In this brilliant collection of essays, Tim Parks, a celebrated novelist and master of the essay form, offers a wide range of wonderfully challenging and always provocative reflections on literature and the art of writing. Parks turns his attention to classic authors such as Dante, Leopardi, Borges, Beckett, and Christina Stead; contemporary writers including Vikram Seth and Salman Rushdie; and the late W. G. Sebald and José Saramago, along with a dozen others. The lead essay on Dante sets the tone for the entire collection: erudite, contemplative, witty, and meticulous, it constantly offers new insights into The Inferno, that most celebrated of all poems. In Hell and Back, Tim Parks reminds us just how exciting the essay form can be.
Since its maiden voyage and sinking in April 1912, Titanic has become a monumental icon of the 20th century and has inspired a wealth of interpretations across literature, art and media. This book offers a comprehensive discussion of the diverse representations of the connections and differences in the way generations of artists and audiences have approached and used the tragedy. In the final section is an in-depth study of James Cameron's blockbuster film "Titanic".
Since the first edition was published in 1982, Treatment of Cancer has become a standard text for postgraduate physicians in the UK and beyond, providing all information necessary for modern cancer management in one comprehensive but accessible volume. By inviting experts from a number of disciplines to share their knowledge, the editors have succeeded in delivering a truly integrated approach to the care of the patient with cancer. This fifth edition adopts the successful structure of previous editions, whilst being thoroughly revised and updated, and with several completely new chapters, covering important topics such as drug development, cancer prevention, and economics of cancer care, as well as treatments such as radioimmunotherapy, biological therapies and antibody therapy. Part One considers the scientific basis and fundamental principles underlying cancer treatment and examines the likely developments that will occur over the next decade at the leading edge of oncology. Part Two is divided into two sections; the first covering general issues of cancer management, including planning techniques, concomitent chemoradiotherapy, surgical oncology and palliative care; and the second using a system-based approach to cover the clinical aspects and management plans for the whole spectrum of malignant disease. Treatment of Cancer surpasses other oncology texts in condensing the essential information for exemplary cancer care into one readable and accessible guide, and will be an invaluable addition to the bookshelves of the busy oncologist in training or in practice.
The Varieties of Joycean Experience is a collection of ten essays that display the wide range and diversity of perspectives and critical approaches that can be drawn upon to enrich our readings of James Joyce’s works. With special attention to Ulysses and Finnegans Wake, these essays explore such problems as the difficulties these books pose to categories and summaries and our understanding of Joyce’s composition methods. The book explores Joyce’s ambiguities around death, scatology, and the weather to propose new understandings of these phenomena as key ways into Joyce’s works. The book concludes with an examination of the tricky problem: what makes an interpretation untenable, and why do Joyce’s works inspire far-fetched and even crackpot readings?
In the public debate about the success or failure of Australia's Indigenous policies, opinions have been grounded more often in personal experience than in social scientists' research. This work asks: What vision of the good life should guide an assessment of policy?
Providing practical and theoretical resources on media law and ethics for the United Kingdom and United States of America and referencing other legal jurisdictions such as France, Japan, India, China and Saudi Arabia, Comparative Media Law and Ethics is suitable for upper undergraduate and postgraduate study and for professionals in the media who need to work internationally. The book focuses on the law of the United Kingdom, the source of common law, which has dominated the English speaking world, and on the law of the USA, the most powerful cultural, economic, political and military power in the world. Media law and ethics have evolved differently in the US from the UK. This book investigates why this is the case. Throughout, media law and regulation is evaluated in terms of its social and cultural context.The book has a companion website at http://www.ma-radio.gold.ac.uk/cmle providing complementary resources and updated developments on the topics explored.
It's amazing what you'll find when you start listening for Rhythm All Around! From the sounds of someone knocking at your door to the rhythms of cooks going "Crazy in the Kitchen," you'll be both tickled and amused by the fun lyrics and concepts in this collection of unison and beginning 2-part songs. Includes reproducible song sheets, many with suggestions for rhythmic sounds and instruments. * Recommended for grades K-5. * Reproducible Student Pages included.
