The Man Watching: Anson Dorrance and the University of North Carolina Women's Soccer Dynasty is the authorized biography of a fascinating head coach and the more than 200 young women he inspired to believe that anything is possible. Updated to include the story of the Tar Heels's 2008 and 2009 NCAA championships. As coach of UNC's women's soccer team, Anson Dorrance has won more than 90 percent of his games, groomed far more All-Americans, and captured more NCAA championships than any other coach in the sport ten times over. Author Tim Crothers spent four years interviewing Dorrance and Tar Heels players from every era, along with players and coaches from rival college programs, to create the most comprehensive, intimate, and unfiltered look ever inside the most prolific dynasty in college athletics.
From the bestselling author of Love Is the Killer App You can win life’s popularity contests The choices other people make about you determine your health, wealth, and happiness. And decades of research prove that people choose who they like. They vote for them, buy from them, marry them, and spend precious time with them. The good news is that you can arm yourself for the contest and win life’s battles for preference. How? By raising your likeability factor. The more you are liked, the happier your life will be. In The Likeability Factor, business guru Tim Sanders shows how to build your likeability factor by teaching you how to enhance four critical elements of your personality: • Friendliness: your ability to communicate liking and openness to others • Relevance: your capacity to connect with others’ interests, wants, and needs • Empathy: your ability to recognize, acknowledge, and experience other people’s feelings • Realness: the integrity that stands behind your likeability and guarantees its authenticity When you improve these areas and boost your likeability factor, you bring out the best in others, handle life’s challenges with grace, enjoy better health, and excel in your daily roles. You can win the close calls and tight competitions that define and determine success and happiness at work and in life—The Likeability Factor can show you how!
This book will be of interest for all jurists doing research and working practically in intellectual property law and international economic law. It should be an element of the base stock for every law school library and specialized law firm. This title is available as Open Access.
Wild parties, late nights, and lots of sex, drugs, and alcohol. Many assume these are the things that define an American teenager’s first year after high school. But the reality is really quite different. As Tim Clydesdale reports in The First Year Out, teenagers generally manage the increased responsibilities of everyday life immediately after graduation effectively. But, like many good things, this comes at a cost. Tracking the daily lives of fifty young people making the transition to life after high school, Clydesdale reveals how teens settle into manageable patterns of substance use and sexual activity; how they meet the requirements of postsecondary education; and how they cope with new financial expectations. Most of them, we learn, handle the changes well because they make a priority of everyday life. But Clydesdale finds that teens also stow away their identities—religious, racial, political, or otherwise—during this period in exchange for acceptance into mainstream culture. This results in the absence of a long-range purpose for their lives and imposes limits on their desire to understand national politics and global issues, sometimes even affecting the ability to reconstruct their lives when tragedies occur. The First Year Out is an invaluable resource for anyone caught up in the storm and stress of working with these young adults.
From the New York Times bestselling author of Prisoners of Geography and leading geopolitics expert comes a must-read book on today’s space race—including the increasingly tense power struggle between the US, China, and Russia and what it means for all of us here on Earth. Spy satellites orbiting the moon. Space metals worth more than most countries’ GDP. People on Mars within the next ten years. This isn’t science fiction—it’s reality. Humans are venturing up and out, and we’re taking our competitive spirit with us. Soon, what happens in space will shape human history as much the mountains, rivers, and seas have impacted civilizations around the world. It’s no coincidence that Russia, China, and the USA are leading the way. The next fifty years will change the face of global politics and the world order as we know it. In this gripping work, bestselling author Tim Marshall navigates the new geopolitical landscape to show how we got here and where we’re heading. Extensively researched and drawing on the latest information from intelligence, government, and civilian institutions, this book provides a detailed, clear account of the new space race, the power rivalries, and how technology, economics, and war have a ripple effect on everyone across the globe. Written with all the insight and wit that have made Marshall one of the world’s most popular and trusted writer on geopolitics, The Future of Geography is an essential read about global power, politics, and the future of humanity.
