Fans can join Cincinnati Reds Hall of Fame pitcher Tom Browning for legendary tales of festivity (the 1990 World Series championship), immortality (a perfect game in 1988), and a bit of eccentricity (life with Marge Schott). He tries to answer a variety of questions that fans have been asking for years: What was his reaction to the lifetime suspension of his manager and friend, Pete Rose? How did a ragtag group of Cincinnati ballplayers topple the mighty Oakland A's in the 1990 Fall Classic? Was that really Tom on a Sheffield Avenue rooftop - in uniform - during a 1993 Reds-Cubs game at Wrigley Field? The former All-Star recounts these gems and many more in the much-anticipated Tom Browning's Tales from the Reds Dugout.View Book Tour ScheduleIn the book, Browning offers stories and anecdotes about some of the biggest names in Reds history, including Pete Rose, Tony Perez, Marge Schott, Lou Piniella, Eric Davis, Dave Parker, Buddy Bell, Barry Larkin, Joe Nuxhall, Jim Kaat, Rob Dibble, Mario Soto, and Jose Rijo. It contains an entire chapter on Browning's perfect game, considered to be one of the greatest moments in club history, in one of the first behind-the-scenes accounts of that remarkable performance. Tom Browning's Tales from the Red Dugout also provides an insider's look at two of the most controversial figures in Reds' and baseball history, Rose and Schott, along with numerous photographs from Browning's personal collection.
In Tales from the Cincinnati Reds Dugout, fans can join former pitcher Tom Browning for legendary tales of festivity (the 1990 World Series championship), immortality (a perfect game in 1988), and a bit of eccentricity (life with owner Marge Schott). He tries to answer a variety of questions that fans have been asking for years: What was his reaction to the lifetime suspension of his manager and friend Pete Rose? How did a ragtag group of Cincinnati ballplayers topple the mighty Oakland A's in the 1990 Fall Classic? Was that really Tom on a Sheffield Avenue rooftop—in uniform—during a 1993 Reds-Cubs game at Wrigley Field? Browning also offers stories and anecdotes about some of the biggest names in Reds history, including Pete Rose, Tony Perez, Marge Schott, Lou Piniella, Eric Davis, Dave Parker, Buddy Bell, Barry Larkin, Joe Nuxhall, Mario Soto, and Jose Rijo. He devotes an entire chapter to his perfect game, considered to be one of the greatest moments in club history. Tales from the Cincinnati Reds Dugout is a must-have for any Reds fan.
Of all the controversies facing historians today, few are more divisive or more important than the question of how the Holocaust was possible. What led thousands of Germans – many of them middle-aged reservists with, apparently, little Nazi zeal – to willingly commit acts of genocide? Was it ideology? Was there something rotten in the German soul? Or was it – as Christopher Browning argues in this highly influential book – more a matter of conformity, a response to intolerable social and psychological pressure? Ordinary Men is a microhistory, the detailed study of a single unit in the Nazi killing machine. Browning evaluates a wide range of evidence to seek to explain the actions of the "ordinary men" who made up reserve Police Battalion 101, taking advantage of the wide range of resources prepared in the early 1960s for a proposed war crimes trial. He concludes that his subjects were not "evil;" rather, their actions are best explained by a desire to be part of a team, not to shirk responsibility that would otherwise fall on the shoulders of comrades, and a willingness to obey authority. Browning's ability to explore the strengths and weaknesses of arguments – both the survivors' and other historians' – is what sets his work apart from other studies that have attempted to get to the root of the motivations for the Holocaust, and it is also what marks Ordinary Men as one of the most important works of its generation.
Of all the controversies facing historians today, few are more divisive or more important than the question of how the Holocaust was possible. What led thousands of Germans – many of them middle-aged reservists with, apparently, little Nazi zeal – to willingly commit acts of genocide? Was it ideology? Was there something rotten in the German soul? Or was it – as Christopher Browning argues in this highly influential book – more a matter of conformity, a response to intolerable social and psychological pressure? Ordinary Men is a microhistory, the detailed study of a single unit in the Nazi killing machine. Browning evaluates a wide range of evidence to seek to explain the actions of the "ordinary men" who made up reserve Police Battalion 101, taking advantage of the wide range of resources prepared in the early 1960s for a proposed war crimes trial. He concludes that his subjects were not "evil;" rather, their actions are best explained by a desire to be part of a team, not to shirk responsibility that would otherwise fall on the shoulders of comrades, and a willingness to obey authority. Browning's ability to explore the strengths and weaknesses of arguments – both the survivors' and other historians' – is what sets his work apart from other studies that have attempted to get to the root of the motivations for the Holocaust, and it is also what marks Ordinary Men as one of the most important works of its generation.