Since this classic book was first published in 2003, sustainability has increasingly been accepted as standard business practice for leading corporations, while the science itself has revealed how human activity has become the dominant force influencing irreversible changes in the planetary systems. The fourth edition of this trailblazing book on corporate sustainability provides new insights into how organizations can transition towards a more responsible way of conducting their business. It charts new thinking on value creation, business models and organizational purpose as the basis of a broader-based transition to a sustainable society. The sustainability phase model has been substantially revised to incorporate emergent approaches in sustainable supply chain management, strategic sustainability, sustainability-oriented innovation and new business models. There is a companion website that contains a range of materials to support learning. This new edition with the authors’ unified approach to sustainable business reshapes its plan of action to bring about corporate change by drawing in new management theory and practice on strategy-making and leadership, making it core reading for students and researchers of sustainability and business, organizational change and corporate social responsibility.
A Haunted Past Can an object really be haunted? The answer is a resounding YES. Discover for yourself in this eerie, spine-chilling, and alarming collection of true tales and classic stories of possessed possessions. Unearthed by veteran ghost hunters Christopher Balzano and Tim Weisberg, each page of Haunted Objects reveals unsettling accounts of unexplained paranormal activity surrounding everyday items. From dolls to rings, these innocent looking items have disturbing tales to tell. You'll never look at chairs, dresses, paintings, and the common items in your home the same way again.
ADHD is one of the most commonly diagnosed behavioural disorders in children and young people. It is a complex and contested condition, with potential causes and treatments in biological, psychological and social domains. This is the first comprehensive text for nurses and other health professionals in this field. Nursing Children and Young People with ADHD explores the evidence, incorporating and expanding on the new NICE guidelines for practice in this area, to provide an essential knowledge base for practice. The text covers: causes, diagnosis, co-morbidity, user and carer perspectives, assessment, treatment and interventions (including those suitable for use in schools), prescribing and the legal background. An invaluable text for pre-registration student nurses on mental health and children branches, this will also be a useful reference work for post-registration nurses and health professionals seeking evidence-based recommendations for practice.
Why do we need fiction? Why do books need to be printed on paper, copyrighted, read to the finish? Do we read to challenge our vision of the world or to confirm it? Has novel writing turned into a job like any other? In Where I’m Reading From, the novelist and critic Tim Parks ranges over decades of critical reading—from Leopardi, Dickens, and Chekhov, to Virginia Woolf, D. H. Lawrence, and Thomas Bernhard, and on to contemporary work by Peter Stamm, Alice Munro, and many others—to upend our assumptions about literature and its purpose. In thirty-seven interlocking essays, Where I’m Reading From examines the rise of the “international” novel and the disappearance of “national” literary styles; how market forces shape “serious” fiction; the unintended effects of translation; the growing stasis of literary criticism; and the problematic relationship between writers’ lives and their work. Through dazzling close readings and probing self-examination, Parks wonders whether writers—and readers—can escape the twin pressures of the new global system and the novel that has become its emblematic genre.
As corporations become increasingly more powerful, their decisions have a larger impact on the social and ecological landscape both domestically and internationally. In Ethics and HRD, Tim Hatcher shows how human resource development departments can foster ethical consciousness and play an important role in transforming their organizations into responsible corporate citizens. He describes the relationship between ethical leadership, social responsibility, and HRD and shows how to synthesize them into a new and more sustainable paradigm for HRD. The first book of its kind, it will serve as a guide for managers, human - resource professionals, and students of HRD alike.
