Long recognized as perhaps the greatest non-fiction writer at work in Ireland, for his vast, polymathic accounts of nature and culture in the Aran Islands and Connemara, Tim Robinson is also an essayist of genius whose fascinations range across the globe. In Experiments on Reality, he shines the light of his intelligence on his own life, and on some of the most fascinating questions in science and culture. Robinson brings us to his boyhood in Yorkshire, National Service in Malaya in the 1950s, and his years as a visual artist in Istanbul, Vienna and London. He revisits some of the scenes of his researches for the maps he made of Aran and Connemara, places that continue to throw up remarkable stories and puzzles. And he performs astonishing literary thought-experiments, playing with the boundaries of the essay form, scientific inquiry, and storytelling. Experiments on Reality is a masterpiece from one of the great minds of our time. 'One of the greatest of all landscape writers ... When the material world is brought forth for us so beautifully, with such rapt attention and illuminating insight, we are reminded of how lucky we are to be part of it' Fintan O'Toole, Irish Times PRAISE FOR THE CONNEMARA TRILOGY: 'One of the most remarkable non-fiction projects undertaken in English' Robert MacFarlane, Spectator 'Robinson is a marvel ... the supreme practitioner of geo-graphy, the writing of places' Fintan O'Toole, Observer Books of the Year 'One of contemporary Ireland's finest literary stylists ... This is a book that does justice, in every sense of that phrase, to the frequently betrayed people whose stories it incarnates, and to their strange and beautiful corner of the world' Joseph O'Connor, Guardian 'A masterpiece of travel and topographical writing and a miraculous, vivid and engrossing meditation on landscape and history and the sacred mood of places' Colm Tóibín, Irish Times Books of the Year 'One of the finest of contemporary prose stylists' John Burnside, Irish Times 'He is that rarest of phenomena, a scientist and an artist, and his method is to combine scientific rigour with artistic reverie in a seamless blend that both informs and delights.' John Banville, Guardian 'Breathtaking ... the West of Ireland has found its ultimate laureate' Patricia Craig, TLS 'Dazzling ... an indubitable classic' Giles Foden, Condé Nast Traveller
In the second volume of his beloved Connemara trilogy, cartographer Tim Robinson continues to unearth the stories of this rich landscape—weaving placelore, etymology, geology, and the meeting of sea and shore into the region’s mythologies. From the northern fiord waters of Killary Harbour to the southern sea-washed islands of Slyne Head, western Connemara awes with a rugged landscape: sloping cliffs, towering mountains, and the ever-present thudding of the Atlantic. And here, within the earth, resides the record of the past; stones with ash-grey centers reveal volcanic episodes, a series of mysteriously arranged quartz boulders reminds us of the ancient secrets held in the soil, and a long-disappeared lake filled in by sand lies beneath a golf course, waiting to be rediscovered. Mapping more than geography, Tim Robinson charts Connemara’s deep relationship to those who have inhabited its surface. The Last Pool of Darkness brims with tales of ghosts, centuries-old land disputes, periods of religious and political upheavals, philosophers entranced by the isolating landscape, poets, mathematicians, artists, fantastical smugglers, the discovery of botanical rarities, trickster fairies, and the delicate balance between humans and nature. Not merely a “certain tract of the Earth’s surface” but “an accumulation of connotations,” Robinson’s Connemara offers readers an opportunity to travel across space and time. A work of great precision and tenderness, The Last Pool of Darkness is an enchanting addition to the Seedbank series and next chapter in “one of the most remarkable non-fiction projects undertaken in English” (Robert Macfarlane).
