Poems by T. S. Eliot Thomas Stearns Eliot OM (26 September 1888 - 4 January 1965) was an essayist, publisher, playwright, literary and social critic and "one of the twentieth century's major poets." Born in St. Louis, Missouri in the United States, he moved to the United Kingdom in 1914 (at age 25) and was naturalised as a British subject in 1927 at age 39. Eliot attracted widespread attention for his poem The Love Song of J. Alfred Prufrock (1915), which is seen as a masterpiece of the Modernist movement. It was followed by some of the best-known poems in the English language, including The Waste Land (1922), The Hollow Men (1925), Ash Wednesday (1930) and Four Quartets (1945). He is also known for his seven plays, particularly Murder in the Cathedral (1935). He was awarded the Nobel Prize in Literature in 1948, "for his outstanding, pioneer contribution to present-day poetry.
Thirty-one of Eliot's most influential critical essays on general literary topics, individual authors, and social and religious themes are edited in their entirety or in substantial extract by the distinguished English scholar-critic
This volume includes the title poem as well as "The Love Song of J. Alfred Prufrock," "Gerontion," "Ash Wednesday," "Sweeney Among the Nightingales," and other poems from Eliot's early and middle work. "Eliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English" (Edmund Wilson).
The first volume of Eliot's correspondence covers his childhood in St. Louis, Missouri, through 1922, when he married and settled in England. Volume two covers the time period of Eliot's publication of The Hallow Men and his developing ideas about poetry.
The inspiration for Andrew Lloyd Webber's iconic musical CATS, and its upcoming movie adaptation, directed by Tom Hooper and starring Taylor Swift (Bombalurina), Idris Elba (Macavity the Mystery Cat), Dame Judi Dench (Old Deuteronomy), Ian McKellen (Gus the Theatre Cat), James Corden (Bustopher Jones), Jennifer Hudson (Grizabella), Jason Derulo (Rum Tum Tugger), and Rebel Wilson (Jennyanydots). Cats Some are sane, and some are mad. Some are good, and some are bad . . . These lovable cat poems were written by T. S. Eliot for his godchildren and continue to delight children and grown-ups. Eliot's beloved cat poems are a curious and artful homage to felines young and old, merry and fierce, small and unmistakably round, and Edward Gorey's graphic interpretations are sure to charm.
Newly revised and in paperback for the first time, this definitive, annotated edition of T. S. Eliot's "The Waste Land "includes as a bonus""all the essays Eliot wrote as he was composing his masterpiece. Enriched with period photographs, a London map of cited locations, groundbreaking information on the origins of the work, and full annotations, the volume is itself a landmark in literary history. "More than any previous editor, Rainey provides the reader with every resource that might help explain the genesis and significance of the poem. . . . The most imaginative and useful edition of "The Waste Land" ever published."--Adam Kirsch, "New Criterion ""For the student or for anyone who wants to get the maximum amount of information out of a foundational modernist work, this is the best available edition."--"Publishers Weekly
This omnibus collection includes all of the author's early poetry as well as the Four Quartets, Old Possum's Book of Practical Cats, and the plays Murder in the Cathedral, The Family Reunion, and The Cocktail Party.
An important collection of T. S. Eliot's literary essays and lectures composed, with one exception, in the 1940s and 1950s. All the material is subsequent to the criticism represented in his standard Selected Essays. In this volume Eliot is concerned solely with individual poets (Virgil, Sir John Davies, Milton, Johnson, Byron, Goethe, Kipling, Yeats) and with the art of poetry.
In this magisterial volume, first published in 1932, Eliot gathered his choice of the miscellaneous reviews and literary essays he had written since 1917 when he became assistant editor of The Egoist. In his preface to the third edition in 1951 he wrote; 'For myself this book is a kind of historical record of my interests and opinions.' The text includes some of his most important criticism, especially parts of The Sacred Wood, Homage to John Dryden, the essays on Elizabethan and Jacobean dramatists, For Lancelot Andrewes and Essays Ancient and Modern.
The text of Eliot s 1922 masterpiece is accompanied by thorough explanatory annotations as well as by Eliot s own knotty notes, some of which require annotation themselves.
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