New Orleans occupies a singular position within American life. Drawing deeply from Old World traditions and New World possibilities, the port city of the Mississippi has proved a lure to an extraordinary variety of travellers from its very earliest days. New Orleans has always been a world city like no other: it combines the magnolia and moonlight appeal of Southern romanticism, a popular sense of exoticism and decadence, the hint of illicit sex, and a cultural history without compare. However, alongside the glamour there runs another story - of tension, conflict, hardship and destruction. It was in the nineteenth century that the city's most distinctive characteristics were forged, and chapters will be based around signal moments that reveal the city's essential qualities: the Battle of New Orleans in 1815; the World's Fair in 1884; the establishment of Storyville in 1897. Whilst painting a portrait of the public face of New Orleans, the book will look behind the carnival mask to explore aspects of the city's history which have so often been kept hidden from view.
New Orleans occupies a singular position within American life. Drawing deeply from Old World traditions and New World possibilities, the port city of the Mississippi has proved a lure to an extraordinary variety of travellers from its very earliest days. New Orleans has always been a world city like no other: it combines the magnolia and moonlight appeal of Southern romanticism, a popular sense of exoticism and decadence, the hint of illicit sex, and a cultural history without compare. However, alongside the glamour there runs another story - of tension, conflict, hardship and destruction. It was in the nineteenth century that the city's most distinctive characteristics were forged, and chapters will be based around signal moments that reveal the city's essential qualities: the Battle of New Orleans in 1815; the World's Fair in 1884; the establishment of Storyville in 1897. Whilst painting a portrait of the public face of New Orleans, the book will look behind the carnival mask to explore aspects of the city's history which have so often been kept hidden from view.
Even in the decades before Mark Twain enthralled the world with his evocative representations of the Mississippi, the river played an essential role in American culture and consciousness. Throughout the antebellum era, the Mississippi acted as a powerful symbol of America's conception of itself -- and the world's conception of America. As Twain understood, "The Mississippi is well worth reading about." Thomas Ruys Smith's River of Dreams is an examination of the Mississippi's role in the antebellum imagination, exploring its cultural position in literature, art, thought, and national life. Presidents, politicians, authors, poets, painters, and international celebrities of every variety experienced the Mississippi in its Golden Age. They left an extraordinary collection of representations of the river in their wake, images that evolved as America itself changed. From Thomas Jefferson's vision for the Mississippi to Andrew Jackson and the rowdy river culture of the early nineteenth century, Smith charts the Mississippi's shifting importance in the making of the nation. He examines the accounts of European travelers, including Frances Trollope, Charles Dickens, and William Makepeace Thackeray, whose views of the river were heavily influenced by the world of the steamboat and plantation slavery. Smith discusses the growing importance of visual representations of the Mississippi as the antebellum period progressed, exploring the ways in which views of the river, particularly giant moving panoramas that toured the world, echoed notions of manifest destiny and the westward movement. He evokes the river in the late antebellum years as a place of crime and mystery, especially in popular writing, and most notably in Herman Melville's The Confidence-Man. An epilogue discusses the Mississippi during the Civil War, when possession of the river became vital, symbolically as well as militarily. The epilogue also provides an introduction to Mark Twain, a product of the antebellum river world who was to resurrect its imaginative potential for a post-war nation and produce an iconic Mississippi that still flows through a wide and fertile floodplain in American literature. From empire building in the Louisiana Purchase to the trauma of the Civil War, the Mississippi's dominant symbolic meanings tracked the essential forces operating within the nation. As Smith shows in this groundbreaking work, the story of the imagined Mississippi River is the story of antebellum America itself.
Mark Twain’s visions of the Mississippi River offer some of the most indelible images in American literature: Huck and Jim floating downstream on their raft, Tom Sawyer and friends becoming pirates on Jackson’s Island, the young Sam Clemens himself at the wheel of a steamboat. Through Twain’s iconic river books, the Mississippi has become an imagined river as much as a real one. Yet despite the central place that Twain’s river occupies in the national imaginary, until now no work has explored the shifting meaning of this crucial connection in a single volume. Thomas Ruys Smith’s Deep Water: The Mississippi River in the Age of Mark Twain is the first book to provide a comprehensive narrative account of Twain’s intimate and long-lasting creative engagement with the Mississippi. This expansive study traces two separate but richly intertwined stories of the river as America moved from the aftermath of the Civil War toward modernity. It follows Twain’s remarkable connection to the Mississippi, from his early years on the river as a steamboat pilot, through his most significant literary statements, to his final reflections on the crooked stream that wound its way through his life and imagination. Alongside Twain’s evolving relationship to the river, Deep Water details the thriving cultural life of the Mississippi in this period—from roustabouts to canoeists, from books for boys to blues songs—and highlights a diverse collection of voices each telling their own story of the river. Smith weaves together these perspectives, putting Twain and his creations in conversation with a dynamic cast of river characters who helped transform the Mississippi into a vibrant American icon. By balancing evocative cultural history with thought-provoking discussions of some of Twain’s most important and beloved works, Deep Water gives readers a new sense of both the Mississippi and the remarkable writer who made the river his own.