This collection of reprinted essays takes the trends of the author's Music, Patronage and Printing in Late Renaissance Florence (also in the 'Variorum' series) in a somewhat different direction. If the focus there was primarily on archival documents, here it is on the actual music. The starting-point is similar - the rise of the 'new music' for solo voice and basso continuo in late sixteenth- and early seventeenth-century Florence, in particular the songs of Giulio Caccini. But it moves on to broader aesthetic issues crystallized in contemporary theoretical debate and musical practice - not least the rise of aria-based styles - and concludes with a series of studies of Claudio Monteverdi's works for the theatre, including the operas Il ritorno d'Ulisse in patria (1640) and the ever-problematic L'incoronazione di Poppea (1643).
Sport: Almost Everything You Ever Wanted to Know tells the history of sport. All sport. Ever. From ancient times to the 21st century. In eight themed parts, Tim Harris describes the triumphs and breakthroughs - as well as the cheating and skulduggery - that have created the modern world of sport. Dip into it, or read it cover to cover - there's a 'Oh - now I get it' moment on every page. Sport: it's unique, funny, amazingly comprehensive and packed with extraordinary anecdotes to turn any reader into a sporting expert.
Restoration Staging 1660–74 cuts through prevalent ideas of Restoration theatre and drama to read early plays in their original theatrical contexts. Tim Keenan argues that Restoration play texts contain far more information about their own performance than previously imagined. Focusing on specific productions and physical staging at the three theatres operating in the first years of the Restoration – Vere Street, Bridges Street and Lincoln’s Inn Fields – Keenan analyses stage directions, scene headings and other performance clues embedded in the play-texts themselves. These close readings shed new light on staging practices of the period, building a radical new model of early Restoration staging. Restoration Staging, 1660–74 takes account of all extant new plays written for or premiered at three of London’s early theatres, presenting a much-needed reassessment of early Restoration drama.
This collection of reprinted essays starts from the author's doctoral research on Jacopo Peri and the rise of opera and solo song in late sixteenth- and early seventeenth-century Florence. It extends to broader issues concerning music and patronage in the city as they affected individual composers, patrons and institutions, and thence to the commerce of music printing and the book trade. It concludes with an attempt to suggest a broader view of these various issues as they impact upon musical life in the 'provinces' in Tuscany. There is a great deal of new documentary and other information here, but the aim is also to expand methodological horizons so as to prompt new ways of thinking about music in its contexts.
Positive psychology is currently equated with theory and research on the positive aspects of life. The reality could not be further from the truth. Positive psychology investigates and researches some of the most difficult and painful experiences. Second Wave Positive Psychology: Embracing the Dark Side of Life is an innovative and groundbreaking textbook that explores a variety of topics we consider to be part of the ‘dark’ side of life while emphasising their role in our positive functioning and transformation as human beings. This more nuanced approach to the notions of ‘positive’ and ‘negative’ can be described as the ‘second wave' of Positive Psychology. Positive Psychology is one of the fastest growing and least understood branches of psychology. Exploring topics at the heart of Positive Psychology, such as meaning, resilience, human development, mortality, change, suffering, and spirituality, this book engages with so-called ‘negative’ matters from a Positive Psychology angle, showing how the path of personal development can involve experiences which, while challenging, can lead to growth, insight, healing and transformation. Containing useful resources, case studies, practical exercises and chapter summaries, Second Wave Positive Psychology is an essential guide for undergraduate and postgraduate students studying positive psychology, as well as clinicians wanting to know more about the subject. It will also be relevant to the layperson who is interested in positive psychology.
Claudio Monteverdi (1567-1643) is well known as the composer of the earliest operas still performed today. His Orfeo, Il Ritorno d'Ulisse in Patria, and L'incoronazione di Poppea are internationally popular nearly four centuries after their creation. These seminal works represent only a part of Monteverdi's music for the stage, however. He also wrote numerous works that, while not operas, are no less theatrical in their fusion of music, drama and dance. This is a survey of Monteverdi's entire output of music for the theatre - his surviving operas, other dramatic musical compositions, and lost works.
