Tina Thurston’s Landscapes of Power; Landscapes of Conflict is a thi- generation processual analysis of sociopolitical evolution during the Iron Age in southern Scandinavia. Several red flags seem to be raised at once. Are not archaeologists now postprocessual, using new interpretive approaches to - derstand human history? Is not evolution a discredited concept in which - cieties are arbitrarily arranged along a unilinear scheme? Should not modern approaches be profoundly historical and agent-centered? In any event, were not Scandinavians the ultimate barbarian Vikings parasitizing the complex civilized world of southern and central Europe? Tina Thurston’s book focuses our attention on the significant innovations of anthropological archaeology at the end of the twentieth century. A brief overview of processual archaeology can set the context for - preciating Landscapes ofPower; Landscapes of Conflict. During the 1960s the emergent processual archaeology (a. k. a. the New Archaeology) cryst- lized an evolutionary paradigm that framed research with the comparative ethnography of Service and Fried. It was thought that human societies p- gressed through stages of social development and that the goal was to d- cover the evolutionary prime movers (such as irrigation, warfare, trade, and population) that drove social and cultural change. By the 1970s prime movers had fallen from favor and social evolution was conceived as complicated flows of causation involving many variables.
Tort law is a dynamic area of Australian law, offering individuals the opportunity to seek legal remedies when their interests are infringed. Contemporary Australian Tort Law introduces the fundamentals of tort law in Australia today in an accessible, student-friendly way.
The Irish New Woman explores the textual and ideological connections between feminist, nationalist and anti-imperialist writing and political activism at the fin de siècle . This is the first study which foregrounds the Irish and New Woman contexts, effecting a paradigm shift in the critical reception of fin de siècle writers and their work.
Rig It Right! breaks down rigging so that you can achieve a fundamental understanding of the concept. The author will get you up and rigging with step-by-step tutorials covering multiple animation control types, connection methods, interactive skinning, BlendShapes, edgeloops, and joint placement, to name a few. The concept of a biped is explored as a human compared to a bird character allowing you to see that a biped is a biped and how to problem solve for the limbs at hand. Rig It Right! will take you to a more advanced level where you will learn how to create stretchy rigs with invisible control systems and use that to create your own types of rigs. This highly anticipated Third Edition features updated chapters and images, including new chapters on modeling with proper edgeloop (Rule #1!), how to Rig It Right then Rig it Fast with parallel processing, and new helpful scripts for evaluating your rig with the profiler tools. Key Features Hone your skills every step of the way with short tutorials and editable rigs that accompany each chapter (17+ rigs!!) Read "Tina’s 10 Rules of Rigging" and build the foundational knowledge needed to successfully rig your characters New content: Edgeloops for Good Deformation and Rigging for a Parallel World New scripts for evaluating your rigs’ performance Access the Support Materials and expand your newfound knowledge with editable rigs, exercises, and videos that elaborate on techniques covered in the book
Rigging a character can be a complicated undertaking. Move from a bi-pedal character to a quad- or poly-pedal and, well, things just got real. Where do you begin? Unlike all of those button-pushing manuals out there, Rig it Right! breaks down rigging so that you can achieve a fundamental understanding of the concept, allowing you to rig more intuitively in your own work. Veteran animation professor Tina O’Hailey will get you up and rigging in a matter of hours with step-by-step tutorials covering multiple animation control types, connection methods, interactive skinning, BlendShapes, edgeloops, and joint placement, to name a few. The concept of a bi-ped is explored as a human compared to a bird character allowing you to see that a bi-ped is a bi-ped and how to problem solve for the limbs at hand. After you have moved beyond basic bi-pedal characters, Rig it Right! will take you to a more advanced level where you will learn how to create stretchy rigs with invisible control systems and use that to create your own types of rigs. Hone your skills every step of the way with short tutorials and editable rigs that accompany each chapter. (17+ rigs!!) Read "Tina’s 10 Rules of Rigging" and build the foundational knowledge needed to successfully rig your characters. Visit the companion website (www.focalpress.com/cw/ohailey) and expand your newfound knowledge with editable rigs, exercises, and videos that elaborate on techniques covered in the book Coffee is not required – but encouraged.
Rig it Right! breaks down rigging so that you can achieve a fundamental understanding of the concept. The author will get you up and rigging with step-by-step tutorials covering multiple animation control types, connection methods, interactive skinning, BlendShapes, edgeloops, and joint placement, to name a few. The concept of a bi-ped is explored as a human compared to a bird character allowing you to see that a bi-ped is a bi-ped and how to problem solve for the limbs at hand. Rig it Right! will take you to a more advanced level where you will learn how to create stretchy rigs with invisible control systems and use that to create your own types of rigs. Key Features Hone your skills every step of the way with short tutorials and editable rigs that accompany each chapter. (17+ rigs!!). Read "Tina’s 10 Rules of Rigging" and build the foundational knowledge needed to successfully rig your characters. Visit the companion website and expand your newfound knowledge with editable rigs, exercises, and videos that elaborate on techniques covered in the book. Companion data filled with example files at http://routledgetextbooks.com/textbooks/_author/ohailey/ AR(Augmented Reality) enabled images throughout the book! Coffee is not required – but encouraged.