If you've ever struggled with identifying the problems in your oil paintings--and how to fix them--then this book is for you. Not only will you learn to solve those pesky painting problems, you'll learn how to avoid them in the first place. Here you'll learn the right way to put a painting together from the start. Beginning with the essential elements of successful oil painting:*Composition*Value*Color*Temperature*Edge quality*DrawingAfter a brief review of materials and techniques, you'll go through each of these elements one at a time, so that you can learn to make good choices before taking your brush to the canvas. You'll learn how to:*Control the way the viewer's eye scans your composition*Attract and retain the viewer's attention*Create a sense of depth*Select or set up subject matter, with an emphasis on the still life*Use light to create form*Simplify values for stronger paintings*Paint edges that attract the eye and create depth*Use color to create mood and enhance realism*Draw with a brush and simplify your brushworkAll of these techniques are illustrated throughout the book with Browning's work, often showing a flawed "before" painting, followed by an example showing how he corrected the error using the elements discussed. No matter your current skill level, you'll find valuable advice and inspiration in the pages of this book--advice that will immediately improve your oil paintings.
You're no idiot, of course. You know Casper was a friendly ghost and that the Phantom Hitchhiker is someone you'd rather not meet on a deserted highway late at night. But when it comes to knowing the authentic roots of ghost stories--and which ones remain unexplained to this day--you don't stand a ghost of a chance. Don't get spirited away yet! The Complete Idiot's Guide to Ghosts and Hauntings is an eerie investigation into the firsthand accounts, legends, literature, and dramatic works surrounding the world of ghosts. In this Complete Idiot's Guide, you get:
The true story of one of Hitler’s most feared and brutal killers: his life and crimes, postwar atrocities, and forty-year evasion of justice. During World War II, SS Hauptsturmführer Nikolaus “Klaus” Barbie earned a reputation for sadistic cruelty unmatched by all but a handful of his contemporaries in Adolf Hitler’s Gestapo. In 1942, he was dispatched to Nazi-occupied France after leaving his bloodstained mark on the Netherlands. In Lyons, Barbie was entrusted with “cleansing” the region of Jews, French Resistance fighters, and Communists, an assignment he undertook with unparalleled enthusiasm. Thousands of people died on Barbie’s orders during his time in France—often by his own hand—including forty-four orphaned Jewish children and captured resistance leader Jean Moulin, who was tortured and beaten to death. When the Allies were approaching Lyons in the months following the D-Day invasion, Barbie and his subordinates fled, but not before brutally slaughtering all the prisoners still being held captive. But the war’s conclusion was not the end of the Klaus Barbie nightmare. With the dawning of the Cold War, the “Butcher of Lyons” went on to find a new purpose in South America, just as tensions between the United States and the Soviet Union were escalating. Soon, Barbie had a different employer who valued his wartime experience and expertise as an anti-communist man hunter and murderer: the US intelligence services. In Klaus Barbie, investigative journalist and documentary filmmaker Tom Bower tells the fascinating, startling, and truly disturbing story of a real-life human monster, and draws back the curtain on one of America’s most shocking secrets of the Cold War.
A unique guide to the world of the paranormal, The Complete Idiot's Guide® to Ghosts and Hauntings is a perennial favorite. Now updated, revised, and expanded with new information on ghost hunting and observing, this new edition includes new tips on gathering and recording paranormal data, and a new section devoted to "faking it" - showing readers how to haunt their own houses to amuse and bewilder friends. - Expanded appendixes featuring new Internet sites devoted to the paranormal, as well as modern-day "haunted houses" open to the public - Additional information on the origin of spiritualism and its followers - Strong seller for Halloween season - Completely reorganized for easier reading and referencing
The Rough Guide to Film is a bold new guide to cinema. Arranged by director, it covers the top moguls, mavericks and studio stalwarts of every era, genre and region, in addition to lots of lesser-known names. With each film placed in the context of its director’s career, the guide reviews thousands of the greatest movies ever made, with lists highlighting where to start, arranged by genre and by region. You’ll find profiles of over eight hundred directors, from Hollywood legends Alfred Hitchcock and John Huston to contemporary favourites like Steven Soderbergh and Martin Scorsese and cult names such as David Lynch and Richard Linklater. The guide is packed with great cinema from around the globe, including French New Wave, German giants, Iranian innovators and the best of East Asia, from Akira Kurosawa to Wong Kar-Wai and John Woo. With overviews of all major movements and genres, feature boxes on partnerships between directors and key actors, and cinematographers and composers, this is your essential guide to a world of cinema.
Revised and updated since its first publication in 1990, this acclaimed critical survey covers the classic chillers produced by Universal Studios during the golden age of hollywood horror, 1931 through 1946. Trekking boldly through haunts and horrors from The Frankenstein Monster, The Wolf Man, Count Dracula, and The Invisible Man, to The Mummy, Paula the Ape Woman, The Creeper, and The Inner Sanctum, the authors offer a definitive study of the 86 films produced during this era and present a general overview of the period. Coverage of the films includes complete cast lists, credits, storyline, behind-the-scenes information, production history, critical analysis, and commentary from the cast and crew (much of it drawn from interviews by Tom Weaver, whom USA Today calls "the king of the monster hunters"). Unique to this edition are a new selection of photographs and poster reproductions and an appendix listing additional films of interest.
