As the heady promise of the 1960s sagged under the weight of widespread violence, rioting, and racial unrest, two young men--one black and one white--took to stages across the nation to help Americans confront their racial divide: by laughing at it. Tim and Tom tells the story of that pioneering duo, the first interracial comedy team in the history of show business--and the last. Tim Reid and Tom Dreesen polished their act in the nightclubs of Chicago, then took it on the road, not only in the North, but in the still-simmering South as well, developing routines that even today remain surprisingly frank--and remarkably funny--about race. Most nights, the shock of seeing an integrated comedy team quickly dissipated in uproarious laughter, but on some occasions the audience’s confusion and discomfort led to racist heckling, threats, and even violence. Though Tim and Tom perpetually seemed on the verge of making it big throughout their five years together, they grudgingly came to realize that they were ahead of their time: America was not yet ready to laugh at its own failed promise. Eventually, the grind of the road took its toll, as bitter arguments led to an acrimonious breakup. But the underlying bond of friendship Reid and Dreesen had forged with each groundbreaking joke has endured for decades, while their solo careers delivered the success that had eluded them as a team. By turns revealing, shocking, and riotously funny, Tim and Tom unearths a largely forgotten chapter in the history of comedy.
Timeless classic on the depths of God¿s love. Must read for every black to grasp their history and potential and every white seeking sensitivity toward their African-American brothers and sisters.
A small-time art forger runs afoul of the New England mob in this comic crime novel from the author of The End of Vandalism: “One of our living masters” (McSweeney’s). Paul Emmons has his faults—envy, lust, naiveté, money laundering, and art forgery to name a few. A fallen accountant and scamster, Emmons and his wife, Mary, are exiled abroad, though they enjoy inadvisable returns to New England to check on the property they own but cannot claim. Paul’s unfortunate association with Carlo Record, president of the fraudulent company New England Amusements, was always destined to get him into trouble. When Carlo and his cronies—Ashtray Bob, Line-Item Vito, and Hatpin Henry—try to coerce Paul into stealing the John Singer Sargent painting “The Black Brook” from the Tate gallery in London, Paul and Mary hatch a plan to trick the tricksters . . . Through it all, Paul searches for his true mission in life in this “irresistibly droll portrayal of an All-American liar, loser, and innocent” (Kirkus Reviews). This Grove edition features a new introduction in the form of a conversation between Drury and Daniel Handler.
Black people are not dark-skinned white people, says advertising visionary Tom Burrell. In fact, they are a lot more. They are survivors of the Middle Passage and centuries of humiliation and deprivation, who have excelled against the odds, constantly making a way out of no way! At this point in history, the idea of black inferiority sh...
The traditional narrative of the civil rights movement has been that the more moderate demands of the mainstream movement, including Martin Luther King Jr., worked, but that the more "radical" demands of the Black Power movement derailed further success. Mainstreaming Black Power upends the traditional narrative by showing how Black Power Activists in New York, Atlanta, and Los Angeles during the 1960s through the 1970s navigated the nexus of public policies, black community organizations, elected officials, and liberal foundations. Tom Adam Davies unites local and national perspectives and reveals how the efforts of mainstream white politicians, institutions, and organizations engaged with Black Power ideology, and how they ultimately limited both the pace and extent of change."--Provided by publisher.
One evening in July, in the year eighteen-hundred and sixty-four, on K***** Street in Bloomsbury, in a lodging house of the filthiest kind – "An independent-minded girl is rescued from her ogreish father by two artists. While tangled love interests develop, the father's murderous past is told, until the two stories collide when he attempts to get his daughter back.
WINNER OF THE 2013 PULITZER PRIZE FOR BIOGRAPHY General Alex Dumas is a man almost unknown today, yet his story is strikingly familiar—because his son, the novelist Alexandre Dumas, used his larger-than-life feats as inspiration for such classics as The Count of Monte Cristo and The Three Musketeers. But, hidden behind General Dumas's swashbuckling adventures was an even more incredible secret: he was the son of a black slave—who rose higher in the white world than any man of his race would before our own time. Born in Saint-Domingue (now Haiti), Alex Dumas made his way to Paris, where he rose to command armies at the height of the Revolution—until he met an implacable enemy he could not defeat. The Black Count is simultaneously a riveting adventure story, a lushly textured evocation of 18th-century France, and a window into the modern world’s first multi-racial society. TIME magazine called The Black Count "one of those quintessentially human stories of strength and courage that sheds light on the historical moment that made it possible." But it is also a heartbreaking story of the enduring bonds of love between a father and son.
