Originally published in 1966. In his lifetime, Gerard Manley Hopkins was known as a poet only by a small circle of his friends. More than any other major Victorian writer, he was recovered and presented as a poet to modern readers by editors and scholars of the first half of the twentieth century. This book analyzes how and to what extent the presuppositions of these critics have dictated the modern conception of Hopkins's work. Bender seeks to dispel, once and for all, the notion that Hopkins was a naïf poet. He provides an analysis of classical Greek and Latin rhetoric relative to the classical background of Hopkins's style and the structure in his poetry. He maintains that especially in Hopkins's more extreme work, such as "The Wreck of the Deutschland," there are precedents for the structure of the poem itself, the structure of the sentences within the poem, and its sensual and obscure imagery in the classical literature that Hopkins knew so well. Bender's study suggests two highly controversial positons: first, that although Hopkins is one of the most original voices in English, his poetry is within a tradition insufficiently recognized by modern critics; and second, that the effect of careful and sympathetic study of classical literature can induce quite the opposite of a neoclassical style in English.
Originally published in 1981, this concordance can afford particular benefits to the critic and textual scholar because of several specialized problems that The Arrow of Gold presents. It should be able to shed light on problems distinct to The Arrow of Gold even as it provides information on questions pertinent to Conrad’s work as a whole. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.
Originally published in 1980, the Concordances to Conrad's The Shadow Line and Youth: A Narrative provide complete verbal indexes and tables of frequency keyed to a field of reference for the text. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.
Originally published in 1984, this volume follows others in the series. By looking up a word in the word frequency table, the user can find how often it occurs in the text. The verbal index indicates at what page and line the word occurs so that the user can turn to the field of reference to see the word in each of its contexts. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.
Originally published in 1978, this concordance to Conrad's Almayer’s Folly includes a verbal index and field of reference, along with some notes on why they are useful. This volume is part of an experimental series which produced verbal indexes, concordances, and related data for all of Conrad’s works.
Originally published in 1984, this volume falls in to three parts: the verbal index, the word frequency table, and the field reference. The user can look to the alphabetical listing in the word frequency table to see how many times a word occurs in the text of An Outcast of the Islands. Then turning to the verbal index they can see the page number and line at which each occurrence falls. Then turning to the field of reference they can look at the actual context of each word in the text.
This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.
Originally published in 1966. In his lifetime, Gerard Manley Hopkins was known as a poet only by a small circle of his friends. More than any other major Victorian writer, he was recovered and presented as a poet to modern readers by editors and scholars of the first half of the twentieth century. This book analyzes how and to what extent the presuppositions of these critics have dictated the modern conception of Hopkins's work. Bender seeks to dispel, once and for all, the notion that Hopkins was a naïf poet. He provides an analysis of classical Greek and Latin rhetoric relative to the classical background of Hopkins's style and the structure in his poetry. He maintains that especially in Hopkins's more extreme work, such as "The Wreck of the Deutschland," there are precedents for the structure of the poem itself, the structure of the sentences within the poem, and its sensual and obscure imagery in the classical literature that Hopkins knew so well. Bender's study suggests two highly controversial positons: first, that although Hopkins is one of the most original voices in English, his poetry is within a tradition insufficiently recognized by modern critics; and second, that the effect of careful and sympathetic study of classical literature can induce quite the opposite of a neoclassical style in English.
Originally published in 1983, this volume follows others in the series. For each work, this volume provides a Verbal Index, a Word Frequency Table, and a Field of Reference. The user may look to the Word Frequency Table to see how often the word in question occurs. In the Verbal Index they will find its location(s) listed by page and line number. The Field of Reference provides page and line numbers which allow them to find the word in its context(s).
