Faith and Slavery in the Presbyterian Diaspora considers how, in areas as diverse as the New Hebrides, Scotland, the United States, and East Central Africa, men’s and women’s shared Presbyterian faith conditioned their interpretations of and interactions with the institution of chattel slavery. The chapters highlight how Presbyterians’ reactions to slavery –which ranged from abolitionism, to indifference, to support—reflected their considered application of the principles of the Reformed Tradition to the institution. Consequently, this collection reveals how the particular ways in which Presbyterians framed the Reformed Tradition made slavery an especially problematic and fraught issue for adherents to the faith. Faith and Slavery, by situating slavery at the nexus of Presbyterian theology and practice, offers a fresh perspective on the relationship between religion and slavery. It reverses the all too common assumption that religion primarily served to buttress existing views on slavery, by illustrating how groups’ and individuals reactions to slavery emerged from their understanding of the Presbyterian faith. The collection’s geographic reach—encompassing the experiences of people from Europe, Africa, America, and the Pacific—filtered through the lens of Presbyterianism also highlights the global dimensions of slavery and the debates surrounding it. The institution and the challenges it presented, Faith and Slavery stresses, reflected less the peculiar conditions of a particular place and time, than the broader human condition as people attempt to understand and shape their world.
We are living in a time of mind-boggling corruption, but we are also living in a golden age of whistleblowing. Over the past two decades, whistleblowers have emerged as both the government's best weapon against corporate misconduct and the citizenry's best defence against government. Drawing on relentless original research, including in-depth interviews with more than 200 whistleblowers, Crisis of Conscience is a modern-day David-and-Goliath saga, told through a series of riveting cases drawn from Big Pharma, the military, and beyond.
At first mildly cynical but then the wonderful characters that you meet draw you into a compelling world. These are people who are out to enjoy themselves and have no idea what happened in some casualty department last Saturday, or who baked what on Thursday. A highly enjoyable, educational and addictive romp, through a diverse and entertaining city. Reality is definitely stranger and funnier than fiction. "Possibly, the best book written about Manchester... this week" Sheffield Rick, a neighbour.
For the first time this trilogy brings together Tom Quinn's trio of tragic love tales, "The Islandman", "The Lamp for Lovers", and "The Love Song of the Dying Sperm Whale". Read together the thematic unity of the novels is immediately very evident, revealing an ongoing lyrical and moving quest through shifting landscapes of desire and loss under the distant shining light of fervent and unattainable love.
A call to arms and to action, for anyone with a conscience, anyone alarmed about the decline of our democracy." — New York Times-bestselling author Wendell Potter "Powerful...His extensively reported tales of individual whistleblowers and their often cruel fates are compelling...They reveal what it can mean to live in an age of fraud." — The Washington Post "Tom Mueller's authoritative and timely book reveals what drives a few brave souls to expose and denounce specific cases of corruption. He describes the structural decay that plagues many of our most powerful institutions, putting democracy itself in danger." —George Soros A David-and-Goliath story for our times: the riveting account of the heroes who are fighting a rising tide of wrongdoing by the powerful, and showing us the path forward. We live in a period of sweeping corruption -- and a golden age of whistleblowing. Over the past few decades, principled insiders who expose wrongdoing have gained unprecedented legal and social stature, emerging as the government's best weapon against corporate misconduct--and the citizenry's best defense against government gone bad. Whistleblowers force us to confront fundamental questions about the balance between free speech and state secrecy, and between individual morality and corporate power. In Crisis of Conscience, Tom Mueller traces the rise of whistleblowing through a series of riveting cases drawn from the worlds of healthcare and other businesses, Wall Street, and Washington. Drawing on in-depth interviews with more than two hundred whistleblowers and the trailblazing lawyers who arm them for battle--plus politicians, intelligence analysts, government watchdogs, cognitive scientists, and other experts--Mueller anatomizes what inspires some to speak out while the rest of us become complicit in our silence. Whistleblowers, we come to see, are the freethinking, outspoken citizens for whom our republic was conceived. And they are the models we must emulate if our democracy is to survive.