The first volume in Tim Robinson's phenomenal Connemara Trilogy - which Robert Macfarlane has called 'One of the most remarkable non-fiction projects undertaken in English'. In its landscape, history and folklore, Connemara is a singular region: ill-defined geographically, and yet unmistakably a place apart from the rest of Ireland. Tim Robinson, who established himself as Ireland's most brilliant living non-fiction writer with the two-volume Stones of Aran, moved from Aran to Connemara nearly twenty years ago. This book is the result of his extraordinary engagement with the mountains, bogs and shorelines of the region, and with its folklore and its often terrible history: a work as beautiful and surprising as the place it attempts to describe. Chosen as a book of the year by Iain Sinclair, Robert Macfarlane and Colm Tóibín 'One of the greatest writers of lands ... No one has disentangled the tales the stones of Ireland have to tell so deftly and retold them so beautifully' Fintan O'Toole 'Dazzling ... an indubitable classic' Giles Foden, Condé Nast Traveller 'He is that rarest of phenomena, a scientist and an artist, and his method is to combine scientific rigour with artistic reverie in a seamless blend that both informs and delights' John Banville 'One of contemporary Ireland's finest literary stylists' Joseph O'Connor, Guardian
This story appears in Tim Robinson's first novel, "Tales of Old Florida." In this edition it has been re-formated for young readers. Shipwrecks, pirates, buried treasure; desolate windswept islands, jungled forests, and the mysterious Everglade – dark and foreboding to all but the Seminole and Miccosuki. Imagine growing up in such a place, no one for miles around, only you and your family. This is the world young Charlie MacLeod was born into. To him it is nothing unusual. It is simply home.
Tim Robinson’s Stones of Aran is one of the most striking and original literary undertakings of our time. Robinson’s ambition is to find out both what it is to know a landscape, know it as extensively and intimately as possible, and what it takes to make that knowledge, the sense of the landscape itself, come alive in writing. It is a project that draws on the legacies of Thoreau and Joyce, to which Robinson brings his own polymathic gifts as cartographer, mathematician, historian, and, above all, shaper of words. In Pilgrimage Robinson walked the entire coast of Airann, largest of the Aran islands. In Labyrinth he turns in to the island’s interior. These two books—parts of an inseparable whole that can, for all that, be read quite separately from each other—constitute a vast polyphonic composition, at once encyclopedic and lyrical, scientific and surprisingly personal. Exploring the illimitable complexity and bounty contained in the seemingly limited confines of a single island, Robinson invites us to look without and within and to see the wonder of the world.
... the Pioneers, those hearty souls who left their families and the soft comforts of civilization and moved to a road-less, watery wilderness, a place with none of the conveniences of home ...
The second volume in Tim Robinson's phenomenal Connemara Trilogy - which Robert Macfarlane has called 'One of the most remarkable non-fiction projects undertaken in English'. The first volume of Tim Robinson's Connemara trilogy, Listening to the Wind, covered Robinson's home territory of Roundstone and environs. The Last Pool of Darkness moves into wilder territory: the fjords, cliffs, hills and islands of north-west Connemara, a place that Wittgenstein, who lived on his own in a cottage there for a time, called 'the last pool of darkness in Europe'. Again combining his polymathic knowledge of Connemara's natural history, human history, folklore and topography with his own unsurpassable artistry as a writer, Tim Robinson has produced another classic. A native of Yorkshire, Tim Robinson moved to the Aran Islands in 1972. His books include the celebrated two-volume Stones of Aran. Since 1984 he has lived in Roundstone, Connemara. 'A masterpiece of travel and topographical writing and a miraculous, vivid and engrossing meditation on landscape and history and the sacred mood of places' Colm Tóibín, Irish Times
The View from the Horizon is the first attempt to link the work of the artist Timothy Drever with the writings of his alter ego Tim Robinson. Drever's abstract paintings and environmental installations were seen in several exhibitions in London before he moved to the west of Ireland in 1972. Since then, Robinson's maps of the Aran islands, the Burren and Connemara, and his books on the experience of those landscapes, have acquired a devoted readership. Recently, Robinson had occasion to reconsider some Drever constructions dating from just before his disappearance from the London art scene, and recognised in them an abstract foretelling of a suite of images implicit in the later maps and writings. Hence this anxious exploration of the necessity and apparent impossibility of stepping free of one's personal network of metaphors.