What happens when someone or something goes into a black hole? This book introduces some of the major ideas in cosmology, bringing quarks, preons, hypothetical subparticles, pulsars, galaxies, the Big Bang theory, dark energy, and gravitational waves into detailed focus through accessible language and vivid full-color art work. The text includes fascinating sidebars and fact boxes that add extra excitement to this look into deep space phenomena. Whether it's about Stephen Hawking or the James Webb telescope, even the most reluctant readers are sure to enjoy this book.
Welcome to Black Cat Weekly #52. This week, our acquiring editors have outdone themselves—Michael Bracken has an original story by William Burton McCormick, “House of Tigers,” which was a Black Orchid Novella Award finalist. Though it didn’t win, it’s a great story. (Competition is fierce for this particular award, since it judged by Linda Landrigan, editor of Alfred Hitchcock’s Mystery Magazine. I won the first Black Orchid for my story “Horse Pit,” and I haven’t dared enter since—I try to read all the winners, and they keep getting better and better. These days I probably wouldn’t stand a chance!) Barb Goffman also has an original, “It’s Not Tennis” by Shannon Taft, another good one. And Cynthia Ward has selected the modern classic “Whiter Teeth, Fresher Breath” by Tom Marcinko, which proves aliens do have it all. Even better oral hygiene! Plus we have a mystery novel by David Goodis (author of Dark Passage and Shoot the Piano Player), a space opera by E.E. “Doc” Smith, and science fiction from Arthur Leo Zagat and Stephen Marlowe! Here’s the complete lineup: Mysteries / Suspense / Adventure: “House of Tigers,” by William Burton McCormick [Michael Bracken Presents, Novella] “Mailed It,” by Hal Charles [Solve-It-Yourself Mystery] “It’s Not Tennis,” by Shannon Taft [Barb Goffman Presents short story] Cassidy’s Girl, by David Goodis [novel] Science Fiction & Fantasy: “Whiter Teeth, Fresher Breath,” by Tom Marcinko [Cynthia Ward Presents short story] “Picnic,” by Stephen Marlowe [short story] “The Cavern of the Shining Pool,” by Arthur Leo Zagat [novella] Galactic Patrol, by E.E. “Doc” Smith [novel]
Both a love story and a tribute to the entertainment mecca, this exploration shines a spotlight on one of the hottest acts in Las Vegas in the late 1950s and early 1960s. The illuminating depiction showcases the unlikely duo--a grizzled, veteran trumpeter and vocalist molded by Louis Armstrong and a meek singer in the church choir--who went on to invent "The Wildest." Bringing together broad comedy and finger-snapping, foot-stomping music that included early forays into rock and roll, Prima and Smith's act became wildly popular and attracted all kinds of star-studded attention. In addition to chronicling their relationships with Ed Sullivan, Frank Sinatra, Robert Mitchum, and other well-known entertainers of the day--and their performance of "That Old Black Magic" at President John F. Kennedy's inauguration--the narrative also examines the couple's ongoing influence in the entertainment world. Running concurrent with their personal tale is their role in transforming Las Vegas from a small resort town in the desert to a booming city where the biggest stars were paid tons of money to become even bigger stars on stage and television.
In a plot ripped from today's headlines, America’s elite task force must take down a group of ruthless domestic terrorists determined to paralyze the country through extreme acts of violence in this action-packed new thriller in the bestselling Tom Clancy's Op-Center series. They are known as the Black Order. Self-proclaimed patriots and survivalists, they refuse to surrender their values and beliefs to the left-leaning cultural and progressive forces threatening their nation. Military veterans and high-tech specialists, they’ve begun a savage war which includes public assassinations of politicians and celebrities and high-profile bombings, striking without warning or mercy. The Black Order wants nothing less than complete capitulation by the US government, giving them free rein to make their ideologies the law of the land. Only Op-Center’s Black Wasp, a skilled team of military operatives answerable to the President, can defeat these militant revolutionaries. But even as Admiral Chase Williams and his agents force them on the run, the Black Order possesses a weapon of mass destruction that they will not hesitate to unleash against millions of innocent civilians.
This acclaimed saga of one African-American family's contributions to the American military concludes with this novel of the first woman to join the family's ranks, serving with the 101st Airborne in the Gulf War.