Middle school is hard—but it's way harder when a fairy godmother puts you under a truth-telling spell! June has always been a people-pleaser, telling harmless little lies to make her friends and family happy. She's convinced being honest about her feelings will only hurt the people she loves! Until, out of nowhere, a secret fairy godmother appears to "bless" her with the ability to only tell the truth! Seriously?! As if June didn’t have enough to worry about! Now, June has no choice but to be honest about how she feels. And the truth is: what June feels is stressed out. Middle school is no joke—between field hockey, friend drama, and her parents' high expectations, June feels so overwhelmed that sometimes it’s hard to breathe. When everything spirals out of control, will June find freedom in telling the whole truth and nothing but—or is she destined to battle the curse for the rest of her life?
In "Good Observers of Nature" Tina Gianquitto examines nineteenth-century American women's intellectual and aesthetic experiences of nature and investigates the linguistic, perceptual, and scientific systems that were available to women to describe those experiences. Many women writers of this period used the natural world as a platform for discussing issues of domesticity, education, and the nation. To what extent, asks Gianquitto, did these writers challenge the prevalent sentimental narrative modes (like those used in the popular flower language books) and use scientific terminology to describe the world around them? The book maps the intersections of the main historical and narrative trajectories that inform the answer to this question: the changing literary representations of the natural world in texts produced by women from the 1820s to the 1880s and the developments in science from the Enlightenment to the advent of evolutionary biology. Though Gianquitto considers a range of women's nature writing (botanical manuals, plant catalogs, travel narratives, seasonal journals, scientific essays), she focuses on four writers and their most influential works: Almira Phelps (Familiar Lectures on Botany, 1829), Margaret Fuller (Summer on the Lakes, in 1843), Susan Fenimore Cooper (Rural Hours, 1850), and Mary Treat (Home Studies in Nature, 1885). From these writings emerges a set of common concerns about the interaction of reason and emotion in the study of nature, the best vocabularies for representing objects in nature (local, scientific, or moral), and the competing systems for ordering the natural world (theological, taxonomic, or aesthetic). This is an illuminating study about the culturally assumed relationship between women, morality, and science.
He lost everything. Now he’s come to take it all back—along with her—in this entrancing romance that’s ideal for fans of Sophie Jordan and Eloisa James Everyone thought that the Marquess of Landon was lost at sea. Instead, Robert Kirkian defied all the odds and survived. Now he’s returned to London to reclaim his title, his property, and his lands from the foul snake who tried to have him killed: his own cousin. But proper vengeance requires patience—and the perfect weapon. Which is precisely when Robert meets his cousin’s charmingly spirited betrothed... Miss Phoebe Dawson is everything an ambitious gentleman could desire in a wife. Wealthy, exceedingly lovely, and with a sparkle in her blue eyes that could entice even the most reluctant suitor. But Phoebe’s come too close to ruin—the humiliation of it!—to be fooled by yet another handsome face and silken words . But oh, how he makes her feel. So flustered, so flushed...and so thrillingly alive. Phoebe knows that love is a fool’s game, even if the Marquess does play his hand like an expert. Her reputation can nary afford the tiniest spark of scandal, let alone those slow, deep kisses that leave her breathless. But she’s about to discover the only thing more dangerous than a rogue is a wronged man hellbent on revenge... Each book in the Daring Ladies series is STANDALONE: * One Night with an Earl * How Not to Marry a Duke * Make Mine a Marquess
Tina Thurston’s Landscapes of Power; Landscapes of Conflict is a thi- generation processual analysis of sociopolitical evolution during the Iron Age in southern Scandinavia. Several red flags seem to be raised at once. Are not archaeologists now postprocessual, using new interpretive approaches to - derstand human history? Is not evolution a discredited concept in which - cieties are arbitrarily arranged along a unilinear scheme? Should not modern approaches be profoundly historical and agent-centered? In any event, were not Scandinavians the ultimate barbarian Vikings parasitizing the complex civilized world of southern and central Europe? Tina Thurston’s book focuses our attention on the significant innovations of anthropological archaeology at the end of the twentieth century. A brief overview of processual archaeology can set the context for - preciating Landscapes ofPower; Landscapes of Conflict. During the 1960s the emergent processual archaeology (a. k. a. the New Archaeology) cryst- lized an evolutionary paradigm that framed research with the comparative ethnography of Service and Fried. It was thought that human societies p- gressed through stages of social development and that the goal was to d- cover the evolutionary prime movers (such as irrigation, warfare, trade, and population) that drove social and cultural change. By the 1970s prime movers had fallen from favor and social evolution was conceived as complicated flows of causation involving many variables.
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