Re-Making Sound is concise and flexible primer to sound studies. It takes students through six ways of conceptualizing sound and its links to other social phenomena: soundscapes; noise; sound and semiotics of the voice; sound and/through/in text; background sound/sound design; and sound art. Each chapter summarizes the history and scholarly theoretical underpinnings of these areas and concludes with a student activity that concretizes the historical and theoretical discussion via sound-making projects. With chapters designed to be flexible and non-sequential, the text fits within various course designs, and includes an introduction to key concepts in sound and sound studies, a cumulative concluding chapter with sound accompanying podcast exercise, and an extensive bibliography for students to pursue sound studies beyond the book itself.
Re-Making Sound is concise and flexible primer to sound studies. It takes students through six ways of conceptualizing sound and its links to other social phenomena: soundscapes; noise; sound and semiotics of the voice; sound and/through/in text; background sound/sound design; and sound art. Each chapter summarizes the history and scholarly theoretical underpinnings of these areas and concludes with a student activity that concretizes the historical and theoretical discussion via sound-making projects. With chapters designed to be flexible and non-sequential, the text fits within various course designs, and includes an introduction to key concepts in sound and sound studies, a cumulative concluding chapter with sound accompanying podcast exercise, and an extensive bibliography for students to pursue sound studies beyond the book itself.
In 'Music as Social Life', Thomas Turino explores why it is that music and dance are so often at the centre of our most profound personal and social experiences.
Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas's professional experience reveal these ideas in action.
Now in full color, the sixth edition of this leading text features new chapters on remote sensing platforms (including the latest satellite and unmanned aerial systems), agriculture (including agricultural analysis via satellite imagery), and forestry (including fuel type mapping and fire monitoring). The book has introduced tens of thousands of students to the fundamentals of collecting, analyzing, and interpreting remotely sensed images. It presents cutting-edge tools and practical applications to land and water use analysis, natural resource management, climate change adaptation, and more. Each concise chapter is designed as an independent unit that instructors can use in any sequence. Pedagogical features include over 400 figures, chapter-opening lists of topics, case studies, end-of-chapter review questions, and links to recommended online videos and tutorials. New to This Edition *Discussions of Landsat 8 and Sentinel-2; the growth of unmanned aerial systems; mobile data collection; current directions in climate change detection, fire monitoring, and disaster response; and other timely topics. *Additional cases, such as river erosion; the impact of Hurricane Sandy on Mantoloking, New Jersey; and Miami Beach as an exemplar of challenges in coastal communities. *Revised throughout with 60% new material, including hundreds of new full-color figures. *New chapters on remote sensing platforms, agriculture, and forestry.
Practical Musicology outlines a theoretical framework for studying a broad range of current musical practices and aims to provoke discussion about key issues in the rapidly expanding area of practical musicology: the study of how music is made. The book explores various forms of practice ranging from performance and composition to listening and dancing, from historically informed performances of Bach in the USA to Indonesian Dubstep or Australian musical theatre, and from Irish traditional music played by French musicians from Toulouse to Brazilian thrash metal or K-Pop. Drawing on neuroscience, cognitive psychology, ecological approaches in anthropology, and the social construction of technology and creativity, Zagorski-Thomas uses a series of case studies and examples to investigate how practice is already being studied and to suggest a principle for how it might continue to develop, based around the assertion that musicking cannot be treated as a culturally or ideologically neutral phenomenon.
Bamako Sounds tells the story of an African city, its people, their values, and their music. Centered on the music and musicians of Bamako, Mali’s booming capital city, this book reveals a community of artists whose lives and works evince a complex world shaped by urban culture, postcolonialism, musical expression, religious identity, and intellectual property. Drawing on years of ethnographic research with classically trained players of the kora (a twenty-one-string West African harp) as well as more contemporary, hip-hop influenced musicians and producers, Ryan Thomas Skinner analyzes how Bamako artists balance social imperatives with personal interests and global imaginations. Whether performed live on stage, broadcast on the radio, or shared over the Internet, music is a privileged mode of expression that suffuses Bamako’s urban soundscape. It animates professional projects, communicates cultural values, pronounces public piety, resounds in the marketplace, and quite literally performs the nation. Music, the artists who make it, and the audiences who interpret it thus represent a crucial means of articulating and disseminating the ethics and aesthetics of a varied and vital Afropolitanism, in Bamako and beyond.
What does it mean to belong? In The Land is Sung, musicologist Thomas M. Pooley shows how performances of song, dance, and praise poetry connect Zulu communities to their ancestral homes and genealogies. For those without land tenure in the province of KwaZulu-Nata, performances articulate a sense of place. Migrants express their allegiances through performance and spiritual relationships to land are embodied in rituals that invoke ancestral connection while advancing well-being through intergenerational communication. Engaging with justice and environmental ethics, education and indigenous knowledge systems, musical and linguistic analysis, and the ethics of recording practice, Pooley's analysis draws on genres of music and dance recorded in the midlands and borderlands of South Africa, and in Johannesburg's inner city. His detailed sound writing captures the visceral experiences of performances in everyday life. The book is richly illustrated and there is a companion website featuring both video and audio examples.
In the area of ballpark hopping, there have been a number of accounts written, recorded or talked about in recent times, sometimes for a cause or others just as a gimmick. Through Poet in the Grandstand, poet and writer Thomas Porky McDonald gives us a most unique twist on a preoccupation which has grown in the past few decades, in the wake of the closings of classic old yards and the birth of the more entertainment and nostalgia driven open-air parks. From his first trip in 1990, to the fabled Comiskey Park of Shoeless Joe Jackson, Bill Veeck and the Go-Go Sox, on through to the 2010 opening of Minnesotas fabulous Target Field, featuring the modern M&M Boys, Joe Mauer and Justin Mourneau, McDonald offers up a book that is part travelogue and part poetic tribute to all the places that men and women have gone to over the years for a very personal sense of joy. This journey, done methodically, over two decades, picks up steam as the chapters begin to flow. The effect of McDonald himself clearly growing as a poet through the years is accentuated by the fact that more and more pieces are written in the later trips. The end result is a most interesting volume of not just ballparks, but Americana, as numerous attractions taken in during those ballpark weeks and weekends are also noted and/or dissected. For fourteen seasons on his own and then six more accompanied by friend and confidant Adam Boneker, McDonalds travels, highlighted by over 300 poems, can take the reader back to a simpler time or into the possibilities of the future. In chapter and in verse, Poet in the Grandstand has something for both the baseball enthusiast and the curious traveler. Fans of the game and lovers of the road will each find much to offer within these pages.
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