In the 1930s, hard-working men kept the country alive, and the little town of Black Eye depended on one lumber mill to keep its community on its feet. Due to the lack of lumber orders, several times the mill came close to being shut down, but it seemed like each time there was no relief in sight, the mail would pick up an order and start sawing again. When malaria hits Black Eye, Dr. Fred Baker runs out of antibiotics and he is getting run down himself. He phones and old friend in Minneapolis,
Let me introduce you to Henrietta Lacks. She was a young mother of five small children who died of cervical cancer in 1951, yet she has achieved a measure of immortality in a strangely macabre sort of way. Doctors harvested some of her cancer cells, which proved to be particularly aggressive. Over the past fifty years generations of this laboratory-grown cell line, called "HeLa" for "Henrietta Lacks," have been used for a wide variety of biomedical research purposes. Literally tens of thousands of articles have appeared in the scientific literature since that time which involve the use of Henrietta ́s remarkably vigorous posterity. Particularly chilling is the fact that on numerous occasions other cell lines have accidentally become contaminated with HeLa cells. When this has happened, HeLa cells rapidly killed the original cells. All of the above is true. Black Cottage involves a medical school oncologist who, funded by old-guard Russian communists, genetically engineers a frighteningly virulent HeLa cell line which is capable of infecting and killing humans. In performing his tests with HeLa, the infection spreads out of control, and over a dozen people become infected. Jim Burningham, an epidemiologist at the same medical school, reluctantly finds himself thrust into the role of medical detective. He must discover why a handful of individuals, though infected, do not become ill, while all others suffer a rapid, agonizing death. His job of finding the cure becomes intensely personal when he unintentionally infects a friend with HeLa.
Baltimore 1966. Suffering through a summer of heated racial animosity, baseball fans look hungrily to the Orioles to bring new respect to their once-great city. Their young team of no-name kids and promising prospects appears to have been strengthened by the recent addition of veteran slugger Frank Robinson - but the former National League MVP is bad news (it is rumored), washed up and unreliable. To lay these rumors to rest, Robby must play harder than he's ever played before. In his first year in the league, against unfamiliar pitchers in new ballparks, he resoundingly proves his worth -- to his city, his team, and himself -- by delivering a Triple Crown performance. Aided by a hilarious and memorable cast of characters -- the gentlemanly southerner Brooks Robinson and the wickedly inventive prankster Moe Drabowsky, a pitching staff of unknown kids like Jim Palmer and Dave McNally, and a gargantuan yet nimble fielder called Boog" -- Frank Robinson delivers his new team to its first World Series. But before they take it all, the Orioles must unseat the reigning champion Los Angeles Dodgers. With America's cities in mounting turmoil, Los Angeles seems like another world altogether, a sunny land of surfers and movie stars. Comfortably dwelling in this higher plane is pitching ace Sandy Koufax, arguably the greatest lefthander in baseball history, behind whom the Dodgers have won two of the previous three World Series, replacing the Yankees as the sport's dominant team. Though battling agonizing arthritis throughout the season, the godlike Koufax has nonetheless persevered to win twenty-seven games in 1966, a personal best. Few outside Baltimore give the Orioles more than a fighting chance against such series veterans as Koufax, Don Drysdale, Maury Wills, Tommy Davis, and the rest. Experts are betting that the Dodgers can sweep it in four. "What transpires instead astonishes the nation, as the greatest pitching performance in World Series history is capped by a redemption beyond imagining." -- Book Jacket
Raised in West Virginia, self-taught artist Carolyn Norris (b. 1948) moved as a young woman of twenty-one to Cleveland, Mississippi, a quintessential Delta railroad town on the famous blues Highway 61. To create one of her first paintings, she tore the wooden back off a dresser to use as a canvas. She painted with available house paint and completed the painting with face makeup. Thus began the realization of a passionate need to paint. Eventually, Norris came to serve as the visual griot of Cleveland. She has used a variety of media, painting on canvas, wood, paper, cardboard, glass, plates, tiles, sheets, floor covering, and mirrors. She also uses her garage door as a giant mural chronicling community events. In her extraordinary images, Norris shows daily black life in the modern Delta. Spirit of the Delta contains 115 color images pulled from Norris's twenty-five years as a painter. Her existing artwork has been photographed by noted local photographer Kim Rushing and copies of the works that no longer exist have been found whenever possible. The book features a biographical essay on Carolyn Norris by Dorothy Sample Shawhan and an essay on her artwork by critic Patti Carr Black, who places Norris within self-taught traditions. In an interview with folklorist Tom Rankin, which took place in 1991, Norris explains the centrality of art in her life.
Detailed authentic depictions of 10 great stars, Bert Williams to Louis Armstrong, in celebrated roles, concert performances. Hattie McDaniel, Paul Robeson, Billie Holiday, Bill Robinson, more. Biographies.
