In Da Vinci's Ghost, critically acclaimed historian Toby Lester tells the story of the world’s most iconic image, the Vitruvian Man, and sheds surprising new light on the artistry and scholarship of Leonardo da Vinci, one of history’s most fascinating figures. Deftly weaving together art, architecture, history, theology, and much else, Da Vinci's Ghost is a first-rate intellectual enchantment.”—Charles Mann, author of 1493 Da Vinci didn’t summon Vitruvian Man out of thin air. He was inspired by the idea originally formulated by the Roman architect Vitruvius, who suggested that the human body could be made to fit inside a circle, long associated with the divine, and a square, related to the earthly and secular. To place a man inside those shapes was to imply that the human body could indeed be a blueprint for the workings of the universe. Da Vinci elevated Vitruvius’ idea to exhilarating heights when he set out to do something unprecedented, if the human body truly reflected the cosmos, he reasoned, then studying its anatomy more thoroughly than had ever been attempted before—peering deep into body and soul—might grant him an almost godlike perspective on the makeup of the world. Written with the same narrative flair and intellectual sweep as Lester’s award-winning first book, the “almost unbearably thrilling” (Simon Winchester) Fourth Part of the World, and beautifully illustrated with Da Vinci's drawings, Da Vinci’s Ghost follows Da Vinci on his journey to understanding the secrets of the Vitruvian man. It captures a pivotal time in Western history when the Middle Ages were giving way to the Renaissance, when art, science, and philosophy were rapidly converging, and when it seemed possible that a single human being might embody—and even understand—the nature of the universe.
“Old maps lead you to strange and unexpected places, and none does so more ineluctably than the subject of this book: the giant, beguiling Waldseemüller world map of 1507.” So begins this remarkable story of the map that gave America its name. For millennia Europeans believed that the world consisted of three parts: Europe, Africa, and Asia. They drew the three continents in countless shapes and sizes on their maps, but occasionally they hinted at the existence of a "fourth part of the world," a mysterious, inaccessible place, separated from the rest by a vast expanse of ocean. It was a land of myth—until 1507, that is, when Martin Waldseemüller and Matthias Ringmann, two obscure scholars working in the mountains of eastern France, made it real. Columbus had died the year before convinced that he had sailed to Asia, but Waldseemüller and Ringmann, after reading about the Atlantic discoveries of Columbus’s contemporary Amerigo Vespucci, came to a startling conclusion: Vespucci had reached the fourth part of the world. To celebrate his achievement, Waldseemüller and Ringmann printed a huge map, for the first time showing the New World surrounded by water and distinct from Asia, and in Vespucci’s honor they gave this New World a name: America. The Fourth Part of the World is the story behind that map, a thrilling saga of geographical and intellectual exploration, full of outsize thinkers and voyages. Taking a kaleidoscopic approach, Toby Lester traces the origins of our modern worldview. His narrative sweeps across continents and centuries, zeroing in on different portions of the map to reveal strands of ancient legend, Biblical prophecy, classical learning, medieval exploration, imperial ambitions, and more. In Lester’s telling the map comes alive: Marco Polo and the early Christian missionaries trek across Central Asia and China; Europe’s early humanists travel to monastic libraries to recover ancient texts; Portuguese merchants round up the first West African slaves; Christopher Columbus and Amerigo Vespucci make their epic voyages of discovery; and finally, vitally, Nicholas Copernicus makes an appearance, deducing from the new geography shown on the Waldseemüller map that the earth could not lie at the center of the cosmos. The map literally altered humanity’s worldview. One thousand copies of the map were printed, yet only one remains. Discovered accidentally in 1901 in the library of a German castle it was bought in 2003 for the unprecedented sum of $10 million by the Library of Congress, where it is now on permanent public display. Lavishly illustrated with rare maps and diagrams, The Fourth Part of the World is the story of that map: the dazzling story of the geographical and intellectual journeys that have helped us decipher our world.
Shane Didn't Die" is the story of the every man, same as the Alan Ladd character depicted in the film "Shane" who innocently wanders into a volatile situation that is impossible for him to ignore. The main character in my story is that every guy, who no matter how badly wishes to not get involved is drawn in by the sheer cruelty of other men. Threats to those he love's and the discovery of his affection for a woman from his past won't allow him to stand on the sideline and do nothing. In this good versus evil story, right overcomes the cruelty of the wrong to make the world a better place.
