December 8, 1941 was the worst day of my life. You might say that it was a bad day for a lot of people. You are probably right. My problem, however, was not the bombing of Pearl Harbor. Not exactly. Mr. Patterson, the balding, uptight Principal of Sandy High School had just received an intelligence report that Sandy, OR, was to be the next Japanese target as they marched across the Pacific. It was the only explanation I could think of that made any sense as to why basketball practice had been cancelled. The city kids were more than happy to go home and miss a day of running and monotonous dribbling and shooting drills. I did not live in the city. My parents, like their parents before them, had set up a homestead on The Devil's Backbone.
Five years ago, Rosalind Duvall was beaten by the police during a riot. Staying on the straight-and-narrow path, however, has done little in gaining recognition as an artist. Reluctantly, she turns to the walls of the city to have her voice heard. Jeff Allen's job as a police detective is to look for signs of gang activity, including graffiti. These new paintings, however, do not fit his ideas of typical gang work. With the help of a young female officer, college professor, and a local artist with intimate knowledge of the graffiti, he has to find out who would take the time and go to all the trouble of painting the walls of the city.
With unprecedented speed, scientists have raced to develop vaccines to bring the COVID-19 pandemic under control and restore a sense of normalcy to our lives. Despite the havoc and disruption the pandemic has caused, it’s exposed exactly why we should not return to life as we once knew it. Our current profit-driven healthcare systems have exacerbated global inequality and endangered public health, and we must take this opportunity to construct a new social order that understands public health as a basic human right. A COVID Charter, A Better World outlines the steps needed to reform public policies and fix the structural vulnerabilities that the current pandemic has made so painfully clear. Leading scholar Toby Miller argues that we must resist neoliberalism’s tendency to view health in terms of individual choices and market-driven solutions, because that fails to preserve human rights. He addresses the imbalance of geopolitical power to explain how we arrived at this point and shows that the pandemic is more than just a virus—it’s a social disease. By examining how the U.S., Britain, Mexico, and Colombia have responded to the COVID-19 crisis, Miller investigates corporate, scientific, and governmental decision-making and the effects those decisions have had on disadvantaged local communities. Drawing from human rights charters ratified by various international organizations, he then proposes a COVID charter, calling for a new world that places human lives above corporate profits.
December 8, 1941 was the worst day of my life. You might say that it was a bad day for a lot of people. You are probably right. My problem, however, was not the bombing of Pearl Harbor. Not exactly. Mr. Patterson, the balding, uptight Principal of Sandy High School had just received an intelligence report that Sandy, OR, was to be the next Japanese target as they marched across the Pacific. It was the only explanation I could think of that made any sense as to why basketball practice had been cancelled. The city kids were more than happy to go home and miss a day of running and monotonous dribbling and shooting drills. I did not live in the city. My parents, like their parents before them, had set up a homestead on The Devil's Backbone.
Five years ago, Rosalind Duvall was beaten by the police during a riot. Staying on the straight-and-narrow path, however, has done little in gaining recognition as an artist. Reluctantly, she turns to the walls of the city to have her voice heard. Jeff Allen's job as a police detective is to look for signs of gang activity, including graffiti. These new paintings, however, do not fit his ideas of typical gang work. With the help of a young female officer, college professor, and a local artist with intimate knowledge of the graffiti, he has to find out who would take the time and go to all the trouble of painting the walls of the city.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.