This book focuses on the clarification of what actually a handbook is, the systematic identification of what ought to be considered as “settled knowledge” (extracted from historic repositories) for inclusion into such a handbook, and the “assembly” of such identified knowledge into a form which is fit for the purpose and conforms to the formal characteristics of handbooks as a “literary genre”. For many newly emerging domains or disciplines, for which no handbook with normative authority has yet been defined, the question arises of how to do this systematically and in a non-arbitrary manner. This book is the first to reflect upon the question of how to construct a desktop handbook. It is demonstrated how concept analysis can be used for identifying settled knowledge as the key ingredient by utilizing the assembled data for classification; a presentation scheme for handbook articles is developed and demonstrated to be suitable. The sketched approach is then illustrated by an example from the railway safety domain. Finally, the limitations of the presented methods are discussed. The key contribution of this book is the (example illustrated) construction method itself, not the handbook, which would result from a highly detailed and thoroughly comprehensive application of the method.
A favorite of film followers for 50 years, James Bond is the hero loved by everyone: Men want to be just like him, women just want to be with him. Moviegoers around the world have spent more than $5 billion to watch his adventures across the last five decades. What's not to enjoy about such a glorious multitude of gadgets, gals, grand locations, and grandiose schemes hatched by master villains and megalomaniacs? Now, James Bond FAQ is a book that takes on the iconic cinema franchise that's lasted for so many years. Sometimes serious as SPECTRE, sometimes quirkier than Q, but always informative, this FAQ takes the reader behind-the-scenes, as well as in front of the silver screen. Everyone's included: Connery, Lazenby, Moore, Dalton, Brosnan, and Craig; little-known facts about TV's first shot at 007, the same Bond story that was made into two different films; whatever happened to those wonderful cars and gizmos that thrilled everyone; plus much more. It's a book for the casual, as well as hardcore, James Bond fan. James Bond FAQ is filled with biographies, synopses, production stories, and images and illustrations seldom seen in print, leaving little else to be said about the world's favorite secret agent. This book includes a foreword by Eunice Gayson.
“A treasure trove of observations and anecdotes about Hollywood from the 1960s to the 1980s and the people who made the movies back then.” —Associated Press The son of famed director and screenwriter Joseph L. Mankiewicz and the nephew of Citizen Kane screenwriter Herman Mankiewicz, Tom Mankiewicz was genuine Hollywood royalty. He grew up in Beverly Hills and New York, spent summers on his dad’s film sets, had his first drink with Humphrey Bogart, dined with Elizabeth Taylor and Richard Burton, went to the theater with Ava Gardner, and traveled the world writing for Brando, Sinatra, and Connery. Although his family connections led him to show business, Tom “Mank” Mankiewicz forged a career of his own, becoming a renowned screenwriter, director, and producer of acclaimed films and television shows. He wrote screenplays for three James Bond films—Diamonds Are Forever (1971), Live and Let Die (1973), and The Man with the Golden Gun (1974)—and made his directorial debut with the hit TV series Hart to Hart (1979-1984). My Life as a Mankiewicz is a fascinating look at the life of an individual whose creativity and work ethic established him as a member of the Hollywood writing elite. My Life as a Mankiewicz illuminates his professional development as a writer and director, detailing his friendships and romantic relationships with some of Hollywood’s biggest stars as well as his struggle with alcohol and drugs. With the assistance of Robert Crane, Mankiewicz tells a story of personal achievement and offers an insider’s view of the glamorous world of Hollywood during the 1960s, 1970s, and 1980s.
A landmark art historical study of German Notgeld, the emergency money produced during World War I, and the hyperinflation that followed. Emergency Money is the first art historical study of Germany’s emergency money, Notgeld. Issued during World War I and the tumultuous interwar period, these wildly artful banknotes featured landscapes, folk figures, scenes of violence and humor, and even inflation itself in the form of figures staring into empty purses or animals defecating coins. Until now, art historians have paid Notgeld scant attention, but Wilkinson looks closely at these amusing, often disturbing, artifacts and their grim associations to cast new light on the Weimar Republic’s visual culture, as well as the larger relationship between art and money. As Wilkinson shows, Germany’s early twentieth-century economic crisis was also a crisis of culture. Retelling the period’s gripping story through thematic investigations into prevalent Notgeld motifs, Wilkinson illuminates how the vexed relationship between aesthetic value and exchange value was an inextricable part of everyday life. A landmark contribution to our understanding of twentieth-century Germany, Emergency Money brings together art, economics, critical theory, and media theory to create a book for our own inflationary moment, as the world’s new materialisms confront the specter of this older, more fundamental materialism.
This whopping big McFarland Classic brings together 43 interviews with horror and science fiction movie writers, producers, directors and the men and women who saved the planet from aliens, behemoths, robots, zombies, and other sinister, stumbling threats--in the movies, at least. The interviewees reminisce about some of their great (and not so great!) films and tell their stories. This classic volume represents the union of two previous volumes: 1994's Attack of the Monster Movie Makers ("anecdotes are frank and revealing"--Video Watchdog); and 1995's They Fought in the Creature Features ("a fun book for all SF film enthusiasts"--Interzone). Together at last, this combined collection of interviews offers a candid and delightful perspective on the movies that still make audiences howl and squeal (though fear has long been replaced with sweet nostalgia).
