A stylish, sexy page-turner set in Paris on the eve of World War II, where Clementine, a queer American ex-pat and notorious thief, is drawn out of retirement and into one last scam when the Nazis invade. "A hint of Moulin Rouge, a whiff of Kristin Hannah’s The Nightingale, a little spritz of Hitchcock’s To Catch a Thief...The Perfume Thief is a pulse-pounding thriller and a sensuous experience you’ll want to savor."—Oprah Daily Clementine is a seventy-two-year-old reformed con artist with a penchant for impeccably tailored suits. Her life of crime has led her from the uber-wealthy perfume junkies of belle epoque Manhattan, to the scented butterflies of Costa Rica, to the spice markets of Marrakech, and finally the bordellos of Paris, where she settles down in 1930 and opens a shop bottling her favorite extracts for the ladies of the cabarets. Now it's 1941 and Clem's favorite haunt, Madame Boulette's, is crawling with Nazis, while Clem's people—the outsiders, the artists, and the hustlers who used to call it home—are disappearing. Clem's first instinct is to go to ground—it's a frigid Paris winter and she's too old to put up a fight. But when the cabaret's prize songbird, Zoe St. Angel, recruits Clem to steal the recipe book of a now-missing famous Parisian perfumer, she can't say no. Her mark is Oskar Voss, a Francophile Nazi bureaucrat, who wants the book and Clem's expertise to himself. Hoping to buy the time and trust she needs to pull off her scheme, Clem settles on a novel strategy: Telling Voss the truth about the life and loves she came to Paris to escape. Complete with romance, espionage, champagne towers, and haute couture, this full-tilt sensory experience is a dazzling portrait of the underground resistance of twentieth-century Paris and a passionate love letter to the power of beauty and community in the face of insidious hate.
Eighty-three-year-old obituary writer Essie finds her life in small town Nebraska turned upside-down when a young country girl is reported missing and the long-awaited final book in an infamous series of young adult gothic novels is being secretly printed on her newspaper's presses. Reprint.
Renowned author Timothy Schaffert’s celebrated debut novel, reissued here in an entirely new paperback edition, chronicles two sisters on the cusp of womanhood as they struggle to understand their father’s suicide as well their mother’s abandonment of them many years earlier. On graduating from high school, the sisters are once again set adrift, this time by their grandmother who leaves them for Florida. In order to survive, and perhaps even thrive, on their path to adulthood, they must learn to reconcile their pasts and discover how to depend upon themselves as well as on each other. In a story that rises out of the spare Nebraska landscape, Schaffert delivers a redemptive tale about two young women searching for wholeness and love.
A blithe and redemptive seriocomic love story filled with country music, the ghosts of Halloween, and an ironic brand of down-home religion. Newly divorced and feeling the pain of separation from his family, Hud Smith channels his regret into writing country-western songs, contemplating life on the lam with his 8-year-old daughter, and searching cryptic postcards for news of his teenage son who has run off with The Daughters of God, an alternative Gospel-punk band of growing fame. Then he finds himself inching toward reconciliation with his ex, tossing his whole talent for misery into question as they head off in a borrowed school bus, hoping so very tentatively to bring the entire family together again. In this endearing misadventure that threatens to turn out right in spite of it all, Schaffert writes a thin line between tragedy and hilarity, turning wry humor and a keen sense of the paradoxical onto characters who deserve all the tender care he gives them.
For readers of Water for Elephants or The Night Circus, a lush and thrilling romantic fable about two lovers set against the scandalous burlesques, midnight séances, and aerial ballets of the 1898 Omaha World’s Fair. On the eve of the World’s Fair, Ferret Skerritt, ventriloquist by trade, con man by birth, is unsure how the fair’s events will change him or his city. Omaha still has the marks of a filthy Wild West town, even as it attempts to achieve the grandeur and respectability of nearby Chicago. But when he crosses paths with the beautiful and enigmatic Cecily, his purpose shifts, and the fair becomes the backdrop to their love affair. One of a traveling troupe of actors that has descended on the city, Cecily works in the Midway’s Chamber of Horrors, where she loses her head hourly on a guillotine, playing Marie Antoinette. And after closing, she rushes off, clinging protectively to a mysterious carpetbag, never giving Ferret a second glance. But a moonlit ride on the swan gondola, a boat on the lagoon of the New White City, transforms everything when the fair’s magic begins to take its effect.