Utopian thinking embraces fictional descriptions of how to create a better (but not a perfect) alternative way of life as well as intentional communities (that is, groups of people leading lives in small communities for their own betterment and the betterment of others). The first edition almost exclusively dealt with the intentional-community side of utopianism; this second edition offers a much more inclusive definition of the key term utopia by offering a great many entries devoted to describing fictional or literary utopian works. It is also heavily illustrated with plates from utopian works, especially those from the heyday of utopianism in the late nineteenth century. This second edition of Historical Dictionary of Utopianism contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on broad conceptual entries; narrower entries about specific works; and narrower entries about specific intentional communities or movements. This book is an excellent resource for students, researchers, and anyone wanting to know more about Utopianism.
The American father is constantly depicted by contemporary Hollywood as being under pressure and forever struggling, but why? By utilising an analytical psychological approach, this fascinating book reveals the depths, complexities and nuances of the depictions of the American father and his struggles with contemporary contextual challenges and offers a fresh and intellectually exciting set of perspectives and interpretations of this key masculine figure and his effect on cinematic masculinities. Using a post-Jungian methodology and close textual analysis, the book seeks to explore the presence and impact of the American filmic father, and the effect his Shadow has on himself, his children and US society. It does this by examining the concept of ‘father hunger’, a term popularised by the mytho-poetic men’s movement that holds fathers to be an essential link to the masculine continuum and masculinity in general. Analysing the role that Hollywood plays in depicting fathers and their relationships with their children and American society, The American Father Onscreen concludes that Hollywood presents the American paternal as crucial to the construction of US society and, consequently, American cultural myths, such as the American Dream. Providing an alternative perspective into the fascinating, complex, and under-researched figure of the American father, this book will be of great interest to academics and students of film, gender studies, American studies, and post-Jungian psychology.
John le Carré and the Cold War explores the historical contexts and political implications of le Carré's major Cold-War novels. The first in-depth study of le Carré this century, this book analyses his work in light of key topics in 20th-century history, including containment of Communism, decolonization, the Berlin Wall, the Cuban missile crisis, the Cambridge spy-ring, the Vietnam War, the 70s oil crisis and Thatcherism. Examining The Spy Who Came in from the Cold (1963), Tinker Tailor Soldier Spy (1974), Smiley's People (1979) and other novels, this book offers an illuminating picture of Cold-War Britain, while situating le Carré's work alongside that of George Orwell, Graham Greene and Ian Fleming. Providing a valuable contribution to contemporary understandings of both British spy fiction and post-war fiction, Toby Manning challenges the critical consensus to reveal a considerably less radical writer than is conventionally presented.
In Crazy Fourth Toby Smith tells the story of how the African American boxer Jack Johnson--the bombastic and larger-than-life reigning world heavyweight champion--met Jim Flynn on the Fourth of July in Las Vegas, New Mexico.
It was a cold and foggy February night in 1983 when a group of armed thieves crept onto Ballymany Stud, near The Curragh in County Kildare, Ireland, to steal Shergar, one of the Thoroughbred industry's most renowned stallions. Bred and raced by the Aga Khan IV and trained in England by Sir Michael Stoute, Shergar achieved international prominence in 1981 when he won the 202nd Epsom Derby by ten lengths -- the longest winning margin in the race's history. The thieves demanded a hefty ransom for the safe return of one of the most valuable Thoroughbreds in the world, but the ransom was never paid and Shergar's remains have never been found. In Taking Shergar: Thoroughbred Racing's Most Famous Cold Case, Milton C. Toby presents an engaging narrative that is as thrilling as any mystery novel. The book provides new analysis of the body of evidence related to the stallion's disappearance, delves into the conspiracy theories that surround the inconclusive investigation, and presents a profile of the man who might be the last person able to help solve part of the mystery. Toby examines the extensive cast of suspects and their alleged motives, including the Irish Republican Army and their need for new weapons, a French bloodstock agent who died in Central Kentucky, and even the Libyan dictator, Muammar al-Qadhafi. This riveting account of the most notorious unsolved crime in the history of horse racing will captivate serious racing fans and aficionados as well as entertain a new generation of horse racing enthusiasts.
