The decisive role of Britain's wartime newspaper journalism in shaping public opinion and government policy has been majorly overlooked. Much of the existing historiography has framed Britain's newspapers as mouthpieces of state propaganda, readily conforming to the wishes of the wartime coalition. Tim Luckhurst challenges this through an analysis of illuminating and largely forgotten controversies which underscore the function the press held as guardians of democracy and propagators of dissenting opinion in British politics and society - from the overseas evacuation of children to the Allies' carpet bombing of German cities. Reporting the Second World War is a timely and important intervention that duly recognises the place of national, regional and specialist titles in speaking truth to power in a democracy at war.
The decisive role of Britain's wartime newspaper journalism in shaping public opinion and government policy has been majorly overlooked. Much of the existing historiography has framed Britain's newspapers as mouthpieces of state propaganda, readily conforming to the wishes of the wartime coalition. Tim Luckhurst challenges this through an analysis of illuminating and largely forgotten controversies which underscore the function the press held as guardians of democracy and propagators of dissenting opinion in British politics and society - from the overseas evacuation of children to the Allies' carpet bombing of German cities. Reporting the Second World War is a timely and important intervention that duly recognises the place of national, regional and specialist titles in speaking truth to power in a democracy at war."--
The decisive role of Britain's wartime newspaper journalism in shaping public opinion and government policy has been majorly overlooked. Much of the existing historiography has framed Britain's newspapers as mouthpieces of state propaganda, readily conforming to the wishes of the wartime coalition. Tim Luckhurst challenges this through an analysis of illuminating and largely forgotten controversies which underscore the function the press held as guardians of democracy and propagators of dissenting opinion in British politics and society - from the overseas evacuation of children to the Allies' carpet bombing of German cities. Reporting the Second World War is a timely and important intervention that duly recognises the place of national, regional and specialist titles in speaking truth to power in a democracy at war.
During one long summer during the mid-1980's, Tim Heald toured England, absorbing the flavour of at least one cricket ground in every first-class county, and a good many more besides. He wanted to discover the true character of the English game, among those who ate, slept and dreamt cricket in all corners of the country. The results are charming, heart-warmingly funny, and often surprising. In conversation with the kind of people who give the game its backbone -a gateman at Leicester, the groundsman at Swansea, a programme-seller at Bristol, a quintessential cricket-mad parson at Chelmsford -the author evokes some colourful ghosts, from the ubiquitous W.G. Grace (once punched in the face in Northampton) to Prebendary Wickham of Martock, and hears some strange stories -the Derbyshire captain absconding with the cash (and ending up as a tailor for the King of Spain); the Nottinghamshire team fielding in lounge suits; the match in which the schoolboy Douglas Jardine was reduced to tears by Gubby Allen's gamesmanship. The Character of Cricket is both a celebration of the national game and an evocation of a particular way of life -happily one still pursued in the England of today. "Cricket books should meet one or more of these necessary requirements, being either literate and amusing to read, or meticulously researched, or original in concept. Tim Heald's The Character of Cricket triumphantly meets all three." Benny Green, Sunday Times"First-rate stuff, in the great and ... timeless tradition of English cricket writing." Punch
The zombie has cropped up in many forms—in film, in television, and as a cultural phenomenon in zombie walks and zombie awareness months—but few books have looked at what the zombie means in fiction. Tim Lanzendörfer fills this gap by looking at a number of zombie novels, short stories, and comics, and probing what the zombie represents in contemporary literature. Lanzendörfer brings together the most recent critical discussion of zombies and applies it to a selection of key texts including Max Brooks’s World War Z, Colson Whitehead’s Zone One, Junot Díaz’s short story “Monstro,” Robert Kirkman’s comic series The Walking Dead, and Seth Grahame-Smith’s Pride and Prejudice and Zombies. Within the context of broader literary culture, Lanzendörfer makes the case for reading these texts with care and openness in their own right. Lanzendörfer contends that what zombies do is less important than what becomes possible when they are around. Indeed, they seem less interesting as metaphors for the various ways the world could end than they do as vehicles for how the world might exist in a different and often better form.
King Edward VII School, 1965 - 1970, in Apartheid Johannesburg was a stick-wielding, traditional boys school of its times. But the Establishment did not count on a cohort that displayed an over-developed spirit of rebellion. In this unofficial, unauthorized and somewhat scandalous account, over 70 schoolmates used the Covid-19 lockdown to describe their complicated relationship with the institution that helped shape their lives over the last 50 years. Anyone who has ever reflected on their own schooldays will enjoy the humour and escapades of a group determined to resist the rules and constraints of a very rigid society.
In American history and throughout the Western world, the subjugation perpetuated by slavery has created a unique 'culture of slavery'. That culture exists as a metaphorical, artistic and literary tradition attached to the enslaved - human beings whose lives are 'owed' to another, who are used as instruments by another and who must endure suffering in silence. Tim Armstrong explores the metaphorical legacy of slavery in American culture by investigating debt, technology and pain in African-American literature and a range of other writings and artworks. Armstrong's careful analysis reveals how notions of the slave as a debtor lie hidden in our accounts of the commodified self and how writers like Nathaniel Hawthorne, Rebecca Harding Davis, Booker T. Washington, W. E. B. Du Bois, Ralph Ellison and Toni Morrison grapple with the pervasive view that slaves are akin to machines.
