The Traveler is a story about a young girl who meets an unexpected stranger in her town. The traveler carries a bag full of a magical gift and offers her a gift that has a miraculous affect. The townspeople see the result of the affect and become envious including the King.
Idrris. The realm in which this story is told. In a modern-day monarchy, the business of the realm is left to the king’s right hand, Ardis Anglewood. Ardis loves his life and lives to serve the king as well as their people. Though the kingdom is seeing troubled times as a result of His Majesty’s brother returning home. A great battle looms as the king is sent on a mysterious quest. As if this isn’t enough for Ardis to deal with, in comes a beautiful young lady. Elia has sparked something within Ardis, and he grows more and more curious about her. She invades his thoughts and he wonders what he should do. As it seems that his heart should know, for Ardis, it’s all or nothing. Will he choose his king and country, or the lovely Elia?
This book explores the experiences of Indigenous Australians who participated in Australian exploration enterprises in the early nineteenth century. These Indigenous travellers, often referred to as ‘guide’s’, ‘native aides’, or ‘intermediaries’ have already been cast in a variety of ways by historians: earlier historiographies represented them as passive side-players in European heroic efforts of Discovery, while scholarship in the 1980s, led by Henry Reynolds, re-cast these individuals as ‘black pioneers’. Historians now acknowledge that Aborigines ‘provided information about the customs and languages of contiguous tribes, and acted as diplomats and couriers arranging in advance for the safe passage of European parties’. More recently, Indigenous scholars Keith Vincent Smith and Lynnette Russell describe such Aboriginal travellers as being entrepreneurial ‘agents of their own destiny’. While historiography has made up some ground in this area Aboriginal motivations in exploring parties, while difficult to discern, are often obscured or ignored under the title ‘guide’ or ‘intermediary’. Despite the different ways in which they have been cast, the mobility of these travellers, their motivations for travel and experience of it have not been thoroughly analysed. Some recent studies have begun to open up this narrative, revealing instead the ways in which colonisation enabled and encouraged entrepreneurial mobility, bringing about ‘new patterns of mobility for colonised peoples’.
When Spella's aunt Cauldroneyes mysteriously disappears into a growling hat the night before she is set to attend Dragon's Knob, a prestigious school for wand magic, Spella and her new friend Tolden set out to rescue her aunt and uncover hidden secrets within the school amidst threats to its academic freedom.
Reclaiming Kalākaua: Nineteenth-Century Perspectives on a Hawaiian Sovereign examines the American, international, and Hawaiian representations of David La‘amea Kamananakapu Mahinulani Nalaiaehuokalani Lumialani Kalākaua in English- and Hawaiian-language newspapers, books, travelogues, and other materials published during his reign as Hawai‘i’s mō‘ī (sovereign) from 1874 to 1891. Beginning with an overview of Kalākaua’s literary genealogy of misrepresentation, Tiffany Lani Ing surveys the negative, even slanderous, portraits of him that have been inherited from his enemies, who first sought to curtail his authority as mō‘ī through such acts as the 1887 Bayonet Constitution and who later tried to justify their parts in overthrowing the Hawaiian kingdom in 1893 and annexing it to the United States in 1898. A close study of contemporary international and American newspaper accounts and other narratives about Kalākaua, many highly favorable, results in a more nuanced and wide-ranging characterization of the mō‘ī as a public figure. Most importantly, virtually none of the existing nineteenth-, twentieth-, and twenty-first-century texts about Kalākaua consults contemporary Kanaka Maoli (Native Hawaiian) sentiment for him. Offering examples drawn from hundreds of nineteenth-century Hawaiian-language newspaper articles, mele (songs), and mo‘olelo (histories, stories) about the mō‘ī, Reclaiming Kalākaua restores balance to our understanding of how he was viewed at the time—by his own people and the world. This important work shows that for those who did not have reasons for injuring or trivializing Kalākaua’s reputation as mō‘ī, he often appeared to be the antithesis of our inherited understanding. The mō‘ī struck many, and above all his own people, as an intelligent, eloquent, compassionate, and effective Hawaiian leader.
This volume offers a lively introduction to the major issues of the stage and print history of the plays, and discusses what a Shakespeare play actually is.