The author of such works as The Big Sleep (1939), Farewell, My Lovely (1940), The Lady in the Lake (1943), and The Long Goodbye (1953), Raymond Chandler was one of the most popular mystery writers of his time. His works continue to be read today and have been adapted many times into films. Chandler's writings have also been receiving growing amounts of scholarly attention, and while most of this attention has focused on his use of language, critics are now studying the fictitious world he created and the milieu in which he wrote. This reference is a detailed guide to his writings. A chronology and brief biography overview the chief events in his life and career, with the biography discussing thematic patterns in his life and writings. The major section of the book, Chandler's World, describes the characters and places in his 7 novels and 25 short stories. Alphabetically arranged entries also provide summaries of his works, along with discussions of key topics. The entries are concise and informative and thus readily guide the reader through Chandler's complex universe. Appendices provide information about adaptations of his works, along with extensive listings of primary and secondary sources for additional consultation.
An award-winning author takes on the genesis of Leonardo da Vinci's Vitruvian Man. In this modest drawing, da Vinci attempted nothing less than to calibrate the harmonies of the universe and understand the central role man played in the cosmos. Lester brings Vitruvian Man to life, resurrecting the ghost of an unknown da Vinci.
When RocKwiz, the hugely popular SBS TV rock trivia show, look for questions, there is one resource they continually turn to Toby Creswell's 1001 Songs. The stories behind the great songs of all time from Gershwin to Missy Elliott, from Bob Dylan to Alicia Keys, Sinatra to Offsping, Leonard Cohen to Pulp are all in there. RocKwiz 1001 Songs tells the stories behind the best and most popular songs of the last century. It reveals background facts that will fascinate and intrigue, biographical information on each performer and also boasts a guide to the definitive and the oddball covers of songs. The book also features over 400 showstopping photographs and album covers. Not bound by ranking, era or album, RocKwiz 1001 Songs is presented just like an iPod on random. Discover how Ike and Tina Turner stole River Deep, Mountain High, how matching Body Shop shampoo inspired Courtney Love to write a song after the death of Kurt Cobain, and just who the other members of Sheryl Crow's Tuesday Night Music Club actually were. RocKwiz 1001 Songs provides endless entertainment and insider information on over a thousand artists and songs, right up to the minute the perfect book for music buffs, keen listeners, and anyone who's ever had a song stuck in their head.
Substantially revised and updated, this book highlights how Hollywood has transformed itself to attain ever global clout and reach and the material factors underlining Hollywood's apparent artistic success. Takes into consideration recent events affecting Hollywood such as 9/11, US foreign policy and developments in consumer technology.
Regina Gallagher enjoyed her life as a successful financial planner. She owned a beautiful LA beach home and had a wonderful relationship with her daughter. Why then, she wondered, as she turned the calendar over to her birthday month, did she feel so restless and unfulfilled? After a life-changing event, Regina finds herself questioning her lifestyle and her work. Sometimes, it only takes a glimpse into another way of life to change everything. As she opens her heart and mind to new experiences, she is surprised when she finds solace and peace in the most unlikely of places. More surprising still is the man who seems to be inextricably tied to her new future, and how much Regina finds herself enjoying that. It appears that the legend of restoring waters in the river along the shore of The Blue Moon Motel and Lightning Bolt Lounge is true after all.