Though only a handful remain today, the Capital City once boasted a wealth of illustrious hotels and raucous two-bit establishments. Grande dame hotels like the Neil House, the Great Southern, the Hartman, the Chittenden and the Deshler achieved the height of elegance and refinement. More modest establishments were frequented by fugitive Confederate generals, notorious bootleggers and Fidel Castro's family. Join the Gilded Age bachelors who decked out banquet halls to look like camping sites and the Hungarian revolutionaries who failed to keep a low profile. From devastating hotel fires to ornate outhouse fittings, authors Tom Betti and Doreen Uhas Sauer introduce you to a whole new side of Columbus history.
Theatre Studios explores the history of the studio model in England, first established by Konstantin Stanislavsky, Jacques Copeau and others in the early twentieth century, and later developed in the UK primarily by Michel Saint-Denis, George Devine, Michael Chekhov and Joan Littlewood, whose studios are the focus of this study. Cornford offers in-depth accounts of the radical, collective work of these leading theatre companies of the mid-twentieth century, considering the models of ensemble theatre-making that they developed and their remnants in the newly publicly-funded UK theatre establishment of the 1960s. In the process, this book develops an approach to understanding the politics of artistic practices rooted in the work of John Dewey, Antonio Gramsci and the standpoint feminists. It concludes by considering the legacy of the studio movement for twenty-first-century theatre, partly by tracking its echoes in the work of Secret Theatre at the Lyric, Hammersmith (2013–2015). Students and makers of theatre alike will find in this book a provocative and illuminating analysis of the politics of performance-making and a history of the theatre as a site for developing counterhegemonic, radically democratic, anti-individualist forms of cultural production.
Leading scholar Tom R. Tyler provides a timely and engaging introduction to the field of law and psychology. This Advanced Introduction outlines the main areas of research, their relevance to law and the way that psychological findings have shaped – or failed to shape – the corresponding areas of law. Key features include focus on the relevance of psychological theories to topics in law, emphasis on the institutional realities within which law functions and discussion of the problems of bringing research findings into the legal system.
Never in the history of humanity has Orthodox religions been so out-of-touch with reasonable people. Religions have not learned from over two thousand years of repeated failures and bad choices. Reasonable people understand it is inconsistent to kill for the sake of peace; it is a contradiction to speak of love and choose hate; and it is impossible to have peace with violence. How much longer can we accept orthodox religion's definition of happiness as it manifests empty rewards, deceptions, inconsistencies, and egocentric goals? How long can we flounder in this emotional, intellectual, and spiritual wasteland before we destroy all righteousness? Tom Dickerson openly examines orthodox religion's history of human rights failures, inconsistencies, abuses, and atrocities according to their choices, not their rhetoric. This book does not deny god, nevertheless, it strongly questions the validity of Western Religion's concept of an omnipotent, righteous, compassionate, domineering, vengeful, and child-like god. This book will educate, shock, and provoke the reader; as it openly advocates replacement of orthodox religion's strict dogma with exercises, introspection, critical thought, meditation, personal balance, and freedom of choice. Every person can come to understand orthodox religion's evilness and achieve self-awareness with personal balance and acceptance of responsibility. Personal balance, a foundational element of a positive holistic life, is available to all people willing to open their minds to reason. You are the creator of your destiny.
Historians have suggested that Scottish influences are more pervasive in New Zealand than in any other country outside Scotland, yet curiously New Zealand's Scots migrants have previously attracted only limited attention. A thorough and interdisciplinary work, Unpacking the Kists is the first in-depth study of New Zealand's Scots migrants and their impact on an evolving settler society. The authors establish the dimensions of Scottish migration to New Zealand, the principal source areas, the migrants' demographic characteristics, and where they settled in the new land. Drawing from extended case-studies, they examine how migrants adapted to their new environment and the extent of longevity in diverse areas including the economy, religion, politics, education, and folkways. They also look at the private worlds of family, neighbourhood, community, customs of everyday life and leisure pursuits, and expressions of both high and low forms of transplanted culture. Adding to international scholarship on migrations and cultural adaptations, Unpacking the Kists demonstrates the historic contributions Scots made to New Zealand culture by retaining their ethnic connections and at the same time interacting with other ethnic groups.
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