Embark on a picturesque journey through the heart of England, Ireland, and Scotland with Thomas W. Silloway and Lee L. Powers in 'The Cathedral Towns and Intervening Places of England, Ireland, and Scotland.' Penned in the late 19th century, this travelogue is a literary expedition that invites readers to explore the architectural and cultural marvels of these historic regions. As Silloway and Powers guide readers through cathedral towns and the spaces between, the narrative unfolds a rich tapestry of Gothic splendor, quaint villages, and the breathtaking landscapes of the British Isles. With meticulous detail, they provide insights into the historical significance and artistic achievements of the cathedrals, offering readers a unique blend of travelogue and architectural exploration. More than a guidebook, 'The Cathedral Towns and Intervening Places' stands as a testament to the enduring beauty and cultural heritage of these regions. Join Silloway and Powers on this literary journey where each page unveils a new facet of architectural marvels and the captivating landscapes of England, Ireland, and Scotland.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Description of Cities, Cathedrals, Lakes, Mountains, Ruins and Watering-Places. Originally appearing as a series of articles based on the authors' travels in a Boston weekly paper, the work was revised and published in book form in 1887.
Reprint of the original, first published in 1875. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
This critique of Reaganomics attempts to provide alternatives to both the supply experiments of the 1980s and neoliberal strategies of austerity. It presents arguments for economic democracy with a worker-oriented blueprint for improving productivity, growth, employment and economic justice.
Jazz trombonist Jack Teagarden once referred to Ruby Braff as the “Ivy League'sLouis Armstrong.” That legacy of great trumpet performance and recording is brought to readers in Thomas Hustad’s Born to Play: The Ruby Braff Discography and Directory of Performances. Braff’s uncompromising standards, musical taste, and creative imagination informed his consummate artistry in creating music beautifully played. He achieved swiftly what few musicians accomplish in a lifetime by developing a unique and immediately recognizable style. For a reminder of that we need but play any of the more than 150 released recordings on which he appears. These records span a total of 54 years, from 1949 to 2002, a feat almost unmatched in jazz recording. This was five years longer than even Louis Armstrong. Although prepared in discographical style, capturing information about both commercial recordings and previously undocumented performances, Born to Play serves as a biography of the artist, detailing the path he paved as a performer and featuring personal recollections of his musical career with commentary from other figures. Images over the course of his half century of playing fill out this comprehensive survey of Braff's performing and recording career. This bio-discography of the man who jazz drumming legend Buddy Rich declared “one of my favorite trumpeters” and singing giant Tony Bennett described as “my great friend who now holds the reigning position of the best cornet player in the world” is sure to be of interest to jazz fans and scholars alike.
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