At the heart of Silicon Valley's meteoric rise is a story etched in the lives of those who shaped it and those who were forever transformed by it. Author Tom Mahon provides an insider's perspective on the birth of the semiconductor industry, which sparked the region's transformation from sleepy farmland to the heart and soul of the high-tech revolution. Through twenty-five extended, in-person interviews you'll meet a diverse cast of characters whose goal was to create technology and tools in service to humanity. In the Afterword to this edition, the author questions whether they accomplished their objectives and urges readers to rise up and rethink technology. What did it take to create the atmosphere that transformed rich farmland into the wealthy center of high-tech? Five climates lined up in just the right way. Educational institutions (Stanford and Berkeley); an attractive location with balmy, Mediterranean-like weather; a history of technology development (Federal Telegraph in the early twentieth century); financial risk taking (the gold rush); and a cultural climate near the center of an ideological revolution (the hippie movement). The Santa Clara Valley had them all. In spades. Before personal computers, or the Internet, or social media came *chips*. Inventive minds took advantage of the quad-electron structure and unique properties - insulative and conductive - of silicon to create semiconductors. But Charged Bodies is more than just the story of new technologies emerging from "The Valley of the Heart's Delight." Using an approach like The Canterbury Tales, Tom Mahon captures the spirit of Silicon Valley in the 80s through the stories of the people all around him. The inventors and bankers have their say. But so do a range of other people who lived through that transition. Listen as artists and hackers, detectives and journalists, lawyers and scientists, flappers and philosophers tell the story of Silicon Valley in their own words.
Featuring facsimilies of the actual coded documents, the book delves into nearly every matter conceivable for a paramilitary organisation, ranging from the importation of explosives to the use of IRA informants in the gardai. Documents detail the IRA's secret agreement with the Soviet Union and its attempts to provide military assistance to China; military espionage in America; plans to stage a gas attack on Dublin; the IRA's infiltration of the GAA and control of the Kerry football team and the struggle with Eamon de Valera and Fianna Fail. The book provides an unnerving insight into how the IRA saw itself and conducted its dangerous business in secrecy."--BOOK JACKET.
The moral cliff is fast-approaching. We're well-aware of the dangerous moral cancers exposed in Thomas E. Mahon's previous work, "Radical Chemo" Moral Justifications, Individualism, Relativism, Secularism, Fundamentalism and Moral Compartmentalization. So what is it that we're doing? We're hitting the brakes, right? Well, not quite. Given how we're dealing with issues like the use of the N-word, the worship of Earth, raising brats and narcissists, predicting disaster through global warming, spending obscene amounts of money to elect our presidents and fostering the continuing conflict between science and religion, we're actually accelerating toward that cliff. Take the plunge into "28 Minutes to Midnight." Let's take a deep breath. Let's find common ground. Let's get our moral bearings. Most of all, let's find that brake pedal. Thomas E. Mahon is a 26-year educator. His previous works include "Radical Chemo" and "The Last Daughter." He lives in South Florida with his wife and three children.
Religious conflict in Ireland has had a long history. Faith, Famine, and Faction is a case study of religious conflict in the copper-mining community of Bunmahon, Co. Waterford, Ireland in the mid-nineteenth century. By the time an English evangelical clergyman, Rev. David Alfred Doudney, came to the area in 1847, intense exploitation of its copper resources had begun. Depression in the industry followed by famine and its legacy, spurred Doudney to initiate educational establishments to help the poor and deprived of the area, children particularly. These initiatives brought him into conflict with Catholic clergy who suspected him of engaging in proselytism. Doudney was more interested in encouraging a more vital Christianity in opposition to the nominalism he found around him, whether among Catholics or Protestants, than he was in forced religious conversion. However, such a distinction was not clear at popular level. In the rising tensions that ensued and against the backdrop of a suspected suicide, Doudney was the object of bigoted opposition, a narrow xenophobia, and of threat to his life, that together forced his departure. Not without blemish himself, Doudney articulated a strong anti-Catholic rhetoric common to the Victorian age, which he directed against the doctrines and practices of the Catholic Church.
Readers who loved the fictional Jo March in Little Women will love this thrilling memoir by New York Times journalist Jo Thomas, a real-life Jo March who refused to give up when men said journalism was not for a woman. Jo was a young housewife when she first went to work for an Ohio newspaper that had not hired a woman in 20 years. The men shunned her, but she discovered people and issues they ignored and wrote about them. Follow her through ruined neighborhoods in Cincinnati, the underworld of Detroit, the office of a scientist who did covert experiments for the CIA, the admiral responsible for finding survivors of America’s nuclear tests, the Cuban side of the Mariel boatlift, Northern Ireland during the Troubles, and the white right-wing enclaves in the American heartland after the Oklahoma City bombing. At home, Jo loses and gains a family. At work, she never becomes “One of the boys.” Her story speaks to the struggles of women of all ages. Come along for the journey.
Space, Place and Poetry in English and German, 1960-1975 examines the work of Paul Celan, J. H. Prynne, Derek Mahon, Sarah Kirsch, Edwin Morgan and Ernst Jandl, bringing together postwar English- and German-language poetry and criticism on the theme of space, place and landscape. Nicola Thomas highlights hitherto underexplored connections between a wide range of poets working across the two language areas, demonstrating that space and place are vital critical categories for understanding poetry of this period. Thomas’s analysis reveals weaknesses in existing critical taxonomies, arguing for the use of ‘late modernist’ as a category with cross-cultural relevance, and promotes methodological exchange between the Anglophone and German traditions of landscape, space and place oriented poetic criticism, to the benefit of both.
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