Seminar paper from the year 2014 in the subject Didactics for the subject English - Literature, Works, grade: 1,3, Dresden Technical University, language: English, abstract: In this paper, it is my objective to examine the characterization of black Americans in Blaxploitation movies to evaluate its influence on the image of African Americans. Not only the cinematic image is to be questioned in this concern, but also the real impression these movies gave to their viewers which also had an impact on the real life, social experience. Thereby, we can differentiate between the black image it produced for blacks, and the impression it left on the white spectators. For this purpose, I will firstly explain the phenomenon of Blaxploitation, its content and structure and name some examples. After that, the historical and social background of this genre is to be analyzed in order to explain how it could emerge and why it vanished as quickly as it came into existence. The depiction of African Americans in film before the 1970s is as important for further comprehension as is the rising political consciousness in the 1960s United States of America which found expression in the Civil Rights Movement. After I have shown the background knowledge concerning Blaxploitation, the description of the image of black people depicted in these movies will follow by analyzing the film “Shaft” and collecting other significant characteristics of this illustration in the genre in general, using the literature on this topic. The analysis will be divided into a plot analysis and a film analysis, whereby the plot will show characteristics which are visible by a mere reflection of the storyline and setting. The film analysis afterwards will have to find said aspects in selected scenes from the movie itself. As the most appropriate books for the paper’s intention, I chose “Framing Blackness” by Ed Guerrero and “Black and White Media” by Karen Ross. Another interesting work, which suits as an informal guide to various Blaxploitation films, is the book “That’s Blaxploitation!” by Darius James. Furthermore, the role and portrayal of women in these films is to be observed concerning the books by Ross and Guerrero and the analysis of “Shaft”. On this basis, I want to consider in the end whether the genre of Blaxploitation had a more positive or negative impact on the cinematic and real image of African Americans, whereas this conclusion will presumably not be a simple statement of good or bad. Moreover, it is to be seen whether and how it influenced the social life of American black citizens and the future cinematic illustration of African Americanism. [...]
Also collects Solo Avengers 14-16 (Hawkeye & Mockingbird/Black Widow stories). Who is hunting Marvel's super-spies? Espionage agents around the world are being assassinated, their covers blown, and governments' intelligence and security capabilities devastated! The person behind it: an all-new Ronin! The next two super-spies targeted for death: Black Widow and Mockingbird! The wildcard determined to unmask the killer: Hawkeye! Let the game begin as Marvel's spy community collides with its superhuman agents!
Alex Haley's Roots awakened many Americans to the cruelty of slavery. The Middle Passage focuses attention on the torturous journey which brought slaves from Africa to the Americas, allowing readers to bear witness to the sufferings of an entire people.
Under the Big Black Sun explores the nascent Los Angeles punk rock movement and its evolution to hardcore punk as it's never been told before. John Doe of the legendary band X and co-author Tom DeSavia have woven together an enthralling story of the legendary West Coast scene from 1977-1982 by enlisting the voices of people who were there. The book shares chapter-length tales from the authors along with personal essays from famous (and infamous) players in the scene. Through interstitial commentary, John Doe "narrates" this journey through the land of film noir sunshine, Hollywood back alleys, and suburban sprawl. Illustrated with 50 rare photos, this is the story of the art that was born under the big black sun.
What is dark matter? What are gravitational waves? From the Big Bang to the Big Rip, from quasars to the Eridanus Supervoid, this book traces the journey so far of scientific discoveries in black holes and other space phenomena, then takes a look at new technical advancements such as the use of infrared signals to study ancient stars.
Tom Abrahamsson was born in Sweden in 1943 and started taking pictures with his uncle's Leica when he was 14 years old. Tom and his wife Tuulikki settled in Vancouver in 1975. This book is a collection of Tom's black and white photographs taken in Japan.
Collects Marvel Two-In-One (1974) #10; Marvel Team-Up (1972) #57, 82-85, 98, 140-141; material from Marvel Comics Presents (1988) #53, 70, 93. The world’s greatest superspy in her finest team-ups! First, the terror group Sword of Judgment threatens the end of the world — unless Natasha Romanoff and the Thing can stop them! Then, Spider-Man and the Widow form an arachnid double act to take on the Silver Samurai! But when they meet again, why does Natasha think she’s a teacher named Nancy Rushman?! Maybe Nick Fury and Shang-Chi can help unravel the mystery of the Widow’s double life! Plus: When a young man is wrongfully accused, Natasha must cross paths with old flame Daredevil. And it’s all-out action when the Black Widow teams up with Silver Sable and Darkstar!
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