During the first half of the 20th century, radio's hunger for captivating characters and stories could not be sated. Three national networks and dozens of independent stations had to fill a vast expanse of air time with comedy, adventure, mystery, drama and music, night after night. It's no surprise that producers and writers looked to outside sources, drawing some of old-time radio's most beloved characters (Sherlock Holmes, Tarzan, Hopalong Cassidy, Buck Rogers) directly from books. This work examines individual characters that jumped from prose to radio and a number of programs that specialized in dramatizing literature. It covers mystery and detective shows, adventure stories, westerns, and science fiction, and anthology shows that adapted novels by such greats as Twain, Steinbeck and Dickens. The text explores how the writers and producers approached the source material--what they changed, what they kept and what they left out.
The first half of the twentieth century was a golden age of American storytelling. Mailboxes burgeoned with pulp magazines, conveying an endless variety of fiction. Comic strips, with their ongoing dramatic storylines, were a staple of the papers, eagerly followed by millions of readers. Families gathered around the radio, anxious to hear the exploits of their favorite heroes and villains. Before the emergence of television as a dominant--and stifling--cultural force, storytelling blossomed in America as audiences and artists alike embraced new mediums of expression. This examination of storytelling in America during the first half of the twentieth century covers comics, radio, and pulp magazines. Each was bolstered by new or improved technologies and used unique attributes to tell dramatic stories. Sections of the book cover each medium. One appendix gives a timeline for developments relative to the subject, and another highlights particular episodes and story arcs that typify radio drama. Illustrations and a bibliography are included.
From the Introduction:I'm not old enough to remember Saturday matinees. But I grew up in a pre-cable TV era when local channels showed a pretty cool selection of movies and television re-runs. I became familiar with excellent TV shows such as Combat, The Untouchables and Gunsmoke. Saturday afternoons brought me Creature Feature with Doctor Paul Bearer, which provided me with a well-chosen selection of classic black-and-white horror and monster films. Charlie Chan films could be seen on Sunday afternoons, while a smattering of B-westerns along with films starring Bogart, Cagney and other greats of yesteryear would air on other nights. So I was able to develop impeccable taste in movies while growing up. In addition to this, the last great effort by network radio to tell dramatic stories (CBS Radio Mystery Theater) was playing weekday evenings, helping to give me an appreciation for that form of storytelling. This was enhanced by the acquisition of an LP containing two episodes of The Shadow and a local radio stations re-runs of The Lone Ranger.I can still remember the thrill and wonder of seeing movies such as The Thing from Another World, G-Men, All Through the Night and The Lone Ranger and the City of Gold for the first time. These are precious memories for me. As an adult, this has led to my publishing several books on pre-digital pop culture and writing a blog with a small but loyal readership. As a Christian, I appreciate the ability to enjoy films, classic TV and old-time radio without having to worry about crass content.So this small ebook is yet another way for me to geek out over the sort of entertainment I love. But I hope it serves another purpose. Anyone reading this is probably a fan of classic films already--otherwise, you're not likely to be reading it at all. So this book is meant to be a guide for watching movies you might not have gotten around to seeing yet or haven't re-watched in far too long. The book contains both films that are considered true classics and older B-movies that I believe provide us with entertaining and worthwhile stories. I've purposely organized the book in an unusual way. There are 52 Double-Features, so each entry for each week includes two movies along with a brief essay about each film. That gives you one double-feature for each week of the year. Don't make plans for Saturday afternoons for the next year. I've got it covered for you.Each pair of movies is chosen because both fall under whatever bizarre category I came up with for that week. I did this because I simply had fun doing it AND because it might get you to think about a particular film in a new and hopefully entertaining way. All the movies here are, I think, family friendly. A few of the war movies and horror films do have high body counts and/or scary moments, so any parents using this list are urged to give each of these films careful thought before enjoying a Saturday matinee with your kids. There is no graphic, blood-spurting violence, though. Nor is there cursing or graphic sex. These movies all simply tell their stories well, with no dependence on shock value or prurience to keep your interest.
During the first half of the 20th century, radio's hunger for captivating characters and stories could not be sated. Three national networks and dozens of independent stations had to fill a vast expanse of air time with comedy, adventure, mystery, drama and music, night after night. It's no surprise that producers and writers looked to outside sources, drawing some of old-time radio's most beloved characters (Sherlock Holmes, Tarzan, Hopalong Cassidy, Buck Rogers) directly from books. This work examines individual characters that jumped from prose to radio and a number of programs that specialized in dramatizing literature. It covers mystery and detective shows, adventure stories, westerns, and science fiction, and anthology shows that adapted novels by such greats as Twain, Steinbeck and Dickens. The text explores how the writers and producers approached the source material--what they changed, what they kept and what they left out.
