The Curse of Future Tom is a compilation of short fiction, novel excerpts, and humorous pieces from the popular online blog. Ranging in subject matter from rural bank heists to teen suicide to raising teenaged daughters, skipping from fiction to non-fiction as the mood dictates, and alternating between tragedy and slapstick, the goal of the book in your hands is to deliver an emotional charge right into your brain, and to hone the craft of writing as it occurs at a manic, daily pace, right before your eyes. Packed with the best of his online posts so far, and also including never-before-published works and excerpts from two novels to come, Tom Chalfant has inited you to watch as he forces his Future Self to become the man that he dictates, publicly, loudly, and for all the world to see.
This book focuses on the influence of classical authors on Ben Jonson’s dramaturgy, with particular emphasis on the Greek and Roman playwrights and satirists. It illuminates the interdependence of the aspects of Jonson’s creative personality by considering how classical performance elements, including the Aristophanic ‘Great Idea,’ chorus, Terentian/Plautine performative strategies, and ‘performative’ elements from literary satire, manifest themselves in the structuring and staging of his plays. This fascinating exploration contributes to the ‘performative turn’ in early modern studies by reframing Jonson’s classicism as essential to his dramaturgy as well as his erudition. The book is also a case study for how the early modern education system’s emphasis on imitative-contaminative practices prepared its students, many of whom became professional playwrights, for writing for a theatre that had a similar emphasis on recycling and recombining performative tropes and structures.
(Screen World). Every significant U.S. and international film released from January 1 to December 31, 2002, along with complete filmographies: cast, characters, credits, production company, month released, rating and running time. Also included are biographical entires: an unmatched reference of over 2,250 living stars, including real name, school, place and date of birth.
Spanning three centuries, from Champlains first encounter in 1609 with primitive Iroquois warriors to Geronimos death in 1909, Hiawatha to Geronimo chronicles the demise of the native peoples of North America to the relentless encroachment of white European settlement. From the forests of New England to the deserts of the American southwest, the indigenous peoples of America were driven mercilessly from the lands they had roamed for thousands of years. This is their story, the forgotten tribes and their heroic leaders: King Phillip, Blue Jacket, Tecumseh, Osceola, Red Cloud, Sitting Bull, Crazy Horse, Cochise, Geronimo. Each of these, along with countless others, rose up to take the torch from his predecessor in a near-continuous cycle of conflict that spanned the continent and all but eradicated a people and a culture. Taken together with our nations terrible history of slavery, the assault by whites on Native America formed the second of the great pillars of the American Tragedy. It was perhaps the most egregious of our Nations Original Sins.
“A truly great writer” returns to the Midwest characters and setting of his landmark debut novel, The End of Vandalism (Esquire). When fourteen-year-old Micah Darling travels to Los Angeles to reunite with the mother who abandoned him seven years ago, he finds himself out of his league in a land of magical freedom. He does new drugs with new people, falls in love with an enchanting but troubled equestrienne named Charlotte, and gets thrown out of school over the activities of a club called the New Luddites. Back in the Midwest, an ethereal young woman comes to Stone City on a mission that will unsettle the lives of everyone she meets including Micah’s half-sister, Lyris, who still fights fears of abandonment after a childhood in foster care, and his father, Tiny, a petty thief. An investigation into the stranger’s identity uncovers a darkly disturbed life, as parallel narratives of the comic and tragic, the mysterious and everyday, unfold in both the country and the city. “Pacific is a terrific book, and a strange one, as strange as the world and the great literature that helps us make our way through it.” —The New York Times Book Review “On the surface, Pacific is a disarmingly plain tale about people managing loss. But look closer, and you’ll see it’s as deep as the ocean it’s named after.” —San Francisco Chronicle “If The End of Vandalism provided a world for readers to slow down and catch their breath, Pacific is determined to knock it out of them.” —New York Observer
Though only a handful remain today, the Capital City once boasted a wealth of illustrious hotels and raucous two-bit establishments. Grande dame hotels like the Neil House, the Great Southern, the Hartman, the Chittenden and the Deshler achieved the height of elegance and refinement. More modest establishments were frequented by fugitive Confederate generals, notorious bootleggers and Fidel Castro's family. Join the Gilded Age bachelors who decked out banquet halls to look like camping sites and the Hungarian revolutionaries who failed to keep a low profile. From devastating hotel fires to ornate outhouse fittings, authors Tom Betti and Doreen Uhas Sauer introduce you to a whole new side of Columbus history.
This account of a disaster at sea during World War II is “a powerful and engrossing story of tragedy, survival, and heroism” (Mark Bowden, author of Black Hawk Down). In the final days of 1944, Admiral William “Bull” Halsey is the Pacific theater’s most popular and colorful naval hero. After a string of victories, the “Fighting Admiral” and his thirty-thousand-man Third Fleet are charged with protecting General MacArthur’s flank during the invasion of the Philippine island of Mindoro. But in the midst of the landings, Halsey attempts a complicated refueling maneuver—and unwittingly drives his 170 ships into the teeth of a massive typhoon. Halsey’s men find themselves battling ninety-foot waves and 150 mph winds. Amid the chaos, three ships are sunk and nearly nine hundred sailors and officers are swept into the Philippine Sea. For three days, small bands of survivors battle dehydration, exhaustion, sharks, and the elements, awaiting rescue. It will be up to courageous lieutenant commander Henry Lee Plage to defy orders and sail his tiny destroyer escort, the USS Tabberer, back into the storm to rescue drifting sailors. Revealing a little-known chapter of WWII history in absorbing detail, this is “a vivid tale of tragedy and gallantry at sea.” (Publishers Weekly).