As well as 'play-makers' and 'poets', playwrights of the early modern period were known as 'play-patchers' because their texts were made from separate documents. This book is the first to consider all the papers created by authors and theatres by the time of the opening performance, recovering types of script not previously known to have existed. With chapters on plot-scenarios, arguments, playbills, prologues and epilogues, songs, staged scrolls, backstage-plots and parts, it shows how textually distinct production was from any single unified book. And, as performance documents were easily lost, relegated or reused, the story of a play's patchy creation also becomes the story of its co-authorship, cuts, revisions and additions. Using a large body of fresh evidence, Documents of Performance in Early Modern England brings a wholly new reading to printed and manuscript playbooks of the Shakespearean period, redefining what a play, and what a playwright, actually is.
This catalogue covers around 200 pieces of jewellery dating from the 1850s to the 1980s, products of the American company Tiffany & Co. The essays chart the early years of the store, its transformation into a world leader and its re-establishment as a worldwide brand after 1945.
A prince who loses his father at a young age and struggles to find himself. A discovery that will make him see everything in a whole new light. A journey of friendship, loyalty and love. Even betrayal in a new world. There will be things seen and never forgotten. And lives changed forever.
Our sacred texts have the potential to become texts of torture or texts of liberation. History through Trauma explores the symbolic function of religious, political, and national symbols that aid in the construction of historical narratives, and the psychological effects of trauma on their creation and dissolution. The Deuteronomic Covenant, paramount in the construction of a biblical history of Israel, is analyzed with regard to Israel's history of exile. What is proffered is the book of Job as a symbolic history of Israel that stands as a counter-history beside the dominant history constructed in the canon's historical books--a counter-history whose function works to re-enliven the symbol of covenant. History through Trauma brings consciousness to the effects of exile on the dominant historical narratives in the Hebrew canon and to the eradicated affective experiences of trauma that surface in counter-texts such as the book of Job. This work offers a valuable new understanding of the impact of trauma on history-making in general--an understanding that brings light to biblical studies, practical theology, pastoral psychology, and psychoanalysis.
A truly groundbreaking collaboration of original theatre history with exciting literary criticism, Shakespeare in Parts is the first book fully to explore the original form in which Shakespeare's drama overwhelmingly circulated. This was not the full play-text; it was not the public performance. It was the actor's part, consisting of the bare cues and speeches of each individual role. With group rehearsals rare or non-existent, the cued part alone had to furnish the actor with his character. But each such part-text was riddled with gaps and uncertainties. The actor knew what he was going to say, but not necessarily when, or why, or to whom; he may have known next to nothing of any other part. It demanded the most sensitive attention to the opportunities inscribed in the script, and to the ongoing dramatic moment. Here is where the young actor Shakespeare learnt his trade; here is where his imagination, verbal and technical, learnt to roam. This is the story of Shakespeare in Parts. As Shakespeare developed his playwriting, the apparent limitations of the medium get transformed into expressive opportunities. Both cue and speech become promise-crammed repositories of meaning and movement, and of individually discoverable space and time. Writing always for the same core group of players, Shakespeare could take - and insist upon - unprecedented risks. The result is onstage drama of astonishing immediacy. Starting with a comprehensive history of the part in early modern theatre, Simon Palfrey and Tiffany Stern's mould-altering work of historical and imaginative recovery provides a unique keyhole onto hitherto forgotten practices and techniques. It not only discovers a newly active, choice-ridden actor, but a new Shakespeare.
Inside each Christian is a discovery that will change your life! A kingdom with a King that is beyond imagination. When we become a Christian we start a life long journey of understanding the riches that this Kingdom represents. Awakening the Kingdom is about 5 children who leave the town of Chaos for something better. In the end they find something beyond their greatest dreams-a true kingdom where peace and a fabulous King lives. Awakening the Kingdom describes the journey that every Christian can take which will also awaken something unimaginable in you. Come join Aiden, Isabelle, Christopher, Ethan and Autumn in the greatest adventure a Christian can take.