The first half of the twentieth century was a golden age of American storytelling. Mailboxes burgeoned with pulp magazines, conveying an endless variety of fiction. Comic strips, with their ongoing dramatic storylines, were a staple of the papers, eagerly followed by millions of readers. Families gathered around the radio, anxious to hear the exploits of their favorite heroes and villains. Before the emergence of television as a dominant--and stifling--cultural force, storytelling blossomed in America as audiences and artists alike embraced new mediums of expression. This examination of storytelling in America during the first half of the twentieth century covers comics, radio, and pulp magazines. Each was bolstered by new or improved technologies and used unique attributes to tell dramatic stories. Sections of the book cover each medium. One appendix gives a timeline for developments relative to the subject, and another highlights particular episodes and story arcs that typify radio drama. Illustrations and a bibliography are included.
A New Yorker and Fortune Best Book of the Year "A must-read for all Americans who want to remain the ones deciding what they can read, watch, and listen to.” —Arianna Huffington Analyzing the strategic maneuvers of today’s great information powers—Apple, Google, and an eerily resurgent AT&T—Tim Wu uncovers a time-honored pattern in which invention begets industry and industry begets empire. It is easy to forget that every development in the history of the American information industry—from the telephone to radio to film—once existed in an open and chaotic marketplace inhabited by entrepreneurs and utopians, just as the Internet does today. Each of these, however, grew to be dominated by a monopolist or cartel. In this pathbreaking book, Tim Wu asks: will the Internet follow the same fate? Could the Web—the entire flow of American information—come to be ruled by a corporate leviathan in possession of "the master switch"? Here, Tim Wu shows how a battle royale for the Internet’s future is brewing, and this is one war we dare not tune out.
Space weather has attracted a lot of attention in recent times. Severe space weather can disrupt spacecraft, and on Earth can be the cause of power outages and power station failure. It also presents a radiation hazard for airline passengers and astronauts. These “magnetic storms” are most commonly caused by coronal mass ejections, or CMES, which are large eruptions of plasma and magnetic field from the Sun that can reach speeds of several thousand km/s. In this SpringerBrief, Space Weather and Coronal Mass Ejections, author Timothy Howard briefly introduces the coronal mass ejection, its scientific importance, and its relevance to space weather at Earth and other planets. This title focuses on the latest advances in CME observation and modeling, including new results from the NASA STEREO and SDO missions. It also includes topical issues regarding space weather and the most recent observations and anecdotal examples of the impacts of space weather and CMEs.
The Dodger is the story of John Bigelow "Johnny" Dodge, a wartime hero and a pivotal figure in the escapade immortalised in the legendary Hollywood film The Great Escape. The American-born and well-connected Dodge was a cousin by marriage of Winston Churchill and friends with the rich and famous of both countries, including Kermit Roosevelt, President Theodore Roosevelt's son. When the Second World War broke out, he volunteered for the Army but was quickly captured after the debacle of Dunkirk. He became a prisoner of war and an inveterate escapologist and troublemaker - eventually becoming one of the ringleaders of the "Great Escape." Surviving the murderous Gestapo, he was thrown into a VIP compound of Sachsenhausen concentration camp on the orders of Heinrich Himmler - but escaped once more. After recapture, Johnny was spirited away by the SS to a meeting in Berlin with Hitler's interpreter, who sent him on a clandestine mission to his cousin in Downing Street. His odyssey through the dying embers of the Third Reich to Switzerland and freedom in the company of a louche apparatchik is the last curious escapade in the story of Johnny's adventurous life.
A groundbreaking history of African Americans in the early recording industry, Lost Sounds examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Drawing on more than thirty years of scholarship, Tim Brooks identifies key black recording artists and profiles forty audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, plus a host of lesser-known voices. Many of these pioneers struggled to be heard in an era of rampant discrimination. Their stories detail the forces––black and white––that gradually allowed African Americans to enter the mainstream entertainment industry. Lost Sounds includes Brooks's selected discography of CD reissues and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.
