Gain Valuable Insight into the Government's Project Management Best Practices! Although project management is not new to the federal government, the discipline has taken on renewed importance in the face of the ever-increasing size, complexity, and number of mission-critical projects being undertaken by every branch and agency. This book addresses the key facets of project management, from organization and structure to people and process. A variety of government entities share their best practices in areas including leadership, technology, teams, communication, methodology, and performance management. Based on research and interviews with a wide range of project managers, Achieving Project Management Success in the Federal Government presents a realistic cross section of the project management discipline in the largest single enterprise in the world—the U.S. federal government.
This realistic cross-section of the project management discipline in the federal arena will help anyone leading, working on, or affecting the direction of a project team. It covers the entire scope of project management from organization to methodology, technology to leadership. This volume focuses on the three project management organizational dimensions of culture, systems, and structure. Federal practices and successes in the areas of communication, project leadership, stakeholders, and key competencies are highlighted. The book offers clear and practical advice drawn from a variety of project management successes in the federal arena.
Domain decomposition is an active, interdisciplinary research area that is devoted to the development, analysis and implementation of coupling and decoupling strategies in mathematics, computational science, engineering and industry. A series of international conferences starting in 1987 set the stage for the presentation of many meanwhile classical results on substructuring, block iterative methods, parallel and distributed high performance computing etc. This volume contains a selection from the papers presented at the 15th International Domain Decomposition Conference held in Berlin, Germany, July 17-25, 2003 by the world's leading experts in the field. Its special focus has been on numerical analysis, computational issues,complex heterogeneous problems, industrial problems, and software development.
Situated at the intersection of film and media studies, literary theory, and continental philosophy, The Traces of Jacques Derrida's Cinema provides a trenchant account of the role of cinema in the oeuvre of one of the most influential philosophers of the twentieth century, Jacques Derrida (1930-2004). The book is animated by Derrida's self-confessed passion for the movies, his reluctance to write about film despite the range of his corpus, and the generative encounters arising between his legacy and the field of film and media studies as a result. Given the expanse of its references, interdisciplinarity, and consideration of Derrida's approach to the experience of both spectatorship and the act of being filmed, The Traces of Jacques Derrida's Cinema contributes to the ongoing close analyses of the philosopher's work while also providing a rigorous introduction to deconstruction. Author Timothy Holland interweaves historical and speculative modes of research and writing to articulate the peripheral-yet surprisingly crucial-place of the cinematic medium for Derrida and his philosophical enterprise. The outcome is a meticulously detailed survey of the centers and margins of Derrida's oeuvre that include forays into such terrain as: his notable appearances in films; an unrealized project on cinema and belief that Derrida proposed in a 2001 interview; the correspondences between the strategies of deconstruction and the traditions, homecomings, and wordplay of David Lynch's cinematic media; and the questions wedded to the future of film studies amid the vicissitudes of the modern, virtual university. Ultimately, Holland pursues the thinking activated by the flickering of Derrida's cinema-not only the absence and presence of film in Derrida's professional and personal life, but also the rigor of academic discourse and the pleasures of the movies, ghosts and technology, religious faith and scientific knowledge, and ruination and survival-as a critical chance for reflection.
Pastor and New York Times bestselling author Timothy Keller reveals the hidden depths within the book of Jonah—the most misunderstood parable in the Bible. Previously published as The Prodigal Prophet The story of Jonah is one of the most well-known parables in the Bible. It is also the most misunderstood. Many people, even those who are nonreligious, are familiar with Jonah: A rebellious prophet who defies God and is swallowed by a whale. But there's much more to Jonah's story than most of us realize. In Rediscovering Jonah, pastor and New York Times bestselling author Timothy Keller reveals the hidden depths within the book of Jonah. Keller makes the case that Jonah was one of the worst prophets in the entire Bible. And yet there are unmistakably clear connections between Jonah, the prodigal son, and Jesus. Jesus in fact saw himself in Jonah. How could one of the most defiant and disobedient prophets in the Bible be compared to Jesus? Jonah's journey also doesn't end when he is freed from the belly of the fish. There is an entire second half to his story—but it is left unresolved within the text of the Bible. Why does the book of Jonah end on what is essentially a cliffhanger? In these pages, Timothy Keller provides an answer to the extraordinary conclusion of this biblical parable—and shares the powerful Christian message at the heart of Jonah's story.
Collings follows Villeneuve from his childhood in Quebec and the coast to coast racing world of North America. It describes how he came to terms with his father's death and shows how he rose through the ranks of Italian Formula 3 to become a driver of merit in the US Indycar series, eventually coming to Formula 1. Originally published in 1997.