In this visually rich volume, Mariah Proctor-Tiffany reconstructs the art collection and material culture of the fourteenth-century French queen Clémence de Hongrie, illuminating the way the royal widow gave objects as part of a deliberate strategy to create a lasting legacy for herself and her family in medieval Paris. After the sudden death of her husband, King Louis X, and the loss of her promised income, young Clémence fought for her high social status by harnessing the visual power of possessions, displaying them, and offering her luxurious objects as gifts. Clémence adeptly performed the role of queen, making a powerful argument for her place at court and her income as she adorned her body, the altars of her chapels, and her dining tables with sculptures, paintings, extravagant textiles, manuscripts, and jewelry—the exclusive accoutrements of royalty. Proctor-Tiffany analyzes the queen’s collection, maps the geographic trajectories of her gifts of art, and interprets Clémence’s generosity using anthropological theories of exchange and gift giving. Engaging with the art inventory of a medieval French woman, this lavishly illustrated microhistory sheds light on the material and social culture of the late Middle Ages. Scholars and students of medieval art, women’s studies, digital mapping, and the anthropology of ritual and gift giving especially will welcome Proctor-Tiffany’s meticulous research.
Tiffany Edgecombe has been through the most terrible of rape experiences, and yet she has emerged with a faith in God stronger than ever before. The now ordained minister shares how she has overcome sexual abuse and the struggles and challenges that ensue. She shares how God has used the tragedy for good – not only for her, but for all those whose lives she has had the privilege to touch. See how, with God by your side, you too can experience complete healing, joy and love again. As a Christian, God wants to free you from the shackles that are holding you back. He wants you to let go of the guilt, shame, fear and unforgiveness you may be feeling, and journey down the road to fulfilling His divine purpose for your life. Do not let the enemy deter you from the very reason God has placed you on this earth. Instead, let God be your strength to move on. Now is your time to heal!
When was the last time you felt stuck? Off track? Unsure of your future path? Tired and weary? You’re not alone. And there is hope. In her book, Trust the Process: A Simple—But Not Easy—Path to Greatness, author Tiffany Crosby takes you on an exploration of how we get into and out of these ruts. You will learn to erase all doubt that you were made for greatness and discover the motivation to discover and follow what it really takes to walk that path. Examine the process of character development as Crosby shares the ups and downs, successes and failures, and wisdom gained along her journey, including the detours. Trust the Process: A Simple—But Not Easy—Path to Greatness is an uplifting book about facing adversity, persevering, trusting in God, and succeeding. We all face obstacles, some tougher than others, and although the mountain can seem high, we must remain strong, climb it, and reach the top. This is what is best for us. And it’s what God wants for us.
As a parent, you are the greatest influence in the lives of your children, and even though they don’t always show it, your attention means everything to them. This fast, fun resource is jam-packed with 101 creative ways to help you connect with your kids. . .and nurture their spiritual growth. These must-read pages are like three books in one: a daily devotional, a family activity guide, and a parent-child communication primer. Age-appropriate object lessons and discussion starters bring to life Bible verses about the character of God—enabling you to seize Proverbs 22:6 and train up your kids.
Up until now, facts about theatrical rehearsal have been considered irrecoverable. But in this groundbreaking new study, Tiffany Stern gathers together two centuries' worth of historical material which shows how actors received and responded to their parts, and how rehearsal affected thecreation and revision of plays. Plotting theatrical change over time, from the mid-sixteenth to the late eighteenth century, this book will revolutionize the fields of textual and theatre history alike.
The word balance has been used for centuries all across the world. It has many words and phrases to describe its importance. Many times, we take this word for granted and do not understand the true significance of it. We are aware that life itself revolves around that word. But what would be the result of life if balance did not exist? What if the existence of this word relied solely on you? This is the story of Magdalena, a young woman whose quest it becomes to unify the light forces in order to control what they refer to as the Dark. With the power of the Dark seeping in to take over existence, it is up to her to see to it that her survival guarantees that all which exist do not come in contact with the Crossings of the Dark
Kriner tells the story of how readers participate in the future of the word, the eschatology of texts. If texts have a future in the kingdom of God, then readers’ engagements with them—everything from preservation and utterance to translation, criticism, and call and response—can cultivate those futures in the love of the Trinity. Kriner explores how the fallenness and failures of texts, alongside readers’ own failures, ultimately point to reading as a posture of reconciliation, in which reader and text meet in the Maranatha of all text.
In Love's Pilgrimage, Grace Tiffany explores literary adaptations of the Catholic pilgrimage in the Protestant poetry and prose of Edmund Spenser, William Shakespeare, John Donne, John Milton, and John Bunyan. Her discussion of these authors' works illuminates her larger claim that while in the sixteenth century conventional pilgrimages to saints' shrines disappeared - as did shrines themselves - from English life, the imaginative importance of the pilgrimage persisted, and manifested itself in various ways in English culture.
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