In this irresistible memoir, Toby Talbot, co-owner and proud "matron" of the New Yorker Theater, reveals the story behind Manhattan's wild and wonderful affair with art-house film. With her husband Dan, Talbot showcased a range of eclectic films, introducing French New Wave and New German cinema, along with other groundbreaking genres and styles. As Vietnam protests and the struggle for civil rights raged outside, the Talbots also took the lead in distributing political films, such as Bernard Bertolucci's Before the Revolution, and documentaries, such as Shoah and Point of Order.".
Distraught when the moon's reflection escapes from her bucket, the old woman tries to capture it from the sky, a goat's eyes, a windowpane, and a stream.
To deal with her intense grief over her mother's death, Talbot writes of her mother's Polish childhood, life in the Bronx, and role as confidante and adviser to her family and chronicles her death and funeral
In this irresistible memoir, Toby Talbot, co-owner and proud "matron" of the New Yorker Theater, reveals the story behind Manhattan's wild and wonderful affair with art-house film. With her husband Dan, Talbot showcased a range of eclectic films, introducing French New Wave and New German cinema, along with other groundbreaking genres and styles. As Vietnam protests and the struggle for civil rights raged outside, the Talbots also took the lead in distributing political films, such as Bernard Bertolucci's Before the Revolution, and documentaries, such as Shoah and Point of Order.".
How did the Protestants gain a monopoly over the running of Ireland and replace the Catholics as rulers and landowners? To answer this question, Toby Barnard: - Examines the Catholics' attempt to regain control over their own affairs, first in the 1640s and then between 1689 and 1691 - Outlines how military defeats doomed the Catholics to subjection, allowing Protestants to tighten their grip over the government - Studies in detail the mechanisms - both national and local - through which Protestant control was exercised Focusing on the provinces as well as Dublin, and on the subjects as well as the rulers, Barnard draws on an abundance of unfamiliar evidence to offer unparalleled insights into Irish lives during a troubled period.
Television Studies: The Basics is a lively introduction to the study of a powerful medium. It examines the major theories and debates surrounding production and reception over the years and considers both the role and future of television. Topics covered include: broadcasting history and technology institutions and ownership genre and content audiences Complete with global case studies, questions for discussion, and suggestions for further reading, this is an invaluable and engaging resource for those interested in how to study television.
Through such everyday articles as linen shirts, wigs, silver teaspoons, pottery plates and engravings, Barnard evokes a striking variety of lives and attitudes. Possessions, he shows, even horses and dogs, highlighted and widened divisions, not only between rich and poor, women and men, but also between Irish Catholics and the Protestant settlers. Displaying fresh evidence and unexpected perspectives, the book throws new light on Ireland during a formative period. Its discoveries, set within the context of the 'consumer revolution' gripping Europe and North America, allow Ireland for the first time to be integrated into discussions of the pleasures and pains of consumerism."--BOOK JACKET.
Dr. Gwyneth Berke has a perfect life...until one day she walks into her pantry, lets out a little scream of disbelief and begins the following list: What to do when you find out that your husband is in love with your interior decorator, Brad (or, A Midlife Crisis Checklist): --Get divorced (this is a must!) --Quickly discover a lifetime supply of humor (this will also help with your children and your mentally deteriorating father) --Stop sulking, show a little spirit and start a new life plan (also a must) --Recruit your two very dear, newly single friends to help you with it --Don't look back and enjoy the ride!
Dead Men Risen, winner of the prestigious Orwell Prize for Books, is the epic story of a beleaguered British battle group fighting desperately to prevent the Taliban from seizing Afghanistan's Helmand province just as the U.S. Marines arrive to take over. Bestselling author Toby Harnden describes how men from the coal mining valleys and slate quarry villages of Wales found themselves in the most intense combat faced by British troops for a generation. Underequipped and overstretched, the fighting prowess of the Welsh Guards in the killing fields of Sangin and Nawa awed the U.S. Marines. NATO commander General Stanley McChrystal, who was awaiting a response to his urgent request to President Barack Obama for more troops, hailed their "burn-in-your-gut passion." Harnden was on the ground with the Welsh Guards in Helmand in 2009. He gained access to a trove of secret military documents and conducted nearly three hundred interviews in Afghanistan, England, Wales, and the United States to produce this timeless and profound account of men at war. Commanding the Welsh Guards was Lieutenant Colonel Rupert Thorneloe, a passionate believer in the justness of the war who was dismayed by the military and political incompetence surrounding it. In chilling detail, Harnden reveals how and why Thorneloe—the first British battalion commander to die in action since the 1982 Falklands War—was killed by an IED during Operation Panther’s Claw. By the time the fighting was over, almost no rank had been spared. From the searing heat of the poppy fields and the mud compounds of Helmand to the dreaded knock on the door back home, the reader is transported there. Harnden weaves the experiences of the soldiers, their historical forbears and the flawed NATO strategy into a masterly narrative. No other book about modern conflict succeeds on so many levels. Dead Men Risen is essential for anyone who wants to understand the reality of the Afghan war for the U.S and its allies.