The place of the editor in literary production is an ambiguous and often invisible one, requiring close attention to publishing history and (often inaccessible) archival resources to bring it into focus. In The Art of Editing, Tim Groenland shows that the critical tendency to overlook the activities of editors and to focus on the solitary author figure neglects important elements of how literary works are acquired, developed and disseminated. Focusing on selected works of fiction by Raymond Carver and David Foster Wallace, authors who represent stylistic touchstones for US fiction of recent decades, Groenland presents two case studies of editorial collaboration. Carver's early stories were integral to the emergence of the Minimalist movement in the 1980s, while Wallace's novels marked a generational shift towards a more expansive, maximal mode of narrative. The role of their respective editors, however, is often overlooked. Gordon Lish's part in shaping the form of Carver's early stories remains under-explored; analyses of Wallace's fiction, meanwhile, tend to minimise Michael Pietsch's role from the creation of Infinite Jest during the mid-1990s until the present day. Drawing on extensive archival research as well as interviews with editors and collaborators, Groenland illuminates the complex and often conflicting forms of agency involved in the genesis of these influential works. The energies and tensions of the editing process emerge as essential factors in the creation of fictions more commonly understood within the paradigm of solitary authorship. The mediating role of the editor is, Groenland argues, inseparable from the development, form, and reception of these works.
Few other places in the United States are as high, dry, sparsely inhabited—and urbanized—as the Great Basin of Utah and Nevada. The great majority of the population of this rapidly growing region lives in the two metropolitan areas at its edges, Salt Lake City and the Wasatch Front, and Reno and the Truckee Meadows. These cities embody the allure and the challenge of the contemporary American West, deemed by some “The New American Heartland.” No Communication with the Sea is a journey through this urbanizing Great Basin landscape. Here, the land fosters illusions of limitless space and resources, but its space and resources are severely limited; its people live clustered in cities but are often reluctant to embrace urbanity. These tensions led journalist and urban planner Tim Sullivan to explore the developing centers and edges of the Great Basin cities and the ways some are trying to build livable and sustainable urban environments. In this highly readable book of creative nonfiction, Sullivan employs a variety of methods—including interviews, research, travelogues, and narrative—to survey the harsh landscape for clues to the ways cities can adapt to their geography, topography, ecology, hydrography, history, and culture. No Communication with the Sea embarks on a quest for a livable future for the heart of the interior West. In the process, it both unearths the past and ponders the present and future Great Basin cities.
This book is a study of the relations between the body and its technologies in modernism. Tim Armstrong traces the links between modernist literary texts and medical, psychological and social theory across a range of writers, including Yeats, Henry James, Eliot, Stein, and Pound. Armstrong shows how modernist texts enact experimental procedures which have their origins in nineteenth-century psychophysics, biology, and bodily reform techniques, but within a context in which the body is reconceived and subjected to new modes of production, representation and commodification. Drawing on a wide range of disciplines, Armstrong challenges the received oppositions between technology and literature, the instrumental and the aesthetic, by demonstrating the leaky boundaries and complex interconnections between these domains. This book offers a cultural history of modernism as it negotiated the enduring fact of the human body in a period of rapid technological change.
The Place of Geography is designed to provide a readable and yet challenging account of the emergence of gepgraphy as an academic discipline. It has three particular aims: it seeks to trace the development of geography back to its formal roots in classical antiquity; provides an interpretation of the changes that have taken place in geographical practice within the context of Jurgen Haberma's critical theory; and thirdly, describes how the increasing separation of geography into physical and human parts has been detrimental to our understanding of critical issues concerning the relationship between people and environment.
Fini Kiri is the land of fire where citizens worship the mysterious beings that rule over them and force people to adhere to their tyrannical reign. An unyieldingly valiant youth, Tee is only twenty fire festivals old when he damns the consequences in order to defy the so-called gods. They took something from him that can never be replaced. Tee was born into a world where his mother and father were eventually killed by the superlative beings they once trusted and adored. Now that Tee has finally come to terms with being an orphaned prince and king-to-be, the fire gods strike again and steal his beloved, Tonye. Tee digs into the depths of his heart to find the bravery he needs to fight back. His rebellious valor challenges the foundation of Fini Kiri as he prepares to attack the powers that be. With a little help from cryptic creatures and against deathly odds, Tee strives to rescue his love, uncover inconceivable truths, and free his land from the cruelty of both the fire and rain gods. It takes but one voice to ignite change, and Tee will scream to the heavens.
