videos, promotional touring, and special products to build revenue * Includes important specialized marketing strategies using the tools of grassroots promotion and international opportunities * Reveals how labels are managing within their transitional digital industry * Looks to the future of the music business - how online developments, technological diffusion, and convergence and new markets continue to reshape the industry
In an inspirational handbook, the discoveries of Donald O. Clifton, the grandfather of positive psychology, show how the briefest interactions affect people's relationships, productivity, health, and longevity.
Originally published as: SPELLBINDER: The Life of Harry Houdini. He was born Ehrich Weiss but, at an early age, he chose another name for himself. He wanted a name to suit his career of magic and entertainment and he chose a name that paid homage to one of the legendary magicians of all time: Robert Houdin. His illusions and escapes were more astonishing and more challenging than anyone had ever done before and he eclipsed the names of all other magicians as his fame reached around the world, made him famous and made him the most famous illusionist ever. Houdini disappeared through brick walls. He escaped from straitjackets and then straitjackets immersed in water. He performed escapes in public places and from jail cells in major cities--and the crowds flocked to his performances. Tom Lalicki tells Houdini's story with a fascinating mix of text and images, revealing the facts and juxtaposing them with startling images of a master entertainer performing masterfully and mysteriously, mesmerizing his audiences and mystifying experts with his skill and his invention.
While countless books have chronicled the wrongful conviction of French military officer Alfred Dreyfus, his ensuing trials, and his eventual exoneration, this distinctive volume examines France's Dreyfus Affair (1894-1906) with a critical eye, analyzing the actions of its main protagonists, the rise of the public intellectual, and the Affair's continued relevance. After a brief overview of the events to establish the poisoned ideological climate of the day, the work explores how intellectuals like Bernard Lazare, Emile Zola, and others contributed to the Affair, defining both it and themselves in the process. With mini-portraits of the key players and a detailed chronology, this telling book combines rigorous scholarship with cultural commentary to demonstrate the continued relevance of the example set by Dreyfus and his many supporters.
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