Verden er ved at gå under. Overalt falder unge som gamle om: et enkelt stik i hjertet, og så – døden. Det bliver så almindelig en oplevelse – de døde på gaderne – at folk skræver over de nedfaldne kroppe. Temperaturen falder. Det er sommer, men solen har gemt sig, og i stedet daler store, bløde snefnug ned fra himlen. Der diskuteres klimaforandringer på barer og kontorer, men i Uganda svæver folk over jorden, op mod skyerne og forsvinder ud i atmosfæren. Og i New York møder John og Elena hinanden for sidste gang. "It’s All About Love" bygger på Thomas Vinterbergs film af samme navn og er kærlighedshistorien mellem litteraturhistorikeren John og skøjteprinsessen Elena, der mødtes for 24 år siden i Polen, og som elskede hinanden sønder og sammen. Det er en historie om mennesket i menneskehedens sidste dage og en undersøgelse af kærlighedens væsen. Mich Vraa (f. 1954), uddannet fra Danmarks Journalisthøjskole i 1979 og arbejdede som journalist i 16 år, inden han i 1995 tog springet fra journalistikken til et liv som fuldtidsforfatter og oversætter. Blandt hans mange oversættelser findes udfordrende forfatterskaber som Jeffrey Eugenides, Annie Proulx, Nick Cave, Elmore Leonard, Jonathan Franzen og Ernest Hemingway. I 2014 vandt han Dansk Oversætterforbunds Ærespris. Som skønlitterær forfatter har han udgivet 20 romaner, herunder flere børne- og ungdomsbøger, og har sammen med Morten Hesseldal udgivet tre kriminalromaner.
Denmark has a millennium-long continuous history and development from Viking times (about 800-1050 AD) to the modern welfare state. The resilience of the Danish people is evident in the artistic golden age of the early 19th century despite national bankruptcy, the agricultural revival during the final third of the 19th century. Modern Denmark leads in industrial design, furniture, engineering, pharmacy, and social development in the 20th century. Danish scientists, medical doctors, composers, musicians, choreographers, playwrights, authors, sculptors, architects, designers, painters and film directors have made significant contributions to the development of European culture. In the 21st century, Denmark combines a thriving and highly productive modern economy with extensive social care and welfare, and thus refutes the neo-conservative economists who claim that such a combination is impossible. In short, Denmark is seen by the Danes and their neighbors as a very good place to live. This third edition of Historical Dictionary of Denmark contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about Denmark.
In German Cinema – Terror and Trauma Since 1945, Thomas Elsaesser reevaluates the meaning of the Holocaust for postwar German films and culture, while offering a reconsideration of trauma theory today. Elsaesser argues that Germany's attempts at "mastering the past" can be seen as both a failure and an achievement, making it appropriate to speak of an ongoing 'guilt management' that includes not only Germany, but Europe as a whole. In a series of case studies, which consider the work of Konrad Wolf, Alexander Kluge, Rainer Werner Fassbinder, Herbert Achterbusch and Harun Farocki, as well as films made in the new century, Elsaesser tracks the different ways the Holocaust is present in German cinema from the 1950s onwards, even when it is absent, or referenced in oblique and hyperbolic ways. Its most emphatically "absent presence" might turn out to be the compulsive afterlife of the Red Army Faction, whose acts of terror in the 1970s were a response to—as well as a reminder of—Nazism’s hold on the national imaginary. Since the end of the Cold War and 9/11, the terms of the debate around terror and trauma have shifted also in Germany, where generational memory now distributes the roles of historical agency and accountability differently. Against the background of universalized victimhood, a cinema of commemoration has, if anything, confirmed the violence that the past continues to exert on the present, in the form of missed encounters, retroactive incidents, unintended slippages and uncanny parallels, which Elsaesser—reviving the full meaning of Freud’s Fehlleistung—calls the parapractic performativity of cultural memory.
Hello, my name is Thomas Thwaites, and I have made a toaster." So begins The Toaster Project, the author's nine-month-long journey from his local appliance store to remote mines in the UK to his mother's backyard, where he creates a crude foundry. Along the way, he learns that an ordinary toaster is made up of 404 separate parts, that the best way to smelt metal at home is by using a method found in a fifteenth-century treatise, and that plastic is almost impossible to make from scratch. In the end, Thwaites's homemade toaster—a haunting and strangely beautiful object—cost 250 times more than the toaster he bought at the store and involved close to two thousand miles of travel to some of Britain's remotest locations. The Toaster Project may seem foolish, even insane. Yet, Thwaites's quixotic tale, told with self-deprecating wit, helps us reflect on the costs and perils of our cheap consumer culture, and in so doing reveals much about the organization of the modern world.