The unique geological history of the Adirondacks can be found in a pebble. So discovers humorist and outdoorsman Tim Rowland as he chronicles the evolution of hiking in the howling wilderness of the High Peaks. From nineteenth-century guides random scoots to Melville Deweys Adirondaks Loj to todays technologically enhanced weekenders, Rowland, who has climbed the forty-six himself, incorporates personal anecdotes and laugh-out-loud wit to capture the appeal and beauty of this beloved region, all the while reminding us of the importance of keeping these stunning mountains, and their attendant neat rocks, Forever Wild.
From “one of the most brilliant, articulate and courageous critics of white privilege in the nation” (Michael Eric Dyson), this now-classic is “a brilliant and personal deconstruction of institutionalized white supremacy in the United States . . . a beautifully written, heartfelt memoir” (Roxanne Dunbar-Ortiz). The inspiration for the acclaimed documentary film, this deeply personal polemic reveals how racial privilege shapes the daily lives of white Americans in every realm: employment, education, housing, criminal justice, and elsewhere. Using stories from his own life, Tim Wise examines what it really means to be white in a nation created to benefit people who are “white like him.” This inherent racism is not only real, but disproportionately burdens people of color and makes progressive social change less likely to occur. Explaining in clear and convincing language why it is in everyone’s best interest to fight racial inequality, Wise offers ways in which white people can challenge these unjust privileges, resist white supremacy and racism, and ultimately help to ensure the country’s personal and collective well-being.
The Adirondack Park is an immense wilderness encompassing more than 9,375 square miles. Within its boundaries are rugged mountains, countless pristine lakes and ponds, seemingly endless forests, and thousands of miles of wild rivers, providing an infinite number of outdoor adventures. The revised edition of Five-Star Trails: Adirondacks, by Tim Starmer, features six new popular trails and provides a detailed guide to some of the most stunning views found across the Adirondacks. Included are rugged and steep ascents up Snowy Mountain in the Central Adirondacks, which many consider the 47th high peak, and isolated Debar Mountain in the northern Adirondack region. Distance hikers will love the long trek into the High Peak Wilderness to see the amazing Hanging Spear Falls along the Opalescent River. Also new to this edition is the less difficult but equally scenic vistas of the Eastern Adirondacks and Lake George described along the Black Mountain trail. And delve back into the remote depths of the High Peaks region to explore some of the most unique trails with descriptions of Wright Peak, Avalanche Pass, and the second highest mountain in New York, Algonquin Mountain. Each hike features an individual trail map, elevation profile, and at-a-glance information.
Euridice was one of several music-theatrical works commissioned to celebrate the wedding of Maria de' Medici and King Henri IV of France in Florence in October 1600. As the first 'opera' to survive complete, it has been viewed as a landmark work, but its libretto by Ottavio Rinuccini and music by Jacopo Peri and Giulio Caccini have tended to be studied in the abstract rather than as something to be performed in a specific time and place. Staging “Euridice” explores how newly-discovered documents can be used to precisely reconstruct every aspect of its original stage and sets in the room for which it was intended in the Palazzo Pitti. By also taking into account what the singers and instrumentalists did, what the audience saw and heard, and how things changed from creation through rehearsals to performance, this book brings new aspects of Euridice to light in startling ways.
The Florentine musician Jacopo Peri (1561-1633) is known as the composer of the first operas--they include the earliest to survive complete, Euridice (1600), in which Peri sang the role of Orpheus. The recent discovery of a large number of private account books belonging to him and his family allows for a greater exploration of Peri's professional and personal life. Richard Goldthwaite, an economic historian, and Tim Carter, a musicologist, have done more, however, than write a biography: their investigation exposes the value of such financial documents as a primary source for an entire period. This record of Peri's wide-ranging investments and activities in the marketplace enables the first detailed account of the Florentine economy in the late sixteenth and early seventeenth centuries, and opens a new perspective on one of Europe's principal centers of capitalism. His economic circumstances reflect continuities and transformations in Florentine society, and the strategies for negotiating them, under the Medici grand dukes. They also allow a reevaluation of Peri the singer and composer that elucidates the cultural life of a major artistic center even in changing times, providing a quite different view of what it meant to be a musician in late Renaissance Italy.
