The Synthesizer Generator is a system for automating the implementation of language-based editing environments. The editor designer prepares a specification that includes rules defining a language's context-free abstract syn tax, context-sensitive relationships, display format, and concrete input syntax. From this specification, the Synthesizer Generator creates a display editor for manipulating objects according to these rules [Reps84]. This volume, The Synthesizer Generator Reference Manual, is intended as the defining document of the system. A companion volume, The Synthesizer Gen erator: A System for Constructing Language-Based Editors [Reps88], provides a more tutorial description of the system; it contains numerous examples that illustrate the specification and use of generated editors, as well as chapters that explain important algorithms of the implementation. The Synthesizer Generator is a generalization of our earlier system, the Cor nell Program Synthesizer [Teitelbaum81], which was a programming environ ment for a specific small dialect of PL/I. It featured a display-oriented, syntax directed editor, an incremental compiler, an execution supervisor supporting source-level debugging, and a file system containing syntactically typed pro gram fragments. Whereas PL/I was built into the Cornell Program Synthesizer, the Synthesizer Generator accepts a formal language definition as input. Although originally conceived as a tool for creating Synthesizer-like environments for arbitrary pro gramming languages, the Synthesizer Generator is more broadly useful. Any textual language with a hierarchical phrase structure grammar is a candidate. vi Preface Interactive theorem proving for formal mathematics and logic, for example, has emerged as a particularly suitable application.
This book is a detailed account of the Synthesizer Generator, a system for creat ing specialized editors that are customized for editing particular languages. The book is intended for those with an interest in software tools and in methods for building interactive systems. It is a must for people who are using the Syn thesizer Generator to build editors because it provides extensive discussions of how to write editor specifications. The book should also be valuable for people who are building specialized editors "by hand," without using an editor generating tool. The need to manage the development of large software systems is one of the most pressing problems faced by computer programmers. An important aspect of this problem is the design of new tools to aid interactive program develop ment. The Synthesizer Generator permits one to create specialized editors that are tailored for editing a particular language. In program editors built with the Synthesizer Generator, knowledge about the language is used to continuously assess whether a program contains errors and to determine where such errors occur. The information is then displayed on the terminal screen to provide feed back to the programmer as the program is developed and modified.
This book is a detailed account of the Synthesizer Generator, a system for creat ing specialized editors that are customized for editing particular languages. The book is intended for those with an interest in software tools and in methods for building interactive systems. It is a must for people who are using the Syn thesizer Generator to build editors because it provides extensive discussions of how to write editor specifications. The book should also be valuable for people who are building specialized editors "by hand," without using an editor generating tool. The need to manage the development of large software systems is one of the most pressing problems faced by computer programmers. An important aspect of this problem is the design of new tools to aid interactive program develop ment. The Synthesizer Generator permits one to create specialized editors that are tailored for editing a particular language. In program editors built with the Synthesizer Generator, knowledge about the language is used to continuously assess whether a program contains errors and to determine where such errors occur. The information is then displayed on the terminal screen to provide feed back to the programmer as the program is developed and modified.
The Synthesizer Generator is a system for automating the implementation of language-based editing environments. The editor designer prepares a specification that includes rules defining a language's context-free abstract syn tax, context-sensitive relationships, display format, and concrete input syntax. From this specification, the Synthesizer Generator creates a display editor for manipulating objects according to these rules [Reps84]. This volume, The Synthesizer Generator Reference Manual, is intended as the defining document of the system. A companion volume, The Synthesizer Gen erator: A System for Constructing Language-Based Editors [Reps88], provides a more tutorial description of the system; it contains numerous examples that illustrate the specification and use of generated editors, as well as chapters that explain important algorithms of the implementation. The Synthesizer Generator is a generalization of our earlier system, the Cor nell Program Synthesizer [Teitelbaum81], which was a programming environ ment for a specific small dialect of PL/I. It featured a display-oriented, syntax directed editor, an incremental compiler, an execution supervisor supporting source-level debugging, and a file system containing syntactically typed pro gram fragments. Whereas PL/I was built into the Cornell Program Synthesizer, the Synthesizer Generator accepts a formal language definition as input. Although originally conceived as a tool for creating Synthesizer-like environments for arbitrary pro gramming languages, the Synthesizer Generator is more broadly useful. Any textual language with a hierarchical phrase structure grammar is a candidate. vi Preface Interactive theorem proving for formal mathematics and logic, for example, has emerged as a particularly suitable application.
