This is what we dream of: to be so swept away, so poleaxed by a book that the breath is sucked right out of us. Brace yourselves. May 1565. Suleiman the Magnificent, emperor of the Ottomans, has declared a jihad against the Knights of Saint John the Baptist. The largest armada of all time approaches the knights' Christian stronghold on the island of Malta. The Turks know the knights as the "Hounds of Hell." The knights call themselves "The Religion." In Messina, Sicily, a French countess, Carla La Penautier, seeks passage to Malta in a quest to find the son taken from her at his birth twelve years ago. The only man with the expertise and daring to help her is a Rabelaisian soldier of fortune, arms dealer, former janissary, and strapping Saxon adventurer by the name of Mattias Tannhauser. He agrees to accompany the lady to Malta, where, amid the most spectacular siege in military history, they must try to find the boy—whose name they do not know and whose face they have never seen—and pluck him from the jaws of Holy War. The Religion is the first book of the Tannhauser Trilogy, and from the first page of this epic account of the last great medieval conflict between East and West, it is clear we are in the hands of a master. Not since James Clavell has a novelist so powerfully and assuredly plunged readers headlong into another world and time. Anne Rice transformed the vampire novel. Stephen King reinvented horror. Now, in a spectacular tale of heroism, tragedy, and passion, Tim Willocks revivifies historical fiction.
May 1565. Suleiman the Magnificent, emperor of the Ottomans, has declared a jihad against the Knights of Saint John the Baptist. The largest armada of all time approaches the Knights' Christian stronghold on the island of Malta. The Turks know the Knights as the "The Hounds of Hell." The Knights call themselves "The Religion." In Messina, Sicily, a French countess, Carla la Penautier, seeks a passage to Malta in a quest to find the son taken from her at his birth twelve years ago. The only man with the expertise and daring to help her is a Rabelaisian soldier of fortune, arms dealer, former janissary, and strapping Saxon adventurer by the name of Mattias Tannhauser. He agrees to accompany the lady to Malta, where, amidst the most spectacular siege in military history, they must try to find the boy - whose name they do not know and whose face they have never seen-and pluck him from the jaws of Holy War. The Religion is Book One of The Tannhauser Trilogy, and from the first page of this epic account of the last great medieval conflict between East and West, it is clear we are in the hands of a master. Not since James Clavell has a novelist so powerfully and assuredly plunged readers headlong into another and time. Anne Rice transformed the vampire novel. Stephen King reinvented horror. Now, in a spectacular tale of heroism, tragedy, and passion, Tim Willocks revivifies historical fiction.
After three years' hard time, minding no-one's business but his own, Ray Klein wins his parole. That same day, the disciplinary perfection of Green River State Penitentiary is torn apart by tribal war, and the prison falls into the hands of its inmates.
Tom Willock’s first book, Green River Rising, earned the kind of reviews that are rarely accorded to most so-called literary thrillers. This remarkable debut was hailed for its rich, powerful writing as well as its dramatic, page-turning suspense. The New York Times Book Review called it “beautifully vivid” and “triumphantly realized,” while People called it “as fine a thriller as one could ask for.” The author’s much-anticipated second novel is as powerful and ambitious as its predecessor. Set in New Orleans and the rural South, it is the story of a chain of cataclysmic events let loose by the murder of Clarence Jefferson, a legendary lawman who has gathered a cache of evidence that could imprison corrupt politicians in five states. His last act, it appears, was to handpick two people as the unlucky heirs of his potentially explosive evidence files. The pair must either dispose of them as fast as they can or—at considerable risk to themselves—deliver the files to the authorities. Lenna Parillaud and Dr. Cicero Grimes, Jefferson’s “beneficiaries,” have never met. Lenna, a millionaire businesswoman, has been racked by grief and rage over the loss of her daughter. Dr. Grimes is a clinically depressed psychiatrist. Though both have burdens enough of their own, they are swept up into this story of Southern violence, passion, and vengeance, the likes of which perhaps only the readers of Willocks’s previous novel can imagine. Compared by critics to Norman Mailer, James Ellroy, Stephen Hunter, and Andrew Vachss, Willocks offers a unique amalgam of gritty realism and something more—a depth and intensity that is seldom achieved in popular fiction.