Uses the collections of ephemera popular in the late seventeenth century as a way to understand the reading habits, publishing strategies and thought processes of late Stuart print culture. Cheap' genres of print such as ballads, almanacs and playing cards were part of everyday life in seventeenth-century society - ubiquitous and disposable. Toward the end of the century, however, individuals began to preserve, arrange and display articles of cheap print within carefully curated collections. What motivated this sudden urge to preserve the ephemeral? This book answers that question by analysing the social, political and intellectual factors behind the formation of cheap print collections, how these collections were used by their owners, and what this activity can tell us about 'print culture' in the early modern period. The book's central collector is John Bagford (1650-1715), a shoemaker who became a dealer of prints and other 'curiosities' to important collectors of the time such as Samuel Pepys, Hans Sloane and Robert Harley. Bagford's own rich and largely unstudied collection is afascinating study in its own right and his position at the centre of commercial and intellectual networks opens up a whole world of collecting. This world encompasses later Stuart partisan political culture, when modern parties and the 'public sphere' first emerged; the 'New Science' and 'virtuoso culture' with its milieu of natural philosophers, antiquaries and artisans; the aural and visual landscape of marketplaces, streets and alehouses; and developing practices of record-keeping, life-writing and historical writing during the long eighteenth century.
A young Boston family is torn apart—into parallel dimensions—in this dark urban fantasy by the authors of The Map of Moments. From Beacon Hill to Southie, Boston is a place of close-knit neighborhoods. But as Jim Banks and Trix Newcomb soon learn, it is also a city divided, split into three separate versions of itself by a mad magician once tasked with its protection. Jim’s happy family includes his wife Jenny, their daughter Holly, and Jenny’s best friend Trix—who has secretly been in love with Jenny for years. But when Jenny and Holly inexplicably disappear, they leave behind a Boston in which they never existed. Only Jim and Trix remember them. Only Jim and Trix can bring them back. With the help of Boston’s Oracle, an elderly woman with magical powers, Jim and Trix travel between the fractured cities in search of Jenny and Holly. But if Jim and Trix fail, the spell holding the separate Bostons apart will fail too, and the cities will collide in a cataclysmic implosion. Someone, it seems, wants just that. And that someone has deadly shadow men at their disposal.
This book will shape the debate on how to save the military from itself. The first part recognizes, indeed celebrates, what the military has done well in attracting and developing leadership talent. The book then examines the causes and consequences of the modern military's stifling personnel system, with a close look at strategic failures in Iraq and Afghanistan. The book also reports a new survey of active duty officers (done by the author) that reports what is driving the best and brightest to leave the service in frustration. Solutions round out the book, grounded in an economic emphasis on market forces.
This volume provides a thought-provoking and timely alternative to prevailing approaches to stress at work. These invariably present stress as a 'fact of modern life' and assume it is the "individual" who must take primary responsibility for his or her capacity - or incapacity - to cope. This book, by contrast, sets stress at work in the context of wider debates about emotion, subjectivity and power in organizations, viewing it as an emotional product of the social and political features of work and organizational life. Tim Newton analyzes the historical development of the dominant stress discourse' in modern psychology and elsewhere. Drawing on a range of perspectives - from labour process theory to the work of Foucault and Elias - he explores other possible ways of understanding stress at work. He offers a cogent critique of the typical stress management interventions in organizations through which employees are supposed to increase their effectiveness and become stress-fit'. With contributions from two colleagues, he explores various ways of rewriting' stress at work. Together they emphasize the gendered nature of stress, the collective production and reproduction of stressful work experiences, and the relation of stress to issues of emotion management and control in organizations.
