“By playing with notions of collecting and cataloging, this anthology offers a range of investigations into detritus and forgotten ephemera.”—Colin Dickey, coeditor of The Morbid Anatomy Anthology The modern age is no stranger to the cabinet of curiosities, the freak show, or a drawer full of odds and ends. These collections of oddities engagingly work against the rationality and order of the conventional archive found in a university, a corporation, or a governmental holding. In form, methodology, and content, The Year’s Work in the Oddball Archive offers a counterargument to a more reasoned form of storing and recording the avant-garde (or the post-avant-garde), the perverse, the off, the bent, the absurd, the quirky, the weird, and the queer. To do so, it positions itself within the history of mirabilia launched by curiosity cabinets starting in the mid-fifteenth century and continuing to the present day. These archives (or are they counter-archives?) are located in unexpected places—the doorways of Katrina homes, the cavity of a cow, the remnants of extinct animals, an Internet site—and they offer up “alternate modes of knowing” to the traditional archive. “An unruly―and much-needed―model for how to do the archive differently.”—Scott Herring, author of The Hoarders: Material Deviance in Modern American Culture “It was a pleasure to read through this collection, and I suspect some of the essays, if not the entire book, will find itself on the syllabus for my Archive and Ephemera graduate course.”—Museum Anthropology Review “A finely wrought collection of curiosities . . . A vital intervention into how we talk about the stuff that surrounds us.”—Colin Dickey, coeditor of The Morbid Anatomy Anthology
The US Antarctic meteorite collection exists due to a cooperative program involving the National Science Foundation (NSF), the National Aeronautics and Space Administration (NASA), and the Smithsonian Institution. Since 1976, meteorites have been collected by a NSF-funded field team, shipped for curation, characterization, distribution, and storage at NASA, and classified and stored for long term at the Smithsonian. It is the largest collection in the world with many significant samples including lunar, martian, many interesting chondrites and achondrites, and even several unusual one-of-a-kind meteorites from as yet unidentified parent bodies. Many Antarctic meteorites have helped to define new meteorite groups. No previous formal publication has covered the entire collection, and an overall summary of its impact and significant samples has been lacking. In addition, available statistics for the collection are out of date and need to be updated for the use of the community. 35 seasons of U.S. Antarctic Meteorites (1976-2011): A Pictorial Guide to the Collection is the first comprehensive volume that portrays the most updated key significant meteoritic samples from Antarctica. 35 seasons of U.S. Antarctic Meteorites presents a broad overview of the program and collection nearly four decades after its beginnings. The collection has been a consistent and reliable source of astromaterials for a large, diverse, and active scientific community. Volume highlights include: Overview of the history, field practices, curation approaches Special focus on specific meteorite types and the impact of the collection on understanding these groups (primitive chondrites, differentiated meteorites, lunar and martian meteorites) Role of Antarctic meteorites in influencing the determination of space and terrestrial exposure ages for meteorites Statistical summary of the collection by year, region, meteorite type, as well as a comparison to modern falls and hot desert finds The central portion of the book features 80 color plates each of which highlights more influential and interesting samples from the collection. 35 seasons of U.S. Antarctic Meteorites would be of special interest to a multidisciplinary audience in meteoritics, including advanced graduate students and geoscientists specializing in mineralogy, petrology, geochemistry, astronomy, near-earth object science, astrophysics, and astrobiology.
This dissertation examines the practice of imperial disaster relief between 29 BCE and 180 CE. It focuses upon both the process of disaster aid delineating how Roman emperors were petitioned for assistance, the forms disaster relief took, and the political motives individual emperors had for dispensing disaster aid. Chapter 1 provides a brief introduction to the topic. Chapter 2 outlines the scope of the study as well as the examples used to establish disaster relief in context. Chapter 3 gives an overview of euergetism and also discusses two cases of disaster assistance that pre-date the reign of Augustus. Chapter 4 describes the process of disaster aid from petition to benefaction. It offers analysis of the different stages of disaster recovery and when acts of imperial aid fit within those stages. It also examines the funding sources for imperial benefactions designed to assistant cities rebuild. Chapter 5 explains the correlation between disaster relief and an emperor's political image. It explores the religious significance that could be attached to major disasters. Then, the chapter shifts to three specific case studies that illustrate how disaster response could positively or negatively impact the political standing of an emperor. Chapter 6 offers a final, brief summary of the key points of this study.
The “riveting”* true story of the fiery summer of 1970, which would forever transform the town of Oxford, North Carolina—a classic portrait of the fight for civil rights in the tradition of To Kill a Mockingbird *Chicago Tribune On May 11, 1970, Henry Marrow, a twenty-three-year-old black veteran, walked into a crossroads store owned by Robert Teel and came out running. Teel and two of his sons chased and beat Marrow, then killed him in public as he pleaded for his life. Like many small Southern towns, Oxford had barely been touched by the civil rights movement. But in the wake of the killing, young African Americans took to the streets. While lawyers battled in the courthouse, the Klan raged in the shadows and black Vietnam veterans torched the town’s tobacco warehouses. Tyson’s father, the pastor of Oxford’s all-white Methodist church, urged the town to come to terms with its bloody racial history. In the end, however, the Tyson family was forced to move away. Tim Tyson’s gripping narrative brings gritty blues truth and soaring gospel vision to a shocking episode of our history. FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD “If you want to read only one book to understand the uniquely American struggle for racial equality and the swirls of emotion around it, this is it.”—Milwaukee Journal Sentinel “Blood Done Sign My Name is a most important book and one of the most powerful meditations on race in America that I have ever read.”—Cleveland Plain Dealer “Pulses with vital paradox . . . It’s a detached dissertation, a damning dark-night-of-the-white-soul, and a ripping yarn, all united by Tyson’s powerful voice, a brainy, booming Bubba profundo.”—Entertainment Weekly “Engaging and frequently stunning.”—San Diego Union-Tribune
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