Focusing on the refreshing process of design with which Will Alsop engages, Tom Porter reveals and traces the process, from public consultation to the privacy of Alsop’s painting studio, from paint to line to model, and in doing so uncovers a treasure trove of ideas for transforming the process of architectural design.
Jam-packed with inspiring lessons and ideas, this book will help you access and enhance your own creativity in the classroom and inspire your students to become motivated language learners. Top authors Blaz and Alsop share practical strategies to channel your creative impulses and transform them into effective lessons that will energize students of all levels. Aligned with ACTFL (American Council on the Teaching of Foreign Languages) and CEFR (Common European Framework of Reference for Languages) standards, the resources in this book support creativity as a practical process, with step-by-step guidance on goal-setting, implementation, evaluation, and feedback. Examples come from many world languages and cover fun and original topics, including tapping into students’ own interests through cooking, memes, online videos, sports, arts and crafts, and more. Relevant for all levels of language instruction, this text includes plentiful photocopiable charts, templates, and samples to use in the classroom.
William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.
In their third and final screen teaming, Judy Garland and Gene Kelly starred together in the MGM musical Summer Stock. Despite its riveting production history, charismatic lead actors, and classic musical moments, the movie has not received the same attention as other musicals from MGM’s storied dream factory. In C’mon, Get Happy: The Making of “Summer Stock,” authors David Fantle and Tom Johnson present a comprehensive study of this 1950 motion picture, from start to finish and after its release. The production coincided at a critical point in the careers of Kelly and an emotionally spent Garland. Kelly, who starred in An American in Paris just one year later, was at the peak of his abilities. On the other hand, Summer Stock was Garland’s final film at MGM, and she gamely completed it despite her own personal struggles. Summer Stock includes Kelly’s favorite solo dance routine and Garland’s signature number “Get Happy.” The authors discuss in rich detail the contributions of the cast (which included Gloria DeHaven, Eddie Bracken, Phil Silvers, and Marjorie Main); the director (Charles Walters); the producer (Joe Pasternak); the script writers (George Wells and Sy Gomberg); the songwriters (which included Harry Warren and Mack Gordon); and top MGM executives (Louis B. Mayer and Dore Schary). The volume features extensive interviews, conducted by the authors, with Kelly, Walters, Warren, and others, who shared their recollections of making the movie. Deeply researched, C’mon, Get Happy reveals the studio system at work during Hollywood’s Golden Era. Additionally, the authors have written a special section called “Taking Stock” that buttonholes numerous contemporary dancers, singers, choreographers, musicians, and even Garland impersonators for their take on Summer Stock, its stars, and any enduring legacy they think the film might have. Artists from Mikhail Baryshnikov, Ben Vereen, and Tommy Tune to Garland’s and Kelly’s daughters, Lorna Luft and Kerry Kelly Novick, respectively, offer their unique perspective on the film and its stars.
The march of the monster movie makers continues in Tom Weaver's ninth book of in-depth interviews with the men and women who made the horror and sci-fi favorites of the 1940s, '50s and '60s. Actors (including Mike Connors, Brett Halsey, Natalie Trundy and Richard Kiel), writers, producers and directors recall legendary genre figures Lugosi, Chaney, Jr., Tod Browning and James Whale; films ranging in quality from The Thing to Macumba Love and Eegah; behind-the-scenes tales of cult TV series (Twilight Zone, Batman, Lost in Space, more) and serials; and, of course, the usual barrage of outlandish movie menaces, this time including the Fly, Flesh Eaters, Monolith Monsters, ape men, voodoo women and spider babies! And all in the candid, no-holds-barred style that has made Weaver "king of the interviewers" (Classic Images)!
Widely used in architectural circles in the heat of discussion, the recurrent use of particular words and terms has evolved into a language of design jargon. Commonly found in architectural literature and journalism, in critical design debate and especially in student project reviews, Archispeak can seem insular and perplexing to others and -- particularly to the new architectural student -- often incomprehensible. There is a need to translate architectural design concepts into spoken and written commentary -- each word in use embodying a precise and universally accepted architectural meaning. If we explore the vocabulary of this language we gain insight into good design practice and into collective understanding of what constitutes a refined architecture. This unique illustrated guide will help students understand the nuances of this specialized language and help them in communicating their own design ideas.