From the U.S. Army’s bloodless “invasion” of Salt Lake City to the humble beginnings of the Sundance Film Festival, It Happened in Utah looks at intriguing people and episodes from the history of the Beehive State. Read about Jean Baptiste, an exiled grave robber whose mysterious disappearance from a remote island in Great Salt Lake remains unsolved. Relive the life-shattering upheaval suffered by Japanese Americans during their banishment to remote U.S. internment camps during World War II. And discover how two boys on the hunt for a bit of fun killed five people—including themselves—caused untold property damage, and left a large crater in the earth.
Universal Studios created the first cinematic universe of monsters--Dracula, Frankenstein, the Mummy and others became household names during the 1930s and 1940s. During the 1950s, more modern monsters were created for the Atomic Age, including one-eyed globs from outer space, mutants from the planet Metaluna, the Creature from the Black Lagoon, and the 100-foot high horror known as Tarantula. This over-the-top history is the definitive retrospective on Universal's horror and science fiction movies of 1951-1955. Standing as a sequel to Tom Weaver, Michael Brunas and John Brunas's Universal Horrors (Second Edition, 2007), it covers eight films: The Strange Door, The Black Castle, It Came from Outer Space, Creature from the Black Lagoon, This Island Earth, Revenge of the Creature, Cult of the Cobra and Tarantula. Each receives a richly detailed critical analysis, day-by-day production history, interviews with filmmakers, release information, an essay on the score, and many photographs, including rare behind-the-scenes shots.
Daniel Goldhagen's study of the Holocaust offers conclusions that run directly counter to those reached by Christopher Browning, whose book Ordinary Men is also the subject of a Macat analysis. As such, the two analyses make possible some interesting critical thinking exercises focused on evaluation of the evidence used by the two historians. For Goldhagen, a chief reason for German actions was not the mundane good comradeship stressed by Browning, but a longstanding hatred of Jews and Judaism specific to Germany that dated back well into the previous century. Debating which historian is right, which has made better use of the available evidence, which has most successfully written objectively – and which advances the most secure interpretation of contested documents – forces students to think critically about one of the most important and (on the surface at least) incomprehensible events of the past century.
Debates on the Holocaust is the first attempt to survey the development of Holocaust historiography for a generation. It analyses the development of history writing on the destruction of the European Jews from just before the end of the Second World War to the present day, and argues forcefully that history writing is as much about the present as it is the past. The book guides the reader through the major debates in Holocaust historiography and shows how all of these controversies are as much products of their own time as they are attempts to uncover the past. Debates on the Holocaust will appeal to sixth form and undergraduate students and their teachers, Holocaust historians and anyone interested in either the destruction of the European Jews or in the process by which we access and understand the past.
In 1922, when Howard Carter and Lord Carnarvon discovered the tomb of Tutankhamen, much of what was then known about mummies came from the writing of Greek historian Herodotus and from the paintings on the walls of Egyptian tombs. Even before 1922, the mummy had been the subject of fiction, with such writers as Bram Stoker and Sir Arthur Conan Doyle tackling the subject, and early films dating back to 1901. In this work, the authors present the religious, social and scientific aspects of mummies as well as an in-depth discussion of facts about them (largely Egyptian, but including other kinds of mummies). Then, how mummies are portrayed in fiction and in the movies is discussed. Stories and films in which the mummy is a focal character are listed.
One of the most celebrated bestsellers of the decade, here is Wolfe's wise and wickedly brilliant novel of lust, greed, Wall Street and the American way of life in the '80s.
After ten years on the Texas cattle trail with little to show for it, twenty-six-year-old Clinton James heads west in hopes of striking it rich in the California gold fields. Lady, his salt-and-pepper gray, is getting old; he knows this will be her last drive. Riding into the dusty little town of Bitter Creek, James is broke, out of grub, and he has to find work-quickly. While wondering if he made the right decision, Clinton meets the first of many people along the western trail who will forever mark his life-from the greedy merchants who would readily take advantage of him, to the old stockman who tells Clinton of the riches to be had at the Lost Ravine Gold Mine, and a beautiful young woman with a little girl, both stranded after losing their belongings and their families. Clinton's journey to the Lost Ravine Gold Mine, one of the richest strikes around, is a lonely trail with danger waiting around every bend, where a lone rider could disappear and never be missed. Will James make it to the gold fields, or will romantic escapades and ruthless outlaws force him to abandon his dream?
The legendary filmmaker D. W. Griffith directed nearly 200 films during 1908 and 1909, his first years with the Biograph Company. While those one-reel films are a testament to Griffith's inspired genius as a director, they also reflect a fundamental shift in film style from "cheap amusements" to movie storytelling complete with characters and narrative impetus. In this comprehensive historical investigation, drawing on films preserved by the Library of Congress and the Museum of Modern Art, Tom Gunning reveals that the remarkable cinematic changes between 1900 and 1915 were a response to the radical reorganization within the film industry and the evolving role of film in American society. The Motion Picture Patents Company, the newly formed Film Trust, had major economic aspirations. The newly emerging industry's quest for a middle-class audience triggered Griffith's early experiments in film editing and imagery. His unique solutions permanently shaped American narrative film.
Here in one volume are two terrific New York Times bestsellers from one of our most brilliant contemporary writers on the social scene. Electrifying and cheeky, both were made into major films.
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