As the chief source of information for many people and a key revenue stream for the country's broadcast conglomerates, local television news has grown from a curiosity into a powerful journalistic and cultural force. In A Newscast for the Masses, Tim Kiska examines the evolution of television news in Detroit, from its beginnings in the late 1940s, when television was considered a "wild young medium," to the early 1980s, when cable television permanently altered the broadcast landscape. Kiska shows how the local news, which was initially considered a poor substitute for respectable print journalism, became the cornerstone of television programming and the public's preferred news source. Kiska begins his study in 1947 with the first Detroit television broadcast, made by WWJ-TV. Owned by the Evening News Association, the same company that owned the Detroit News, WWJ developed a credible broadcast news operation as a cross-promotional vehicle for the newspaper. Yet by the late 1960s WWJ was unseated by newcomers WXYZ-TV and WJBK-TV, whose superior coverage of the 1967 Detroit riots lured viewers away from WWJ. WXYZ-TV would eventually become the most powerful news outlet in Detroit with the help of its cash-rich parent company, the American Broadcasting Corporation, and its use of sophisticated survey research and advertising techniques to grow its news audience. Though critics tend to deride the sensationalism and showmanship of local television news, Kiska demonstrates that over the last several decades newscasts have effectively tailored their content to the demands of the viewing public and, as a result, have become the most trusted source of information for the average American and the most lucrative source of profit for television networks. A Newscast for the Masses is based on extensive interviews with journalists who participated in the development of television in Detroit and careful research into the files of the McHugh & Hoffman consulting firm, which used social science techniques to discern the television viewing preferences of metro Detroiters. Anyone interested in television history or journalism will appreciate this detailed and informative study.
From our country's most important war historian, a gripping account of the turbulent relationship between Canada and the US during the Second World War. The two nations entered the war amidst rivalry and mutual suspicion, but learned to fight together before emerging triumphant and bound by an alliance that has lasted to this day. When the Second World War broke out in 1939, it set in motion a deadly struggle between the Axis powers and the Allies, but also fraught negotiations between and among the Allies. On questions of diplomacy, economic policy, industrial might, military capabilities, and even national sovereignty, thousands of lives and the fate of the free world depended on back-room deals and desperate trade-offs between soldiers, diplomats, and leaders. In North America, Canada and the US strained to forge a new military alliance to guard their coasts and fend off German U-boats and the menace of a Japanese invasion. Wartime economies were entwined to produce a staggering contribution of weapons to keep Britain and other allies in the war. The defence of North America against enemy threats was essential before the US and Canada could send armies, navies, and air forces overseas. In his trademark style, Tim Cook employs eyewitness accounts to vividly lay bare the brutality of combat and the courage of North Americans under fire. Behind the fighting fronts, the charged and often secret communications between national leaders Churchill, Roosevelt, and King reveal how their personalities shaped the outcome of history’s most destructive war, the fate of the British Empire, and the North American alliance that lives on to this day. The Good Allies is a masterful account of how Canadians and Americans made the transition from wary rivals to steadfast allies, and how Canada thrived in the shadow of the military and global superpower. In exploring this complex and crucial dimension of the Second World War and its legacy, Cook recounts two nations’ story of cooperation, of sacrifice, and of bleeding together to save the world from the fascist threat.
Clio's Warriors examines how the Canadian world war experience has been constructed and reconstructed over time. Tim Cook elucidates the role of historians in codifying the sacrifice and struggle of a generation as he discusses historical memory and writing, the creation of archives, and the war of reputations that followed each of the world wars on the battlefield. Only recently have military historians pushed the discipline to explore the impact of war on society. In analyzing where the practice of academic military history has come from and where it needs to go, Clio's Warriors plays a vital role in the ongoing challenge of writing critical history.