A blithe and redemptive seriocomic love story filled with country music, the ghosts of Halloween, and an ironic brand of down-home religion. Newly divorced and feeling the pain of separation from his family, Hud Smith channels his regret into writing country-western songs, contemplating life on the lam with his 8-year-old daughter, and searching cryptic postcards for news of his teenage son who has run off with The Daughters of God, an alternative Gospel-punk band of growing fame. Then he finds himself inching toward reconciliation with his ex, tossing his whole talent for misery into question as they head off in a borrowed school bus, hoping so very tentatively to bring the entire family together again. In this endearing misadventure that threatens to turn out right in spite of it all, Schaffert writes a thin line between tragedy and hilarity, turning wry humor and a keen sense of the paradoxical onto characters who deserve all the tender care he gives them.
It's small town, big drama in Schaffert's sublime latest (after Devils in the Sugar Shop) as Essie Myles, an 83-year-old widowed obituary writer for a small Nebraska newspaper stumbles onto the story of her life. The paper's printing press has been working double-time since a New York publisher contracted it to print part of the print run for the final installment of a wildly popular YA novel series--part of a plan to keep the book's contents under wraps--and Essie kicks into high gear as well when she gets a tip from a local that her daughter, Lenore, has been abducted by her photographer boyfriend. But the more Essie digs, it becomes less evident whether the tale is true or the concoction of a lonely woman desperate for attention. Meanwhile, parts of the YA novel are leaked, the missing person story blows up, and the once quiet town suddenly finds itself on the national stage. Schaffert spins out the story and its offbeat characters with compassion, spoofing the nation's voracious appetite for "news" and suggesting that perhaps not all stories are created equal. Piercing observations and sharp, subtle wit make this a standout. (May) --Publisher's Weekly.
Renowned author Timothy Schaffert’s celebrated debut novel, reissued here in an entirely new paperback edition, chronicles two sisters on the cusp of womanhood as they struggle to understand their father’s suicide as well their mother’s abandonment of them many years earlier. On graduating from high school, the sisters are once again set adrift, this time by their grandmother who leaves them for Florida. In order to survive, and perhaps even thrive, on their path to adulthood, they must learn to reconcile their pasts and discover how to depend upon themselves as well as on each other. In a story that rises out of the spare Nebraska landscape, Schaffert delivers a redemptive tale about two young women searching for wholeness and love.
A stylish, sexy page-turner set in Paris on the eve of World War II, where Clementine, a queer American ex-pat and notorious thief, is drawn out of retirement and into one last scam when the Nazis invade. "A hint of Moulin Rouge, a whiff of Kristin Hannah’s The Nightingale, a little spritz of Hitchcock’s To Catch a Thief... The Perfume Thief is a pulse-pounding thriller and a sensuous experience you’ll want to savor."—Oprah Daily "[A] superb novel ... This is historical fiction at its finest, vivid and beautifully rendered." —Emily St. John Mandel, author of The Sea of Tranquility Clementine is a seventy-two year-old reformed con artist with a penchant for impeccably tailored suits. Her life of crime has led her from the uber-wealthy perfume junkies of belle epoque Manhattan, to the scented butterflies of Costa Rica, to the spice markets of Marrakech, and finally the bordellos of Paris, where she settles down in 1930 and opens a shop bottling her favorite extracts for the ladies of the cabarets. Now it's 1941 and Clem's favorite haunt, Madame Boulette's, is crawling with Nazis, while Clem's people--the outsiders, the artists, and the hustlers who used to call it home--are disappearing. Clem's first instinct is to go to ground--it's a frigid Paris winter and she's too old to put up a fight. But when the cabaret's prize songbird, Zoe St. Angel, recruits Clem to steal the recipe book of a now-missing famous Parisian perfumer, she can't say no. Her mark is Oskar Voss, a Francophile Nazi bureaucrat, who wants the book and Clem's expertise to himself. Hoping to buy the time and trust she needs to pull off her scheme, Clem settles on a novel strategy: Telling Voss the truth about the life and loves she came to Paris to escape. Complete with romance, espionage, champagne towers, and haute couture, this full-tilt sensory experience is a dazzling portrait of the underground resistance of twentieth-century Paris and a passionate love letter to the power of beauty and community in the face of insidious hate.
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