A decade ago, Tim Gallagher was one of the rediscoverers of the legendary ivory-billed woodpecker, which most scientists believed had been extinct for more than half a century—now Gallagher once again hits the trail, journeying deep into Mexico’s savagely beautiful Sierra Madre Occidental, home to rich wildlife, as well as to Mexican drug cartels, in a perilous quest to locate the most elusive bird in the world—the imperial woodpecker. The imperial woodpecker’s trumpetlike calls and distinctive hammering on massive pines once echoed through the high forests. Two feet tall, with deep black plumage, a brilliant snow-white shield on its back, and a crimson crest, the imperial woodpecker had largely disappeared fifty years ago, though reports persist of the bird still flying through remote mountain stands. In an attempt to find and protect the imperial woodpecker in its last habitat, Gallagher is guided by a map of sightings of this natural treasure of the Sierra Madre, bestowed on him by a friend on his deathbed. Charged with continuing the quest of a line of distinguished naturalists, including the great Aldo Leopold, Gallagher treks through this mysterious, historically untamed and untamable territory. Here, where an ancient petroglyph of the imperial can still be found, Geronimo led Apaches in their last stand, William Randolph Hearst held a storied million-acre ranch, and Pancho Villa once roamed, today ruthless drug lords terrorize residents and steal and strip the land. Gallagher’s passionate quest takes a harrowing turn as he encounters armed drug traffickers, burning houses, and fleeing villagers. His mission becomes a life-and-death drama that will keep armchair adventurers enthralled as he chases truth in the most dangerous of habitats.
The ornithologist and award-winning author of The Grail Bird shares his love of falconry in this “boundary-stretching memoir” (Kirkus Reviews). “To me, falconry at its highest level is an art form in which the canvas is the entire sky.” What is it about falconry that inspires such avid devotees? Tim Gallagher has pondered this question since he first became obsessed with the sport at the age of twelve. In Falcon Fever, he interweaves memoir, history, and travelogue as he takes us along on his many adventures—mallard hunting in upstate New York with his falcon MacDuff; traveling to Wyoming and the Scottish Highlands to visit and learn from other falconers; attending the annual field meet of the North American Falconers’ Association; and making his personal pilgrimage to the southern Italian lands and landmarks of his hero Frederick II, the thirteenth-century Holy Roman Emperor who wrote the classic text On the Art of Hunting with Birds. From his early use of falconry to escape a troubled childhood to the vibrant, modern community that continues to practice the centuries-old sport of kings, Gallagher offers both a knowledgeable introduction to these birds of prey and an inspiring personal story. “A series of exhilarating, often poignant stories. . . . He weaves an eloquent life story around his life with hawks and falcons.” —Houston Chronicle “The ideal tonic to reinvigorate a nation distracted by laptops from its love for its natural heritage.” —Robert F. Kennedy Jr. “A poignant, introspective volume.” —Pittsburgh Post-Gazette
“The Grail Bird is an enjoyable read . . . A powerful call for conservation, and an exciting bird adventure” (The Boston Globe). What is it about the ivory-billed woodpecker? Why does this ghost of the southern swamps arouse such an obsessive level of passion in its devotees, who range from respected researchers to the flakiest Loch Ness monster fanatics and Elvis chasers? Since the early twentieth century, scientists have been trying their best to prove that the ivory-bill is extinct. But every time they think they’ve finally closed the door, the bird makes an unexpected appearance. To unravel the mystery, author Tim Gallagher heads south, deep into the eerie swamps and bayous of the vast Mississippi Delta, searching for people who claim to have seen this rarest of birds and following up—sometimes more than thirty years after the fact—on their sightings. What follows is his own Eureka moment with his buddy Bobby Harrison, a true son of the South from Alabama. A huge woodpecker flies in front of their canoe, and they both cry out, “Ivory-bill!” This sighting—the first time since 1944 that two qualified observers positively identify an ivory-billed woodpecker in the United States—quickly leads to the largest search ever launched to find a rare bird, as researchers fan out across the bayou, hoping to document the existence of this most iconic of birds. “The Grail Bird is less an ecological study than a portrait of human obsession.” —The New York Times
For twenty years this award-winning compilation has been the nonpareil benchmark against which all other annual fantasy and horror collections are judged. Directed first by Ellen Datlow and Terri Windling and for the past four years by Datlow and Kelly Link & Gavin J. Grant, it consistently presents the strangest, the funniest, the darkest, the sharpest, the most original--in short, the best fantasy and horror. The current collection, marking a score of years, offers more than forty stories and poems from almost as many sources. Summations of the field by the editors are complemented by articles by Edward Bryant, Charles de Lint and Jeff VanderMeer highlighting the best of the fantastic in, respectively, media, music and comics as well as honorable mentions--notable works that didn't quite make the cut but are nonetheless worthy of attention. The Year's Best Fantasy and Horror: 20th Annual Collection is a cornucopia of fantastic delights, an unparalleled resource and indispensable reference that captures the unique excitement and beauty of the fantastic in all its gloriously diverse forms, from the lightest fantasy to the darkest horror.