April 15th, 2012, will be the 100th anniversary of the sinking of the Titanic. People have an endless fascination with the Titanic, yet much of what they know today is a mixture of fact and fiction. In one hundred and one brief and engaging chapters, Tim Maltin, one of the foremost experts on the Titanic, reveals the truth behind the most common beliefs about the ship and the night it sank. From physics to photographs, lawsuits to love stories, Maltin doesn't miss one tidbit surrounding its history. Heavily researched and filled with detailed descriptions, quotes from survivors, and excerpts from the official inquiries, this book is guaranteed to make readers rethink everything they thought they knew about the legendary ship and its tragic fate.
This book challenges current thinking about the outbreak of World War I and the course of German foreign policy since Bismarck’s chancellorship. In 1914, Germany's opening offensives against France were to be accompanied by a simultaneous offensive by her ally, Austria-Hungary, against Russia. The Austrian offensive was intended to hold the Russians until Germany defeated the French—six weeks, no more. Then, the German army would turn east to support the Austrians. The Austrian offensive was a catastrophic failure. After only days of fighting Russia, Germany was obliged to send troops to support Austria lest she capitulate while most of the German army was still in France. The Austrian army’s severe deficiencies were a constant drain on the German effort throughout the war. After the war, German memoirists and historians claimed that the German leadership had been unaware of these deficiencies before the war broke out. These claims have been accepted by historians down to today. The book presents recently re-discovered documentary evidence that the German general staff and Germany’s political leadership had known of the Austrian army’s weaknesses for decades before the war. The book also reveals a new perspective of Bismarck’s diplomacy beginning shortly after he engineered the Dual Alliance between the two countries in 1879. It demonstrates that as early as 1882 Bismarck became aware that the Austrian army was far weaker than assumed when he concluded the alliance. It was primarily his concern about Austria’s weakness that spurred Bismarck’s energetic diplomacy, seeking alliances and understandings with other countries in the region, and which became the main consideration that guided his foreign policy from then on. For if Austria suffered a defeat, Germany would find itself alone between two dangerous powers: France and Russia. The consequences of his policies resulted in peace down to his departure in 1890. His successors, for a variety of reasons addressed in the book, were not as careful, ignored Austria’s weaknesses despite the warnings of the military attachés, and permitted Austria to become involved in a war. The result was tragically foreseeable.
In 1981, Peter Sutcliffe, the 'Yorkshire Ripper', was convicted of thirteen murders and seven attempted murders. All his proven victims were women: most were prostitutes.Astonishingly, however, this is not the whole truth. There is a still-secret story of how Sutcliffe's terrible reign of terror claimed at least twenty-two more lives and left five other victims with terrible injuries. These crimes - attacks on men as well as women - took place all over England, not just in his known killing fields of Yorkshire and Lancashire.Police and prosecution authorities have long known that Sutcliffe's reign of terror was far longer and far more widespread than the public has been led to believe. But the evidence has been locked away in the files and archives, ensuring that these murders and attempted murders remain unsolved today.As a result, the families of at least twenty-two murdered women have been cheated of their right to know how and why their loved ones died: the pain of living with that may diminish over time, but it never fades away completely. Five other victims survived his attacks: their plight, too, has never been officially acknowledged.Worse still, police blunders and subsequent suppression of evidence ensured that three entirely innocent men were imprisoned for murders committed by the Yorkshire Ripper. They each lost the best parts of their adult lives, locked up and forgotten in stinking cells for more than two decades.This book, by a former police Intelligence Officer, is the story not just of those long-cold killings, of the forgotten families and of three terrible miscarriages of justice. It also uncovers Peter Sutcliffe's real motive for murder - and reveals how he manipulated police, prosecutors and psychiatrists to ensure that he serves his sentence in the comfort of a psychiatric hospital rather than a prison cell.