Even as spending on digital transformation continues to skyrocket, mainframes nevertheless have major advantages for global enterprises. These systems still process huge amounts of information and allow for highly secure processing. In this practical book, author Tom Taulli shows software developers how to pursue a hybrid approach by integrating traditional mainframes and applications with modern digital systems. By the end of the book, you'll have a solid understanding of the mainframe architecture and ecosystem, including core concepts and technologies such as COBOL, JCL, DB2, VSAM, and CICS. You'll learn how to blend in newer technologies such as the cloud, AI and machine learning, and the use of microservices. This handbook is indispensable for enterprises looking to thrive in the new digital world. Learn strategies and approaches for mainframe DevOps Update and maintain existing mainframe code, and analyze and resolve common errors Apply modern approaches to the mainframe, including microservices, APIs, cloud, and AI and machine learning Work with datasets and databases and put together effective reports Understand how to work with modern cloud systems, like AWS, for pursuing data migration
A great storyteller . . . you would be hard pushed to find a more knowledgeable or entertaining [guide]' Icon 'Such an interesting book . . . I cannot recommend it enough.' Lauren Laverne In Dubai, a luxury apartment block is built in the shape of a giant iPod. In China, President Xi Jinping denounces the trend of constructing ‘bizarre’ new buildings in wacky shapes and colours. In Cincinnati, celebrity architect Zaha Hadid is paid millions to design a single ‘iconic’ structure – with the hope of single-handedly transforming the region’s ailing fortunes. These incidents are all part of the same story: the rise of the age of spectacle. Over the last fifty years, there has been a revolution in how our cities operate. In The Age of Spectacle, Tom Dyckhoff tells the story of how architecture became obsessed with the flashy, the monumental and the ostentatious – and how we all have to live with the consequences. Exploring cityscapes from New York to Beijing, and from Bilbao to Portsmouth, Dyckhoff shows that we are not just witnessing a new kind of building: we are living through a fundamental transformation in how our urban spaces work. The corporate explosion of the last few decades has fundamentally shifted the relationship between architects, politicians and cities’ inhabitants, fostering innovative new kinds of engineering and design, but also facilitating ill-conceived vanity projects and commercial power-grabs. Timely, passionate and bursting with new ideas, The Age of Spectacle is both an examination of how twenty-first century cities work, and a manifesto for a radically new kind of urbanism. Our cities, Dyckhoff shows, can thrive in the age of spectacle – but only if they engage us not just with dazzling structures, but by responding to the needs of the people who inhabit them. 'Engaging . . . The “iconic” building is the most obvious architectural phenomenon of our age yet, somehow, no one has quite done what Tom Dyckhoff does with The Age of Spectacle, which is to tell its story clearly and plainly.' Rowan Moore, Observer 'First class. Finally, a book that nails the iconic movement – Tom Dyckhoff’s The Age of Spectacle is the book that I wish I had written.' Simon Jenkins 'Unusually accessible [and] well argued.' Evening Standard
Only yesterday boys and girls spoke of embracing and kissing (necking) as getting to first base. Second base was deep kissing, plus groping and fondling this and that. Third base was oral sex. Home plate was going all the way. That was yesterday. Here in the Year 2000 we can forget about necking. Today's girls and boys have never heard of anything that dainty. Today first base is deep kissing, now known as tonsil hockey, plus groping and fondling this and that. Second base is oral sex. Third base is going all the way. Home plate is being introduced by name. And how rarely our hooked-up boys and girls are introduced by name!-as Tom Wolfe has discovered from a survey of girls' File-o-Fax diaries, to cite but one of Hooking Up's displays of his famed reporting prowess. Wolfe ranges from coast to coast chronicling everything from the sexual manners and mores of teenagers... to fundamental changes in the way human beings now regard themselves thanks to the hot new field of genetics and neuroscience. . . to the inner workings of television's magazine-show sting operations. Printed here in its entirety is "Ambush at Fort Bragg," a novella about sting TV in which Wolfe prefigured with eerie accuracy three cases of scandal and betrayal that would soon explode in the press. A second piece of fiction, "U. R. Here," the story of a New York artist who triumphs precisely because of his total lack of talent, gives us a case history preparing us for Wolfe's forecast ("My Three Stooges," "The Invisible Artist") of radical changes about to sweep the arts in America. As an espresso after so much full-bodied twenty-first-century fare, we get a trip to Memory Mall. Reprinted here for the first time are Wolfe's two articles about The New Yorker magazine and its editor, William Shawn, which ignited one of the great firestorms of twentieth-century journalism. Wolfe's afterword about it all is in itself a delicious draught of an intoxicating era, the Twistin' Sixties. In sum, here is Tom Wolfe at the height of his powers as reporter, novelist, sociologist, memoirist, and-to paraphrase what Balzac called himself-the very secretary of American society in the 21st century.