Furgul, a puppy born in a slave camp for racing greyhounds, has a terrible secret—he is himself only part greyhound. When the cruel owner of the camp recognizes Furgul's impure origins he takes Furgul to be killed, but Furgal manages a spectacular escape. Now Furgul must confront the indifference, complexity, warmth, and ferocity of the greater world, a world in which there seem to be two choices: live the comfortable life of a pet and sacrifice freedom or live the life of a free dog, glorious but also dangerous, in which every man will turn his hand against you. In the best tradition of The Call of the Wild and Watership Down, novelist Tim Willocks offers his first tale for young adults, an allegorical examination of human life through a dog's eyes, infused with heart, heroism, and the mysteries of the spirit.
Après La Religion et Les Douze Enfants de Paris, le nouvel opéra noir de Tim Willocks. Lors d'un week-end arrosé au Cap, un jeune et riche Afrikaner renverse en voiture une jeune Noire sans logis qui erre dans la rue. Ni lui ni ses amis ne préviennent les secours alors que la victime agonise. La mère du chauffeur, Margot Le Roux, femme puissante qui règne sur les mines du Northern Cape, décide de couvrir son fils. Pourquoi compromettre une carrière qui s'annonce brillante à cause d'une pauvresse ? Dans un pays où la corruption règne à tous les étages, tout le monde s'en fout. Tout le monde, sauf Turner, un flic noir des Homicides. Lorsqu'il arrive sur le territoire des Le Roux, une région aride et désertique, la confrontation va être terrible, entre cet homme déterminé à faire la justice, à tout prix, et cette femme décidée à protéger son fils, à tout prix. Le fauve Willocks est à nouveau lâché ! Délaissant le roman historique, il nous donne ici un véritable opéra noir, aussi puissant qu'hypnotique. On retrouve dans ce tableau au couteau de l'Afrique du Sud tout le souffle et l'ampleur du romancier, allié à une exceptionnelle force d'empathie. Loin de tout manichéisme, il nous fait profiter d'une rare proximité avec ses personnages, illustrant de la sorte la fameuse phrase de Jean Renoir : " Sur cette Terre, il y a quelque chose d'effroyable, c'est que tout le monde a ses raisons.
May 1565. Suleiman the Magnificent, emperor of the Ottomans, has declared a jihad against the Knights of Saint John the Baptist. The largest armada of all time approaches the Knights' Christian stronghold on the island of Malta. The Turks know the Knights as the "The Hounds of Hell." The Knights call themselves "The Religion." In Messina, Sicily, a French countess, Carla la Penautier, seeks a passage to Malta in a quest to find the son taken from her at his birth twelve years ago. The only man with the expertise and daring to help her is a Rabelaisian soldier of fortune, arms dealer, former janissary, and strapping Saxon adventurer by the name of Mattias Tannhauser. He agrees to accompany the lady to Malta, where, amidst the most spectacular siege in military history, they must try to find the boy - whose name they do not know and whose face they have never seen-and pluck him from the jaws of Holy War. "The Religion" is Book One of The Tannhauser Trilogy, and from the first page of this epic account of the last great medieval conflict between East and West, it is clear we are in the hands of a master. Not since James Clavell has a novelist so powerfully and assuredly plunged readers headlong into another and time. Anne Rice transformed the vampire novel. Stephen King reinvented horror. Now, in a spectacular tale of heroism, tragedy, and passion, Tim Willocks revivifies historical fiction.
