The figure of the renegade - a European Christian or Jew who had converted to Islam and was now serving the Ottoman sultan - is omnipresent in all genres produced by those early modern Christian Europeans who wrote about the Ottoman Empire. As few contemporaries failed to remark, converts were disproportionately represented among those who governed, administered, and fought for the sultan. Unsurprisingly, therefore, renegades have attracted considerable attention from historians of Europe as well as students of European literature. Until very recently, however, Ottomanists have been surprisingly silent on the presence of Christian-European converts in the Ottoman military-administrative elite. The Sultan's Renegades inserts these 'foreign' converts into the context of Ottoman elite life to reorient the discussion of these individuals away from the present focus on their exceptionality, towards a qualified appreciation of their place in the Ottoman imperial enterprise and the Empire's relations with its neighbours in Christian Europe. Drawing heavily on Central European sources, this study highlights the deep political, religious, and cultural entanglements between the Ottoman Empire and Christian Europe beyond the Mediterranean Basin as the 'shared world' par excellence. The existence of such trans-imperial subjects is not only symptomatic of the Empire's ability to attract and integrate people of a great diversity of backgrounds, it also illustrates the extent to which the Ottomans participated in processes of religious polarization usually considered typical of Christian Europe in this period. Nevertheless, Christian Europeans remained ambivalent about those they dismissed as apostates and traitors, frequently relying on them for support in the pursuit of familial and political interests.
In 1976, David Bowie left Los Angeles and the success of his celebrated albums Diamond Dogs and Young Americans for Europe. The rocker settled in Berlin, where he would make his “Berlin Trilogy”—the albums Low, Heroes, and Lodger, which are now considered some of the most critically acclaimed and innovative of the late twentieth century. But Bowie’s time in Berlin was about more than producing new music. As Tobias Rüther describes in this fascinating tale of Bowie’s Berlin years, the musician traveled to West Berlin—the capital of his childhood dreams and the city of Expressionism—to repair his body and mind from the devastation of drug addiction, delusions, and mania. Painting a vivid picture of Bowie’s life in the Schöneberg area of the city, Rüther describes the artist’s friendships and collaborations with his roommate, Iggy Pop, as well as Brian Eno and Tony Visconti. Rüther illustrates Bowie’s return to painting, days cycling to the Die Brücke museum, and his exploration of the city’s nightlife, both the wild side and the gay scene. In West Berlin, Bowie also met singer and actress Romy Haag; came to know Hansa Studios, where he would record Low and Heroes; and even landed the part of a Prussian aristocrat in Just a Gigolo, starring alongside Marlene Dietrich. Eventually Rüther uses Bowie and his explorations of the cultural and historical undercurrents of West Berlin to examine the city itself: divided, caught in the Cold War, and how it began to redefine itself as a cultural metropolis, turning to the arts to start a new history. Tying in with an exhibition at the Museum of Contemporary Art, Chicago, in September, 2014, Heroes tells the fascinating story of how the music of the future arose from the spirit of the past. It is an unforgettable look at one of the world’s most renowned musicians in one of its most inspiring cities.
Florian Dörschel deals with the martial side of German chivalry towards the end of the Middle Ages. Knightly violence was at the center of social, military and political life as an instrument of power, representation and communication. Florian Dörschel befasst sich mit der kriegerischen Seite des deutschen Rittertums im ausgehenden Mittelalter. Diese ritterliche Gewalt stand als Machtinstrument, Repräsentations- und Kommunikationsmittel im Mittelpunkt des sozialen, militärischen und politischen Lebens.
Die marmorne Liegestatue der frühchristlichen Jungfrau und Märtyrerin Cäcilie, die sich seit ihrer Entstehung zum Jubeljahr 1600 an ihrem ursprünglichen Aufstellungsort in Rom befindet, gilt aufgrund innovativer Rahmung und Formensprache als bahnbrechend in der westlichen Kunst. Im Hinblick auf ihren kulturellen, religiösen, sozialen und politischen Hintergrund wurde sie aber bislang noch nie umfassend untersucht. Die vorliegende, interdisziplinäre Studie widmet sich genau diesem Kraftfeld. Es bestimmt die Genese, Bedeutung und frühe Rezeption des Grabbildes Cäciliens wie auch des Stifters, Kardinal Paolo Camillo Sfondrato. Die Figur wirkt nicht nur im gesamten Kircheninnenraum der der Heiligen geweihten Basilika, sondern strahlt in eine wegweisende, frühmoderne Welt aus. Zugleich reflektiert sie Zeitströmungen derart, dass sie als künstlerische Summe ihrer Epoche gelten kann. The reclining marble statue of the early Christian virgin martyr Cecilia, completed by the Holy Year of 1600 and still in its original setting in the Roman basilica bearing the saint’s name, has long been recognised as a seminal work in Western art. Yet its cultural, religious, social and political background has never been comprehensively investigated. This interdisciplinary analysis explores the constellation of forces that shaped the genesis, meaning and early reception of the sculpture – a funeral image for both its donor, Cardinal Paolo Camillo Sfondrato, and Cecilia – as well as its impact on the church interior and the contemporary viewer. The cult image emerges as a synthesis of an epoch that is fundamental to our understanding of early modern culture.
