In this gripping debut thriller set during the Cold War, agents from MI5 and the CIA team up to find a Soviet spy. July 1961. Once a shining star at MI5, agent Richard Knox is now suspended with a tarnished image. However, when he is called upon to investigate a double murder, Knox is given a chance to clear his name and find a traitor—but it could also destroy him. Fortunately, Knox isn’t the only one hunting for a mole. CIA recruit Abey Bennett is eager to help. Meanwhile, in a secret Soviet Union city , scientist Irina Valera is on the verge of a communications breakthrough. It could change the world, especially for whatever country has control of it . . . As three global powers engage in a battle for power, the Cold War begins to heat up for three people who must now fight to stay alive . . . Praise for Red Corona “Relentless and sleek. The pitch-perfect debut—a gripping espionage thriller in the vein of Charles Cumming, Tom Rob Smith, and Mick Herron—signals the arrival of a remarkable talent.” —A. J. Finn, author of the #1 New York Times–bestseller, The Woman in the Window “A thoroughly engaging spy thriller that had me gripped from start to finish and left me desperate for more.” —S. J. Watson, author of the New York Times–bestseller, Before I Go to Sleep “A clever and complex thriller with truly memorable characters. The ’60s setting is brilliantly done.” —Elly Griffiths. Edgar Award–winning author of the Ruth Galloway mysteries “An entertaining blend of Le Carré-like in-house establishment rivalries and sheer propulsive action reminiscent of Len Deighton.” —Maxim Jakubowski
An MI5 agent is unsure whom he can trust when a ghost from his past returns in this Cold War thriller by the author of Red Corona. March 1966. The Cold War is in full effect. Paranoia and conspiracies are running rampant in London. Agents on both sides of the Iron Curtain are chasing shadows, and MI5 agent Richard Knox has had enough of it. Meanwhile, his friend, CIA agent Abey Bennett is left feeling disillusioned about her career after a mishap in the Caribbean. Then a stranger stops her in the street. He claims to be the Soviet super-agent, “the Wolf,” and he knows an awful lot about Bennett. He also needs her help . . . Bennett’s arrival in London with the Wolf at her side sends a jolt through Knox. He knows the man from his past. What’s even more troubling is the information the stranger shares with him. Now Knox is faced with a terrible choice of whom to believe—and whom to betray . . . Praise for Tim Glister “A remarkable talent.” —A. J. Finn, author of the #1 New York Times–bestseller, The Woman in the Window “A writer to watch.” —Lucie Whitehouse, author of Critical Incidents “A star of the espionage genre.” —Michael Wood, author of the DCI Matilda Darke series
In this crackerjack Cold War thriller, MI5 faces a deadly threat, one only Richard Knox can avert. But he only has six days and the clock is ticking fast. How long can you survive in the shadows? Richard Knox, freshly returned to active duty after a year out of the field, is ordered to uncover the invisible enemy that’s infiltrated the Service in his absence. His quest takes him to Hong Kong, a city on the brink of chaos, where he discovers the lines between friend and foe have never been more blurred. Who is behind the assault on MI5? How long have they been operating in the shadows? And what is their endgame?
In this gripping debut thriller set during the Cold War, agents from MI5 and the CIA team up to find a Soviet spy. July 1961. Once a shining star at MI5, agent Richard Knox is now suspended with a tarnished image. However, when he is called upon to investigate a double murder, Knox is given a chance to clear his name and find a traitor—but it could also destroy him. Fortunately, Knox isn’t the only one hunting for a mole. CIA recruit Abey Bennett is eager to help. Meanwhile, in a secret Soviet Union city , scientist Irina Valera is on the verge of a communications breakthrough. It could change the world, especially for whatever country has control of it . . . As three global powers engage in a battle for power, the Cold War begins to heat up for three people who must now fight to stay alive . . . Praise for Red Corona “Relentless and sleek. The pitch-perfect debut—a gripping espionage thriller in the vein of Charles Cumming, Tom Rob Smith, and Mick Herron—signals the arrival of a remarkable talent.” —A. J. Finn, author of the #1 New York Times–bestseller, The Woman in the Window “A thoroughly engaging spy thriller that had me gripped from start to finish and left me desperate for more.” —S. J. Watson, author of the New York Times–bestseller, Before I Go to Sleep “A clever and complex thriller with truly memorable characters. The ’60s setting is brilliantly done.” —Elly Griffiths. Edgar Award–winning author of the Ruth Galloway mysteries “An entertaining blend of Le Carré-like in-house establishment rivalries and sheer propulsive action reminiscent of Len Deighton.” —Maxim Jakubowski