An angry prophet. A feared and loathsome enemy. A devastating storm. And the surprising message of a merciful God to his people. The story of Jonah is one of the most well-known parables in the Bible. It is also the most misunderstood. Many people, even those who are nonreligious, are familiar with Jonah: A rebellious prophet who defies God and is swallowed by a whale. But there's much more to Jonah's story than most of us realize. In The Prodigal Prophet, pastor and New York Times bestselling author Timothy Keller reveals the hidden depths within the book of Jonah. Keller makes the case that Jonah was one of the worst prophets in the entire Bible. And yet there are unmistakably clear connections between Jonah, the prodigal son, and Jesus. Jesus in fact saw himself in Jonah. How could one of the most defiant and disobedient prophets in the Bible be compared to Jesus? Jonah's journey also doesn't end when he is freed from the belly of the fish. There is an entire second half to his story--but it is left unresolved within the text of the Bible. Why does the book of Jonah end on what is essentially a cliffhanger? In these pages, Timothy Keller provides an answer to the extraordinary conclusion of this biblical parable--and shares the powerful Christian message at the heart of Jonah's story.
Current digital transformations of information technology have given rise to an explosion of scholarly interest in the history of the book. Although this research has focused predominantly on the rise of movable type after Gutenberg, the second-to-fifth-century-CE transition from scroll to codex warrants renewed attention. Here, a peculiar footnote comes to the fore: Christians were early adopters of the codex for their sacred scriptures. In Writing Faith, Timothy Stanley begins with a novel investigation into Jacques Derrida’s unanswered question concerning the mediatic nature of Christianity. There, the relationship between writing and faith comes into sharper focus. It is in this light that the codex’s cosmopolitan capacity for transmitting the written word can be re-evaluated in its scrolled Greco-Roman and Jewish bibliographic contexts. Christian faith is bound up in this technical development, and can inform how religious mediation is understood after Derrida. Writing Faith aims to recover vital questions for today’s digital times.
Wireless technology has become deeply embedded in everyday life, but its impact cannot be fully understood without probing the contributions of the Italian inventor Guglielmo Marconi (1874-1937), who ushered in the beginning of wireless communication. Marconi produced and detected sound waves over long distances, using the curvature of the earth for direction, and laid the foundations for what we know as radio—the original mobile, voice-activated, and electronic media community. Timothy C. Campbell demonstrates that Marconi’s invention of the wireless telegraph was not simply a technological act but also had an impact on poetry and aesthetics and linked the written word to the rise of mass politics. Reading influential works such as F. T. Marinetti’s futurist manifestos, Rudolf Arnheim’s 1936 study Radio, writings by Gabriele D’Annunzio, and Ezra Pound’s Cantos, Campbell reveals how the newness of wireless technology was inscribed in the ways modernist authors engaged with typographical experimentation, apocalyptic tones, and newly minted models for registering voices. Wireless Writing in the Age of Marconi presents an alternative history of modernism that listens as well as looks and bears in mind the altered media environment brought about by the emergence of the wireless. Timothy C. Campbell is associate professor of Italian at Cornell University.
From the Publisher: In this systematic study, author Timothy L. Price examines two of the most explosive subjects in conversation: religion and politics. Addressed mainly to religious conservatives, this book asks as many questions to the ¿Religious-Right¿ about their approach. This work exposes hypocrisy and ignorance that are part and parcel with accepting the religious conservative bandwagon as a legitimate way of expressing Christ to a non-believing society. The author is detailed in exposing the fallacy of using politics to do the church¿s work. This book is about redirecting the energy of the ¿Religious-Right, ¿ from being aggressive and self-righteous, to becoming more like Christ. If culture change is what the religious conservatives want, why are they so afraid to change themselves? Why do they assume that culture change should be in their direction? And why are they vehemently opposed any person of faith that would credibly question their sense rightness? Get this book and discover why.
What are Christians saying when they call the Bible the Word of God? How is that statement to be understood in relation to postmodernity's suspicion of meaning? Word and Supplement tackles these questions by bringing the post-modern theory of Derrida (from whom the idea of "supplement" is borrowed), Barth, Fish, Gadamer, and many others into critical dialogue with the often-neglected doctrine of the sufficiency of Scripture.
Over the course of the seventeenth to eighteenth centuries, an interior private notion of religion gained wide public recognition. It then spread through settler colonial contexts around the world. It has since been criticized for its abstract, immaterial nature as well as its irrelevance to traditions beyond the European context. However, such critiques obscure the contradiction between religion’s definition as a matter of interior privacy and its public visibility in various printed publications. Timothy Stanley responds by re-evaluating the cultural impact of the exterior forms in which religious texts were printed, such as pamphlets, broadsheets, books, and journals. He also applies that evidence to critical studies of religion shaped by the crisis of representation in the human sciences. While Jacques Derrida is oft-cited as a progenitor of that crisis, the opposite case is made. Additionally, Stanley draws on Derrida’s thought to reframe the relation between a religious text’s internal hermeneutic interests and its external forms. In sum, this book provides a new model of how people printed religion in ways that can be compared to other material cultures around the world.
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