On January 16, 1944, the submarine rescue vessel USS Macaw ran aground at Midway Atoll while attempting to get a towing line to the stranded submarine USS Flier. The Flier was pulled free six days later, but another three weeks of salvage efforts plagued by rough seas and equipment failures failed to dislodge the Macaw. On February 12, amid huge waves, the ship began to slip aft into deeper water. As night fell and the Macaw slowly sank, the twenty-two sailors on board—ship's captain Paul W. Burton, his executive officer, and twenty enlisted men—sought refuge in the pilothouse, but by 2:30 a.m., that compartment had flooded almost entirely. Burton gave the order to open the portside door and make for the foremast. Three men climbed it but most of the others were swept overboard. Five of them died, including Burton. Three sailors from the base at Midway also lost their lives in two unauthorized rescue attempts. Drawing on survivors' contemporaneous written statements and interviews conducted over a span of thirty years, A Strange Whim of the Sea: The Wreck of the USS Macaw traces the ship's service from its launch on San Francisco Bay to its disastrous final days at Midway. Ultimately, for Burton and the Macaw the real enemy was the sea, and in a deadly denouement, the sea won. Highlighting the underreported role auxiliary vessels played in the war, A Strange Whim of the Sea engages naval historians and students alike with a previously untold story of struggle, sacrifice, death, and survival in the World War II Pacific.
This book provides the first systematic book length study of political parties across Central Europe since 1989, and provides new tools and conceptual frameworks that can be used to explain party politics in other regions across the globe.
Discovering U.S. History spans the complex and varied history of the United States from prehistoric times to the present day. This new chronological set can be read as a whole, providing readers with a comprehensive history, or as standalone volumes, with each title serving as a time capsule of a particular era. Each title brings to life the people and events that have shaped the nation through a clear and entertaining narrative, interesting boxed insets, and lively full-color and black-and-white photographs and illustrations. Students will find these books valuable for reports, prime supplements to textbooks, or simply interesting reading.
NATIONAL BESTSELLER FINALIST for the 2021 Ottawa Book Awards A masterful telling of the way World War Two has been remembered, forgotten, and remade by Canada over seventy-five years. The Second World War shaped modern Canada. It led to the country's emergence as a middle power on the world stage; the rise of the welfare state; industrialization, urbanization, and population growth. After the war, Canada increasingly turned toward the United States in matters of trade, security, and popular culture, which then sparked a desire to strengthen Canadian nationalism from the threat of American hegemony. The Fight for History examines how Canadians framed and reframed the war experience over time. Just as the importance of the battle of Vimy Ridge to Canadians rose, fell, and rose again over a 100-year period, the meaning of Canada's Second World War followed a similar pattern. But the Second World War's relevance to Canada led to conflict between veterans and others in society--more so than in the previous war--as well as a more rapid diminishment of its significance. By the end of the 20th century, Canada's experiences in the war were largely framed as a series of disasters. Canadians seemed to want to talk only of the defeats at Hong Kong and Dieppe or the racially driven policy of the forced relocation of Japanese-Canadians. In the history books and media, there was little discussion of Canada's crucial role in the Battle of the Atlantic, the success of its armies in Italy and other parts of Europe, or the massive contribution of war materials made on the home front. No other victorious nation underwent this bizarre reframing of the war, remaking victories into defeats. The Fight for History is about the efforts to restore a more balanced portrait of Canada's contribution in the global conflict. This is the story of how Canada has talked about the war in the past, how we tried to bury it, and how it was restored. This is the history of a constellation of changing ideas, with many historical twists and turns, and a series of fascinating actors and events.
Fourth book in the Cape Weather Mystery Series! If you're gonna box an octopus, best bring some extra arms... At the height of tourist season, an armored car drives off a crowded pier and sinks to the bottom of San Francisco Bay. By the time divers find the wreck, the cash is gone and the driver has vanished. The police are convinced it's an inside job, but local merchant Vera Young, whose boyfriend drove the armored car, claims it was much more than a simple heist. Vera swears the missing driver is innocent and wants him found before the police can throw him in jail. San Francisco detective Cape Weathers reluctantly takes the case but warns Vera that her boyfriend is likely guilty—or dead. What starts as a manhunt uncovers a criminal conspiracy of money laundering, illegal drug testing, and a network of corporations willing to do anything to protect their stock price. It's a case that Cape, the witty PI, can't get his arms around. And while his relationship with Vera is getting complicated, the list of people who want him dead is getting longer. Boxing the Octopus is a runaway tour of San Francisco's underworld which reminds us that when things get out of hand, having eight arms is always better than two. These quick-paced, often humorous San Francisco mysteries are: Perfect for fans of Laura Lippman and Thomas Perry For readers who enjoy private detective and California based mysteries