In November 1960, bolstered by anti-Communist ideologies, John F. Kennedy was elected president of the United States. Soviet Premier Nikita Khrushchev brandished nuclear diplomacy in an attempt to force the United States to abandon Berlin, setting the stage for a major nuclear confrontation over the fate of West Berlin. From Berkeley to Berlin explores how the United States had the wherewithal to stand up to Khrushchev's attempts to expand Soviet influence around the globe. The story begins when a South Dakotan, Ernest Lawrence, the grandson of Norwegian immigrants, created a laboratory on the Berkeley campus of the University of California. The "Rad Lab" attracted some of the finest talent in America to pursue careers in nuclear physics. When it was discovered that Nazi Germany had the means to build an atomic bomb, Lawrence threw all his energy into waking up the American government to act. Ten years later, when Joseph Stalin's Soviet Union became a nuclear power, Lawrence drove his students to take on the challenge to deter a Communist despot's military ambitions. Their journey was not easy: they had to overcome ridicule over three successive failures, which led to calls to see them, and their laboratory, shut down. At the Nobska Conference in 1956, the Rad Lab physicists took up the daunting challenge to provide the Navy with a warhead for Polaris. The success of the Polaris missile, which could be carried by submarines, was a critical step in establishing nuclear deterrent capability and helped Kennedy stare down Khrushchev during the Berlin Crisis of 1961. Six months after the height of the Berlin Crisis, Kennedy thought about how close the country had come to destruction, and he flew out to Berkeley to meet and thank a small group of Rad Lab physicists for helping the country avert a nuclear war.
Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.
An invaluable tool for the architect, artist and graphic designer, `Design Drawing Techniques' shows how each element of an orthographic or perspective drawing can be produced in a variety of ways. Enriched with details culled from the work of successful and well known architects, this book provides a much needed alternative to existing texts.
The true story behind the classic TV show: A father’s delightful account of raising eight free-spirited children in 1970s America. Tom Braden had a colorful career: He parachuted into Nazi-occupied France, directed the CIA’s covert operations program during the early years of the Cold War, ran for public office, owned a newspaper, served as executive secretary for the Museum of Modern Art, and cohosted the CNN show Crossfire. He counted among his friends David Brinkley, Robert Frost, Kirk Douglas, and Nelson Rockefeller. But Braden considered fatherhood both his most important job and his biggest adventure. No wonder; he and his wife, Joan, a State Department official and Washington society hostess, raised eight children during one of the most tumultuous periods in American history. In this diverting family memoir, Braden shares a treasure trove of amusing anecdotes—from the time his youngest daughter’s pet sheep interrupted a dinner party with a Supreme Court justice to the telegram US Attorney General Robert F. Kennedy sent after the birth of the Bradens’ eighth child: “Congratulations. I surrender.” (The Kennedys had seven children at the time). With wit and wisdom, Braden also addresses some of the most serious issues, including drugs, alcohol, and premarital sex, faced by parents in an era of deep distrust between generations. When ABC proposed adapting Eight Is Enough for television, Braden found the idea so preposterous he sold the rights for one dollar. The award-winning series starring Dick Van Patten and Betty Buckley ran for five seasons and launched the Hollywood careers of many young actors, including Willie Aames and Ralph Macchio. A celebration of the joys and tribulations of fatherhood, Eight Is Enough speaks with warmth, humor, and compassion to parents and children everywhere.
As 'visual animals' architects continue to live and work in a pictorial age in which image-making remains the central activity of environmental design. Selling Architectural Ideas explores the promotional role of architectural graphics and drawing at the point of communication, i.e. at their point of sale. By substituting the words 'communication' and 'presentation' with the word 'selling' we confront the reality of a highly competitive world in which the process of creating images for selling architectural ideas is approached as a more persuasive and, therefore, more successful design tool.
An Israeli historian examines a watershed year in the history of the Middle East, detailing the apocalyptic atmosphere in which Israel existed, the six-day 1967 war, and the implications of the war in terms of reshaping the the Middle East.
This book examines the United States neoconservative movement, arguing that its support for the 2003 invasion of Iraq was rooted in an intelligence theory shaped by the policy struggles of the Cold War. The origins of neoconservative engagement with intelligence theory are traced to a tradition of labour anti-communism that emerged in the early 20th century and subsequently provided the Central Intelligence Agency with key allies in the state-private networks of the Cold War era. Reflecting on the break-up of Cold War liberalism and the challenge to state-private networks in the 1970s, the book maps the neoconservative response that influenced developments in United States intelligence policy, counterintelligence and covert action. With the labour roots of neoconservatism widely acknowledged but rarely systematically pursued, this new approach deploys the neoconservative literature of intelligence as evidence of a tradition rooted in the labour anti-communist self-image as allies rather than agents of the American state. This book will be of great interest to all students of intelligence studies, Cold War history, United States foreign policy and international relations.