The Aran Islands, in Galway Bay off the west coast of Ireland, are a unique geological and cultural landscape, and for centuries their stark beauty and their inhabitants’ traditional way of life have attracted pilgrims from abroad. The Aran Islands, in Galway Bay off the west coast of Ireland, are a unique geological and cultural landscape, and for centuries their stark beauty and their inhabitants’ traditional way of life have attracted pilgrims from abroad. After a visit with his wife in 1972, Tim Robinson moved to the islands, where he started making maps and gathering stories, eventually developing the idea for a cosmic history of Árainn, the largest of the three islands. Pilgrimage is the first of two volumes that make up Stones of Aran, in which Robinson maps the length and breadth of Árainn. Here he circles the entire island, following a clockwise, sunwise path in quest of the “good step,” in which walking itself becomes a form of attention and contemplation. Like Annie Dillard’s Pilgrim at Tinker Creek and Bruce Chatwin’s In Patagonia, Stones of Aran is not only a meticulous and mesmerizing study of place but an entrancing and altogether unclassifiable work of literature. Robinson explores Aran in both its elemental and mythical dimensions, taking us deep into the island’s folklore, wildlife, names, habitations, and natural and human histories. Bringing to life the ongoing, forever unpredictable encounter between one man and a given landscape, Stones of Aran discovers worlds. Robinson’s voyage continues in Stones of Aran: Labyrinth
A mapmaker’s vivid journey through the geography, ecology, and history of Ireland’s Connemara region. Here is Connemara, experienced at a walker’s pace. From cartographer Tim Robinson comes the second title in the Seedbank series, a breathtakingly intimate exploration of one beloved place’s geography, ecology, and history. We begin with the earth right in front of his boots, as Robinson unveils swaths of fiontarnach—fall leaf decay. We peer from the edge of the cliff where Robinson’s house stands on rickety stilts. We closely examine an overgrown patch of heather, a flush of sphagnum moss. And so, footstep by footstep, moment by moment, Robinson takes readers deep into this storied Irish landscape, from the “quibbling, contentious terrain” of Bogland to the shorelines of Inis Ní to the towering peaks of Twelve Pins. Just as wild and essential as the countryside itself are its colorful characters, friends and legends and neighbors alike: a skeletal, story-filled sheep farmer; an engineer who builds bridges, both physical and metaphorical; a playboy prince and cricket champion; and an enterprising botanist who meets an unexpected demise. Within a landscape lie all other things, and Robinson rejoices in the universal magic of becoming one with such a place, joining with “the sound of the past, the language we breathe, and our frontage onto the natural world.” Situated at the intersection of mapmaking and mythmaking, Listening to the Wind is at once learned and intimate, elegiac and magnificent—an exceptionally rich “book about one place which is also about the whole world” (Robert Macfarlane). “Visitors to Connemara, that expanse of stony beauty in the west of Ireland, are often struck by its stillness. [This] collection of essays succeeds in the difficult task of staying true to the verities of a place on to which so many fantasies have been projected.” —The Guardian
The triumphant conclusion to Tim Robinson's extraordinary Connemara trilogy, which Robert Macfarlane has called 'one of the most remarkable non-fiction projects undertaken in English'. Robinson writes about the people, places and history of south Connemara - one of Ireland's last Gaelic-speaking enclaves - with the encyclopaedic knowledge of a cartographer and the grace of a born writer. From the man who has been praised in the highest terms by Joseph O'Connor ('One of contemporary Ireland's finest literary stylists''), John Burnside ('one of the finest of contemporary prose stylists'), Fintan O'Toole ('Simply one of the best non-fiction prose writers currently at work') and Giles Foden ('an indubitable classic'), among many others, this is one of the publishing events of 2011 and the conclusion of one of the great literary projects of our time. 'He is that rarest of phenomena, a scientist and an artist, and his method is to combine scientific rigour with artistic reverie in a seamless blend that both informs and delights.' John Banville, Guardian 'A masterpiece of travel and topographical writing, and an incomparable and enthralling meditation on times past ... This perfectly pitched work opens readers up to the world around them' Sunday Times 'Anyone willing to get lost in this book will be left with indelible mental images of places they may never have visited but will now never forget' Dermot Bolger, Irish Mail on Sunday 'Will endure into the far future ... He knows this world as no one else does, and writes about it with awe and love, but also with measured grace, an artist's eye and a scientist's sensibility' Colm Toibin, Sunday Business Post Books of the Year 'Robinson is a marvel ... the supreme practitioner of geo-graphy, the writing of places' Fintan O'Toole, Observer Books of the Year
... the Pioneers, those hearty souls who left their families and the soft comforts of civilization and moved to a road-less, watery wilderness, a place with none of the conveniences of home ...
