Vision, Reality and Complex brings together a rich selection of Thomas Singer’s scholarship on the development of the cultural complex theory and explores the relationship between vision, reality, and illusion in politics and psyche. The chapters in this book discuss the basic principles of the cultural complex theory in various national and international contexts that span the Clinton, Bush, Obama and Trump eras. Each chapter grounds this theory in practical examples, such as race and healthcare in the United States, or in specific historical and international conflicts between groups, whether they be ethnic, racial, gender, local, national or global. With chapters on topics including mythology, leadership, individuation, revolution, war, and the soul, Singer’s work provides unique insights into contemporary culture, activism, and politics. This collection of essays demonstrates how the cultural complex theory applies in specific contexts while simultaneously having cross-cultural relevance through the reemergence of complexes throughout history. It is essential reading for academics and students of Jungian and post-Jungian ideas, politics, sociology, and international studies, as well as for practicing and trainee analysts alike.
To perform well in today's highly competitive world where technical skills have been advanced to an unprecedented degree, a singer must be able to handle incredible pressure within the performing arena; his or her ability to deal with this stress will often determine whether he or she will succeed. Why, then, do singers with less technical skill sometimes out-perform stars? Why do some stars suddenly stop performing? What is that mysterious factor that makes an electric performance? Consistent, competent performances do not depend solely upon superior vocal skills, nor are they a matter of luck. On the contrary, the best performances result from a combination of mental attitude, concrete performing skills, and excellent technical skills in that order. Yet most singers have never had the opportunity to acquire the essential skills that make for a successful career.Written as a self-help manual for singers at all levels of expertise, Power Performance for Singers is designed to teach performing artists, and especially singers, how to experience elite performance at their level. The skills outlined in this book will help singers use what they have, to enjoy their voices during performance, and to perform consistently to the best of their present ability.
A groundbreaking collection of inspiring and instructive conversations about the beauty, brutality, discipline, and technique of being a successful singer. “This is a captivating look at both the nitty-gritty preparation and emotional energy that ‘it takes [for artists] to stand up to that mic... reach down into their guts, and give everything they’ve got for the sake of the song.’ Its star power and up-close, revelatory detail will keep readers riveted from start to finish.” —Publishers Weekly, starred review “For all of the conversations we have about music, there is precious little talk about the art of communicating emotion and meaning via the human voice. The Singer's Talk remedies this by reaching out to a wide range of different singers, who speak insightfully about both the skill and the magic required to change minds and break hearts.” —Steven Hyden, author of Twilight of the Gods and other books These revelatory, frequently funny, and deeply engrossing in-depth interviews provide fans and aspiring singers a backstage pass to the challenges every vocalist faces onstage and in the studio. Packed with never-before-heard stories, The Singers Talk reveals a truly intimate side to these iconic personalities while offering a master class on how the best in their field keep their vocal cords in shape and protect themselves on the road—along with countless other tricks, techniques, strategies, and philosophies to help vocalists at every level perfect the craft of singing. “This is the most geeked out I’ve ever talked about my voice!” —Thom Yorke This historic roster of artists includes: Bryan Adams, Tony Bennett, Nick Cave, Chuck D, Roger Daltrey, Joe Elliott, Emmylou Harris, Brittany Howard, Chrissie Hynde, Norah Jones, Simon Le Bon, Geddy Lee, Willie Nelson, Stevie Nicks, Ozzy Osbourne, Steve Perry, Lionel Richie, LeAnn Rimes, Smokey Robinson, Robert Smith, Bruce Springsteen, Mavis Staples, Rod Stewart, Paul Stanley, Michael Stipe, Jeff Tweedy, Roger Waters, Dionne Warwick, Ann Wilson, Thom Yorke, and many more. Additionally, the book features conversations about legendary voices no longer with us, such as Butch Vig on Kurt Cobain, Clive Davis on Whitney Houston, Nile Rodgers on David Bowie, and Jimmy Iovine on Tom Petty. “Singing is so much more than hitting the right note. It’s about connecting with the audience, connecting with something divine to a certain degree. It’s connecting to your most primitive and deepest intuition, and to your nature as a human on this planet.” —Karen O. More than just an indispensable guide for singers of any level, The Singers Talk is an unforgettable read for music fans everywhere. All royalties from The Singers Talk will benefit the kids and families at St. Jude Children’s Research Hospital through their Music Gives to St. Jude Kids campaign.
