Published in conjunction with the exhibition The original copy: photography of sculpture, 1839 to today, at the Museum of Modern Art, New York (August 1-November 1, 2010)"--T.p. verso.
The works featured in this book include paintings, sculpture and prints from the artist's Blue and Rose periods, his foray into Cubism, his neo-classical paintings of the 1920s and his images inspired by his young lover Marie-Thérèse Walter in the early 1930s.
Sebastian Rug hat sich ausschließlich dem Zeichnen verschrieben. Seit mittlerweile zehn Jahren realisiert er Arbeiten in Bleistift, Buntstift oder Tusche, die durch ihre kleinteiligen Strukturen faszinieren. Jede dieser Zeichnung ist eine Reise mit ungewissem Ziel. Zu Beginn der Arbeit legt Rug nur das grafische Grundelement fest, aus dem sich eine Zeichnung aufbaut. Dann wächst diese ganz allmählich, Linie für Linie heran, bis sich ein feingliedriges, oft mehrere Ebenen umfassendes Liniensystem ergibt, das Assoziationen mit textilen Geflechten oder fraktalen Landschaften erweckt. Im Zeichnen sehen stellt Arbeiten aus verschiedenen Schaffensphasen vor und gibt damit erstmals einen Überblick über das Werk eines der interessantesten jüngeren Zeichner Deutschlands. 0Exhibition: Museum Folkwang, Essen, Germany (11.5.-1.9.2013) / Leonhardi-Museum, Dresden, Germany (11.10.-15.12.2013).
Socialist Architecture: The Vanishing Act is a collaborative project between photographer Armin Linke and architect Srdjan Jovanovic Weiss.Linke and Weiss have worked together since 2009 to visit and document selected examples of ex-Yugoslav Socialist architecture in order to document the state that they are in today. The Socialist Federation of Yugoslavia vanished during the early 1990s and the former Socialist states were 'Balkanized' into a number of emerging democracies.Each of these new states inherited monuments, buildings, landscapes, and infrastructure, which were constructed specifically for the former Socialist context and needs. After Yugoslavia vanished, most of the inherited architecture was left vacant and in a state of limbo between being repurposed and reused for new content, or simply being declared 'Socialist archeology', and continuing its life as ruins.By creating documentation, this project captures the indecision of five particular emerging democracies today: Croatia, Bosnia-Herzegovina, Montenegro, Macedonia, and Serbia, and the distinct effects their irresolution creates spatially and visually on former Yugoslav architecture.Published with Codax Publishers, Zurich.English and German text.
Published in conjunction with the exhibition The original copy: photography of sculpture, 1839 to today, at the Museum of Modern Art, New York (August 1-November 1, 2010)"--T.p. verso.
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