A violent childhood injury at the hands of classroom bullies left Bennett Oliver with extra-sensory abilities, powers unknown to him until a startling vision roars to life in his mind. As an adult, Bennett's abilities have become refined, allowing him control over the visions that rage through him. Even so, he uses his talents reluctantly. At the request of his friend, Detective Augustus "Woody" Woodson, Bennett assists the Minneapolis police with a handful of missing-persons cases, resolving each one with unerring success. Now, as he begins a shocking new case, Bennett encounters something completely unexpected...the existence of someone with abilities much more powerful, and much more deadly, than his own.
A true horse legend, Secretariat still inspires new generations of fans 30 years after his incredible Triple Crown victory. This book honors the great racehorse who ran with such breathtaking speed, beauty, and power. 40 photos.
In December 2010 the U.S. Embassy in Kabul acknowledged that it was providing major funding for thirteen episodes of Eagle Four—a new Afghani television melodrama based loosely on the blockbuster U.S. series 24. According to an embassy spokesperson, Eagle Four was part of a strategy aimed at transforming public suspicion of security forces into something like awed respect. Why would a wartime government spend valuable resources on a melodrama of covert operations? The answer, according to Timothy Melley, is not simply that fiction has real political effects but that, since the Cold War, fiction has become integral to the growth of national security as a concept and a transformation of democracy. In The Covert Sphere, Melley links this cultural shift to the birth of the national security state in 1947. As the United States developed a vast infrastructure of clandestine organizations, it shielded policy from the public sphere and gave rise to a new cultural imaginary, "the covert sphere." One of the surprising consequences of state secrecy is that citizens must rely substantially on fiction to "know," or imagine, their nation’s foreign policy. The potent combination of institutional secrecy and public fascination with the secret work of the state was instrumental in fostering the culture of suspicion and uncertainty that has plagued American society ever since—and, Melley argues, that would eventually find its fullest expression in postmodernism. The Covert Sphere traces these consequences from the Korean War through the War on Terror, examining how a regime of psychological operations and covert action has made the conflation of reality and fiction a central feature of both U.S. foreign policy and American culture. Melley interweaves Cold War history with political theory and original readings of films, television dramas, and popular entertainments—from The Manchurian Candidate through 24—as well as influential writing by Margaret Atwood, Robert Coover, Don DeLillo, Joan Didion, E. L. Doctorow, Michael Herr, Denis Johnson, Norman Mailer, Tim O’Brien, and many others.
A major study of the impact of the Swiss RTveil (Awakening) on British evangelicals in the 1820s. This book provides an important synthesis of a variety of tendencies and movements which have usually been treated and understood as separate. By resisting the temptation to read back into the 1820s the partisan labels of later decades, Timothy Stunt rediscovers the common ground which was shared by a wide spectrum of Christians who were later seen as mutually hostile. The author considers the influence of the Awakening on radical attitudes to mission and ecclesiastical radicalism in Ireland, pre-Tractarian Oxford, and Scotland. In dealing with the reluctant movement towards secession from the established church, Stunt illuminates and reinterprets the origins of the early Catholic Apostolic Church and the Brethren.
Taking a personal approach to the subject matter, Timothy Gray reads criticism and listens to music as though rock 'n' roll not only explains American culture, but also shores up his life. In It's Just the Normal Noises, Gray examines a wide array of writing about roots music from the 1960s to the 2000s. In addition to chapters on the genre-defining work of Peter Guralnick and Greil Marcus, he explores the influential writings of Grant Alden and Peter Blackstock, the editors of No Depression magazine, and the writers who contributed to its pages, Bill Friskicks-Warren, Ed Ward, David Cantwell, and Allison Stewart among them. A host of memoirists and novelists, from Patti Smith and Ann Powers to Eleanor Henderson and Dana Spiotta, shed light on the social effects and personal attachments of the music's many manifestations, from punk to alt country to hardcore.
Semantic priming has been a focus of research in the cognitive sciences for more than thirty years and is commonly used as a tool for investigating other aspects of perception and cognition, such as word recognition, language comprehension, and knowledge representations. Semantic Priming: Perspectives from Memory and Word Recognition examines empirical and theoretical advancements in the understanding of semantic priming, providing a succinct, in-depth review of this important phenomenon, framed in terms of models of memory and models of word recognition. The first section examines models of semantic priming, including spreading activation models, the verification model, compound-cue models, distributed network models, and multistage activation models (e.g. interactive-activation model). The second section examines issues and findings that have played an especially important role in testing models of priming and includes chapters on the following topics: methodological issues (e.g. counterbalancing of materials, choice of priming baselines); automatic vs. strategic priming; associative vs. “pure” semantic priming; mediated priming; long-term semantic priming; backward priming; unconscious priming; the prime-task effect; list context effects; effects of word frequency, stimulus quality, and stimulus repetition; and the cognitive neuroscience of semantic priming. The book closes with a summary and a discussion of promising new research directions. The volume will be of interest to a wide range of researchers and students in the cognitive sciences and neurosciences.