This is the third installment in the "Tropical Frontier" series. The Gladesman, a disgusting, vile swamp dweller comes to Port Starboard - a tiny settlement on the northwest shore of 1880's Lake Worth - and everything goes downhill from there. Because of him, however, the residents discover that Maggie Hooker, a black woman and the town's shopkeeper/postmistress, is the glue that holds the community together (yes, there was a black postmistress on Lake Worth, Fannie James, during that period).
Economics for Today, 7e simplifies the array of confusing economic analyses and presents a straightforward and balanced approach that effectively teaches the application of basic economics principles. Only essential material is included in the book and key concepts are explained in clear and simple terms. Written in an engaging and user-friendly manner, the book is designed for non-majors (although can also be used in these courses) with a continued focus on ethics in economics, sustainability and environmental economics, behavioural economics, development, health, happiness and debt crises. Economics for Today, 7e is also available on the MindTap eLearning platform. MindTap provides interactive graph builders, online tests, video content and access to Aplia, to build student confidence and give you a clear picture of their progress. Learn more about the online tools au.cengage.com/mindtap
It is a thousand, thousand years into the future and our world has changed. This is a world of super science, high technology, and a world of magical wonders. It is a world made of many genetically-altered human beings and a few creatures rumored to be not of this world. A small fraction of the population has an ability to use their minds with telekinetic abilities; some far beyond the ability of the average human. Many men use their super mind-powered abilities to help others and for bettering of mankind; however, others may use their abilities for selfish gains and to gain power hoping for world conquest. Anyone that uses his/her superhuman abilities for evil gain are called Inmortal humans, and anyone that uses his/her abilities for good are Immortal (or Emmortal) humans. Both sides continually clash with each other. While one side strives to control mankind and wants man under their control, the good immortals want man to live in peace, love, and harmony. This is the world of the muffins. Muffins are little blue-headed humans whom many evil inmortals hate. Now, read on and let your imagination flow to New America, once in a coming time.
[Rating: PG-13] It astounded Mary Addison to this day, the unwitting prejudices she once held for them, these who now called her Good Mother. She adored them; as they did her. Life can be like that, though, brimming with surprise, and revelation.
The Quest is the story of Charley Addison, and the man who would be his father, Emit Woolsey. Both are forced, at different times in their lives, to question what is required for true redemption, and whether they are willing to accept the requisite terms.
The Brigand" is the Fifteenth novel in the "Tropical Frontier" series. The lives of three young friends are disrupted when one of them, Arabelle O'Shea, is abducted by the "Scourge of the Florida Straits," the feared and dreaded pirate, El Diablo Caesar. Will Paco Piñato and Caleb Johnson rescue Arabelle in time? And what of the legendary treasure of Black Caesar, the notorious compatriot of Blackbeard himself? Will it be discovered these many years later? And if so, by whom? Or will it reside in its place of concealment forever?
Gaining on the Gap: Changing Hearts, Minds, and Practice serves as a guide along the journey taken by six individuals who each played a role in moving a school system along a path where race would not be a predictor for academic success. Join us as we share insights to challenges and victories as well as a close look at our own personal and professional growth.
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