The Countess of Rudolstadt" is the follow-up volume to "Consuelo" and widely considered to be one of George Sand's finest works. Translated from the French by Fayette Robinson
A sound piece of work. Its holistic, final-form approach reflects the major trend in biblical criticism. It is perceptive, sensitive, thoughtful and stimulation".---David Gunn Professor of Old Testament, Columbia Theological Seminary
Thomas W. Mann is a biblical scholar and retired parish minister and the author of numerous books and articles. He is particularly interested in how experiences in nature prompt theological reflection based in the Bible, shaping our sense of sacred time and place, and how the lectionary readings of the church year also provide a spiritual calendar for the seasons of our lives. The result is a conversation inspired by poets and writers like Mary Oliver, Wendell Berry, and John Muir, but also by philosophers and theologians ranging from Abraham Joshua Heschel to David Kelsey. Along the way, we enter “beach time” and take backpacking trips in the Sierras, but also join the “triumphal entry” parade on Palm Sunday and listen to the stable animals on Christmas Eve. We perceive the beauty of creation through the eyes of science as well as religion, sensually as well as intellectually. We celebrate our communion with all creatures, from fungus to forests, inspired with awe and reverence, and with a responsibility to care for the earth, so threatened by climate change.
A classic, controversial book exploring German culture and identity by the author of Death in Venice and The Magic Mountain, now back in print. When the Great War broke out in August 1914, Thomas Mann, like so many people on both sides of the conflict, was exhilarated. Finally, the era of decadence that he had anatomized in Death in Venice had come to an end; finally, there was a cause worth fighting and even dying for, or, at least when it came to Mann himself, writing about. Mann immediately picked up his pen to compose a paean to the German cause. Soon after, his elder brother and lifelong rival, the novelist Heinrich Mann, responded with a no less determined denunciation. Thomas took it as an unforgivable stab in the back. The bitter dispute between the brothers would swell into the strange, tortured, brilliant, sometimes perverse literary performance that is Reflections of a Nonpolitical Man, a book that Mann worked on and added to throughout the war and that bears an intimate relation to his postwar masterpiece The Magic Mountain. Wild and ungainly though Mann’s reflections can be, they nonetheless constitute, as Mark Lilla demonstrates in a new introduction, a key meditation on the freedom of the artist and the distance between literature and politics. The NYRB Classics edition includes two additional essays by Mann: “Thoughts in Wartime” (1914), translated by Mark Lilla and Cosima Mattner; and “On the German Republic” (1922), translated by Lawrence Rainey.
Thomas Mann, Germany's most successful writer of prose fiction, was born in 1875 and died in 1955. He was awarded the Nobel Prize for Literature in 1929. These two stories, from Mann's middle period, concern major problems facing Germany between the wars: the first deals with the chaos of economic, social and moral values in the early twenties, and the second with the enslavement of a society by a fanatical and hypnotic dictator. In both pieces Mann's moral values are delicately pointed by his omnipresent irony.
Thomas Mann, fascinated with the concept of genius and with the richness of German culture, found in Johann Wolfgang von Goethe the embodiment of the German culture hero. Mann's novelistic biography of Goethe was first published in English in 1940. Lotte in Weimar is a vivid dual portrait—a complex study of Goethe and of Lotte, the still-vivacious woman who in her youth was the model for Charlotte in Goethe's widely-read The Sorrows of Young Werther. Lotte's thoughts, as she anticipates meeting Goethe again after forty years, and her conversations with those in Weimar who knew the great man, allow Mann to assess Goethe's genius from many points of view. Hayden White's fresh appraisal of the novel reveals its consonances with our own concerns.
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