Theatre Studios explores the history of the studio model in England, first established by Konstantin Stanislavsky, Jacques Copeau and others in the early twentieth century, and later developed in the UK primarily by Michel Saint-Denis, George Devine, Michael Chekhov and Joan Littlewood, whose studios are the focus of this study. Cornford offers in-depth accounts of the radical, collective work of these leading theatre companies of the mid-twentieth century, considering the models of ensemble theatre-making that they developed and their remnants in the newly publicly-funded UK theatre establishment of the 1960s. In the process, this book develops an approach to understanding the politics of artistic practices rooted in the work of John Dewey, Antonio Gramsci and the standpoint feminists. It concludes by considering the legacy of the studio movement for twenty-first-century theatre, partly by tracking its echoes in the work of Secret Theatre at the Lyric, Hammersmith (2013–2015). Students and makers of theatre alike will find in this book a provocative and illuminating analysis of the politics of performance-making and a history of the theatre as a site for developing counterhegemonic, radically democratic, anti-individualist forms of cultural production.
Presenting a new approach to the problem of public authority liability, this volume provides a theoretical foundation in the form of principles of administrative liability that are both normatively sound and consonant with other recognized legal principles. These principles are used as criteria by which to judge the current law and as a guide to reform. Such reform could be brought about by judicial development of the law, and this volume explains how. It considers both the procedural and the substantive divides between public and private law and explains the proposed solution's relation to the forms of public authority liability already present under European Community law and the Human Rights Act. Focusing in particular on UK law, the book is also relevant to other Commonwealth countries and will be of interest to scholars and practitioners of both tort and public law.
This book is not a biography. I consider them to often times have too much dull material in them. Instead, this is a compilation of dozens and dozens of interesting, even spell binding events in my life, so much so, that readers tell me there isn't a dull paragraph in the 221 pages of my book! In addition to being very readable, I actually believe that any thoughtful person who reads this and wants to, can easily learn how to become physically stronger, mentally more serene and courageous, and even adept at becoming more spiritually oriented." So I say to you, "Read and enjoy!
A Classic Father-Daughter Love Story by Colonel Tom Kelly. Selected Childhood chapters from; Dealer’s Choice, Better on A Rising Tide, A Year Outside, The Boat, & A Few Loose Chapters. “Age cannot wither her, nor custom stale, her infinite variety.” -William Shakespeare
Petersburg, that "sleepy little village" we read about in The Adventures of Tom Sawyer, awakes to the news of Huckleberry Finn's presumed murder, and the escape of Miss Watson's Jim. A confrontation is evoked between Jimmy Finn, and Judge Thatcher, when widow Douglas is given the rights to Huck's money. Jimmy swears revenge against Judge Thatcher, and nearly kills Widow Douglas. Without Huck, Tom Sawyer turns his attention to Becky Thatcher as his new bosom friend. She proves to be a willing comrade and participant. The two embark on an expedition of an old home-The Stantan Home-to look for a rumored treasure. They discover a passageway that has been filled with dirt. Believing the treasure to be on the other side, they begin removing dirt. Their adventure is interrupted when Jimmy takes out his revenge on Judge Thatcher by kidnapping Becky, with the help of two accomplices. Becky knows she must remain strong in order to overcome her ordeal. Tom, believing he is to blame for her kidnapping, goes in search for her. After Becky's escape, she and Tom resume their adventure within the Stantan Home. What they discover at the end of the tunnel both amazes and mystifies them. And it has nothing to do with the rumored treasure!
There is a fifth dimension beyond that which is known to man. This is a dimension of imagination. In the case of these stories, it is THE 2nd TIME where author Tom Sawyer’s imagination takes flight in an explosive follow-up to IN ROD WE TRUST, a collection of stories uniquely inspired by Rod Serling's THE TWILIGHT ZONE television series. Mr. Sawyer, as a celebrated Michigan horror and science fiction fiction author over many years past, presents to you further thrilling tales that will not only entertain, enchant, and leave you mesmerized, but guaranteed to completely pull you in and freak you out....which is exactly what fervent fans of Serling's The Twilight Zone fully expect!
Discover Tom's multiple exciting careers, from penciling and inking comic books at the age of twenty-two for Stan Lee, to top advertising illustrator, to award-winning filmmaker, and on through his Emmy and Edgar-nominated career in Hollywood to musical theatre and beyond.
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