An MI5 agent is unsure whom he can trust when a ghost from his past returns in this Cold War thriller by the author of Red Corona. March 1966. The Cold War is in full effect. Paranoia and conspiracies are running rampant in London. Agents on both sides of the Iron Curtain are chasing shadows, and MI5 agent Richard Knox has had enough of it. Meanwhile, his friend, CIA agent Abey Bennett is left feeling disillusioned about her career after a mishap in the Caribbean. Then a stranger stops her in the street. He claims to be the Soviet super-agent, “the Wolf,” and he knows an awful lot about Bennett. He also needs her help . . . Bennett’s arrival in London with the Wolf at her side sends a jolt through Knox. He knows the man from his past. What’s even more troubling is the information the stranger shares with him. Now Knox is faced with a terrible choice of whom to believe—and whom to betray . . . Praise for Tim Glister “A remarkable talent.” —A. J. Finn, author of the #1 New York Times–bestseller, The Woman in the Window “A writer to watch.” —Lucie Whitehouse, author of Critical Incidents “A star of the espionage genre.” —Michael Wood, author of the DCI Matilda Darke series
In this crackerjack Cold War thriller, MI5 faces a deadly threat, one only Richard Knox can avert. But he only has six days and the clock is ticking fast. How long can you survive in the shadows? Richard Knox, freshly returned to active duty after a year out of the field, is ordered to uncover the invisible enemy that’s infiltrated the Service in his absence. His quest takes him to Hong Kong, a city on the brink of chaos, where he discovers the lines between friend and foe have never been more blurred. Who is behind the assault on MI5? How long have they been operating in the shadows? And what is their endgame?
Changing Barnsley looks at how Barnsley has evolved, through the eyes of the former Mining and Technical College on Church Street, which now hosts Barnsley's very own University. Covering the 75 years of its existence, it tracks the period from 1932, when the building was first built, until 2007, when the University was fully up and running.Built along the northern side of the Town Hall in 1932, on Church Street, the Building which now houses Barnsley's very own University has been at the centre of education in Barnsley since its construction.As the mining industry became more regulated and professional, the building originally started life as a mining college, training and equipping Barnsley's workforce with the necessary skills to work in the coal industry.With the demise of coalmining and the broadening of Barnsley's industries, it became a technical college, focussing on a more general education.Now as the industrial heritage has faded and the regeneration of Barnsley has been implemented, the conversion of the building into a University, to provide Higher Education to Barnsley is an important step in raising aspirations and equipping Barnsley with the skills for the future.This books tells the history of this building, the people that have used it and the skills they have gained.
From award-winning author and ornithologist Tim Birkhead, a sweeping history of the long and close relationship between birds and humans Since the dawn of human history, birds have stirred our imagination, inspiring and challenging our ideas about science, faith, art, and philosophy. We have worshipped birds as gods, hunted them for sustenance, adorned ourselves with their feathers, studied their wings to engineer flight, and, more recently, attempted to protect them. In Birds and Us, award-winning writer and ornithologist Tim Birkhead takes us on a dazzling epic journey through our mutual history with birds, from the ibises mummified and deified by Ancient Egyptians to the Renaissance fascination with woodpecker anatomy—and from the Victorian obsession with egg collecting to today’s fight to save endangered species and restore their habitats. Spanning continents and millennia, Birds and Us chronicles the beginnings of a written history of birds in ancient Greece and Rome, the obsession with falconry in the Middle Ages, and the development of ornithological science. Moving to the twentieth century, the book tells the story of the emergence of birdwatching and the field study of birds, and how they triggered an extraordinary flowering of knowledge and empathy for birds, eventually leading to today’s massive worldwide interest in birds—and the realization of the urgent need to save them. Weaving in stories from Birkhead’s life as scientist, including far-flung expeditions to wondrous Neolithic caves in Spain and the bustling guillemot colonies of the Faroe Islands, this rich and fascinating book is an unforgettable account of how birds have shaped us, and how we have shaped them.
