Open your heart, for only then will you bring light.Marked by the curse of a witch, the Gargoyles are doomed never to be seen by a human eye. Yet an ancient prophecy could mean salvation for them, if it weren't for the war between the two clans, the Grimm and the Pearce. Amid this bitter feud, the siblings Freya, Dean, and Ash must fight their battle with their inner demons. As hope of finding the missing part of the prophecy continues to fade, a last glimmer of light emerges. Alex Lane is the first to see the Gargoyles. Let the game begin.
A journey across centuries of religious conflict Toby Green’s incredible new book brings a vast panorama to life by focusing on the untold stories of individuals from all walks of life and every section of society who were affected by the Inquisition. From witches in Mexico, bigamists in Brazil, Freemasons, Hindus, Jews, Moslems and Protestants, the Inquisition reached every aspect of society. This history, though filled with stories of terror and the unspeakable ways in which human beings can treat one another, is ultimately one of hope, underscoring the resilience of the human spirit. Stretching from the unification of Spain under Ferdinand and Isabella in the fifteenth century to the Napoleanic wars, The Inquisition details this incredible history in all its richness and complexity.
Is culture a luxury? In this era of austerity, the value of the arts has been a topic of heated debate in Greece, where the country’s economic troubles have led to drastic cuts in public funding and much contention over the significance of cultural institutions and government-funded arts initiatives. At issue in these debates are larger questions regarding the very notions of publicness, hierarchies of value, and functions of the state that structure collective life. Beginning with the Thessaloniki International Film Festival, How to Be Public tracks this turbulence as it unfolded in the Greek film world in the early years of the crisis. Investigating the different forms of citizenship and collectivity being negotiated in cinema’s social spaces, this book considers how the arts and cultural production may illuminate the changing conditions of, and possibilities for, public and collective life in the neoliberal era.
In 1912 boxing was as popular a spectator sport in the United States as baseball, if not more so. It was also rife with corruption and surrounded by gambling, drinking, and prostitution, so much so that many cities and states passed laws to control it. But not in New Mexico. It was the perfect venue for one of the biggest, loudest, most rambunctious heavyweight championship bouts ever seen. In Crazy Fourth Toby Smith tells the story of how the African American boxer Jack Johnson—the bombastic and larger-than-life reigning world heavyweight champion—met Jim Flynn on the fourth of July in Las Vegas, New Mexico. The civic boosters, bursting with pride in their town, raised a hundred thousand dollars for the fight, pushing events like the sinking of the Titanic to the back pages of every newspaper. In the end, once the dust finally settled on the whole unseemly spectacle, Las Vegas would spend the next generation making good on its losses.
Five years ago, The Spinoff burst onto New Zealand’s media scene with smart, screamingly funny and seriously relevant writing. Since then, it has enraged and inspired all the right people, respectably won Website of the Year at the 2019 Voyager Media Awards, and expanded into television, podcasts and now – shockingly – a book. Edited by Toby Manhire, it’s jam-packed with The Spinoff’s best work, along with full-colour artwork by Toby Morris, photography, collage, poetry and a clutch of new and exclusive essays. Simon Wilson, Jemaine Clement, Lorde and Jesse Mulligan rub shoulders with Spinoff stars like Alex Casey, Madeleine Chapman and Emily Writes. From Shortland Street to sports, feminism to fashion and current events to Kiwi onion dip, this is an engrossing, original take on everything that matters in Aotearoa New Zealand in the 21st century. Featuring Toby Morris Hera Lindsay Bird Leonie Hayden Michèle A’Court Ashleigh Young Lorde Jemaine Clement Alex Casey Madeleine Chapman Duncan Greive Simon Wilson Aldous Harding Emily Writes Scotty Stevenson David Farrier ...and more "The Spinoff is where we find stories no one else is covering . . . stories we need to hear." 2019 Voyager Media Awards Judges "Right now, every left-leaning, media-savvy, university-educated hipster you know (and probably their baby-boomer parents) is reading The Spinoff." Sunday magazine "Crap and a waste of our money." Mike Hosking
Greenwashing Culture examines the complicity of culture with our environmental crisis. Through its own carbon footprint, the promotion of image-friendly environmental credentials for celebrities, and the mutually beneficial engagement with big industry polluters, Toby Miller argues that culture has become an enabler of environmental criminals to win over local, national, and international communities. Topics include: the environmental liabilities involved in digital and print technologies used by cultural institutions and their consumers; Hollywood's 'green celebrities' and the immense ecological impact of their jet-setting lifestyles and filmmaking itself; high profile sponsorship deals between museums and oil and gas companies, such as BP's sponsorship of Tate Britain; radical environmental reform, via citizenship and public policy, illustrated by the actions of Greenpeace against Shell's sponsorship of Lego. This is a thought-provoking introduction to the harmful impact of greenwashing. It is essential reading for students of cultural studies and environmental studies, and those with an interest in environmental activism.
From rock’n’roll to contemporary pop, Mixing Pop and Politics is a provocative and entertaining mash-up of music and Marxist theory. A radical history of the political and social upheavals of the last 70 years, told through the period's most popular music. Mixing Pop and Politics is not a history of political music, but a political history of popular music. Spanning the early 50s to the present, it shows how, from doo-wop to hip-hop, punk to crunk and grunge to grime, music has both reflected and resisted the political events of its era. Mixing Pop and Politics explores the connections between popular music and political ideology, whether that’s the liberation of rock’n’roll or the containment of girl groups, the refusal of glam or the resignation of soft rock, the solidarity of disco or the individualism of 80s pop. At a time when reactionary forces are waging political war in the realm of culture, and we’re being told to keep politics out of music, Mixing Pop and Politics is a timely, original and joyful exploration of popular music’s role in our society.
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