An epic family drama, shot through with dark humour, The Last Days of a Reluctant Tyrant tells the tragic story of a family disintegrating, having lost its moral values. Arina is an ambitious woman. As a servant girl she marries into the degenerative family she works for; her ruthless energy saves it from bankruptcy and she expands the family estate into an 'empire'. As matriarch she rules with an iron hand, her avarice insatiable, until she questions what it is all for. She slackens her hold and loses her power to the hypocrisy and relentless grasping of her 'chosen son'. Inspired by The Golovlyov Family by Mikhail Saltykov-Shchedrin, The Last Days of a Reluctant Tyrant is a haunting new work from leading Irish dramatist Tom Murphy, who has worked closely with the Abbey Theatre throughout his career. The play premiered at the Abbey Theatre, Ireland, on 3 June 2009.
Brigit I'd like it to be perfect . . . Beautiful . . . The statue . . . Unbeatable? . . . I'd like it to be what I feel . . . And I don't know what that is. Set in the 1950s, Brigit, a prequel to Murphy's critically-acclaimed Bailegangaire (1985), tells the story of Mommo and Séamus, grandparents living on the breadline, who are raising three grandchildren: Mary, Dolly and Tom, when Séamus is offered a job to carve a statue of St Brigit. Brigit premiered in September 2014, in a production by Druid Theatre Company, Galway, Ireland. Bailegangaire 'One of the finest and most inventive pieces of Irish dramatic writing ever - the power of its language soaring beyond the loftiest aspirations of Synge and its insights on the human spirit cutting deeper than O'Casey's' - Sunday Independent A Thief of a Christmas 'Grand opera . . . both timeless and contemporary' - Fintan O'Toole
Revised and updated since its first publication in 1990, this acclaimed critical survey covers the classic chillers produced by Universal Studios during the golden age of hollywood horror, 1931 through 1946. Trekking boldly through haunts and horrors from The Frankenstein Monster, The Wolf Man, Count Dracula, and The Invisible Man, to The Mummy, Paula the Ape Woman, The Creeper, and The Inner Sanctum, the authors offer a definitive study of the 86 films produced during this era and present a general overview of the period. Coverage of the films includes complete cast lists, credits, storyline, behind-the-scenes information, production history, critical analysis, and commentary from the cast and crew (much of it drawn from interviews by Tom Weaver, whom USA Today calls "the king of the monster hunters"). Unique to this edition are a new selection of photographs and poster reproductions and an appendix listing additional films of interest.
“I cannot go anywhere in America without people wanting to share their wartime experiences....The stories and the lessons have emerged from long-forgotten letters home, from reunions of old buddies and outfits, from unpublished diaries and home-published memoirs....As the stories in this album of memories remind us, it truly was an American experience, from the centers of power to the most humble corners of the land.” —Tom Brokaw In this beautiful American family album of stories from the Greatest Generation, the history of life as it was lived during the Depression and World War II comes alive and is preserved in people’s own words. Photographs and time lines also commemorate important dates and events. An Army Air Corps veteran who enlisted in 1941 at age seventeen writes to describe the Bataan Death March. A black nurse tells of her encounter with wartime segregation. Other members of the Greatest Generation describe their war—in such historic episodes as Guadalcanal, the D-Day invasion, the Battle of the Bulge, and Midway—as well as their lives on the home front. Starting with the Depression and Pearl Harbor, moving on through the war years in Europe, in the Pacific, and at home, this unique book preserves a people’s rich historical heritage and the legacy of a nation’s heroism in war and its courage in peace—in the shaping of their lives and of the world we have today.