From its earliest days, the Mafia has sought to make a fast buck from the American film industry. Stories of intimidation, threats and violence mingle with those of glamour and excess. In this stunning story of infamy and ballsy enterprise, Tim Adler tells the secret history of Al Capone, Sam Giancana and John Gotti's attempts to infiltrate the studio lots. However, although they have controlled the moguls and the money, the Mob learned how to be cool from classic films like The Godfather and characters like Tony Soprano, leaving them forever intertwined in both fact and fiction.
The new photo-illustrated magazines of the 1920s traded in images of an ideal modernity, promising motorised leisure, scientific progress, and social and sexual emancipation. Modernist Magazines and the Social Ideal is a pioneering history of these periodicals, focusing on two of the leading European titles: the German monthly UHU, and the French news weekly VU, taken as representative of the broad class of popular titles launched in the 1920s. The book is the first major study of UHU, and the first scholarly work on VU in English. Modernist Magazines explores, in particular, the striking use of regularity and repetition in photographs of modernity, reading these repetitious images as symbolic of modernist ideals of social order in the aftermath of the First World War. Introducing a novel methodology, pattern theory, the book argues for a critical return to the Gestalt tradition in visual studies. Alongside the UHU and VU case studies, Modernist Magazines offers an essential primer to interwar magazine culture in Europe. Accounts of rival titles are woven into the book's thematic chapters, which trace the evolution of the two magazines' photography and graphic design in the tumultuous years up to 1933.
Widely accepted as a model textbook for ACM/IEEE-recommended curricula for introductory computer science courses, Programming and Problem Solving with C++, Seventh Edition continues to reflect the authors' philosophy of guiding students through the content in an accessible and approachable way. It offers full coverage of all necessary content enabling the book to be used across two terms, and provides numerous features to help students fully understand and retain important concepts from each chapter.
Time in the Wilderness describes John J. Pershing’s early years and experiences, fleshing out the years of remote postings in places such as New Mexico, the Dakotas, and Montana, accompanied by sporadic Indian fighting, often overlooked in other biographies.
The result of ten years of research, this book investigates the problems of novice programmers, orientated towards the design and implementation of programming environments aimed at eliminating or easing novice's problems.
New York City school teacher Raymond Donne has no idea how bad his night is going to get when he picks up the phone. Ricky Torres, his old friend from his days as a cop, needs Ray's help, and he needs it right now---in the middle of the night. Ricky picks Ray up in the taxi he's been driving since returning from serving as a marine in Iraq, but before Ricky can tell Ray what's going on, the windows of the taxi explode under a hail of bullets killing Ricky and knocking Ray unconscious as he dives to pull his friend out of harm's way. Ray would've done anything to help Ricky out while he was alive. Now that he's dead, he'll go to the same lengths to find out who did it and why. All he has to go on is that Ricky was working with Jack Knight, Ray's old nemesis, another ex-cop turned PI. They were investigating the disappearance of a PR giant's daughter who had ties to the same Brooklyn streets that all three of them used to work. Is that what got Ricky killed or was he into something even more dangerous? Was there anything that Ray could've done for him while he was alive? Is there anything he can do for him now? Filled with the kinds of unexpected twists that make for the best crime fiction, and with secrets that run far deeper than loyalties, Dead Red is the most thrilling mystery yet in Tim O'Mara's widely acclaimed series.
Becoming a teacher after an accident ends his career as a Brooklyn police officer, Raymond Donne is drawn back into detective work by the disappearance of one of his students, a promising baseball athlete whose father has been found murdered.
