Translated by David Preest with introduction and notes by James G. Clark Thomas Walsingham's Chronica maiora is one of the most comprehensive and colourful chronicles to survive from medieval England. Walsingham was a monk at St Albans Abbey, a royal monastery and the premier repository of public records, and therefore well placed to observe the political machinations of this period at close hand. Moreover, he knew the monarchs and many of the nobles personally and is able to offer insights into their actions unmatched by any other authority. It is this narrative, transmitted through the popular Tudor histories of Hall, Stow and Holinshed, which provides the principle source for Shakespeare's sequence of history plays. Covering almost fifty years, the narrative provides the most authoritative account of one of the most turbulent periods in English history, from the last years of Edward III (1376-77) to the premature death of Henry V (1422). Walsingham describes the many dramas of this period in vivid detail, including the Peasants' Revolt (1381), the deposition and murder of Richard II (1399-1400), The Welsh revolt of Owain Glyn Dwr (1403) and Henry V's victory at Agincourt (1415); they are brought to life here in this new translation.
Translated by David Preest with introduction and notes by James G. Clark Thomas Walsingham's Chronica maiora is one of the most comprehensive and colourful chronicles to survive from medieval England. Walsingham was a monk at St Albans Abbey, a royal monastery and the premier repository of public records, and therefore well placed to observe the political machinations of this period at close hand. Moreover, he knew the monarchs and many of the nobles personally and is able to offer insights into their actions unmatched by any other authority. It is this narrative, transmitted through the popular Tudor histories of Hall, Stow and Holinshed, which provides the principle source for Shakespeare's sequence of history plays. Covering almost fifty years, the narrative provides the most authoritative account of one of the most turbulent periods in English history, from the last years of Edward III (1376-77) to the premature death of Henry V (1422). Walsingham describes the many dramas of this period in vivid detail, including the Peasants' Revolt (1381), the deposition and murder of Richard II (1399-1400), The Welsh revolt of Owain Glyn Dwr (1403) and Henry V's victory at Agincourt (1415); they are brought to life here in this new translation.
In this New York Times–bestselling thriller, the son of a WWII spy delves into an explosive decades-old secret amid tensions between England and Ireland . . . 1940: McBride, an Anglo-Irish spy, discovers a secret nest of Nazi submarines in Guernsey. As a minefield on the Irish coast is breached and German agents flow into the country—a desperate decision must be made in order to prevent the impending invasion in Britain. The consequences are deadly—and the story is kept top secret for decades . . . 1980: McBride’s American son, an author, starts to dig into the history and mystery surrounding “the Emerald decision”—not realizing his own personal connection to it. And even after all these years, certain parties are willing to kill to keep the story a secret—or to exploit it . . . “The great strength of [Thomas’s] books lies . . . in the presentation of powerfully exciting bouts of action in authentically realized settings.” —Reginald Hill, Books and Bookmen Originally published under the pseudonym David Grant
In the South Transept of Westminster Abbey in London, the bodies of more than seventy men and women, primarily writers, poets, and playwrights, are interred, with many more memorialized. From the time of the reburial of Geoffrey Chaucer in 1556, the space has become a sanctuary where some of the most revered figures of English letters are celebrated and remembered. Poets' Corner is now an attraction visited by thousands of tourists each year, but for much of its history it was also the staging ground for an ongoing debate on the nature of British cultural identity and the place of poetry in the larger political landscape. Thomas Prendergast's Poetical Dust offers a provocative, far-reaching, and witty analysis of Poets' Corner. Covering nearly a thousand years of political and literary history, the book examines the chaotic, sometimes fitful process through which Britain has consecrated its poetry and poets. Whether exploring the several burials of Chaucer, the politicking of Alexander Pope, or the absence of William Shakespeare, Prendergast asks us to consider how these relics attest to the vexed, melancholy ties between the literary corpse and corpus. His thoughtful, sophisticated discussion reveals Poets' Corner to be not simply a centuries-old destination for pilgrims and tourists alike but a monument to literary fame and the inevitable decay of the bodies it has both rejected and celebrated.
