Life is made up of moments—that's all we have. Moments in time with the people we love, and then they're gone. Sometimes we find ourselves in situations that we never expected, and then we wonder how we are going to manage. Mom-ents is my experience caring for my mother while she faced the struggle of dementia and breast cancer. Together, we walked through the darkness and the unknown. We muddled through it, sometimes with skill, sometimes by guesswork, and a lot of times by accident. This is our real human journey of love, laughter, and tenderness that I recorded as we went where the path led us.
Life is made up of moments—that's all we have. Moments in time with the people we love, and then they're gone. Sometimes we find ourselves in situations that we never expected, and then we wonder how we are going to manage. Mom-ents is my experience caring for my mother while she faced the struggle of dementia and breast cancer. Together, we walked through the darkness and the unknown. We muddled through it, sometimes with skill, sometimes by guesswork, and a lot of times by accident. This is our real human journey of love, laughter, and tenderness that I recorded as we went where the path led us.
In 1967, Scottsdale's longtime Arabian horse breeder Ed Tweed embarked on a mission to race the horses he bred. He imported a chestnut stallion from Poland named Orzel, or "Eagle" in English, that flew past competitors to become the first U.S. National Racing Champion. Among other wins in halter and performance, Orzel was the victor in the debut of the U.S. National Championship Ladies' Sidesaddle category, partnered with Tweed's granddaughter Shelley Groom Trevor. Thousands of fans visited the legendary performer in retirement at Brusally Ranch. Decades after Orzel's death, horses he sired continue his winning legacy. Author Tobi Lopez Taylor chronicles this triumphant story.
In seinem nur zwölf Jahre umfassenden Schaffen brach der iranische Theatermacher Reza Abdoh mit sämtlichen Parametern des Theaters und brachte seine Schauspieler und das Publikum oft an ihre Grenzen. Seine halluzinatorischen Traumlandschaften waren eindringlich, seine Inszenierungen adressierten sprachgewaltig die bitteren politischen Realitäten seiner Zeit – vom staatlich sanktionierten Rassismus über die Weigerung der Reagan-Regierung, sich der AIDS-Krise anzunehmen, bis hin zu den Kriegen der USA. Kurz vor seinem Tod verfügte er, dass seine Stücke nicht neu aufgeführt werden dürfen. Der Katalog enthält neben zahlreichen Abbildungen neue Essays über die Einflüsse und Rezeption seines Werkes, bereits publizierte und bisher unveröffentlichte Interviews mit Reza Abdoh, Gespräche mit Weggefährten sowie Skripte seiner Stücke und Presseberichte.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.