Every five years my mother had her fortune read by Lulu Cho, owner of the Golden Lotus Massage Club for Men. Now it was my turn. And Lulu predicted one hurricane of a future for me! Judith Soo Jin Raphael’s childhood was shaped by her hardworking immigrant mother, her father who left them, and her struggles to fit in as a half-Korean, half-Jewish kid in a tough urban neighborhood. But music lessons gave her a purpose and passion. Now, as Judith’s fiftieth birthday nears, she has rewarding work as a cellist with the Maryland Philharmonic, an enthusiastic if uncommitted lover, and a quirky but close relationship with her mother. Then chaos strikes: Judith’s first love, who dumped her decades ago, returns to dazzle her with his golden pedigree and brilliant career. Her long-absent father arrives out of the blue with a snazzy car and a con man’s patter, turning her mother into a love-struck flirt whom Judith barely recognizes. All this while her mentor at the orchestra falls seriously ill. No wonder Judith develops a paralyzing case of stage fright. Judith finds herself feeling—and sometimes acting—slightly unhinged, but she’s convinced that happiness will arrive any day now. She’s just got to hold on tight during this midlife shake-up...and claim the prize that life surely has in store for her. CONVERSATION GUIDE INCLUDED
Morantz shows that with the imposition of administration from the south the Crees had to confront a new set of foreigners whose ideas and plans were very different from those of the fur traders. In the 1930s and 1940s government intervention helped overcome the disastrous disappearance of the beaver through the creation of government-decreed preserves and a ban on beaver hunting, but beginning in the 1950s a revolving array of socio-economic programs instituted by the government brought the adverse effects of what Morantz calls bureaucratic colonialism. Drawing heavily on oral testimonies recorded by anthropologists in addition to eye-witness and archival sources, Morantz incorporates the Crees' own views, interests, and responses. She shows how their strong ties to the land and their appreciation of the wisdom of their way of life, coupled with the ineptness and excessive frugality of the Canadian bureaucracy, allowed them to escape the worst effects of colonialism. Despite becoming increasingly politically and economically dominated by Canadian society, the Crees succeeded in staving off cultural subjugation. They were able to face the massive hydroelectric development of the 1970s with their language, practices, and values intact and succeeded in negotiating a modern treaty. This detailed portrait of twentieth-century Canadian colonialism will be of interest to native studies specialists, anthropologists, and political scientists generally.
Now in its third edition, The Rise of Early Modern Science argues that to understand why modern science arose in the West it is essential to study not only the technical aspects of scientific thought but also the religious, legal and institutional arrangements that either opened the doors for enquiry, or restricted scientific investigations. Toby E. Huff explores how the newly invented universities of the twelfth and thirteenth centuries, and the European legal revolution, created a neutral space that gave birth to the scientific revolution. Including expanded comparative analysis of the European, Islamic and Chinese legal systems, Huff now responds to the debates of the last decade to explain why the Western world was set apart from other civilisations.
Television Studies: The Basics is a lively introduction to the study of a powerful medium. It examines the major theories and debates surrounding production and reception over the years and considers both the role and future of television. Topics covered include: broadcasting history and technology institutions and ownership genre and content audiences Complete with global case studies, questions for discussion, and suggestions for further reading, this is an invaluable and engaging resource for those interested in how to study television.
Drawing on a deep and long-term first-hand engagement with major labels in the early years of the 21st century, this book sheds new light 'behind the scenes', at a time of drastic and far-reaching transformation. Refreshingly, it centres not on artists and the most powerful decision-makers but on everyday experiences of work and back-office corporate employees. Doing so reveals the internal activities and conflicts that, while hidden from public view, enable processes of change: from paperwork, data systems, managerial pressures and redundancies to graduate training schemes, departmental politics and shared playlists, providing a new route into understanding the broader cultures and infrastructures of the global recording industry. This oft-forgotten office work tells a different story of contemporary digital music , one more sensitive to the complex intersections that texture the conduct of work and organizational life.
This book analyses the success and adaptation of Michael Morpurgo’s novel War Horse to stage, radio, live events, and feature film, in different cultures, on tours, and in translation. In under a decade, War Horse has gone from obscure children’s novel to arguably one of the world’s most recognisable theatrical brands, thanks to innovative puppet designs from South Africa’s Handspring Puppet Company in an acclaimed stage production from the National Theatre of Great Britain. With emphasis on embodied spectatorship, collaborative meaning-making, and imaginative ‘play,’ this book generates fresh insights into the enduring popularity of the franchise’s eponymous protagonist, Joey, offering the most in-depth study of War Horse to date.