In From Vision to Folly in the American Soul Thomas Singer collates his investigations into soul both in its personal and collective manifestations. With selected essays from twenty years of writing about American politics in the context of contemporary cultural trends, the book as a whole depicts an ongoing exploration of the complex relationships between individual and collective psyche in which reality, illusion, vision, and folly get all mixed up in overlapping political, cultural and psychological conflicts. This text is a valuable resource for academics and students of Jungian and post-Jungian ideas, politics, sociology, and American studies as well as for anyone interested in the current state of the US.
German bass-baritone Thomas Quasthoff stands a shade over four feet tall, his severely underdeveloped arms and hands the result of thalidomide poisoning while he was in his mother's womb. But through stunning determination enlivened by an impish sense of humor, Quasthoff has overcome his physical limitations and Dickensian childhood, cultivating his musical genius and thrilling classical music lovers with his sublime voice. What shines through Quasthoff's astonishing story is his staunch refusal to see himself as a victim. Whether evoking a harrowing childhood marked by multiple agonizing surgeries, relating folksy family anecdotes, expressing his devotion to his students as a professor of voice, expounding on his love of jazz and American popular music (he is a great admirer of Stevie Wonder), or unburdening himself of his wickedly outspoken views on art and disability, Quasthoff's sense of humanity, boisterous conviviality, and fierce honesty are always on display.--From publisher description.
Contemporary politics goes on at a mythic level. This is the provocative argument put forward in this unique book which results from the collaboration of practising politicians, organisational and political consultants, scholars of mythology and culture, and Jungian analysts from several countries. The first part of the book focuses on leadership and vision, and features a reflection on myth and leadership by former U.S. Senator Bill Bradley. The second part deals with the way the theme of 'the one and the many' works itself out in politics today. From the perspective of 'the many', there are chapters on factionalism, ethnic strife, genocide and multiculturalism. From the perspective of 'the one', there are chapters on the economic myth and gender politics showing how these bring coherence to today's confused political scene, culminating in the suggestion that the modern political psyche is itself in the midst of a rite of passage. The relevance of the book to the practice and study of politics, mainstream and marginal, cannot be overemphasised and the book will provide stimulating reading for practitioners and students in these areas as well as for those engaged in psychological work such as therapy, counselling or analysis.
Each type of performer, whether singer, voice-over artists, dancer/singers, instrumentalist/singers, brings specific issues to the voice treatment team and requires special individual attention from the various members of the team, from laryngologist to speech pathologist, singing or voice teacher. The Singer's Voice identifies these individuals, presents reports on cases with special needs and offers myriad solutions that help to preserve the voice and prevent further damage. It is written by a world-leading group of dedicated professionals from an array of disciplines related to the care and treatment of individuals who use their voices in professional settings. Ranging from current day performers to choral conductors to past rock and roll musicians, all contributors have shown a dedication to the care of the singer and performer through their studios, academic training, their research interests and experience, and their clinical and/or their performance background. The content is thoroughly practical and written to be accessible to a wide range of voice professionals, particularly singing and voice teachers; instructors in the various performing arts; those who provide medical and allied health care; and, indeed, performers and students themselves.
Jonas Kaufmann is a phenomenon. With his musicality, his vocal technique and his expressive powers - to say nothing of his matinée-idol good looks - he is widely regarded as the greatest tenor of today. Thomas Voigt's intimate biography, written in collaboration with Kaufmann, reflects on the singer's artistic development in recent years; his work in the recording studio; his relationship to Verdi and Wagner; the sacrifices of success; and much more. It gives unparalleled insight into the world of one of the most captivating opera singers of the international stage.
#3 in the Singer Batts series, by Thomas B. Dewey. Thomas B. Dewey wrote four novels featuring Singer Batts, bibliophile and hotel owner. Singer prefers the company of his books and an occasional foray into the Lonely Hearts Club world. But he keeps getting embroiled in murders! The Boston Herald called the first book "well paced and lively," and The Saturday Review called it, "lively, lurid, and outspoken." Author Dorothy Hughes said: "It's murder and mayhem and hold onto your hats. Amusing and amazing." And they’re all a lot of fun.