Ivy League football is a preoccupation in Timothy Spears's family history. His grandfather Clarence "Doc" Spears was an All-American guard at Dartmouth in the early twentieth century, played on the Canton Bulldogs with Jim Thorpe, became a College Hall of Fame coach, and, as the legend goes, discovered Bronko Nagurski while driving through the backcountry of Minnesota. His father, Robert Spears, captained Yale's 1951 team and was drafted by the Chicago Bears in 1952. By the time Timothy went to Yale in the mid‑1970s, it was more than talent or enthusiasm that prompted him to play football there. Spirals tracks the relationship between college football and higher education through the lens of one family's involvement in the sport. Ranging over almost a century of football history, Spears describes the different ways in which his grandfather, father, and he played the game and engaged with its educational dimensions as the sport was passed from father to son. This intergenerational history attempts to uncover what the males in Spears's family learned from playing football and how the game's educational importance shifted over time within higher education. While Spears chose an academic life after college, he understood later, with the decline of his parents, how much football stayed with him and shaped his family's history. With a voice that is part memoirist, part scholar, part athlete, as well as father and son, Spears discerns how football is embedded in our culture and came to be the fabric and common language of his family.
Baseball and the Music of Charles Ivesoffers readers an exceptionally rich understanding of Charles Ives. Through intelligent discussion of Ives's musical compositions combined with solid research on the composer's lifelong love of the American pastime, Ives's pioneering spirit and unique creativity are highlighted most clearly in this fascinating work.
Find a Job You Love With Your English Degree What do Steven Spielberg, Alan Alda, Barbara Walters, Clarence Thomas, Diane Sawyer, and Stephen King have in common? That's right–they were English majors who now have successful careers. I'm an English Major - Now What? helps English majors and graduates understand their skills and talents so they can find satisfying jobs across a diversity of fields and dispels common fears and misconceptions that English majors will never make good money. In this book, you'll learn: • How an English major background can be very marketable • How an English major's skills can be applied to an array of jobs and careers (beyond teaching and writing) • How an English major can develop valuable skills and experience through school and extracurricular activities You'll also find answers to common questions such as: • Should I go to graduate school? Should I wait? • How do I begin a freelancing career? • Would I do well in a corporate setting? Authored by a former English major with professional experience across many areas, including corporate communications, journalism, publishing, teaching, and writing, this guide also features more than a dozen interviews with English majors who were able to translate their skills into satisfying careers.
This new kind of dictionary reflects the use of “rhythm rhymes” by rappers, poets, and songwriters of today. Users can look up words to find collections of words that have the same rhythm as the original and are useable in ways that are familiar to us in everything from vers libre poetry to the lyrics and music of Bob Dylan and hip hop groups.
A New York Times Book Review Editors' Choice The first comprehensive biography of the most influential, controversial, and celebrated Palestinian intellectual of the twentieth century As someone who studied under Edward Said and remained a friend until his death in 2003, Timothy Brennan had unprecedented access to his thesis adviser’s ideas and legacy. In this authoritative work, Said, the pioneer of postcolonial studies, a tireless champion for his native Palestine, and an erudite literary critic, emerges as a self-doubting, tender, eloquent advocate of literature’s dramatic effects on politics and civic life. Charting the intertwined routes of Said’s intellectual development, Places of Mind reveals him as a study in opposites: a cajoler and strategist, a New York intellectual with a foot in Beirut, an orchestra impresario in Weimar and Ramallah, a raconteur on national television, a Palestinian negotiator at the State Department, and an actor in films in which he played himself. Brennan traces the Arab influences on Said’s thinking along with his tutelage under Lebanese statesmen, off-beat modernist auteurs, and New York literati, as Said grew into a scholar whose influential writings changed the face of university life forever. With both intimidating brilliance and charm, Said melded these resources into a groundbreaking and influential countertradition of radical humanism, set against the backdrop of techno-scientific dominance and religious war. With unparalleled clarity, Said gave the humanities a new authority in the age of Reaganism, one that continues today. Drawing on the testimonies of family, friends, students, and antagonists alike, and aided by FBI files, unpublished writings, and Said's drafts of novels and personal letters, Places of Mind synthesizes Said’s intellectual breadth and influence into an unprecedented, intimate, and compelling portrait of one of the great minds of the twentieth century.