Murphy Plays: 6 brings together four plays by the author inspired by other great works of literature: The Cherry Orchard: In Chekhov's tragi-comedy - perhaps his most popular play - the Gayev family is torn by powerful forces, forces rooted deep in history and in the society around them. Tom Murphy's fine vernacular version allows us to re-imagine the events of the play in the last days of Anglo-Irish colonialism. It gives this great play vivid new life within our own history and social consciousness. She Stoops to Folly: Modelled on Oliver Goldsmith's classic novel The Vicar of Wakefield, Murphy builds a comedy peopled with thieves, pimps, bawds, lechers and imposters who will prey on innocence unless God - or the ruling class - takes a hand. The Drunkard is inspired by the American temperance play first performed in 1844 and attributed to W. H. Smith and A gentleman. A drama in five acts, it was perhaps the most popular play produced in the United States before the dramatization of Uncle Tom's Cabin in the 1850s. An epic family drama, shot through with dark humour, The Last Days of a Reluctant Tyrant tells the tragic story of a family disintegrating, having lost its moral values and is inspired by The Golovlyov Family by Mikhail Saltykov-Shchedrin. It follows Arina who rises from servant girl to matriarch controlling a vast family estate and empire until she slackens her hold and loses her power to the hypocrisy and relentless grasping of her chosen son.
One of the Financial Times' Best Economics Books of 2023 Visionary Oxford professor Ian Goldin and The Economist's Tom Lee-Devlin show why the city is where the battles of inequality, social division, pandemics and climate change must be faced. From centres of antiquity like Athens or Rome to modern metropolises like New York or Shanghai, cities throughout history have been the engines of human progress and the epicentres of our greatest achievements. Now, for the first time, more than half of humanity lives in cities, a share that continues to rise. In the developing world, cities are growing at a rate never seen before. In this book, Professor Goldin and Tom Lee-Devlin show why making our societies fairer, more cohesive and sustainable must start with our cities. Globalization and technological change have concentrated wealth into a small number of booming metropolises, leaving many smaller cities and towns behind and feeding populist resentment. Yet even within seemingly thriving cities like London or San Francisco, the gap between the haves and have-nots continues to widen and our retreat into online worlds tears away at our social fabric. Meanwhile, pandemics and climate change pose existential threats to our increasingly urban world. Professor Goldin and Tom Lee-Devlin combine the lessons of history with a deep understanding of the challenges confronting our world today to show why cities are at a crossroads – and hold our destinies in the balance.
A marvellously inventive and imaginative fiction. A tremendous novel' William Boyd 'A relatable and compelling read ... Anyone would love it' Dorian Cope 'Funny, thought-provoking and astoundingly clever ... What will I be able to read after Villager? I'll just read it again, I guess. And again. Just cancel all other books' Adele Nozedar, author of The Hedgerow Handbook 'One chapter unfolds as dialogue with a search engine; others are narrated by the moor itself. A rich potpourri that keeps us busy enough not to worry about what it adds up to’ Anthony Cummins, Mail on Sunday There’s so much to know. It will never end, I suspect, even when it does. So much in all these lives, so many stories, even in this small place. Villages are full of tales: some are forgotten while others become a part of local folklore. But the fortunes of one West Country village are watched over and irreversibly etched into its history as an omniscient, somewhat crabby, presence keeps track of village life. In the late sixties a Californian musician blows through Underhill where he writes a set of haunting folk songs that will earn him a group of obsessive fans and a cult following. Two decades later, a couple of teenagers disturb a body on the local golf course. In 2019, a pair of lodgers discover a one-eyed rag doll hidden in the walls of their crumbling and neglected home. Connections are forged and broken across generations, but only the landscape itself can link them together. A landscape threatened by property development and superfast train corridors and speckled by the pylons whose feet have been buried across the moor. Tom Cox’s masterful debut novel synthesises his passion for music, nature and folklore into a psychedelic and enthralling exploration of village life and the countryside that sustains it.
As Dracula (1931) and Frankenstein (1931) ushered in the golden age of horror films in the United States, studios and distributors were faced with a major problem in their number one overseas market: the British Board of Film Censors (BBFC) were demanding extensive cuts, enforcing age restrictions, and banning outright many of Hollywood's horror movies. The issue most often used to limit the showing of horror films was their "unsuitability" to children. With that in mind, the BBFC developed specific film codes--the "A" (for adults) and the "H" (for horrific), both of which restricted viewing to those 16 or older--and then applied them liberally. This work examines how and why horror films were censored or banned in the United Kingdom, and the part these actions played in ending Hollywood's golden age of horror.