Thomas B. Dewey wrote four novels featuring Singer Batts, bibliophile and hotel owner. Singer prefers the company of his books and an occasional foray into the Lonely Hearts Club world. But he keeps getting embroiled in murders! The Boston Herald called the first book "well paced and lively," and The Saturday Review called it, "lively, lurid, and outspoken." Author Dorothy Hughes said: "It's murder and mayhem and hold onto your hats. Amusing and amazing." And they’re all a lot of fun.
This book is written in the belief that the essential basic principles underlying good singing are in themselves rather few, and very simple, but that their application is amazingly varied in light of the individual's needs. It is not intended as a manual of voice production, and does notconcern itself with medical matters, nor directly with anatomy, physiology, and acoustics. While not belittling the value of appropriate scientific investigation, Hemsley believes that modern methods of training have gone too far in the direction of the materialistic approach; that singing in all its aspects and at all times should be guided by the imagination, the feelings, and theintuition; that we have become so pre-occupied by voice per se and the vocal function since the advent of vocal science, that we too easily forget that singing is not voice, but modification of voice - `not only a language through which we understand the emotions of others, but also a means ofexciting our sympathy with such emotions.' (H. Spencer). This book can be seen as an attempt to redress the balance. Quote from reader's report by Professor David Galliver: "Here is a comprehensive and well-ordered philosophy of the art of singing; one which integrates both technical and interpretative aspects. While the technical principles of the classical tradition of singing as expounded by the late Lucie Manen lie at its basis, what is put forward here is verymuch an extension and development, illumined by Thomas Hemsley's long and exceptionally wide experience as a professional singer and teacher, as well as by a wealth of historical evidence. The second part of the book applies these principles, emphasising the fundamental role played by artisticimagination aund understanding. The picture which emerges is essentially comprehensive, and offers a holistic approach to the art of singing. "The book is addressed to those `with a gift for singing who would like to understand better how to approach putting that gift to use'. It will appeal to a wide range of singers, professional and others, and will challenge those pedagogues who rely heavily on the so-called `scientific' approach atthe expense of fundamental human and artistic considerations. Hemsley's own scientific qualifications give additional authority to his hard-hitting arguments. The book is engagingly written, with many personal examples and anecdotes; it certainly makes good reading.
To perform well in today's highly competitive world where technical skills have been advanced to an unprecedented degree, a singer must be able to handle incredible pressure within the performing arena; his or her ability to deal with this stress will often determine whether he or she will succeed. Why, then, do singers with less technical skill sometimes out-perform stars? Why do some stars suddenly stop performing? What is that mysterious factor that makes an electric performance? Consistent, competent performances do not depend solely upon superior vocal skills, nor are they a matter of luck. On the contrary, the best performances result from a combination of mental attitude, concrete performing skills, and excellent technical skills in that order. Yet most singers have never had the opportunity to acquire the essential skills that make for a successful career. Written as a self-help manual for singers at all levels of expertise, Power Performance for Singers is designed to teach performing artists, and especially singers, how to experience elite performance at their level. The skills outlined in this book will help singers use what they have, to enjoy their voices during performance, and to perform consistently to the best of their present ability.
Each type of performer, whether singer, voice-over artists, dancer/singers, instrumentalist/singers, brings specific issues to the voice treatment team and requires special individual attention from the various members of the team, from laryngologist to speech pathologist, singing or voice teacher. The Singer's Voice identifies these individuals, presents reports on cases with special needs and offers myriad solutions that help to preserve the voice and prevent further damage. It is written by a world-leading group of dedicated professionals from an array of disciplines related to the care and treatment of individuals who use their voices in professional settings. Ranging from current day performers to choral conductors to past rock and roll musicians, all contributors have shown a dedication to the care of the singer and performer through their studios, academic training, their research interests and experience, and their clinical and/or their performance background. The content is thoroughly practical and written to be accessible to a wide range of voice professionals, particularly singing and voice teachers; instructors in the various performing arts; those who provide medical and allied health care; and, indeed, performers and students themselves.
The autobiography of exhibition dancer and actor Thomas Allen Rector, from his birth to his enlistment, at the age of 36, in the Allied's cause upon the United States' involvement in World War One. The time was one of change and excitement. The Gay Nineties carried over into the turn of the century. New York was a whirlwind of social and artistic activity. Opera and theater stars were among the social elite. Vaudeville was at its peak. Hollywood was just beginning to get a grip on the country. Movie stars were just being born with the advent of silent films.