Mark Twain’s visions of the Mississippi River offer some of the most indelible images in American literature: Huck and Jim floating downstream on their raft, Tom Sawyer and friends becoming pirates on Jackson’s Island, the young Sam Clemens himself at the wheel of a steamboat. Through Twain’s iconic river books, the Mississippi has become an imagined river as much as a real one. Yet despite the central place that Twain’s river occupies in the national imaginary, until now no work has explored the shifting meaning of this crucial connection in a single volume. Thomas Ruys Smith’s Deep Water: The Mississippi River in the Age of Mark Twain is the first book to provide a comprehensive narrative account of Twain’s intimate and long-lasting creative engagement with the Mississippi. This expansive study traces two separate but richly intertwined stories of the river as America moved from the aftermath of the Civil War toward modernity. It follows Twain’s remarkable connection to the Mississippi, from his early years on the river as a steamboat pilot, through his most significant literary statements, to his final reflections on the crooked stream that wound its way through his life and imagination. Alongside Twain’s evolving relationship to the river, Deep Water details the thriving cultural life of the Mississippi in this period—from roustabouts to canoeists, from books for boys to blues songs—and highlights a diverse collection of voices each telling their own story of the river. Smith weaves together these perspectives, putting Twain and his creations in conversation with a dynamic cast of river characters who helped transform the Mississippi into a vibrant American icon. By balancing evocative cultural history with thought-provoking discussions of some of Twain’s most important and beloved works, Deep Water gives readers a new sense of both the Mississippi and the remarkable writer who made the river his own.
Even in the decades before Mark Twain enthralled the world with his evocative representations of the Mississippi, the river played an essential role in American culture and consciousness. Throughout the antebellum era, the Mississippi acted as a powerful symbol of America's conception of itself -- and the world's conception of America. As Twain understood, "The Mississippi is well worth reading about." Thomas Ruys Smith's River of Dreams is an examination of the Mississippi's role in the antebellum imagination, exploring its cultural position in literature, art, thought, and national life. Presidents, politicians, authors, poets, painters, and international celebrities of every variety experienced the Mississippi in its Golden Age. They left an extraordinary collection of representations of the river in their wake, images that evolved as America itself changed. From Thomas Jefferson's vision for the Mississippi to Andrew Jackson and the rowdy river culture of the early nineteenth century, Smith charts the Mississippi's shifting importance in the making of the nation. He examines the accounts of European travelers, including Frances Trollope, Charles Dickens, and William Makepeace Thackeray, whose views of the river were heavily influenced by the world of the steamboat and plantation slavery. Smith discusses the growing importance of visual representations of the Mississippi as the antebellum period progressed, exploring the ways in which views of the river, particularly giant moving panoramas that toured the world, echoed notions of manifest destiny and the westward movement. He evokes the river in the late antebellum years as a place of crime and mystery, especially in popular writing, and most notably in Herman Melville's The Confidence-Man. An epilogue discusses the Mississippi during the Civil War, when possession of the river became vital, symbolically as well as militarily. The epilogue also provides an introduction to Mark Twain, a product of the antebellum river world who was to resurrect its imaginative potential for a post-war nation and produce an iconic Mississippi that still flows through a wide and fertile floodplain in American literature. From empire building in the Louisiana Purchase to the trauma of the Civil War, the Mississippi's dominant symbolic meanings tracked the essential forces operating within the nation. As Smith shows in this groundbreaking work, the story of the imagined Mississippi River is the story of antebellum America itself.
The new edition of this popular account of medical microbiology has been revised and updated to include new chapters dealing with laboratory organization and the pattern of investigation recommended for each main type of clinical specimen. The text is aimed at those involved in diagnostic work.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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