This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Während ihres Exils auf der Flucht vor den Nationalsozialisten entfaltete sich ein intensiver Austausch zwischen dem Schriftsteller Thomas Mann und dem vierzig Jahre jüngeren Philosophen und Musiktheoretiker Theodor W. Adorno. Die beiden hier abgedruckten Briefe von Mann an Adorno, von 1943 und 1945, stehen im Zusammenhang mit Manns Doktor Faustus. Adorno diente als sein Berater für die musikwissenschaftlichen und -theoretischen Fragestellungen, insbesondere in Bezug auf die von Arnold Schönberg begründete Zwölftonmusik, die Mann in seinem Roman verwertete – ohne allerdings deren Urheber zu erwähnen. Dies führte zum Plagiatsvorwurf seitens Schönbergs, dessen Geschichte der Romanautor Enrique Vila-Matas in seiner Einführung erzählt. Mann reagierte auf den Vorwurf mit Unverständnis, hielt er doch das von ihm in dem späteren der beiden Briefe ausführlich erläuterte Montageprinzip im Sinne einer Appropriation ohne Kenntlichmachung der Quelle, wenn auch für »vielleicht anstößig«, letztlich für zulässig. Thomas Mann (1875–1955) war Schriftsteller und Theodor W. Adorno (1903–1969) Soziologe und Philosoph. Der Schriftsteller Enrique Vila-Matas (*1948) lebt in Barcelona. Sprache: Deutsch/Englisch
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Eight complex stories illustrative of the author's belief that "a story must tell itself," highlighted by the high art style of the famous title novella.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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