What does it mean to be a "citizen" today, in an age of unbridled consumerism, terrorism, militarism, and multinationalism? In this passionate and dazzling book, Toby Miller dares to answer this question with the depth of thought it deserves. Fast-moving and far-ranging, Cultural Citizenship blends fact, theory, observation, and speculation in a way that continually startles and engages the reader. Although he is unabashedly liberal in his politics, Miller is anything but narrow minded. He looks at media coverage of September 11th and the Iraq invasion as well as "infotainment"—such as Food and Weather channels—to see how U.S. TV is serving its citizens as part of "the global commodity chain." Repeatedly revealing the crushing grip of the invisible hand of television, Miller shows us what we have given up in our drive to acquire and to "belong." For far too long, "cultural citizenship" has been a concept invoked without content. With the publication of this book, it has at last been given flesh and substance.
It is the early Cold War. The Soviet Union appears to be in irresistible ascendance and moves to exploit the Olympic Games as a vehicle for promoting international communism. In response, the United States conceives a subtle, far-reaching psychological warfare campaign to blunt the Soviet advance. Drawing on newly declassified materials and archives, Toby C. Rider chronicles how the U.S. government used the Olympics to promote democracy and its own policy aims during the tense early phase of the Cold War. Rider shows how the government, though constrained by traditions against interference in the Games, eluded detection by cooperating with private groups, including secretly funded émigré organizations bent on liberating their home countries from Soviet control. At the same time, the United States utilized Olympic host cities as launching pads for hyping the American economic and political system. Behind the scenes, meanwhile, the government attempted clandestine manipulation of the International Olympic Committee. Rider also details the campaigns that sent propaganda materials around the globe as the United States mobilized culture in general, and sports in particular, to fight the communist threat. Deeply researched and boldly argued, Cold War Games recovers an essential chapter in Olympic and postwar history.
The nation didn't know it, but 1960 would change American film forever, and the revolution would occur nowhere near a Hollywood set. With the opening of the New Yorker Theater, a cinema located at the heart of Manhattan's Upper West Side, cutting-edge films from around the world were screened for an eager audience, including the city's most influential producers, directors, critics, and writers. Woody Allen, Martin Scorsese, Susan Sontag, Andrew Sarris, and Pauline Kael, among many others, would make the New Yorker their home, trusting in the owners' impeccable taste and incorporating much of what they viewed into their work. In this irresistible memoir, Toby Talbot, co-owner and proud "matron" of the New Yorker Theater, reveals the story behind Manhattan's wild and wonderful affair with art-house film. With her husband Dan, Talbot showcased a range of eclectic films, introducing French New Wave and New German cinema, along with other groundbreaking genres and styles. As Vietnam protests and the struggle for civil rights raged outside, the Talbots also took the lead in distributing political films, such as Bernard Bertolucci's Before the Revolution, and documentaries, such as Shoah and Point of Order. Talbot enhances her stories with selections from the New Yorker's essential archives, including program notes by Jack Kerouac, Jules Feiffer, Peter Bogdanovich, Jonas Mekas, Jack Gelber, and Harold Humes. These artifacts testify to the deeply engaged and collaborative spirit behind each showing, and they illuminate the myriad and often entertaining aspects of theater operation. All in all, Talbot's tales capture the highs and lows of a thrilling era in filmmaking.
Dead Men Risen, winner of the prestigious Orwell Prize for Books, is the epic story of a beleaguered British battle group fighting desperately to prevent the Taliban from seizing Afghanistan's Helmand province just as the U.S. Marines arrive to take over. Bestselling author Toby Harnden describes how men from the coal mining valleys and slate quarry villages of Wales found themselves in the most intense combat faced by British troops for a generation. Underequipped and overstretched, the fighting prowess of the Welsh Guards in the killing fields of Sangin and Nawa awed the U.S. Marines. NATO commander General Stanley McChrystal, who was awaiting a response to his urgent request to President Barack Obama for more troops, hailed their "burn-in-your-gut passion." Harnden was on the ground with the Welsh Guards in Helmand in 2009. He gained access to a trove of secret military documents and conducted nearly three hundred interviews in Afghanistan, England, Wales, and the United States to produce this timeless and profound account of men at war. Commanding the Welsh Guards was Lieutenant Colonel Rupert Thorneloe, a passionate believer in the justness of the war who was dismayed by the military and political incompetence surrounding it. In chilling detail, Harnden reveals how and why Thorneloe—the first British battalion commander to die in action since the 1982 Falklands War—was killed by an IED during Operation Panther’s Claw. By the time the fighting was over, almost no rank had been spared. From the searing heat of the poppy fields and the mud compounds of Helmand to the dreaded knock on the door back home, the reader is transported there. Harnden weaves the experiences of the soldiers, their historical forbears and the flawed NATO strategy into a masterly narrative. No other book about modern conflict succeeds on so many levels. Dead Men Risen is essential for anyone who wants to understand the reality of the Afghan war for the U.S and its allies.