#3 in the Singer Batts series, by Thomas B. Dewey. Thomas B. Dewey wrote four novels featuring Singer Batts, bibliophile and hotel owner. Singer prefers the company of his books and an occasional foray into the Lonely Hearts Club world. But he keeps getting embroiled in murders! The Boston Herald called the first book "well paced and lively," and The Saturday Review called it, "lively, lurid, and outspoken." Author Dorothy Hughes said: "It's murder and mayhem and hold onto your hats. Amusing and amazing." And they’re all a lot of fun.
#4 in the Singer Batts mystery series, by Thomas B. Dewey. Thomas B. Dewey wrote four novels featuring Singer Batts, bibliophile and hotel owner. Singer prefers the company of his books and an occasional foray into the Lonely Hearts Club world. But he keeps getting embroiled in murders! The Boston Herald called the first book "well paced and lively," and The Saturday Review called it, "lively, lurid, and outspoken." Author Dorothy Hughes said: "It's murder and mayhem and hold onto your hats. Amusing and amazing." And they’re all a lot of fun.
If Butterfly Kisses Is What I'm Remembered For When I'm Dead-I Can Live With That. Songstory, written by Grammy Award-winning songwriter Randy Thomas, is a writer's room narrative of "Butterfly Kisses," "Why'd You Come In Here Lookin' Like That?" and other great songs. Sharing his intimate knowledge of the Christian Music industry, Randy Thomas covers the music of the Jesus Movement, bringing Sweet Comfort Band and ALLIES alive again. Songstory is also a backstage pass to Shania Twain's transformation from a nightclub singer to an international star. Using songs as musical signposts of the journey, Randy Thomas infuses healthy doses of irony and laughter into the threads of Songstory. In addition, this Grammy award-winning songwriter shares his knowledge about songwriting, including his best tips throughout the book. Beneath it all, the music, the industry, the relationships, lies an even bigger story--the unfolding of God's unstoppable grace. "I remember saying it nearly 20 years ago: "Randy, you should write a book." Apparently, I wasn't the only one. And now, after all these years, he has! I could not be more delighted. As you begin to read his stories, insights, perspectives, and rabbit trails, I'm convinced you'll be delighted too. Tolle Lege!" - DR. GEORGE GRANT "Had I known Randy was this insightful and witty about music, songwriting, and behind the scenes stories, I would have stayed in a band with him for another ten years!" - BRYAN DUNCAN
There was a time when David Clayton-Thomas seemed an unlikely success story. As a teenager in Willowdale, Ontario, his frequent clashes with his authoritarian father led to his living on the streets by the time he was 14, then spending the rest of his youth bouncing in and out of jails and reformatories. But when a battered, old mail-order guitar was left to him by an outgoing inmate, Clayton-Thomas discovered a talent for music that allowed him to believe in a different kind of life. This is the remarkable story of his journey to international stardom as the legendary front man for Blood, Sweat & Tears. In his brutally truthful memoir, Clayton-Thomas reveals what it was like to headline at Woodstock, to tour behind the Iron Curtain, to watch brilliant musicians tear their own band apart with in-fighting, and to make his fortune only to lose it all ... and start all over again. This is a story of grit, courage, and determination. It is, above all, a story of survival.
As this bestseller predicted, Trump has only grown more erratic and dangerous as the pressures on him mount. This new edition includes new essays bringing the book up to date—because this is still not normal. Originally released in fall 2017, The Dangerous Case of Donald Trump was a runaway bestseller. Alarmed Americans and international onlookers wanted to know: What is wrong with him? That question still plagues us. The Trump administration has proven as chaotic and destructive as its opponents feared, and the man at the center of it all remains a cipher. Constrained by the APA’s “Goldwater rule,” which inhibits mental health professionals from diagnosing public figures they have not personally examined, many of those qualified to weigh in on the issue have shied away from discussing it at all. The public has thus been left to wonder whether he is mad, bad, or both. The prestigious mental health experts who have contributed to the revised and updated version of The Dangerous Case of Donald Trump argue that their moral and civic "duty to warn" supersedes professional neutrality. Whatever affects him, affects the nation: From the trauma people have experienced under the Trump administration to the cult-like characteristics of his followers, he has created unprecedented mental health consequences across our nation and beyond. With eight new essays (about one hundred pages of new material), this edition will cover the dangerous ramifications of Trump's unnatural state. It’s not all in our heads. It’s in his.
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