An engrossing history that reads like a thriller. The Godfather meets Band of Brothers.' — Andrew Roberts 'Newark tells an extraordinary tale with pace and conviction, and impressively unravels what really happened from the pervasive myths.' — History Today 'A fascinating and compelling work on three of the most evil movements of the 20th century. It ought to be required reading for anyone looking for insights into the period.' — Richard Hammer The Mafia is the most powerful criminal organization the world has ever known. This book tells the epic story of how the Mafia was nearly destroyed by Mussolini, prospered in the US, struck a secret wartime deal with the US government, and then backed a bloody rebellion that nearly turned Sicily into an independent Mafia realm. It shows how Lucky Luciano won his freedom thanks to mobster help in World War II; how Jewish gangsters clashed with Nazis on the streets of New York; how Mafiosi nearly issued contracts to kill top Nazis including Hitler; how British bobbies patrolled the deadly streets of Palermo; and how Mafia-backed bandits conducted a guerrilla war for Sicilian independence. The Mafia at War is a provocative account of how a criminal organization exploited the grim realities of World War II to revive its fortunes and dominate global crime.
This second edition handbook details new and improved procedures, current drugs and updated algorithms used by the crews of the Great North Air Ambulance who have been providing this life saving intervention since 2004. It will be of interest to pre-hospital care doctors and trainees, especially those studying for the GNAAS course. Pre-Hospital Anaesthesia is one of the most demanding interventions that can be made in the field. The exact incidence of failed intubation is difficult to quantify, but it is clear that it is higher than in hospital. Equally it is certain that anyone undertaking it should have clear instruction in the technique and a thorough understanding of all it entails.
Vitamin D and bone, Linking the fields of vitamin D and bone with those of the nucleus and mitotic spindle, Nucleus structure and dynamics, Organization of the nucleus, Microtubules and associated proteins, Mitosis and spindle assembly, Control and mechanism of spindle formation and dynamics, Materials and methods, NuSAP, and novel MAP involved in spindle organization, NuSAP expression in cultured osteoblasts: regulation during development and by 1,25-dihydroxyvitamin D3, Analysis of NuSAP gene expression at the tissue level and chromosomal localization of human and mouse NuSAP, Developmentally regulated expression of NuSAP in the rat testis and mouse embryo, Chromosomal localization of human and mouse Nusap, General discussion and perspectives.
When one of Raymond Donne's former students is found stabbed to death under the Williamsburg Bridge, Ray draws on his past as a cop to find the truth in Tim O'Mara's second New York mystery. Raymond Donne's former student Douglas Lee had everything going for him thanks to a scholarship to an exclusive private school in Manhattan, but all of that falls apart when his body is found below the Williamsburg Bridge with a dozen knife wounds in it. That kind of violence would normally get some serious attention from the police and media except when it's accompanied by signs that it could be gang related. When that's the case, the story dies and the police are happy to settle for the straightforward explanation. Dougie's mom isn't having any of that and asks Ray, who had been a cop before an accident cut his career short, to look into it, unofficially. He does what he can, asking questions, doling out information to the press, and filling in some holes in the investigation, but he doesn't get far before one of Dougie's private school friends is killed and another is put in the hospital. What kind of trouble could a couple of sheltered kids get into that would end like that? And what does is have to do with Dougie's death? None of it adds up, but there's no way Ray can just wait around for something to happen. Following on the heels of his acclaimed debut, Tim O'Mara's Crooked Numbers is another outstanding mystery that brings the streets of Brooklyn and Manhattan to life and further solidifies O'Mara's place among the most talented new crime fiction writers working today.