What does it really mean to be a good father? What did your father tell you, that has stayed with you throughout your life? Was there a lesson from him, a story, or a moment that helped to make you who you are? Is there a special memory that makes you smile when you least expect it? After the publication of Tim Russert’s number one New York Times bestseller about his father, Big Russ & Me, he received an avalanche of letters from daughters and sons who wanted to tell him about their own fathers, most of whom were not superdads or heroes but ordinary men who were remembered and cherished for some of their best moments–of advice, tenderness, strength, honor, discipline, and occasional eccentricity. Most of these daughters and sons were eager to express the gratitude they had carried with them through the years. Others wanted to share lessons and memories and, most important, pass them down to their own children. This book is for all fathers, young or old, who can learn from the men in these pages how to get it right, and to understand that sometimes it is the little gestures that can make the big difference for your child. For some in this book, the appreciation came later than they would have liked. But as Wisdom of Our Fathers reminds us, it is never too late to embrace it. From the father who coached his daughter in sports (and life), attending every meet, game, performance, and tournament, to the daughter who, after a fifteen-year estrangement, learned to make peace with her difficult father just before he died, to the son who came, at last, to appreciate the silent way his father could show affection, Wisdom of Our Fathers shares rewarding lessons, immeasurable gifts, and lasting values. Heartfelt, humorous, engaging, irresistibly readable, and bound to bring back memories of unforgettable moments with our own fathers, Tim Russert’s new book is not only a fitting companion to his own marvelous memoir, but also a celebration of the positive qualities passed down from generation to generation.
This volume combines a clear overview for those with no prior knowledge or experience of modernism with a subtle argument that will appeal to higher level undergraduates and scholars.
Giving Tim Stead a definitive label is difficult. His life's work extended to many areas, blurring the lines between furniture design and sculpture, business and conservation, poetry and teaching.
Tim Burstall, the celebrated director of Stork, Alvin Purple and numerous other definitive 'ocker' comedies, is credited with shaking the moribund Australian film industry out of its torpor. But long before that, in the early 1950s, he began keeping a diary to record the world of the group of 'arties' and 'intellectuals' he was living among in Eltham, then a rural area outside Melbourne, where cheap land was available for mudbrick houses and studios, and where suburban rigidities could be mercilessly flouted. Burstall was in his mid-twenties, with two young sons and an open marriage with his wife, Betty. Eager to become a writer, to go against the grain, he kept a record almost daily-of the parties and the talk in pubs and studios, about art and politics and sex, of Communist Party branch meetings and film societies, of political rallies and the first Herald Outdoor Art Show. Somehow, while holding down a public relations job in the Antarctic Division and juggling his love affairs and obsession with the beautiful, brainy Fay, he wrote 500 words almost every day. Betty, according to the diaries, kept the show on the road, feeding friends after the pub, milking goats and working in her pottery making bowls and mugs, which Tim sometimes decorated at weekends. These Memoirs of a Young Bastard, as Burstall dubbed himself and them, are among the most evocative Australian diaries of modern times. Burstall can write. He has an eye for the telling detail, an unerring ear for cant and pomposity and, most endearingly, an ability to mock himself-always from the perspective of a bloke of his generation.
As professional thieves begin targeting trade show exhibitors who may not be what they seem, Serge Storms launches an Internet travel site to lure unsuspecting tourists to Florida, only to catch the attention of his nemesis, Agent Mahoney.
The Rip Curl Story is the remarkable tale of two young surfers – Doug ‘Claw’ Warbrick and Brian Singer – who pursued an audacious dream to make a living in pursuit of the ultimate ride. The brand they built, Rip Curl, not only satisfied their own surf wanderlust, but also inspired countless others, riding the wave of the global youth revolution of the late ’60s. Rip Curl’s mantra became ‘the Search’: the pursuit of new waves on distant shores, new thrills – skiing, snowboarding, windsurfing – and better equipment to elevate the experience. Along the way they supported the careers of many of the world’s great surfers – from Midget Farrelly to Michael Peterson, Tom Curren to Damien Hardman, Pam Burridge to Stephanie Gilmore, and of course Tyler Wright and Mick Fanning. Bestselling surf writer Tim Baker tells this implausible story in an irresistible series of ripping yarns, offering rich life lessons, a maverick business primer and a wild ride of adventure, good times and outlandish ambitions spectacularly realised. The Rip Curl Story will make you want to surf more, travel further, follow through on that great business idea and pursue your own Search.
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