Being a follower of Jesus in the evangelical community in America is equated to a posture, practice, and pursuit of triumphalism. Followers of Jesus have misunderstood, maybe even lost, the great value of public and private lament. Lament is incongruent with a theology of continual and ongoing triumphalism. Yet, suffering, loss, and lament permeate Scripture and the human experience. To lament is to cry out to God with our doubts and to bring complaints against God. It is a posture and practice of worship and surrender that helps followers of Jesus wrestle, engage, process, and understand loss, creating a sacred space for the suffering voice to speak. Lament is a practice absent in the church that is recognized and understood as a way of naming grief and suffering, of standing and hoping in the midst of ruins. In the context of San Francisco, the practice and theology of lament in the lives of those who follow Jesus becomes a parody of cultured syllogisms and hyper-vanquishing that forms a community frail to moments of liminality, anxious in seasons of uncertainty, and ill-equipped to deal with the obscurities of everyday life.
Despite becoming increasingly politically and economically dominated by Canadian society, the Crees succeeded in staving off cultural subjugation. They were able to face the massive hydroelectric development of the 1970s with their language, practices, and values intact and succeeded in negotiating a modern treaty."--BOOK JACKET.
Far out in the desert, a superhuman assassin known only as Cain is using blood money to finance the excavation of an artifact as old as the earth itself. CIA operative Gabrielle “Gabe” Lincoln has a very short time to learn the secret of Cain’s power–or soon the earth and everyone in it will be annihilated.
I blame Literature. All those f*cking lovely writers who made me want to be a writer. Toby Literature.' A Writer's Diary is a year in the life of a man called Toby Litt. Day by day, Toby offers intimate details about his family and well-being, insights into creative writing, and other fascinating reflections, ranging from the immediate surroundings of his desk and study out into the world and on to infinite possibility. As the year unfolds an increasingly urgent narrative starts to build. A Writer's Diary becomes a compulsive page-turner, full of stories and characters we have grown to love – and full of questions we need answered. W ill Toby Litt find the perfect pencil sharpener? Will everyone he loves make it through the year? And will he be the same person at the end of it? Blending fact and fiction, invention and memoir with joyful creativity and remarkable ambition, A Writer's Diary is a year in a life and a life in a year. .
As the healthcare environment changes, the need for outcomes-based tre atment planning becomes even more critical. This book guides the reade r through current outcomes-based research as it pertains to surgery. F irst, it gives a complete overview of the practice of evidence-based s urgery (EBS), with topics such as treatment planning, policy issues, a nd ethical issues. Then it gives practical, step-by-step advice on the methodology of EBS, with chapters on study design, outcomes measures, adjustments for complications and comorbidities, cost, and data sourc es. Last, it publishes the results of numerous respected EBS studies.
An estimated 400 million units of obsolete electronics are scrapped annually in the U.S. Virtualization can save an organization $560 annually in electricity costs per server; this books covers virtualization and other engery-saving techniques A green IT organization can reduce operation costs, increase employee retention, and improve brand image in the market place
With particular attention to essays, this writing guide offers advice for each stage of the process. Chapters discuss the elements of composition, descriptive and explanatory strategies, argument, research, and revision. Appendices feature documentation guidelines, advice on letters, resumes, and essay exams, and rules of punctuation. Fulwilier teaches at the University of Vermont. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
Why do students take writing classes? Why is writing important? If you are a good writer, you with succeed in school and in life." The Blair Handbook, Fifth Edition, offers the best coverage of the writing process and writing across the curriculum. Your handbook is one of the most important tools you have to improve your writing. This essential reference to be used for a lifetime also gives you and your instructors access to valuable resources, including a Web site and more! Go to www.prenhall.com/fulwiler to find tutoring, self-grading exercises, instructional videos, and much more!
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