“How Heavy Is The Mountain,” begins in 1986, as a young college graduate, Kris Westerberg, arrives in Ketchikan, Alaska for the first time. As a fresh recruit to an Alaskan touring company, he faces a summer of unknown adventure and, along with two of his companions from the “Outside,” gets to know southeast Alaska through his tour-guiding, excursions to sites of “local color” and the occasional fishing mishap. Kris returns for another summer of touring in 1987, this time to Skagway, Alaska, launching site of the Klondike Gold Rush. Here, Kris and his friends take up residence in a retired Gold Rush-era brothel and begin to dig deeply into the local experience, not only through touring but also via Slow-Bicycle Racing, sauna expeditions in the Dyea bush, Hot Red Onions and a backcountry trek over the historic Chilkoot Trail. In the summer of 1988, Kris is assigned as a guide out of Fairbanks, Alaska. He is quickly accepted into the fraternity of long-haul tour drivers as he begins to make the circuit among Fairbanks, Dawson City, Denali National Park and many other locales. Then, in the tiny hamlet of Tok, Alaska, he meets a very unlikely person: Genna, the woman of his dreams. Their ensuing romance takes them from midnight gardening to a Summer Solstice party, through a devastating forest fire and, ultimately, to a promise to spend an Alaskan winter together, in a remote cabin near Skagway. The winter of 1988-1989 tests Kris’ mettle in a wholly new way, as he and Genna explore the vagaries of living “among the elements” together. They manage to survive, and even thrive, despite indiscriminate icestorms, unheated Volkswagens and frosty outdoor privies— with their relationship, and their sanity, more or less intact. And, as the springtime finally dawns, Kris begins to realize that, rather than being “just” a tour guide, he is becoming a true Alaskan, in every sense. “How Heavy Is The Mountain” is a palette of tones, styles and themes. At once it is erudite and offbeat, informative and entertaining. Within its pages a reader encounters narrative travel writing, miniature wildlife treatises, poetry, pointless drinking songs and highly personalized storytelling. Overall, the story is told with warmth, humor and an affection for its subjects: in particular, the great land that is Alaska.
This textbook presents a comprehensive overview of the environmental impacts of various types of outdoor recreation, and how these can be best managed. As a field of study, recreational ecology is both multidisciplinary and interdisciplinary, and the authors seek to develop a deeper understanding of both the role and function of the factors that influence visitor numbers and their impact. An accessible and comprehensive textbook, it features numerous types of outdoor recreational activities including hill walking, rock climbing, mountain marathons, skiing, scuba diving and more. Drawn from several global case studies, the authors estimate the current and future numbers involved in outdoor recreation, and how best these numbers can be managed. Effective visitor impact management actions arise from collaboration between recreation ecologists, social scientists, experienced recreation managers, recreation stakeholders and the recreationalists themselves: as such, this book will be multi-disciplinary in scope. This practical and engaging textbook will be invaluable to students and scholars of outdoor recreation and adventure tourism as well as practitioners and managers working in the field.
As the chief source of information for many people and a key revenue stream for the country's broadcast conglomerates, local television news has grown from a curiosity into a powerful journalistic and cultural force. In A Newscast for the Masses, Tim Kiska examines the evolution of television news in Detroit, from its beginnings in the late 1940s, when television was considered a "wild young medium," to the early 1980s, when cable television permanently altered the broadcast landscape. Kiska shows how the local news, which was initially considered a poor substitute for respectable print journalism, became the cornerstone of television programming and the public's preferred news source. Kiska begins his study in 1947 with the first Detroit television broadcast, made by WWJ-TV. Owned by the Evening News Association, the same company that owned the Detroit News, WWJ developed a credible broadcast news operation as a cross-promotional vehicle for the newspaper. Yet by the late 1960s WWJ was unseated by newcomers WXYZ-TV and WJBK-TV, whose superior coverage of the 1967 Detroit riots lured viewers away from WWJ. WXYZ-TV would eventually become the most powerful news outlet in Detroit with the help of its cash-rich parent company, the American Broadcasting Corporation, and its use of sophisticated survey research and advertising techniques to grow its news audience. Though critics tend to deride the sensationalism and showmanship of local television news, Kiska demonstrates that over the last several decades newscasts have effectively tailored their content to the demands of the viewing public and, as a result, have become the most trusted source of information for the average American and the most lucrative source of profit for television networks. A Newscast for the Masses is based on extensive interviews with journalists who participated in the development of television in Detroit and careful research into the files of the McHugh & Hoffman consulting firm, which used social science techniques to discern the television viewing preferences of metro Detroiters. Anyone interested in television history or journalism will appreciate this detailed and informative study.
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