Lonely Planet Germany is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. See storybook castles arise from the Bavarian forest, raise a stein to an oompah band in a Munich beer garden, and take in the vibrant Berlin arts scene; all with your trusted travel companion.
Elvis Presley musicals, beach romps, biker flicks, and alienated youth movies were some of the most popular types of drive-in films during the sixties. The actresses interviewed for this book (including Celeste Yarnall, Lana Wood, Linda Harrison, Pamela Tiffin, Deanna Lund, Diane McBain, Judy Pace, and Chris Noel) all made their mark in these genres. These fantastic femmes could be found either twisting on the shores of Malibu, careening down the highway on a chopper, being serenaded by Elvis, or taking on the establishment as hip coeds. As cult figures, they contributed greatly to that period of filmmaking aimed at the teenage audience who frequented the drive-ins of America. They frolicked, screamed, and danced their way into B-movie history in such diverse films as Eve, Teenage Millionaire, The Girls on the Beach, Dr. Goldfoot and the Bikini Machine, Three in the Attic, Wild in the Streets, and Paradise, Hawaiian Style. This book is a celebration of the actresses' careers. They have for the most part been overlooked in other publications documenting the history of film. Fantasy Femmes addresses their film and television careers, focusing on their view of the above genres, their candid comments and anecdotes about their films, the people they worked with, and their feelings in general regarding their lives and the choices they made. The book is well illuminated and contains a complete list of film and television credits.
An understanding of statistical thermodynamic molecular theory is fundamental to the appreciation of molecular solutions. This complex subject has been simplified by the authors with down-to-earth presentations of molecular theory. Using the potential distribution theorem (PDT) as the basis, the text provides a discussion of practical theories in conjunction with simulation results. The authors discuss the field in a concise and simple manner, illustrating the text with useful models of solution thermodynamics and numerous exercises. Modern quasi-chemical theories that permit statistical thermodynamic properties to be studied on the basis of electronic structure calculations are given extended development, as is the testing of those theoretical results with ab initio molecular dynamics simulations. The book is intended for students taking up research problems of molecular science in chemistry, chemical engineering, biochemistry, pharmaceutical chemistry, nanotechnology and biotechnology.
Sean Connery began the sixties spy movie boom playing James Bond in Dr. No and From Russia with Love. Their success inspired every studio in Hollywood and Europe to release everything from serious knockoffs to spoofs on the genre featuring debonair men, futuristic gadgets, exotic locales, and some of the world's most beautiful actresses whose roles ranged from the innocent caught up in a nefarious plot to the femme fatale. Profiled herein are 107 dazzling women, well-known and unknown, who had film and television appearances in the spy genre. They include superstars Doris Day in Caprice, Raquel Welch in Fathom, and Ann-Margret in Murderer's Row; international sex symbols Ursula Andress in Dr. No and Casino Royale, Elke Sommer in Deadlier Than the Male, and Senta Berger in The Spy with My Face; and forgotten lovelies Greta Chi in Fathom, Alizia Gur in From Russia with Love, and Maggie Thrett in Out of Sight. Each profile includes a filmography that lists the actresses' more notable films. Some include the actresses' candid comments and anecdotes about their films and television shows, the people they worked with, and their feelings about acting in the spy genre are offered throughout. A list of websites that provide further information on women in spy films and television is also included.
The career of Christopher Lee has stretched over half a century in every sort of film from comedy to horror and in such diverse roles as the Man With the Golden Gun, Frankenstein's monster, Fu Manchu and Sherlock Holmes. From Corridor of Mirrors in 1948 to Star Wars: Episode II-Attack of the Clones in 2002, this reference book covers 166 theatrical feature films: all production information, full cast and crew credits, a synopsis, and a critical analysis, with a detailed account of its making and commentary drawn from some thirty hours of interviews with Lee himself. Two appendices list Lee's television feature films and miniseries and his short films. The work concludes with an afterword by Christopher Lee himself. Photographs from the actor's private collection are included.
This book focuses on the clarification of what actually a handbook is, the systematic identification of what ought to be considered as “settled knowledge” (extracted from historic repositories) for inclusion into such a handbook, and the “assembly” of such identified knowledge into a form which is fit for the purpose and conforms to the formal characteristics of handbooks as a “literary genre”. For many newly emerging domains or disciplines, for which no handbook with normative authority has yet been defined, the question arises of how to do this systematically and in a non-arbitrary manner. This book is the first to reflect upon the question of how to construct a desktop handbook. It is demonstrated how concept analysis can be used for identifying settled knowledge as the key ingredient by utilizing the assembled data for classification; a presentation scheme for handbook articles is developed and demonstrated to be suitable. The sketched approach is then illustrated by an example from the railway safety domain. Finally, the limitations of the presented methods are discussed. The key contribution of this book is the (example illustrated) construction method itself, not the handbook, which would result from a highly detailed and thoroughly comprehensive application of the method.
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