From the author of the bestselling novel, Stanley Park, a dazzling collection of short fiction to debut in our new Vintage Tales series. Taylor, whose writing possesses an astonishing range and depth, first came to national attention with his short story writing. This collection includes, among others, his Journey Prize-winning story, “Doves of Townsend,” for which he also won a Silver National Magazine Award, and two other stories from the fall 2000 Journey Prize Anthology.
Equally admired and maligned for his remarkable Brutalist buildings, Paul Rudolph (1918–1997) shaped both late modernist architecture and a generation of architects while chairing Yale’s department of architecture from 1958 to 1965. Based on extensive archival research and unpublished materials, The ArchitectureofPaul Rudolph is the first in-depth study of the architect, neglected since his postwar zenith. Author Timothy M. Rohan unearths the ideas that informed Rudolph’s architecture, from his Florida beach houses of the 1940s to his concrete buildings of the 1960s to his lesser-known East Asian skyscrapers of the 1990s. Situating Rudolph within the architectural discourse of his day, Rohan shows how Rudolph countered the perceived monotony of mid-century modernism with a dramatically expressive architecture for postwar America, exemplified by his Yale Art and Architecture Building of 1963, famously clad in corrugated concrete. The fascinating story of Rudolph’s spectacular rise and fall considerably deepens longstanding conceptions about postwar architecture: Rudolph emerges as a pivotal figure who anticipated new directions for architecture, ranging from postmodernism to sustainability.
Carl Hiaasen meets Agatha Christie in this funny hard-boiled mystery starring Junior Bender—the thief-turned-PI hailed as “the clown prince of crime fiction” (Suspense Magazine). In present-day L.A., Junior faces a murderous conspiracy—and the increasingly confusing legacy of his burglar-mentor, Herbie Mott. It’s everyday business when Wattles, the San Fernando Valley’s top “executive crook,” sets up a hit. He establishes a chain of criminals to pass along the instructions and the money, ensuring that the hitter doesn’t know who hired him. But one day Wattles finds his office safe open and a single item missing: the piece of paper on which he has written the names of the crooks in the chain. When people associated with the chain begin to pop up dead, the only person Wattles can approach to solve his problem is Junior Bender, professional burglar and begrudging private eye for crooks. But Junior already knows exactly who took Wattles’s list: the signature is too obvious. It was Herbie Mott, Junior’s burglar mentor—and when Junior seeks him out to discuss the missing list, he finds Herbie very unpleasantly murdered. Junior follows the links in the chain back toward the killer, and as he does, he learns disturbing secrets from Herbie’s hidden past.
This book brings together the themes of diet, consumption, the body, and human relationships with the natural world, in a highly original study of Shelley. A campaigning vegetarian and proto-ecological thinker, Shelley may seem to us curiously modern, but Morton offers an illuminatingly broad context for Shelley's views in eighteenth-century social and political thought concerning the relationships between humanity and nature. The book is at once grounded in the revolutionary history of the period 1790-1820, and informed by current theoretical issues and anthropological and sociological approaches to literature. Morton provides challenging new readings of much-debated poems, plays, and novels by both Percy and Mary Shelley, as well as the first sustained interpretation of Shelley's prose on diet. With its stimulating literary-historical reassessment of questions about nature and culture, this study will provoke fresh discussion about Shelley, Romanticism, and modernity.
