The human mind abhors the absence of explanation, but full understanding is never possible. Human understanding is likely to be incomplete at best and, more often, utterly fallacious. To make matters worse, it is likely to be supported as truth and wisdom by religious and scientific authority, intellectual fashion and social convention. In Words to the Wise, Thomas Szasz offers a compendium of thoughts, observations, and aphorisms that address our understanding of a broad range of subjects, from birth to death. In this book, Szasz tackles a problem intrinsic to the human condition. What problem? In the words of the American humorist Josh Billings: "The trouble with people is not what they don't know but that they know so much that ain't so." Many of Thomas Szasz's books have been devoted to exposing what "ain't so" about mental illness and psychiatry. Here, Szasz applies the same skeptical spirit to the larger problem of people knowing much that "ain't so." About addiction, Szasz observes: "If a person ingests a drug prohibited by legislators and claims that it makes him feel better, that proves he is an addict; if he ingests a drug prescribed by a psychiatrist and claims that it makes him feel better, that proves that mental illness is a biomedical disease." About beauty: "Beauty is in the eye of the beholder; ugliness is in the personality of the beholden." About libertarians: "Libertarians regard liberty as contingent on the right to property; scientists regard disease as contingent on pathological alteration of the body. All libertarians reject the notion of socialist liberty,' yet many accept the notion of mental disease.'" Or about power: "Many of my critics say I am hostile to medicine and physicians. They are wrong. I am hostile only to the power of the medical profession and of physicians." Szasz notes that despite enormous social pressure for a shared perspective on how the world works and how we ought to live, every person'sunderstanding, not only of himself, but of the world about him, is different from every other person's. This volume shows how the quest for truth is a never-ending challenge, and must presuppose an honest acceptance of questions, problems, and uncertainty. Thomas Szasz is professor of psychiatry emeritus at the State University of New York Upstate Medical University in Syracuse, New York and Adjunct Scholar at the Cato Institute, Washington, D.C.
“The landmark book that argued that psychiatry consistently expands its definition of mental illness to impose its authority over moral and cultural conflict.” — New York Times The 50th anniversary edition of the most influential critique of psychiatry every written, with a new preface on the age of Prozac and Ritalin and the rise of designer drugs, plus two bonus essays. Thomas Szasz's classic book revolutionized thinking about the nature of the psychiatric profession and the moral implications of its practices. By diagnosing unwanted behavior as mental illness, psychiatrists, Szasz argues, absolve individuals of responsibility for their actions and instead blame their alleged illness. He also critiques Freudian psychology as a pseudoscience and warns against the dangerous overreach of psychiatry into all aspects of modern life.
This book is a collection of the earliest essays of Thomas Szasz, in which he staked out his position on “the nature, scope, methods, and values of psychiatry.” On each of these issues, he opposed the official position of the psychiatric profession. Where conventional psychiatrists saw themselves diagnosing and treating mental illness, Szasz saw them stigmatizing and controlling persons; where they saw hospitals, Szasz saw prisons; where they saw courageous professional advocacy of individualism and freedom, Szasz saw craven support of collectivism and oppression.
The vast literature on Virginia Woolf's life, work, and marriage falls into two groups. A large majority is certain that she was mentally ill, and a small minority is equally certain that she was not mentally ill but was misdiagnosed by psychiatrists. In this daring exploration of Woolf's life and work, Thomas Szasz--famed for his radical critique of psychiatric concepts, coercions, and excuses--examines the evidence and rejects both views. Instead, he looks at how Virginia Woolf, as well as her husband Leonard, used the concept of madness and the profession of psychiatry to manage and manipulate their own and each other's lives.Do we explain achievement when we attribute it to the fictitious entity we call ""genius""? Do we explain failure when we attribute it to the fictitious entity we call ""madness""? Or do we deceive ourselves the same way that the person deceives himself when he attributes the easy ignition of hydrogen to its being ""flammable""? Szasz interprets Virginia Woolf's life and work as expressions of her character, and her character as the ""product"" of her free will. He offers this view as a corrective against the prevailing, ostensibly scientific view that attributes both her ""madness"" and her ""genius"" to biological-genetic causes. We tend to attribute exceptional achievement to genius, and exceptional failure to madness. Both, says Szasz, are fictitious entities.
Professor Friedman & Dr. Szasz build on Libertarian principles to argue that the government's drug policies are both harmful & wrong. The Drug Policy Foundation has assembled trenchant essays & exclusive interviews by both men that demonstrate the failings of the American drug war. Friedman presents the economic evidence for a free market & against prohibition. Szasz points out that drugspeak conceals the ritual scapegoating of certain drugs & drug users.
The noted psychiatrist challenges established scientific and social definitions of insanity, redefining the concept in relation to bodily illness, social deviance, and the sick role
Een hoogleraar in de psychiatrie betoogt dat het begrip "geestesziek" een sociaal controlemiddel is geworden in handen van de staat en haalt talrijke voorbeelden aan waaruit zou blijken dat de psychiater een politieke macht heeft die hem tot een verlengstuk van de heersende moraal maakt.
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