This book anatomizes the connections between sport and culture. It argues that although sport is obviously a source of pleasure, it is also part of the government of everyday life. The creation of a sporting calendar, movements of rational recreation and the development of physical education in the public sector are read as ways of disciplining and shaping urban-industrial populations." "Although the book utilizes methods and traditions from sociology, political science and communication studies, it is the first text to argue that culture is the focal point for understanding sport. Authoritative and accessible, it will be required reading for students of sport studies, sociology and cultural studies."--Jacket.
King Solomon asserted, "love is as strong as death" (Song of Solomon 8:6). Solomon, the wisest of all Israel's kings, recognized that while every human would eventually succumb to death, death is not ultimate in power. The God whose essence is love designed and created both human life and death as instruments for the display of his own splendor and purposes. Neither human life nor death, then, can deviate from God's ultimate purpose and good for the creature made in his own image. Biblically, death serves as the perfect foil to mark both the immeasurable value of human life and at the same time the relatively limited value of it. Rather than either worshipping or desecrating this finite gift of human life, we can value it rightly and also worship the God who, in his literally infinite wisdom, gives and takes away life in accord with his good and gracious purposes.
What was life like for Irish Protestants between the mid-17th and the late-18th centuries? Toby Barnard scrutinizes social attitudes and structures in every segment of Protestant society during this formative period.
In 1907/08 Ferdinand Platt (known to his family as Ferdy) traveled to Egypt as personal physician to the ailing 8th Duke of Devonshire--one of the giant statesmen of the late Victorian age--and his family party, recounting his adventure in letters to his young wife in England. Throughout the journey Ferdy not only reported on the sights of the country around him, with his amateur Egyptologist's eye, and the people he met along the way (including Howard Carter and Winston Churchill) but also recorded his private thoughts and intimate observations of a formal and stratified society, soon to be witness to its own extinction.
The focus of this book is on the government of prisoners with mental health problems in England and Wales over the last twenty-five years. The wider context and backdrop to the book is the shift to 'late modernity', which, since the 1970s has seen massive structural change in most Western societies, affecting the social, economic and cultural spheres, as well as the field of crime and punishment. This book investigates whether these profound transformations have also led to a reconfiguring of responses to mentally vulnerable offenders who end up in prison. Specifically, it explores how this group of prisoners has come to be viewed increasingly as sources of 'risk', requiring 'management' or containment, rather than as people suitable for therapeutic responses. The book draws on primary research carried out by the author, including interviews with key informants involved in the field during this period, such as former cabinet ministers, senior civil servants, campaigners and academics. In conducting this investigation, the author has developed a method of research which combines and synthesizes different forms of analysis to create a novel approach to socio-historical research.
Being a follower of Jesus in the evangelical community in America is equated to a posture, practice, and pursuit of triumphalism. Followers of Jesus have misunderstood, maybe even lost, the great value of public and private lament. Lament is incongruent with a theology of continual and ongoing triumphalism. Yet, suffering, loss, and lament permeate Scripture and the human experience. To lament is to cry out to God with our doubts and to bring complaints against God. It is a posture and practice of worship and surrender that helps followers of Jesus wrestle, engage, process, and understand loss, creating a sacred space for the suffering voice to speak. Lament is a practice absent in the church that is recognized and understood as a way of naming grief and suffering, of standing and hoping in the midst of ruins. In the context of San Francisco, the practice and theology of lament in the lives of those who follow Jesus becomes a parody of cultured syllogisms and hyper-vanquishing that forms a community frail to moments of liminality, anxious in seasons of uncertainty, and ill-equipped to deal with the obscurities of everyday life.
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