In this comprehensive and probing biography, Tim Grierson examines Wilco’s history, discussing each of their albums in detail and exploring their often divisive 20-year output. With an eclectic blend of country, alternative rock and classic pop, Wilco was born out of the influential alt-country group Uncle Tupelo in 1994. Led by Jeff Tweedy, Wilco then made a series of albums that won varying levels of acceptance. From the relatively unsuccessful A.M. through the praised but contentious Mermaid Avenue collaboration with Billy Bragg and the troubled Yankee Hotel Foxtrot that eventually became their best-selling album, Wilco and Tweedy have kept the show on the road for two decades, winning Grammys, inspiring countless other bands and taking the flak on the way. This is their extraordinary story.
Mate selection is the second most important decision we make in life! This decision determines whether our life will be blessed and full of joy or if it will be a painful calamity. If it is a calamity, then it will bring disastrous effects on us, our mate, our children, and our extended family and friends. Who can best guide us through this decision? Parents frequently convey to their children that the only criteria for success in mate selection and marriage are money and education. Parents want their children to excel in marriage, but they give their children no specialized training or emphasis on preparing their lives and being the kind of person who can secure a godly mate and maintain a permanent, lasting relationship. I see churches striving to attract youths and young adults to the church. I see churches challenging youths to be exceptional in their faithfulness to Jesus. I want to see churches teaching teenagers and young adults to be intimate with one another while maintaining sexual purity. I want to see churches teaching youths how to build the skills that will make them an excellent mate and future parent. I want to see churches teaching youths and young adults how to find healing for the pains that are destroying their lives. I see churches teaching that God demands holiness, and I want to see them teaching that holiness is the most enjoyable, beneficial, and only lifestyle that can and will bring permanence to all of our relationships, including marriage.
Based on a case study of leadership communication in a time of organizational change, this book gives new leaders insights into the tools and skills needed to become effective, motivating communicators in their leadership careers. Taking a holistic approach to communication and leadership, the book argues that employees buy in to change when they collectively feel engaged in meaningful work that will enrich the lives of customers, employees, and investors. Based on ethnographic research, it approaches the topic through an absorbing fiction-like retelling of an organization’s successful navigation of change against the backdrop of the 2007 mortgage crisis. In doing so, it establishes a framework for leaders to understand the principles behind how and why buy-in is generated in organizations. This unique approach allows readers to visualize leadership communication principles in practice. Fostering Employee Buy-in is ideal as a supplementary text in introductory leadership communication, management, and business courses or as a text for new leaders interested in inspiring organizational change.
The Book of the Dead by Muriel Rukeyser was published as part of her 1938 volume U.S. 1. The poem, which is probably the most ambitious and least understood work of Depression-era American verse, commemorates the worst industrial accident in U.S. history, the Gauley Tunnel tragedy. In this terrible disaster, an undetermined number of men—likely somewhere between 700 and 800—died of acute silicosis, a lung disorder caused by prolonged inhalation of silica dust, after working on a tunnel project in Fayette County, West Virginia, in the early 1930s. After many years of relative neglect, The Book of the Dead has recently returned to print and has become the subject of critical attention. In Muriel Rukeyser’s “The Book of the Dead,” Tim Dayton continues that study by characterizing the literary and political world of Rukeyser at the time she wrote The Book of the Dead. Rukeyser’s poem clearly emerges from 1930s radicalism, as well as from Rukeyser’s deeply felt calling to poetry. After describing the world from which the poem emerged, Dayton sets up the fundamental factual matters with which the poem is concerned, detailing the circumstances of the Gauley Tunnel tragedy, and establishes a framework derived from the classical tripartite division of the genres—epic, lyric, and dramatic. Through this framework, he sees Rukeyser presenting a multifaceted reflection upon the significance, particularly the historical significance, of the Gauley Tunnel tragedy. For Rukeyser, that disaster was the emblem of a history in which those who do the work of the world are denied control of the vast powers they bring into being. Dayton also studies the critical reception of The Book of the Dead and determines that while the contemporary response was mixed, most reviewers felt that Rukeyser had certainly attempted something of value and significance. He pays particular attention to John Wheelwright’s critical review and to the defenses of Rukeyser launched in the 1980s and 1990s by Louise Kertesz and Walter Kalaidjian. The author also examines the relationship between Marxism as a theory of history governing The Book of the Dead and the poem itself, which presents a vision of history. Based upon primary scholarship in Rukeyser’s papers, a close reading of the poem, and Marxist theory, Muriel Rukeyser’s “The Book of the Dead” offers a comprehensive and compelling analysis of The Book of the Dead and will likely remain the definitive work on this poem.