In Espionage's Most Wanted™, readers will learn that America’s first spymasters included Benjamin Franklin and John Jay. Otto von Bismarck’s chief spy, Wilhelm Stieber, posed as an itinerant peddler and sold religious artifacts and pornography to enemy troops as a cover for collecting intelligence. During the cultural competition of the Cold War, the CIA helped popularize abstract expressionism by spending millions to promote the careers of artists such as Jackson Pollock. The East Germans once traded two captured West German agents for one dead East German agent. CIA officer E. Howard Hunt cleverly disrupted an intimate dinner meeting between Mexican Communists and a Soviet delegation by distributing party invitations to the general public. During the 1980s and early 1990s, the CIA employed psychics to “remotely view” places of interest in the Soviet Union. Espionage's Most Wanted™, chronicles 500 of the most daring spies, ingenious plots, bungled operations, and surprising facts about the history of espionage and intelligence from around the world. Its fifty lists include the top-ten intelligence agencies, master spies, traitors, spy gadgets, code-breaking coups, covert operations blunders, and colorful dirty tricks. History buffs and espionage enthusiasts will enjoy this irreverent but illuminating look at the world of spies and intelligence.
Flash is one of the most engaging, innovative, and versatile technologies available—allowing the creation of anything from animated banners and simple cartoons to rich Internet applications, interactive videos, and dynamic user interfaces for web sites, kiosks, devices, or DVDs. The possibilities are endless, and now it just got better. Flash CS5 boasts a host of new features, including better support for mobile devices, a whole new animation engine enabling full manipulation of tweens and paths, custom easing, improved inverse kinematics, a revamped timeline, built-in 3D, and much more. This book is all you’ll need to learn Flash CS5 from the ground up. If you already have Flash experience, this book will allow you to quickly catch up on all the cool new features. Flash experts Tom Green and Tiago Dias guide you step-by-step through all facets of Flash CS5, keeping the emphasis firmly on good design techniques that you use in your own projects. Learn Flash design from the ground up, or just get to grips with the new features, with a series of step-by-step tutorials. Provides an easy introduction to ActionScript 3.0 coding, but the focus is mainly kept on design. Learn from the experts—written by renowned Flash designers Tom Green and Tiago Dias.
2012 James W. Tankard Book Award WinnerFrom 1961 to 1989, a committed group of documentary journalists from the National Broadcasting Company (NBC) reported the stories of America s overseas conflicts. Stuart Schulberg supplied film evidence to prosecute Nazi war criminals and established documentary units in postwar Berlin and Paris. NBC newsman David Brinkley created the template for prime-time news in 1961 and bore the scars to prove it. In 1964 Ted Yates and Bob Rogers produced a documentary warning of the pitfalls in Vietnam. Yates was later shot and killed in Jerusalem on the first day of the Six-Day War while producing a documentary for NBC News.In "Into the Fray," Tom Mascaro vividly recounts the characters and experiences that helped create a unique, colorful documentary film crew based at the Washington bureau of NBC News. From the Kennedy era through the Reagan years, the journalists covered wars, rebellions, the Central Intelligence Agency, covert actions, the Pentagon, military preparedness, and world and American cultures. They braved conflicts and crises to tell the stories that Americans needed to see and hear, and in the process they changed the face of journalism. Mascaro also looks at the social changes in and around the unit itself, including the struggles and triumphs of women and African Americans in the field of television documentary."Into the Fray" is the story of adventure, loyalty to reason, and life and death in the service of broadcast journalism.
Tom Porter explores the way we see and the way we draw architectural ideas. He looks at the new ways of depicting the shapes and colours of architectural constructions using modern computer aided design software and "virtual reality models.
Tom Zoellner walked across the length of Arizona to come to terms with his home state. But the trip revealed more mountains behind the mountains. Rim to River is the story of this extraordinary journey through redrock country, down canyons, up mesas, and across desert plains to the obscure valley in Mexico that gave the state its enigmatic name. The trek is interspersed with incisive essays that pick apart the distinctive cultural landscape of Arizona: the wine-colored pinnacles and complex spirituality of Navajoland, the mind-numbing stucco suburbs, desperate border crossings, legislative skullduggery, extreme politics, billion-dollar copper ventures, dehydrating rivers, retirement kingdoms, old-time foodways, ghosts of old wars, honky-tonk dreamers, murder mysteries, and magical Grand Canyon reveries. In Rim to River, Zoellner does for Arizona what Larry McMurtry did for Texas in In a Narrow Grave and what Wallace Stegner did for Utah in Mormon Country: paint an enduring portrait of a misunderstood American state. An indictment, a love letter, and a homecoming story all at once.
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