Ex-cop Raymond Donne returns in an “absorbing” mystery of “long-buried secrets, a two-decades-old rape case, and shady legal shenanigans” (Publishers Weekly). When his father’s former law partner, Harry Stover, is murdered while being celebrated as Williamsburg, Brooklyn’s ‘Man of the Year,’ ex-cop turned schoolteacher Raymond Donne fights his old police instincts and vows to stay out of the investigation. That is until his childhood home is broken into and one of his students is threatened. Has a decades-old case of his father’s come back to haunt the Donne family? Could the murder have something to do with the victim’s charitable work connecting low-income kids with business leaders in Williamsburg? Raymond never has liked unanswered questions, and when the answers come a little too close to his home and school, he decides he’s not above giving the cops a little unwanted help. Praise for the Raymond Donne mysteries “Tim O’Mara's Sacrifice Fly is the best first crime novel I’ve read in years. Knowing about the ways of city life and compassionate about its flawed characters, the writing has a swing as natural and strong as Roberto Clemente’s. It’s a real gem.”—Houston Chronicle “An authentically gritty debut crime novel . . . Mr. O’Mara’s first-person mystery is rich in hard-boiled New Yorkese.”—The New York Times “Gritty New York noir . . . Highly readable slice of streetwise fiction.”—Cleveland Plain Dealer “The acrid, knowing Brooklyn atmosphere is strong enough to bottle.”—Kirkus Reviews “A definite purchase.”—Library Journal
AMERICA’S #1 BESTSELLING TELEVISION BOOK WITH MORE THAN HALF A MILLION COPIES IN PRINT– NOW REVISED AND UPDATED! PROGRAMS FROM ALL SEVEN COMMERCIAL BROADCAST NETWORKS, MORE THAN ONE HUNDRED CABLE NETWORKS, PLUS ALL MAJOR SYNDICATED SHOWS! This is the must-have book for TV viewers in the new millennium–the entire history of primetime programs in one convenient volume. It’s a guide you’ll turn to again and again for information on every series ever telecast. There are entries for all the great shows, from evergreens like The Honeymooners, All in the Family, and Happy Days to modern classics like 24, The Office, and Desperate Housewives; all the gripping sci-fi series, from Captain Video and the new Battle Star Galactica to all versions of Star Trek; the popular serials, from Peyton Place and Dallas to Dawson’s Creek and Ugly Betty; the reality show phenomena American Idol, Survivor, and The Amazing Race; and the hits on cable, including The Daily Show with Jon Stewart, Top Chef, The Sopranos, Curb Your Enthusiasm, Project Runway, and SpongeBob SquarePants. This comprehensive guide lists every program alphabetically and includes a complete broadcast history, cast, and engaging plot summary–along with exciting behind-the-scenes stories about the shows and the stars. MORE THAN 500 ALL-NEW LISTINGS from Heroes and Grey’s Anatomy to 30 Rock and Nip/Tuck UPDATES ON CONTINUING SHOWS such as CSI, Gilmore Girls, The Simpsons, and The Real World EXTENSIVE CABLE COVERAGE with more than 1,000 entries, including a description of the programming on each major cable network AND DON’T MISS the exclusive and updated “Ph.D. Trivia Quiz” of 200 questions that will challenge even the most ardent TV fan, plus a streamlined guide to TV-related websites for those who want to be constantly up-to-date SPECIAL FEATURES! • Annual program schedules at a glance for the past 61 years • Top-rated shows of each season • Emmy Award winners • Longest-running series • Spin-off series • Theme songs • A fascinating history of TV “This is the Guinness Book of World Records . . . the Encyclopedia Britannica of television!” –TV Guide
This revised and expanded edition takes the reader step by step through the history and techniques of over forty-five print-making methods. From the traditional etching, engraving, lithography, and relief print processes to today’s computer prints, Mylar lithography, copier prints, water-based screen printing, helio-reliefs, and monotypes, The Complete Printmaker covers various aspects of fine printmaking. The book also includes a survey of issues and contemporary concerns in the printmakers world.
This is the must-have book for TV viewers in the new millennium - the entire history of prime time programs in one volume. It's a guide you'll turn to again and again for information on every series ever telecast. There are entries for all the great shows, from evergreens like I Love Lucy, The Honeymooners, and Happy Days, to modern classics like Will & Grace, Buffy the Vampire Slayer, and Friends; all the gripping sci-fi series, from Captain Video and The X-Files to all versions of Star trek; the popular serials, from Peyton Place to Dallas to Dawson's Creek; and the runaway hits on cable, including CNN, The Real World, The Osbournes, and SpongeBob SquarePants. This comprehensive guide lists every program alphabetically and includes a complete broadcast history, cast, and engaging plot summary - along with behind-the-scenes stories about the shows and the stars."--BOOK JACKET.
Whimsical, unexpected, frequently revelatory, exquisitely observed (and written), this is vintage Tim Ward–I loved it.' Ian Weir, author of The Death and Life of Strother Purcell In the aftermath of the pandemic, author Tim Ward and his wife, Teresa, decided to leave their home and professional careers in the US to spend a year in Europe as flâneurs. The French word "flâneur" means one who “wanders without purpose, observing society.” As the French literary critic Sainte-Beuve explained it, to flâne “is the very opposite of doing nothing.” Indeed, it is to give yourself the gift of time: permission to live an unstructured life and, by so doing, discover something about the world, and about yourself.
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