For twenty years this award-winning compilation has been the nonpareil benchmark against which all other annual fantasy and horror collections are judged. Directed first by Ellen Datlow and Terri Windling and for the past four years by Datlow and Kelly Link and Gavin J. Grant, it consistently presents the strangest, the funniest, the darkest, the sharpest, the most original—in short, the best fantasy and horror. The current collection, marking a score of years, offers more than forty stories and poems from almost as many sources. Summations of the field by the editors are complemented by articles by Edward Bryant, Charles de Lint, and Jeff VanderMeer, highlighting the best of the fantastic in, respectively, media, music, and comics, as well as honorable mentions—notable works that didn’t quite make the cut, but are nonetheless worthy of attention. The Year’s Best Fantasy and Horror: Twentieth Annual Collection is a cornucopia of fantastic delights, an unparalleled resource and indispensable reference that captures the unique excitement and beauty of the fantastic in all its gloriously diverse forms, from the lightest fantasy to the darkest horror.
Founded in 1884 to promote Irish identity and revive the traditional sports of hurling, football and handball, the GAA enjoyed an intimate relationship with the nationalist movement from the turn of the twentieth century onwards. In 1914, the Irish Volunteers drilled with hurley sticks in the absence of rifles; after the 1916 Rising many of those interned by the British were GAA members; and on 21 November 1920, a Gaelic football match between Dublin and Tipperary at Croke Park was interrupted by a raid by British crown forces that left fourteen dead in Ireland's first 'Bloody Sunday'. With affection and authority, Tim Pat Coogan traces the stirring story of an institution which, from modest beginnings as a grass-roots sporting organisation, has grown into a cornerstone of Irish society both North and South. The Gaelic Athletic Association is, Coogan argues, the most socially valuable organisation in Ireland, whose ideal of voluntarism has contributed to a distinctive sense of national identity that flourishes wherever green is worn.
Between 1923 and 1954 the Irish state executed twenty-nine people convicted of murder. Almost all executions were carried out in the hanghouse of Mountjoy Prison by members of the Pierrepoint family. The often shocking and fascinating stories of these men and one woman have been largely forgotten. Their remains lie behind prison walls as strange testaments to an abandoned form of punishment. Among those buried in Mountjoy are Bernard Kirwan, convicted of killing his brother, though a body was never conclusively identified. Kirwan's presence in Mountjoy Prison and his execution inspired Brendan Behan's play 'The Quare Fellow'. Also there lie Henry McCabe, convicted of killing six people in a house in Malahide, and Annie Walsh, convicted of murdering her husband for compensation money. Few had ever been convicted of a crime before each was convicted of the most serious of all. The voices of some seem to whisper from the unmarked graves that it was not they who carried out the crime as doubts remain about the safety of some of the convictions. 'Hanged for Murder' tells their stories, some in graphic detail, for the first time.
A priest and his housekeeper abandon a baby girl on the doorstep of a house near the Black Church in Dublin's north inner city in February 1923. Three local women notice the couple's suspicious behaviour and apprehend them. The two are handed over to the police, charged and sent for trial. A month later, a young doctor is shot dead on the streets of Mohill, Co. Leitrim. The two incidents are connected, but how? In the days following the shooting of Dr Paddy Muldoon, the name of a local priest was linked to the killing and rumours abounded of a connection to the events in Dublin a month earlier and also that an IRA gang had been recruited to carry out the murder. However, despite an investigation at the time, the murder remained unsolved for almost 100 years. Now, newly discovered archive material from a range of sources, including the Muldoon family, has made it possible to piece together the circumstances surrounding the doctor's death, and reveals how far senior figures in the Church, State and IRA were willing to go to cover up a scandal.
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