This groundbreaking volume for the Thinking Cinema series focuses on the extent to which contemporary cinema contributes to political and philosophical thinking about the future of Europe's core Enlightenment values. In light of the challenges of globalization, multi-cultural communities and post-nation state democracy, the book interrogates the borders of ethics and politics and roots itself in debates about post-secular, post-Enlightenment philosophy. By defining a cinema that knows that it is no longer a competitor to Hollywood (i.e. the classic self-other construction), Elsaesser also thinks past the kind of self-exoticism or auto-ethnography that is the perpetual temptation of such a co-produced, multi-platform 'national cinema as world cinema'. Discussing key filmmakers and philosophers, like: Claire Denis and Jean-Luc Nancy; Aki Kaurismäki, abjection and Julia Kristeva; Michael Haneke, the paradoxes of Christianity and Slavoj Zizek; Fatih Akin, Alain Badiou and Jacques Rancière, Elsaesser is able to approach European cinema and assesses its key questions within a global context. His combination of political and philosophical thinking will surely ground the debate in film philosophy for years to come.
A World in Chaos: Social Crisis and the Rise of Postmodern Cinema traces the evolution of postmodern cinema through its multiple and overlapping expressions. Through an analysis of films such as American Beauty, Blade Runner, Natural Born Killers, and Thelma and Loiuse, Carl Boggs and Thomas Pollard explore the historical and theoretical shift from the long era of modernity to an emergent postmodernity and examine its intersection with film culture. Unlike most works on media studies, Boggs and Pollard bring together elements of sociology, history, economics, literature, communications, and pop culture to fully explore the complex developmental interaction between film and society. The resulting work illuminates the different, often conflicted and contradictory, currents at work in the film industry that long ago departed from the ritualized practices of the classical studio system. Engagingly and clearly written, A World in Chaos is perfect for film and pop culture enthusiasts as well as everyone interested in the role of film in American society.
Author Thomas Forget demonstrates how to construct analytical drawings and movies that challenge the alleged realism of linear perspective and cinema. These demonstrations expose you to underlying principles that will allow you to understand the broader implications of these methods.
Why are filmmakers such as J.J. Abrams, Christopher Nolan and Quentin Tarantino continuing to shoot their movies on celluloid in the digital age of cinema? Are these filmmakers choosing the photochemical process of celluloid images purely for aesthetics purposes? Or could their preference for celluloid have something to do with analogue's intimate connection to the subject of lack and desire? Capturing Digital Media: Perfection and Imperfection in Contemporary Film and Television examines the relationship between the perfection of the digital form and the imperfection of the human subject in recent film and television. Using a number of key psychoanalytic terms and new media concepts, Capturing Digital Media shows that the necessity of imperfection is where we locate the human subject of desire within the binary logic of the digital. It argues that the perfection of digital must be wounded by forms of imperfection in order to make media texts such as film and television desirable. But even as films and television texts incorporate forms of imperfection, digital perfection remains a powerful attraction in our engagement with moving images, such as high definition screens, spectacular digital effects, and state-of-the-art sound.
Denmark is the oldest monarchy in Europe. At different points in its history, Denmark's boundaries have encompassed England, Sweden, West Africa, India, and the West Indies. Despite its changing and relatively small boundaries, Denmark has played a much larger part in the politics of Europe than might be expected. Additionally, through its territories (Faroe Islands and Greenland), Denmark has managed to retain an important presence in the North Atlantic. Today, democratic Denmark, with its thriving capital Copenhagen, is peaceful, prosperous, and progressive. Within NATO, Denmark has contributed to peace-keeping in the Persian Gulf and Bosnia. The "Danish Model" of welfare gives Danes a real sense of social security and presents many naysayers with a provocative example of a successfully managed welfare state. Danes have a reputation for inventiveness and good design, whether in architecture, furniture, or industrial design. The A to Z of Denmark relates the history of this successful country through a chronology, an introductory essay, appendixes, a bibliography, and hundreds of cross-referenced dictionary entries on kings, politicians, officials, explorers, authors, architects, composers, painters, astronomers, educationists, reformers, political parties, social movements, and other aspects of Danish society.
European Cinema in Crisis' examines the conflicting terminologies that have dominated the discussion of the future of European film-making. It takes a fresh look at the ideological agendas, from 'avante-garde cinema' to the high/low culture debate and the fate of popular European cinema.