Vast open spaces, dreamy canyons, and colorful culture: experience it all with Moon Arizona & the Grand Canyon. Inside you'll find: Flexible itineraries from a Grand Canyon adventure to two weeks exploring the whole state The best road trips in Arizona, including historic Route 66 and scenic byways The top hikes, whether you're looking for treks near Phoenix or Tucson, a multi-day expedition into the depths of the Grand Canyon, or trails in Red Rock Country, complete with distance, duration, difficulty level, and elevation gain Can't-miss highlights and unique experiences: Discover hidden streams on a hike through high-desert forests or find the best spots to hit the slopes in winter. Visit Ancestral Puebloan cliff cities and learn about Arizona's indigenous cultures or stroll through charming historic towns. Marvel at the red rock cliffs around Sedona, watch your favorite MLB team play during Spring Training, and sample Southwest cuisine from spicy enchiladas to Sonoran hot dogs Expert insight from Arizona local Tim Hull on when to go, where to stay, and how to get around, including detailed coverage of gateway cities to the Grand Canyon and sustainable travel tips Helpful resources on Covid-19 and traveling to Arizona Full-color photos and detailed maps throughout Practical background on Arizona's landscape, climate, wildlife, and culture Find your adventure with Moon Arizona & the Grand Canyon. Seeing more of the Southwest? Check out Moon New Mexico or Moon Phoenix, Scottsdale & Sedona. Hitting the road? Try Moon Southwest Road Trip or Moon Route 66 Road Trip. About Moon Travel Guides: Moon was founded in 1973 to empower independent, active, and conscious travel. We prioritize local businesses, outdoor recreation, and traveling strategically and sustainably. Moon Travel Guides are written by local, expert authors with great stories to tell—and they can't wait to share their favorite places with you. For more inspiration, follow @moonguides on social media.
Strange and Obscure Stories of Washington, DC is a collection of wild but true tales about our nation’s capital. Starting in the early days of the republic and reaching into modern times, the book recounts odd and humorous events that didn’t make their way into the history books. Along the way the book introduces a host of memorable characters: • Land speculators James Greenleaf and Robert Morris, whose financial shenanigans almost took down the Federal City before it was even established • Civil War madam Mary Ann Hall, who ran the city’s most upstanding brothel and died with an estate valued at $2 million • The “Treasury Girls—the first wave of female workers, hired to cut individual bills from printed sheets of cash (with scissors), who prompted a government investigation into immoral behavior in the workplace • The NSA’s secret staff of African Americans who went to work in code rooms after Harry Truman desegregated the federal workforce • The 1960s activist who drew attention to a rat problem in poor neighborhoods by shuttling them in his station wagon to the toniest parts of Georgetown Readers will also find out how a hurricane saved the city in 1812, how a demonstration of the world’s largest naval gun nearly killed the president, and about the tree at Washington Cathedral whose origins trace back to the Holy Land at the time of Joseph of Arimathea. With Strange and Obscure Stories of Washington, DC in hand, the city will never seem the same again.