If you're looking for imaginative reflections that take you right to the heart of the scriptures, the newest edition of CSS' popular Lectionary Tales For The Pulpit series is the perfect resource for you. Timothy Merrill offers 65 thought-provoking contemplations on Cycle C lectionary passages that draw out the biblical theme by relating it to aspects of modern life we have all experienced. This book is not only great for preaching illustrations and "sermon starters" -- it's also a wonderful source for inspiring devotional reading. Timothy Merrill has an eye for the offbeat and amusing anecdote that can grab a congregation's attention and bring a particular passage of scripture to life. Using the parable-based preaching style pioneered by Jesus, he cracks open biblical truths through tales of popcorn forks, fake fire, lopsided clay, and lipstick pistols. Whether you are looking for a fresh approach to a particular piece of scripture or a provocative story to jump-start a sermon, take a few minutes to mine this volume. You're sure to strike gold. Henry Brinton Senior Writer, Homiletics Bored with the "lectionary trail"? Timothy Merrill's serendipitous musings on life in the new millennium transform the weekly Word into fresh, lived journeys. Sally Morgenthaler Columnist for Worship Leader and Rev. magazines Author of Worship Evangelism and The Uncharted Now Merrill's metaphorical nuggets are excellent as guides for worship planning, teaching, or even personal meditation. They also can actually make you stop and think a bit. Len Wilson Media ministry consultant Author of Digital Storytellers and The Wired Church Timothy Merrill understands the craft of preaching better than most preachers I know. We are all aware that the first sixty seconds of any sermon are the most important. This book will prove a vital aid and unique gift to any preacher who is serious about holding the congregation's attention and inviting a dynamic encounter with the word. Alan Kimber Senior Pastor, First United Methodist Church Lodi, California Wow... where did Timothy Merrill get all this material? He clearly has searched far and wide -- and he manages to bring all these stories down to ground level, providing insight into the real issues facing those of us who inhabit the pews of churches. Merrill has a gift for bringing theological freight to events and occasions that most of us would pass right by, and I have found myself looking more carefully at the events of my own daily affairs as having theological implications, not to mention preaching implications. Richard C. Stern Associate Professor of Homiletics, St. Meinrad School of Theology Co-author of Savior on the Silver Screen Timothy F. Merrill is an ordained United Church of Christ minister and the Senior Editor of the preaching journal Homiletics. He has published numerous articles in the religious press and in academic journals such as Westminster Theological Journal and the Patrisca and Byzantine Review, and he is the author of Learning to Fall: A Guide for the Spiritually Clumsy (Chalice Press). A graduate of Iliff School of Theology, Merrill pursued doctoral studies at Princeton Theological Seminary in the history of Christianity, and he has served churches in Colorado, Minnesota, and Oregon.
Many of us worry about our kids getting pulled under by our culture's negative currents. We try to shout over the roar of media blitzes, misguided values in the schools, and peer pressure. And we wonder how to raise faithful children. For parents who sometimes feel they haven't done enough, Jones provides ideas for taking small steps toward communication and intimacy, showing you how to take advantage of teachable moments by fully "focusing on the present.
Eloquent, aware and scrupulous . . . a rich and instructive examination of the Cold War past." --The New York Times In 1978 a romantic young Englishman took up residence in Berlin to see what that divided city could teach him about tyranny and freedom. Fifteen years later Timothy Garton Ash--who was by then famous for his reportage of the downfall of communism in Central Europe--returned. This time he had come to look at a file that bore the code-name "Romeo." The file had been compiled by the Stasi, the East German secret police, with the assistance of dozens of informers. And it contained a meticulous record of Garton Ash's earlier life in Berlin. In this memoir, Garton Ash describes what it was like to rediscover his younger self through the eyes of the Stasi, and then to go on to confront those who actually informed against him to the secret police. Moving from document to remembrance, from the offices of British intelligence to the living rooms of retired Stasi officers, The File is a personal narrative as gripping, as disquieting, and as morally provocative as any fiction by George Orwell or Graham Greene. And it is all true. "In this painstaking, powerful unmasking of evil, the wretched face of tyranny is revealed." --Philadelphia Inquirer
This text provides up-to-date information on all issues inherent in accounting and auditing practice, particularly in public accounting firms including coverage of the creation of the Public Companies Accounting Oversight Board, the passage of the Sarbanes-Oxley Act and more.
Critics of contemporary US higher education often point to the academy’s “corporatization” as one of its defining maladies. However, in The Autocratic Academy Timothy V. Kaufman-Osborn argues that American colleges and universities have always been organized as corporations in which the power to rule is legally vested in and monopolized by antidemocratic governing boards. This institutional form, Kaufman-Osborn contends, is antithetical to the free inquiry that defines the purpose of higher education. Tracing the history of the American academy from the founding of Harvard (1636), through the Supreme Court’s Dartmouth v. Woodward ruling (1819), and into the twenty-first century, Kaufman-Osborn shows how the university’s autocratic legal constitution is now yoked to its representation on the model of private property. Explaining why appeals to the cause of shared governance cannot succeed in wresting power from the academy’s autocrats, Kaufman-Osborn argues that American universities must now be reincorporated in accordance with the principles of democratic republicanism. Only then can the academy’s members hold accountable those chosen to govern and collectively determine the disposition of higher education’s unique public goods.
A violent childhood injury at the hands of classroom bullies left Bennett Oliver with extra-sensory abilities, powers unknown to him until a startling vision roars to life in his mind. As an adult, Bennett's abilities have become refined, allowing him control over the visions that rage through him. Even so, he uses his talents reluctantly. At the request of his friend, Detective Augustus "Woody" Woodson, Bennett assists the Minneapolis police with a handful of missing-persons cases, resolving each one with unerring success. Now, as he begins a shocking new case, Bennett encounters something completely unexpected the existence of someone with abilities much more powerful, and much more deadly, than his own.
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