In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This “going mainstream” paradigm reaches far beyond film history and forms a methodology for understanding the market in which all cultural industries operate, where the citizen-consumer (not the state) becomes sovereign. Indonesia presents a particularly interesting case because “going mainstream” has increasingly meant catering to the demands of new Islamic piety movements. It has also meant working with a new Ministry of Tourism and Creative Economy, established in 2011. Rather than a simplified creative world many hoped for, Indonesian filmmaking now navigates a new complex of challenges different to those faced before 1998. Barker sees this industry as a microcosm of the entire country: democratic yet burdened by authoritarian legacies, creative yet culturally contested, international yet domestically shaped. “This is a significant piece of scholarly contribution informed by an extensive range of interviews with industry insiders. This volume is particularly welcome given the dearth of English-language publications on Indonesian cinema in the last two decades. I have no doubt that the book will be extensively used in any future work on national cinema, not just in Indonesia, but Southeast Asia more widely.” —Krishna Sen, University of Western Australia “Indonesian Cinema after the New Order is a marvelously entertaining and important contribution to the study of Indonesian cinema, youth culture, and media worlds in a global context. In fact, I would consider it the best book I have seen on the subject of the Indonesian film industry.” —Mary Steedly, Harvard University
Build and deliver production-grade cloud-native apps with Spring framework and Kubernetes. In Cloud Native Spring in Action you’ll learn: Cloud native best practices and design patterns Build and test cloud native apps with Spring Boot and Spring Cloud Handle security, resilience, and scalability in imperative and reactive applications Configure, deploy, and observe applications on Kubernetes Continuous delivery and GitOps to streamline your software lifecycle Cloud Native Spring in Action is a practical guide to building applications that are designed for cloud environments. You’ll learn effective Spring and Kubernetes cloud development techniques that you can immediately apply to enterprise-grade applications. Follow a detailed and complete cloud native system from first concept right through to production and deployment, learning best practices, design patterns, and little-known tips and tricks for pain-free cloud native development. Including coverage of security, continuous delivery, and configuration, this hands-on guide is the perfect primer for navigating the increasingly complex cloud landscape. Purchase of the print book includes a free eBook in PDF, Kindle, and ePub formats from Manning Publications. About the technology Do you want to learn how to build scalable, resilient, and observable Spring applications that take full advantage of the cloud computing model? If so, Cloud Native Spring in Action is the book for you! It will teach you the essential techniques and practices you need to build efficient Spring Boot applications ready for production in the cloud. About the book In Cloud Native Spring in Action, you’ll learn how to containerize your Spring Boot applications with Cloud Native Buildpacks and deploy them on Kubernetes. This practical guide delivers unique insights into hosting microservices, serverless applications, and other modern architectures on cloud platforms. You’ll learn how to use Spring-based methodologies, practices, and patterns that you won’t find anywhere else. What's inside Implement cloud native patterns with Spring Handle security, resilience, and scalability Build and test imperative and reactive applications Configuration and observability on Kubernetes Adopt continuous delivery and GitOps About the reader For intermediate Java developers. About the author Thomas Vitale is a software engineer, open source contributor, and international conference speaker. Table of Contents PART 1 CLOUD NATIVE FUNDAMENTALS 1 Introduction to cloud native 2 Cloud native patterns and technologies PART 2 CLOUD NATIVE DEVELOPMENT 3 Getting started with cloud native development 4 Externalized configuration management 5 Persisting and managing data in the cloud 6 Containerizing Spring Boot 7 Kubernetes fundamentals for Spring Boot PART 3 CLOUD NATIVE DISTRIBUTED SYSTEMS 8 Reactive Spring: Resilience and scalability 9 API gateway and circuit breakers 10 Event-driven applications and functions 11 Security: Authentication and SPA 12 Security: Authorization and auditing
The past several years have witnessed a group of experiments in 'staging' Shakespeare on film. This book introduces and applies the analytic techniques and language that are required to make sense of this wave. It maps a vocabulary for interpreting Shakespeare film; addresses script-to-screen questions about authority and performativity; and more.
Digital Filmmaking has been called the bible for professional filmmakers in the digital age. It details all of the procedural, creative, and technical aspects of pre-production, production, and post-production within a digital filmmaking environment. It examines the new digital methods and techniques that are redefining the filmmaking process, and how the evolution into digital filmmaking can be used to achieve greater creative flexibility as well as cost and time savings. The second edition includes updates and new information, including four new chapters that examine key topics like digital television and high definition television,making films using digital video, 24 P and universal mastering, and digital film projection. Digital Filmmaking provides a clear overview of the traditional filmmaking process, then goes on to illuminate the ways in which new methods can accomplish old tasks. It explains vital concepts, including digitization, compression, digital compositing, nonlinear editing, and on-set digital production and relates traditional film production and editing processes to those of digital techniques. Various filmmakers discuss their use of digital techniques to enhance the creative process in the "Industry Viewpoints" sections in each chapter .
What images come to mind when you read the word ‘intoxication’? What behaviour do you associate with the word ‘drunk’? When you hear the word ‘drug’, what images do you recall? This textbook provides an essential and thorough grounding in debates about the role of intoxication in contemporary society, from social and cultural perspectives. It examines intoxication in the broadest sense as including both legal and illegal substances and both culturally accepted and socially stigmatised practices. Given the pace of recent changes in policy and practice – from the increasingly common legalisation of cannabis, to the recent trend of sobriety amongst adolescents and young adults – this book stands out by offering both a through historical and theoretical overview and a topical and forward looking exploration of current debates. It adopts a multi-scale approach to examine wider patterns of change so it considers the subjective experiences of the role intoxication plays in the lives of individuals and groups, in the construction of diverse identities and how this differs by age, gender and ethnicity. The authors play particular attention to the way in which the state justifies interventions based on moral, health and criminal justice discourses and also consider the role played by other individuals and institutions, not least the mass media and the alcohol industry, in propagating and challenging common sense explanations of intoxication. It speaks to undergraduates, master's students and above, with a range of pedagogic features, and offers insights into policy and practice.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.