This textbook is a comprehensive and accessible guide to Trusts Law and has been thoroughly updated to reflect recent developments in the area. The authors bring a unique combination of academic rigour and hands-on commercial experience to the explanation of their subject and it is these practical insights which make the book essential reading for all law students. Many law students struggle with the concept of Trusts Law and it can take time to properly understand the complex body of rules that surround it. This book will help demystify some of these rules and put Trusts Law into a practical context, allowing students the time to develop a deep and critical understanding of the topic. This book is an ideal companion for both law undergraduate and GDL/CPE students. New to this Edition: - A new chapter on creating a trust
Plague is both metaphor and physical presence. The poems in this volume, written between January and June of 2020, address the plagues of COVID-19; racism, police brutality; and political indifference, ineptness, and malfeasance. The poems offer the hope that the first plague has taught us about the good fruits of compassion and community and that the continuing nonviolent protests in the United States over the second plague, racism, will help birth a resurrection in the hearts, minds, and souls of all Americans, a new Easter. The twentieth-century theologian Karl Barth astutely said, “The pastor and his congregation should not imagine that they are a religious society that is fixated [only] on certain themes, but that they live in this world. We do indeed need, according to my old formulation, the Bible and the newspaper.” With the poems in this volume, the author, newspaper in hand, reflects on events from January to early June 2020 and does so by integrating reflections on Scripture with current events.
Words have come a long way since they were invented as a nifty tool to help us communicate. We have played with them, made up rules for them, added bits to them and taken bits off. We've gathered them into languages, adopted and defined them. The words we use say so much about who we are, yet most of them slip from our mouths without a second thought. The Book of Words is a brief pause for reflection in the ever-changing life of words, a snapshot of the English language and how we use it today. . Long words . Short words . Old words . New words . Brilliant words . Annoying words From the historical to the grammatical, the biographical to the sociological, this is an A to Z of words about words for word lovers, from 'aardvark' to 'zythum' and beyond.
In this book, Tim Dee tells the story of four green fields spread around the world: their grasses, their hedges, their birds, their skies, and both their natural and human histories. These four fields—walkable, mappable, man–made, mowable, knowable, but also secretive, mysterious, wild, contested, and changing—play central roles in the sweeping panorama of world history and in the lives of individuals. In Dee's telling, a field is never just a setting for great battles or natural disasters, though it is often this as well. A field is the oldest and simplest and truest measure of what a man needs in life, especially when looked at, contemplated, worked in, lived with, and written about. Dee's four fields, which he has known and studied for more than twenty years, are the fen field at the bottom of his private garden, a field in southern Zambia, a prairie in Little Bighorn, Montana, and a grass meadow in the Exclusion Zone at Chernobyl, Ukraine. Meditating on these four fields, Dee makes us look anew at where we live and how. He argues that we must attend to what we have made of the wild.
I HAVE BET EVERYTHING - my life, my life on this drifting blue, this one-note sound of burning-silver flute that calls along nerve passageways, calls through my atoms like birds of a kind, shifting, poised in a sky of tears, calculations, laughter, remembered days. ~ Tim Bellows * A Note by Allegra Jostad Silberstein, Poet Laureate for the city of Davis, CA 2010-2012: "In Tim Bellows poems, we find a singular brightnessand a willingness to bet his life on the 'one-note sound of burning silver flute.' His work ranges from tender spirituality to embracing plants, soil and stone. In spite of occasional 'turquoise confusions,' he is willing to risk all to explain the inexplicable. Exploring the musical voice of this poet brings unexpected rewards." * Allegra Jostad Silberstein grew up on a Wisconsin farm and then moved to California in 1963. Her love of poetry began as a child when her mother would recite poems as she worked. In addition to three chapbooks, Silberstein is widely published in journals and is the first Poet Laureate of Davis.
This European comparison will be useful for public policies decision makers at various governmental levels (European, national, regional, local), for crime prevention NGOs, for journalists, and for academics, researchers, students as well. --
This is what we dream of: to be so swept away, so poleaxed by a book that the breath is sucked right out of us. Brace yourselves. May 1565. Suleiman the Magnificent, emperor of the Ottomans, has declared a jihad against the Knights of Saint John the Baptist. The largest armada of all time approaches the knights' Christian stronghold on the island of Malta. The Turks know the knights as the "Hounds of Hell." The knights call themselves "The Religion." In Messina, Sicily, a French countess, Carla La Penautier, seeks passage to Malta in a quest to find the son taken from her at his birth twelve years ago. The only man with the expertise and daring to help her is a Rabelaisian soldier of fortune, arms dealer, former janissary, and strapping Saxon adventurer by the name of Mattias Tannhauser. He agrees to accompany the lady to Malta, where, amid the most spectacular siege in military history, they must try to find the boy--whose name they do not know and whose face they have never seen--and pluck him from the jaws of Holy War. The Religion is the first book of the Tannhauser Trilogy, and from the first page of this epic account of the last great medieval conflict between East and West, it is clear we are in the hands of a master. Not since James Clavell has a novelist so powerfully and assuredly plunged readers headlong into another world and time. Anne Rice transformed the vampire novel. Stephen King reinvented horror. Now, in a spectacular tale of heroism, tragedy, and passion, Tim Willocks revivifies historical fiction.
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