Welcome to Black Cat Weekly #45. This is an fun issue, and I’ve selected Tobias S. Buckell’s fantasy “The Fisher Dragon” as the cover story. (I must admit to having a fondness for dragons. The very first story I sold professionally, way back at the dawn of time when I was 16 years old, was about a dragon. And they appear in several of my novels, most notably Master of Dragons.) Thanks to acquiring editor Cynthia Ward for selecting it. Black Cat’s other acquiring editors are represented in this issue, too—Michael Bracken selected an original mystery from John M. Floyd, and Barb Goffman has a tale about a retired detective by Steve Hockensmith (whose “Holmes on the Range” series of historical mystery stories are must-reads, as far as I’m concerned. Check then out if you get a chance.) And last (but not least), Darrell Schweitzer unearthed one of his paleo-interviews for us—this time with Craig Shaw Gardner. It's from the 1990s, when Gardner had just become a best-selling author, thanks to his Batman movie novelization. And we have classics by George O. Smith, Henry Kuttner, and many others, including a 1915 Nick Carter mystery novel. And, of course, a modern solve-it-yourself mystery from Hal Charles (the writing team of Hal Blythe and Charlie Sweet). Here’s the complete lineup: Mysteries / Suspense / Adventure: “From Ten to Two” by John M. Floyd [Michael Bracken Presents short story] “An Eggceptional Solution” Hal Charles [Solve-It-Yourself Mystery] “Frank” by Steve Hockensmith [Barb Goffman Presents short story] The Bush-Rancher, by Harold Bindloss [novel] The Suicide, by Nicholas Carter [novel] Non-Fiction: “Speaking with Craig Shaw Gardner” [Interview with Darrell Schweitzer] Science Fiction & Fantasy: “The Fisher Dragon”by Tobias S. Buckell [Cynthia Ward Presents short story] “Catspaw,” by George O. Smith [short story] “The Half-Haunted,” by Manly Wade Wellman [short story] “The Sea-Witch,” by Nictzin Dyalhis [short story] “Chameleon Man,” by Henry Kuttner [short story]
Schutz und Andacht im Islam befasst sich mit handschriftlichen Dokumenten in Rollenform, die zwischen dem 14. und 19. Jh. entstanden sind. Die vorgestellten Belegstücke stammen aus unterschiedlichen geographischen Kontexten: a. Städtedreieck Tabriz-Konya-Bagdad; b. persischer Kulturraum; c. Osmanisches Reich. Diese Rollen waren bei Angehörigen von Männerbünden (Sufi-Orden, Futuwwa- und Aḫī-Gruppierungen, Gilden) beliebt. Die Studie untersucht das auf diesen Dokumenten verwendete textliche und ge¬stalterische Vokabular. Neben Passagen aus dem Koran (auch vollständige Abschriften) lassen sich oft Gebete und weitere Texte frommen Inhalts feststellen. Gelegentlich finden sich Hinweise, dass die Dokumente aus heterodoxen Umfeldern stammen. Die Studie unterstreicht ausserdem den hohen kunsthistorischen Wert der vorgestellten Belegstücke, die oft für Angehörige von gesellschaftlichen Eliten angefertigt worden sind. Devotion and Protection in Islam deals with hand-written documents in the scroll format dating from the 14th–19th centuries. These documents can be attributed to various geographic contexts: a. the triangle between the cities of Tabriz, Konya and Baghdad; b. the Persianate world; c. the Ottoman Empire. These scrolls were appreciated by members of different associations (Männerbünde; e.g. Sufi orders, Futuwwa and Aḫī groups). This study analyses the textual and ornamental vocabulary applied on the scrolls. The copied texts mostly comprise passages from the Quran and prayers. Certain features suggest that such scrolls were often produced in heterodox environments. Additionally, this study underscores the high art-historical value of these documents, particularly appreciated by members of the ruling elite.
Digital asset management is undergoing a fundamental transformation. Near universal availability of high-quality web-based assets makes it important to pay attention to the new world of digital ecosystems and what it means for managing, using and publishing digital assets. The Ecosystem of Digital Assets reflects on these developments and what the emerging 'web of things' could mean for digital assets. The book is structured into three parts, each covering an important aspect of digital assets. Part one introduces the emerging ecosystems of digital assets. Part two examines digital asset management in a networked environment. The third part covers media ecosystems. - Looks to the future of digital asset management, focussing on the next generation web - Includes up-to date developments in the field, crowd sourcing, and cloud services - Details case studies to demonstrate how generic requirements are met in particular cases
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