In Sally Thomas’s Motherland, the poet keenly observes the ephemeral and the everlasting in the lens of time-the daily into seasonal transformations, the gifts and wonders of nature and people. Motherland by turns hails and interrogates in matters of flesh, of faith and spirituality-especially so in the “Richeldis of Walsingham” poem sequence. This finalist in the Able Muse Book Award is a collection abounding in insight, hope, grace, surprises, and yes, love. PRAISE FOR MOTHERLAND: A core of spiritual knowledge resides in the poems of Sally Thomas’s Motherland- knowledge that might seem strange to the poet herself, in fact, though it definitely resides in her, and radiates throughout this collection. Motherland is the perfect title, since the poet, herself a mother, regards all her human occupations as native and yet mysterious, occurring in a place which is both foreign and familiar. The final sequence, on Richeldis of Walsingham, includes lines that describe the expression of that knowledge, as “the eloquence/ Of the small river moving always forward to the unseen/ Sea.” Motherland is a book of the presence-radiant, benevolent, challenging-for which there is often no word, except as we find in poetry, like the poetry of Sally Thomas.” -Mark Jarman, author of The Heronry The poems of Sally Thomas are poems in which the act of looking at the world in all its depth and complexity is just about as close as possible to being fully realized in the corresponding “world” of poetic language and form. And the verses are compelling because in every line something is at stake: our very understanding of creation, the human condition, and the mystery of thought and its language that link us, however imperfectly, to what may be called the given world. As Thomas says in “Frost,” “Tricky winter light and my own eye/ Bend the world, if not to beauty, then/ To strangeness.” -David Middleton (from the foreword), author of The Fiddler of Driskill Hill In her most recent collection of poems, Motherland, Sally Thomas gives us a world we live in but, alas, too often don’t seem to see. So much is lost, these poems tell us, even as they manage to reinstate and re-imagine these losses for us. All poetry is elegiac, even as it can, in the hands of a serious poet, celebrate the very world which for all of us keeps slipping away in the great wheel of time. Then too there is her mastery of poetic form-among these the sonnet, the villanelle, the couplet, and her unparalleled command of rhyme and slant rhyme. What a delight to discover a poet who has found a way to allow the sacred and the sacramental inform her poems in a surprising range of contemporary idioms. -Paul Mariani, author of Epitaphs for the Journey ABOUT THE AUTHOR: Sally Thomas was born in Memphis, Tennessee, in 1964, and was educated at Vanderbilt University, the University of Memphis, and the University of Utah. She spent some years living in the American West and in Great Britain before settling in North Carolina, her current home. She is the author of two poetry chapbooks, Fallen Water (2015) and Richeldis of Walsingham (2016), both from Finishing Line Press. Over the last two decades, her poetry and fiction have appeared in Dappled Things, First Things, Relief: A Journal of Art and Faith, Southern Poetry Review, the New Yorker, the Rialto, and other journals in the United States and Great Britain.
Gordon Thomas has established himself as a leading expert on the intelligence community. He returns here on the one hundredth anniversaries of Britain's Security and Secret Intelligence Services to provide the definitive history of the famed MI5 and MI6. These agencies rank as two of the oldest and most powerful in the world, and Thomas's wide-sweeping history chronicles a century of both triumphs and failures. He recounts the roles that British intelligence played in the Allied victory in World War II; the postwar treachery of Great Britain's own agents; the defection of Soviet agents and the intricate process of "handling" them; the often frigid relationship that both agencies have had with the CIA, European spy services, and the Mossad; the cooperation between the British and Americans in the search for Osama bin Laden; and the ways in which MI5 and MI6 have fought biological warfare espionage and space terrorism. All told, this is the story of two agencies led by men---and women---who are enigmatic, eccentric, and controversial, and who ruthlessly control their spies. Based on prodigious research and interviews with significant players from inside the British intelligence community, this is a rich and even delicious history packed with intrigue and information that only the author could have attained.
Concerns about global biodiversity are rising dramatically, yet we are lagging behind in the most basic prerequisite for its understanding and conservation: the inventory. Insect species may make up five or ten times the number of all other plant and animal species combined, and, as such, they represent one of the major challenges in biosystematic science. World Catalogue of Insects is an initiative aimed at compiling worldscale, authoritative catalogues of monophyletic insect taxa. Volumes in this series contain standard nomenclatoral information on all names pertaining to the taxon treated, including type locality and distribution, to the extent this is relevant. Additional information is optional, e. g., location, status, and condition of types; biology; bibliographical information; pest status; vector status; etc. This volume ten focuses on Psychidae (Lepidoptera). (Series: World Catalogue of Insects)
Culled from archives around the world, the 50 documents in Declassified illuminate the secret and often inaccessible stories of agents, espionage, and behind-the-scenes events that played critical roles in American history. Moving through time from Elizabethan England to the Cold War and beyond, noted author Tom Allen places each document in its historical and cultural context, sharing the quirky and little-known truths behind state secrets and clandestine operations. Each of seven chapters centers on one particular theme: secrets of war, the art of the double cross, spy vs. spy, espionage accidents, and more. Through support and access provided by the International Spy Museum in Washington, D.C., this lively history contains never-before-published and hard-to-find documents—printed from scans of the originals wherever possible. These include The Zimmerman Telegram, which led America into World War I; letters from Robert Hanssen to his Soviet spymaster, marking the start of his devastating career as a mole; and papers as recent as the Presidential Daily Brief that announced that Bin Laden was determined to strike the U.S.—delivered in August 2001. The public interest in state secrets and espionage has been piqued by our current international conflicts, and this engrossing book—well priced and engagingly written for the general reader—will definitely feed that fascination.
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