Sanitary reform was one of the great debates of the nineteenth century. This reset edition makes available a modern, edited collection of rare documents specifically addressing sanitary reform. Each volume will begin with an introduction, and the documents presented have headnotes and endnotes provided. A full index appears in the final volume.
Benji is an imaginative eight-year-old boy, living with his parents in a mining village in Nottinghamshire amidst the spoil heaps and chip shops that characterise the last industrially bruised outposts of the Midlands, just before Northern England begins. His family are the eccentric neighbours on a street where all the houses are set on a tilt, slowly subsiding into the excavated space below. Told through Benji’s voice and a colourful variety of others over a deeply joyful and strange twelve-month period, it’s a story about growing up, the oddness beneath the everyday, what we once believed the future would be, and those times in life when anything seems possible. 1983 is steeped in the distinctive character of a setting far weirder than it might at first appear: from robots living next door, and a school caretaker who is not all he seems, to missing memories and the aliens Benji is certain are trying to abduct him.
Over more than six decades and 200 films, supreme movie villain John Carradine defined the job of the character actor, running the gamut from preacher Casey of The Grapes of Wrath to his classic Count Dracula of House of Frankenstein and House of Dracula. But for every Prisoner of Shark Island or Jesse James, Carradine--who also did great work on Broadway and the classical theater (he produced, directed and starred in Hamlet)--hammed it up in scores of "B" and "C" horror and exploitation films, developing the while quite a reputation for scandal. Through it all, though, he remained a survivor and a true professional. This is the first ever work devoted exclusively to the films of John Carradine. In addition to the comprehensive filmography, there is a biography of Carradine (contributed by Gregory Mank), commentary on the man by indie film director Fred Olen Ray (who helmed many latter-day Carradine movies), and an interesting piece by director Joe Dante, who writes about Carradine's involvement in Dante's 1981 werewolf movie The Howling.
The Following Directions series teaches skills needed to analyse and organise information presented in written and oral directions for primary school students. Exercises are attractive, easy to follow and arranged sequentially. Directional words, colour words, number words are stressed throughout the book. The theme of this book is ecology, you and your students will enjoy following directions to learn more about ecology and how to help save our planet, Earth.
There is a fifth dimension beyond that which is known to man. This is a dimension of imagination. In the case of these stories, it is where author Tom Sawyer’s imagination takes flight. Mr. Sawyer, as a popular Michigan horror fiction author of many delights ( From Paradise to Hell, Dark Harbors), pays an ultimate tribute to Rod Serling’s own imagination, which influenced viewers around the world since its inception decades ago with The Twilight Zone TV series. Here, Sawyer continues the tradition seamlessly on these pages. So sit back, relax, and cross over into the sight and sound and of mind which is.....The Twilight Zone.
The short story is alive and well. With this collection Upton examines the triumphs, the tragedies, and the folly of human existence. From the sad to the hilarious, from the everyday to the bizarre-- Upton covers it all, spinning beautifully written tales filled with insights for the reader to ponder long after the story is read.
There is a fifth dimension beyond that which is known to man. You should all know that by now. This is a dimension which began, on national television, with Rod Serling’s The Twilight Zone. Here, Michigan horror writer Tom Sawyer (White Out) presents to you even further provocative and eerie tales as a follow-up to his first two collections in his series In Rod We Trust. Follow Mr. Sawyer, if you dare, into this dimension of imagination that knows no concepts of time or boundaries and beyond mystery and normal understanding or perception. Black Bed Sheet Books proudly presents In Rod We Trust Again.
A father (Tom) hears his son Richard say, “School is OK except I don’t like learning numbers or arithmetic.” After dinner, Tom sits with Richard and tells him a story of a kingdom long ago where the use of numbers is forbidden by King Kcaj and of the chaos that ensues because of it. As Tom’s story unfolds, he hopes to instill in Richard a sense of the importance of learning numbers, counting, and arithmetic along with other life lessons.
Discover Tom's multiple exciting careers, from penciling and inking comic books at the age of twenty-two for Stan Lee, to top advertising illustrator, to award-winning filmmaker, and on through his Emmy and Edgar-nominated career in Hollywood to musical theatre and beyond.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.