In the years since publication of the first edition of Food Wars much has happened in the world of food policy. This new edition brings these developments fully up to date within the original analytical framework of competing paradigms or worldviews shaping the direction and decision-making within food politics and policy. The key theme of the importance of integrating human and environmental health has become even more pressing. In the first edition the authors set out and brought together the different strands of emerging agendas and competing narratives. The second edition retains the same core structure and includes updated examples, case studies and the new issues which show how these conflicting tendencies have played out in practice over recent years and what this tells us about the way the global food system is heading. Examples of key issues given increased attention include: nutrition, including the global rise in obesity, as well as chronic conditions, hunger and under-nutrition the environment, particularly the challenges of climate change, biodiversity loss, water stress and food security food industry concentration and market power volatility and uncertainty over food prices and policy responses tensions over food, democracy and citizenship social and cultural aspects impacting food and nutrition policies.
Washington DC Mayor Wendell P. Wastson's legacy comes undone when a woman turns down his advances and he sets his burly security guards on her. Evelyn Boone accidentally witnesses the murder and narrowly escapes as Watson orders her execution. So begins a wild goose chase across four states, with Watson's guards in hot pursuit of Evelyn.
Long Beach's proximity to Hollywood has made the waterfront city a picturesque and easily accessed locale for hundreds of films and television shows. Silent movies produced by Balboa Studios here starred Fatty Arbuckle and Buster Keaton, and the city's resume includes the Oscar-winning best pictures The Best Years of Our Lives (1946) and American Beauty (1999). Cameras continue to roll in the port metropolis, which has been host for such TV favorites as CHiPs and The Mod Squad and now twenty-first-century series such as NCIS, Dexter and CSI: Miami. Longtime newspaperman Tim Grobaty has been watching, in person and in his living room, and tracks the history of the city on celluloid in the comprehensive Location Filming in Long Beach.
AMERICA’S #1 BESTSELLING TELEVISION BOOK WITH MORE THAN HALF A MILLION COPIES IN PRINT– NOW REVISED AND UPDATED! PROGRAMS FROM ALL SEVEN COMMERCIAL BROADCAST NETWORKS, MORE THAN ONE HUNDRED CABLE NETWORKS, PLUS ALL MAJOR SYNDICATED SHOWS! This is the must-have book for TV viewers in the new millennium–the entire history of primetime programs in one convenient volume. It’s a guide you’ll turn to again and again for information on every series ever telecast. There are entries for all the great shows, from evergreens like The Honeymooners, All in the Family, and Happy Days to modern classics like 24, The Office, and Desperate Housewives; all the gripping sci-fi series, from Captain Video and the new Battle Star Galactica to all versions of Star Trek; the popular serials, from Peyton Place and Dallas to Dawson’s Creek and Ugly Betty; the reality show phenomena American Idol, Survivor, and The Amazing Race; and the hits on cable, including The Daily Show with Jon Stewart, Top Chef, The Sopranos, Curb Your Enthusiasm, Project Runway, and SpongeBob SquarePants. This comprehensive guide lists every program alphabetically and includes a complete broadcast history, cast, and engaging plot summary–along with exciting behind-the-scenes stories about the shows and the stars. MORE THAN 500 ALL-NEW LISTINGS from Heroes and Grey’s Anatomy to 30 Rock and Nip/Tuck UPDATES ON CONTINUING SHOWS such as CSI, Gilmore Girls, The Simpsons, and The Real World EXTENSIVE CABLE COVERAGE with more than 1,000 entries, including a description of the programming on each major cable network AND DON’T MISS the exclusive and updated “Ph.D. Trivia Quiz” of 200 questions that will challenge even the most ardent TV fan, plus a streamlined guide to TV-related websites for those who want to be constantly up-to-date SPECIAL FEATURES! • Annual program schedules at a glance for the past 61 years • Top-rated shows of each season • Emmy Award winners • Longest-running series • Spin-off series • Theme songs • A fascinating history of TV “This is the Guinness Book of World Records . . . the Encyclopedia Britannica of television!” –TV Guide
American Choral Directors Association (ACDA) was formed in Kansas City, Missouri, on February 24, 1959, by 35 choral directors from around the United States. They aimed to create an organization that would meet the professional needs of all choir directors. To achieve this goal, they made the promotion of excellence in choral music through performance, composition, publication, research, and teaching their central purpose. In addition, ACDA strives through arts advocacy to elevate choral music's position in American society. From the original steering committee to today's leaders, this central purpose continues to drive ACDA's development. Among the ways that ACDA has promoted excellence in choral music are national and division conventions featuring the best choirs in the world, awards given to individuals who have in some way contributed to the art of choral music, state workshops and clinics, and honor choirs and commissioned works. Each generation that has passed through ACDA has left its indelible mark. The first generation built the foundation and gave ACDA its purpose. The second generation gave ACDA its independence and voice. The third generation leads the organization into a new and more globally connected world. And through it all, ACDA remains true to promoting choral music excellence.
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