The Poetics of Genre in the Contemporary Novel investigates the role of genre in the contemporary novel: taking its departure from the observation that numerous contemporary novelists make use of popular genre influences in what are still widely considered to be literary novels, it sketches the uses, the work, and the value of genre. It suggests the value of a critical look at texts’ genre use for an analysis of the contemporary moment. From this, it develops a broader perspective, suggesting the value of genre criticism and taking into view traditional genres such as the bildungsroman and the metafictional novel as well as the kinds of amalgamated forms which have recently come to prominence. In essays discussing a wide range of authors from Steven Hall to Bret Easton Ellis to Colson Whitehead, the contributors to the volume develop their own readings of genre’s work and valence in the contemporary novel.
Attend a grand ball of the bizarre and never look at dance the same way again! Weird Dance processes through the odd, grim, and unintentionally humorous history of dance, uncovering strange stories and weird facts. These dark tales of murder, rivalry, insanity, and more reveal all sorts of grim goings-on, proving that—for dancers—life was not just one grand plié. Stories include: An elderly woman who stepped out of her Strasbourg home one summer day in 1518 and began to dance furiously; nothing and no one could stop her. Soon, dozens more joined her, and so began another strange epidemic of the deadly dancing plague. The horrific fate of a young ballerina who had a run-in with a gaslight and saw her career go up in smoke. The medieval Dance of Death that reminded all of their inevitable doom. The controversial ballet that sparked a riot. The strange and macabre fate of the infamous Mata Hari’s head after her execution. The grotesque scarf accident that led to Isadora Duncan’s demise. From Roman Bacchanals to medieval and Renaissance dancing plagues, from the bloody world of ballet to scandals, ghosts, spirit possessions, superstitions, and more, you will attend a grand ball of the bizarre that shows just how awful dancers, choreographers, and even audience members have been to each other over the centuries.
Ah, alas!" The "faithful shepherd" Mirtillo's woeful sigh of unrequited love, delivered with outrageous musical dissonances, has rung through the ages since the first publication of Claudio Monteverdi's madrigal "Cruda Amarilli" in 1605. But there is far more to the composer's nine books of madrigals than dissonant progressions--they are an integral part of the intellectual, artistic, and practical worlds of creation and performance in Italian musical and literary culture of the late sixteenth and early seventeenth centuries. While Monteverdi is also recognized for his operas and sacred works, it is no surprise that the madrigal dominated his output through his long career in Cremona, Mantua, and Venice. Author Tim Carter illustrates how the composer's wonderfully witty settings of Italian verse ran the gamut from compositions in the traditional polyphonic style for five unaccompanied voices to those in more modern idioms for one or more singers and instruments. Their poets included the major figures of the day--Torquato Tasso, Battista Guarini, and Giambattista Marino--as well as the classics, not least of all Petrarch, with texts that embraced all the current literary genres from lyric through epic to dramatic. Monteverdi also repeatedly asked and answered the fundamental question of any musical setting of poetry concerning the relationship between poetic and musical voice(s). Carter offers a more holistic perspective than has been adopted in the partial studies of Monteverdi's madrigals to date and moves far beyond conventional views of the composer and his work. He considers how Monteverdi engaged with poetry, with sound, and with the performers for whom he was writing. As Carter shows, Monteverdi was irascible, exasperating, and prone to error. Yet his astonishing musical mind was also inventive, playful, and capable of the most extraordinary wit--producing madrigals that continue to invite new approaches both to their study and to their performance.
JFK and the End of America is the culmination of Tim Fleming’s 50 years of research into the Kennedy assassination. The book makes the case that Lee Harvey Oswald did not kill the president. Rather, an elaborate plot, concocted and executed by a sinister, covert cabal, took Kennedy’s life. The plotters who stood to gain the most from JFK’s death – Lyndon Johnson and Allen Dulles – were abetted by powerful interests in government, business, and the military. Kennedy was moving America toward a permanent peace state, threatening the national security/military establishment whose existence is dependent on a permanent war state. Since 1963, we have been at war or under a threat of war, spending nearly six of every ten tax dollars on defense. It is vital to expose the truth of who killed Kennedy and why, if we are to understand the real history of America since 1963. Fleming draws a straight line from Dallas to the political and cultural divide that afflicts us today.