A small-time art forger runs afoul of the New England mob in this comic crime novel from the author of The End of Vandalism: “One of our living masters” (McSweeney’s). Paul Emmons has his faults—envy, lust, naiveté, money laundering, and art forgery to name a few. A fallen accountant and scamster, Emmons and his wife, Mary, are exiled abroad, though they enjoy inadvisable returns to New England to check on the property they own but cannot claim. Paul’s unfortunate association with Carlo Record, president of the fraudulent company New England Amusements, was always destined to get him into trouble. When Carlo and his cronies—Ashtray Bob, Line-Item Vito, and Hatpin Henry—try to coerce Paul into stealing the John Singer Sargent painting “The Black Brook” from the Tate gallery in London, Paul and Mary hatch a plan to trick the tricksters . . . Through it all, Paul searches for his true mission in life in this “irresistibly droll portrayal of an All-American liar, loser, and innocent” (Kirkus Reviews). This Grove edition features a new introduction in the form of a conversation between Drury and Daniel Handler.
From the award-winning author of The End of Vandalism. “Equal parts heist caper, ghost story and romance . . . in prose that is spare and sly.” (The New York Times) Set in the rugged region of the Midwest that gives the novel its title, The Driftless Area is the story of Pierre Hunter, a young bartender with unfailing optimism, a fondness for coin tricks, and an uncanny capacity for finding trouble. When he falls in love, with the mysterious and isolated Stella Rosmarin, Pierre becomes the central player in a revenge drama he must unravel and bring to its shocking conclusion. Along the way he will liberate $77,000 from a murderous thief, summon the resources that have eluded him all his life, and come to question the very meaning of chance and mortality. For nothing is as it seems in The Driftless Area. Identities shift, violent secrets lie in wait, the future can cause the past, and love becomes a mission that can take you beyond this world. In its tender, cool irony, The Driftless Area recalls the best of neonoir, and its cast of bona fide small-town eccentrics adrift in the American Midwest make for a clever and deeply pleasurable read from one of our most beloved authors. “Drury is nothing less than a wizard . . . Not since Twin Peaks has he rural surreal had such an artful airing.” —The Boston Globe “Superb . . . by one of America’s finest, most imaginative authors.” —San Francisco Chronicle “With deceptively simple prose, Drury is able to evoke characters and scenes in just a few brush strokes.” —Los Angeles Times
Every significant U.S. and international film released from January 1 to December 31, 2002, along with complete filmographies: cast, characters, credits, production company, month released, rating and running time. Also included are biographical entires: an unmatched reference of over 2,250 living stars, including real name, school, place and date of birth.
[Mueller reveals] the brazen fraud in the olive oil industry and [teaches] readers how to sniff out the good stuff." —Dwight Garner, New York Times For millennia, fresh olive oil has been one of life’s necessities—not just as food but also as medicine, a beauty aid, and a vital element of religious rituals. But this symbol of purity has become deeply corrupt. A superbly crafted combination of cultural history and food manifesto, Extra Virginity takes us on a journey through the world of olive oil, opening our eyes to olive oil’s rich past as well as to the fierce contemporary struggle between oil fraudsters of the globalized food industry and artisan producers whose oil truly deserves the name "extra virgin.
This extensively illustrated work catalogs all known U.S. emergency currency issues of the panics of 1893, 1907 and 1914. Nearly 900 photographs show most types of these privately produced substitutes for money. The book also includes contextual historical information and authoritative appendices by Steve Whitfield on labor scrip and Loren Gatch on the background leading to these currency issues.
Set in rural Iowa, this “breathtaking . . . remarkable achievement” of a debut novel by the author of Pacific is “at once funny, sad, and touching” (New York Newsday). A New York Magazine and Publishers Weekly Best Book of the Year With extensive excerpts appearing in the New Yorker before its release, Tom Drury’s groundbreaking debut, The End of Vandalism, drew widespread acclaim and comparison to the works of Sherwood Anderson and William Faulkner. With his fictional Grouse County, Tom Drury conjures a Midwest that is at once familiar and amusingly eccentric—where a thief vacuums the church before stealing the chalice, a lonely woman paints her toenails in a drafty farmhouse, and a sleepless man watches his restless bride scatter their bills beneath the stars. When Sheriff Dan Norman arrests Tiny Darling for vandalizing an anti–vandalism dance, he goes on to marry the culprit’s ex-wife Louise. But while Tiny loses Louise, Louise loses her sense of self—and all three find themselves in a love triangle that sets them on an epic journey. “A truly great writer.” —Esquire “Grouse County is unabashedly American, a setting both nostalgic and wittily contemporary.” —The Boston Globe
Entertaining, highly readable book pulses with the vernacular of young Americans from the end of the 19th century to the present. Alphabetical listings for each decade, plus fascinating sidebars about language and culture.
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