Originally published in 1976, this publication falls into three parts: The Verbal Index, The Word Frequency Table, and The Field of Reference. A scholar interested in the full range of connotation for the word heart in Conrad would look first to the word frequency table to see how often the word in question occurs in Lord Jim. If the word is indeed part of the vocabulary of the novel, he then would turn to its alphabetical listing in the verbal index and the line numbers in which it appears. Then turning to the field of reference, he could locate the lines cited and look at each occurrence of the word in context. The authors feel that the data provided by these tables is of basic importance to both the editor and the literary critic.
First published in 1981. A Concordance to the Poems of John Keats intended to provide the user with a volume suitable to the varying and increasingly specialised interests of scholarship. This title offers a high degree of inclusiveness that attends to the poems and plays, the emended and authoritative headings, and virtually all of the variant readings considered substantive in the riches of the Keats manuscript materials. This title will be of interest to students of literature.
Originally published in 1982, this volume follows others in the series. By looking at the word frequency table, the user will find how many times the word occurs in the work. The verbal index tells at what page and line number the word occurs. By looking at the field of reference, the reader can see the word in its full context. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.
Originally published in 1981, this concordance to A Set of Six will assist readers in understanding the vocabulary of a group of stories of considerable artistic merit and also of importance to our grasp of Conrad’s total works. It is particularly important, however, that this volume of tables be available to the serious scholar of Conrad, because it provides a basis for comparison of his various short works. This volume gives a verbal index, listing all the words used by Conrad in A Set of Six with the page and line number in which the word occurs. The user turns from the verbal index to the field of reference to see the word in its full context. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.
Originally published in 1979, this concordance to Heart of Darkness is intended for use by the general student of Conrad who wants to determine the exact denotation and connotation of Conrad’s vocabulary, or the patterns of imagery in his work, quickly and effortlessly. It prints under each word every logical context in which it occurs. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.
Originally published in 1982, this title supplies a complete verbal index, listing all the words in the texts with their locations, a word frequency table, and a field of reference which establishes a page/line reference system for locating each context. The user will look first in the word frequency table to see whether or not the word in question occurs in these works. Then they will turn to the verbal index to find the line and page on which it occurs, and finally, turning to the location in the field of reference, they will find the context for their word.
Originally published in 1985, this concordance lists all the words in the text indexed, along with the locations of their appearance in the Field of Reference. The Verbal Index lists the location of the context of each word in the Field of Reference. There is also a table listing alphabetically all words employed in the text and giving their frequency of occurrence. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.
Originally published in 1981, this volume tabulates the vocabulary of one of Conrad’s most interesting works. This volume contains a complete verbal index to the text, a table of word frequencies, and a field of reference allowing the user to locate the context of each word cited. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.
Originally published in 1979, this concordance consists of a Verbal Index listing the location of all words used by Conrad, a Word Frequency Table listing number occurrences for each word in his text, and a Field of Reference in which the user can locate in its context a word cited in the Verbal Index. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.
Originally published in 1983, this volume follows others in the series. The user is provided with a Verbal Index, citing each type and its location, a Word Frequency Table, and a Field of Reference. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.
Originally published in 1985, this volume follows others in the series. An alphabetical frequency table lists all the words indexed with the frequency of their appearance in the field of reference. There is also a table arranged by descending frequency. The verbal index lists the location of the context of each word in the field of reference. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.
Originally published in 1979, The Concordance to Conrad’s Victory is intended to provide access to certain information on the text of the novel in a manner convenient to Conrad scholars. To this end the authors have included an alphabetical list of word frequencies and a type/token ratio table as well as a list of word frequencies in rank order. In the concordance itself, each specific word in the text is listed in alphabetical order along with an identifier number and a context for the word. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad’s works.
Originally published in 1985, as with the earlier volumes in the series, the reader of The Rover is here provided a Verbal Index, citing each type and its location, a Word Frequency Table, and a Field of Reference. Using the tables in this concordance, the reader should be better able to address the issue of style and determine on a more informed basis whether Conrad has deliberately eschewed the adjectival and even the figurative in favour of a lean, spare style, or whether he has simply tangled his style in rhetorical excesses and imprecisions.
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