A proud triggerfish father, with a long Hawaiian name, and his proud wife, with an equally long name, find it hard to decide on a name for their fish child.
Set in fall 1988, Sunshine On An Open Tomb shuttles between two storylines: the creation of The CIA as a result of the Texas/Kingdom oil connection, and a love triangle involving the moon. Our narrator is the brooding runt of a political dynasty whose father is about to be appointed Prez. He is thoughtful, but has trouble expressing himself due to his many physical defects as a result of inbreeding. Desperate for content at the advent of the 24-hour news cycle, even our narrator is suddenly of interest to The Media. So after years of living freely among The Barbarians, The Family hides him away in one of its secret hideouts. Exhausted by the shape-shifting estate and his irresolvable love life, our narrator cloisters himself deep in the estate’s bunker and constructs a tomb around himself out of soup cans. Here he gets to work correcting the best-selling, so-called objective biography of The Family.
A New Yorker and Fortune Best Book of the Year "A must-read for all Americans who want to remain the ones deciding what they can read, watch, and listen to.” —Arianna Huffington Analyzing the strategic maneuvers of today’s great information powers—Apple, Google, and an eerily resurgent AT&T—Tim Wu uncovers a time-honored pattern in which invention begets industry and industry begets empire. It is easy to forget that every development in the history of the American information industry—from the telephone to radio to film—once existed in an open and chaotic marketplace inhabited by entrepreneurs and utopians, just as the Internet does today. Each of these, however, grew to be dominated by a monopolist or cartel. In this pathbreaking book, Tim Wu asks: will the Internet follow the same fate? Could the Web—the entire flow of American information—come to be ruled by a corporate leviathan in possession of "the master switch"? Here, Tim Wu shows how a battle royale for the Internet’s future is brewing, and this is one war we dare not tune out.
Nurses are professionally accountable to improve the health of patients and populations alike. Sustaining behavioral change is impossible unless structural change enables it. A common professional framework is needed in all practice settings to formalize the voice of nurse’s ownership and accountability for practice decision-making related to clinical problems and solutions, forming practice policy, and pursuing solutions affecting health outcomes and advancing the quality of healthcare. Published in partnership with AONL, Professional Governance for Nursing: The Framework for Accountability, Engagement, and Excellence expertly covers concepts, roles, application, and demonstration of professional governance that facilitates the nurse’s role in advancing the impact and value of nursing care across all health settings. This nursing book informs and deepens understanding of the centrality of nursing professional governance in addressing contemporary issues affecting nursing practice.
A distinguished historian chronicles the rise of music and musicians in the West from lowly balladeers to masters employed by fickle patrons, to the great composers of genius, to today’s rock stars. How, he asks, did music progress from subordinate status to its present position of supremacy among the creative arts? Mozart was literally booted out of the service of the Archbishop of Salzburg “with a kick to my arse,” as he expressed it. Yet, less than a hundred years later, Europe’s most powerful ruler—Emperor William I of Germany—paid homage to Wagner by traveling to Bayreuth to attend the debut of The Ring. Today Bono, who was touted as the next president of the World Bank in 2006, travels the world, advising politicians—and they seem to listen. The path to fame and independence began when new instruments allowed musicians to showcase their creativity, and music publishing allowed masterworks to be performed widely in concert halls erected to accommodate growing public interest. No longer merely an instrument to celebrate the greater glory of a reigning sovereign or Supreme Being, music was, by the nineteenth century, to be worshipped in its own right. In the twentieth century, new technological, social, and spatial forces combined to make music ever more popular and ubiquitous. In a concluding chapter, Tim Blanning considers music in conjunction with nationalism, race, and sex. Although not always in step, music, society, and politics, he shows, march in the same direction.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.