Instagram is at the heart of global digital culture, having made selfies, filters and square frames an inescapable part of everyday life since it was launched in 2010. In the first book-length examination of Instagram, Tama Leaver, Tim Highfield and Crystal Abidin trace how this quintessential mobile photography app has developed as a platform and a culture. They consider aspects such as the new visual social media aesthetics, the rise of Influencers and new visual economies, and the complex politics of the platform as well as examining how Instagram's users change their use of the platform over time and respond to evolving features. The book highlights the different ways Instagram is used by subcultural groups around the world, and how museums, restaurants and public spaces are striving to be 'Insta-worthy'. Far from just capturing milestones and moments, the authors argue that Instagram has altered the ways people communicate and share, while also creating new approaches to marketing, advertising, politics and the design of spaces and venues. Rich with grounded examples from across the world, from birth pictures to selfies at funerals, Instagram is essential reading for students and scholars of media and communication.
This volume combines a clear overview for those with no prior knowledge or experience of modernism with a subtle argument that will appeal to higher level undergraduates and scholars.
With more than 29,000 species, fishes are the most diverse group of vertebrates on the planet. Of that number, more than 12,000 species are found in freshwater ecosystems, which occupy less than 1 percent of the Earth’s surface and contain only 2.4 percent of plant and animal species. But, on a hectare-for-hectare basis, freshwater ecosystems are richer in species than more extensive terrestrial and marine habitats. Examination of the distribution patterns of fishes in these fresh waters reveals much about continental movements and climate changes and has long been critical to biogeographical studies and research in ecology and evolution. Tim Berra’s seminal resource, Freshwater Fish Distribution,maps the 169 fish families that swim in fresh water around the world. Each family account includes the class, subclass, and order; a pronunciation guide to the family name; life cycle information; and interesting natural history facts. Each account is illustrated, many with historical nineteenth-century woodcuts. Now available in paperback, this heavily cited work in ichthyology and biogeography will serve as a reference for students, a research support for professors, and a helpful guide to tropical fish hobbyists and anglers.
Change isn’t always easy or intuitive. How Your Congregation Learns introduces churches and leaders—both lay and ordained—to the process of the learning journey. By understanding learning dynamics and working to become a learning community, the congregation will be able to move more purposefully to achieve its goals. Congregations face many kinds of challenges. Some are mundane: the roof leaks; the parking lot needs repaving; the microphones don’t work well. Some tests are transcendent: How should lives be honored? What is God calling the congregation to do and be? How can generosity be taught? Throughout life people face challenges for which they are not prepared—the death of a parent, a new job offer, making a decision about where to live. So it goes that congregational leaders face challenges that are just beyond the grasp of their abilities. This book addresses the just-beyond-the-grasp challenges and shows how real congregations can learn from them.
Changing Barnsley looks at how Barnsley has evolved, through the eyes of the former Mining and Technical College on Church Street, which now hosts Barnsley's very own University. Covering the 75 years of its existence, it tracks the period from 1932, when the building was first built, until 2007, when the University was fully up and running.Built along the northern side of the Town Hall in 1932, on Church Street, the Building which now houses Barnsley's very own University has been at the centre of education in Barnsley since its construction.As the mining industry became more regulated and professional, the building originally started life as a mining college, training and equipping Barnsley's workforce with the necessary skills to work in the coal industry.With the demise of coalmining and the broadening of Barnsley's industries, it became a technical college, focussing on a more general education.Now as the industrial heritage has faded and the regeneration of Barnsley has been implemented, the conversion of the building into a University, to provide Higher Education to Barnsley is an important step in raising aspirations and equipping Barnsley with the skills for the future.This books tells the history of this building, the people that have used it and the skills they have gained.
A NEW YORK TIMES EDITORS’ CHOICE • SUNDAY TIMES (UK) BESTSELLER • A gripping new history of the British appeasement of Hitler on the eve of World War II “An eye-opening narrative that makes for exciting but at times uncomfortable reading as one reflects on possible lessons for the present.”—Antonia Fraser, author of Mary Queen of Scots On a wet afternoon in September 1938, Prime Minister Neville Chamberlain stepped off an airplane and announced that his visit to Hitler had averted the greatest crisis in recent memory. It was, he later assured the crowd in Downing Street, "peace for our time." Less than a year later, Germany invaded Poland and the Second World War began. Appeasement is a groundbreaking history of the disastrous years of indecision, failed diplomacy and parliamentary infighting that enabled Hitler's domination of Europe. Drawing on deep archival research and sources not previously seen by historians, Tim Bouverie has created an unforgettable portrait of the ministers, aristocrats, and amateur diplomats who, through their actions and inaction, shaped their country's policy and determined the fate of Europe. Beginning with the advent of Hitler in 1933, we embark on a fascinating journey from the early days of the Third Reich to the beaches of Dunkirk. Bouverie takes us not only into the backrooms of Parliament and 10 Downing Street but also into the drawing rooms and dining clubs of fading imperial Britain, where Hitler enjoyed surprising support among the ruling class and even some members of the royal family. Both sweeping and intimate, Appeasement is not only an eye-opening history but a timeless lesson on the challenges of standing up to aggression and authoritarianism--and the calamity that results from failing to do so.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.