Étourdissant. Peut-être le plus grand roman jamais écrit sur la prison. " James Ellroy Dans la lignée de OZ, le chef-d'œuvre du thriller carcéral, par l'auteur de La Religion. Green River, pénitencier de sécurité maximale au Texas. Un véritable enfer dans lequel, entre tensions raciales et violences quotidiennes, vivent cinq cent âmes perdues. Un univers sans pitié où le silence n'existe pas, l'obscurité non plus. C'est là que Ray Klein, ancien médecin, purge sa peine, en travaillant à l'infirmerie. Alors que sa libération approche, une émeute éclate dans la prison. Au milieu du chaos et de l'anarchie, Ray, qui est tombé amoureux de Juliette Devlin, psychiatre judiciaire, va tout mettre en œuvre pour la sauver alors qu'elle est séquestrée avec ses patients dans l'infirmerie. Avec ce huis clos impitoyable peuplé de figures effrayantes, depuis John Campbell Hobbes, directeur de prison jusqu'à Henry Abbott, meurtrier schizophrène, Tim Willocks nous offre un portrait terrifiant de la vie carcérale. Il nous donne surtout un thriller prodigieux, au rythme haletant et au suspens oppressant.
Set in New Orleans and the rural South, Bloodstained Kings is the story of cataclysmic events let loose by the murder of Clarence Jefferson, a legendary lawman who has gathered a cache of evidence that could imprison corrupt politicians in five states. His last act was to handpick two unlucky heirs to his explosive information - two people with problems enough of their own who are now swept into violence, passion and vengeance, the likes of which they've never known.
This is what we dream of: to be so swept away, so poleaxed by a book that the breath is sucked right out of us. Brace yourselves. May 1565. Suleiman the Magnificent, emperor of the Ottomans, has declared a jihad against the Knights of Saint John the Baptist. The largest armada of all time approaches the knights' Christian stronghold on the island of Malta. The Turks know the knights as the "Hounds of Hell." The knights call themselves "The Religion." In Messina, Sicily, a French countess, Carla La Penautier, seeks passage to Malta in a quest to find the son taken from her at his birth twelve years ago. The only man with the expertise and daring to help her is a Rabelaisian soldier of fortune, arms dealer, former janissary, and strapping Saxon adventurer by the name of Mattias Tannhauser. He agrees to accompany the lady to Malta, where, amid the most spectacular siege in military history, they must try to find the boy—whose name they do not know and whose face they have never seen—and pluck him from the jaws of Holy War. The Religion is the first book of the Tannhauser Trilogy, and from the first page of this epic account of the last great medieval conflict between East and West, it is clear we are in the hands of a master. Not since James Clavell has a novelist so powerfully and assuredly plunged readers headlong into another world and time. Anne Rice transformed the vampire novel. Stephen King reinvented horror. Now, in a spectacular tale of heroism, tragedy, and passion, Tim Willocks revivifies historical fiction.
Tom Willock’s first book, Green River Rising, earned the kind of reviews that are rarely accorded to most so-called literary thrillers. This remarkable debut was hailed for its rich, powerful writing as well as its dramatic, page-turning suspense. The New York Times Book Review called it “beautifully vivid” and “triumphantly realized,” while People called it “as fine a thriller as one could ask for.” The author’s much-anticipated second novel is as powerful and ambitious as its predecessor. Set in New Orleans and the rural South, it is the story of a chain of cataclysmic events let loose by the murder of Clarence Jefferson, a legendary lawman who has gathered a cache of evidence that could imprison corrupt politicians in five states. His last act, it appears, was to handpick two people as the unlucky heirs of his potentially explosive evidence files. The pair must either dispose of them as fast as they can or—at considerable risk to themselves—deliver the files to the authorities. Lenna Parillaud and Dr. Cicero Grimes, Jefferson’s “beneficiaries,” have never met. Lenna, a millionaire businesswoman, has been racked by grief and rage over the loss of her daughter. Dr. Grimes is a clinically depressed psychiatrist. Though both have burdens enough of their own, they are swept up into this story of Southern violence, passion, and vengeance, the likes of which perhaps only the readers of Willocks’s previous novel can imagine. Compared by critics to Norman Mailer, James Ellroy, Stephen Hunter, and Andrew Vachss, Willocks offers a unique amalgam of gritty realism and something more—a depth and intensity that is seldom achieved in popular fiction.
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