Ben Thompson was a remarkable man, and few Texans can claim to have crowded more excitement, danger, drama, and tragedy into their lives than he did. He was an Indian fighter, Texas Ranger, Confederate cavalryman, mercenary for a foreign emperor, hired gun for a railroad, an elected lawman, professional gambler, and the victor of numerous gunfights. As a leading member of the Wild West’s sporting element, Ben Thompson spent most of his life moving in the unsavory underbelly of the West: saloons, dance-houses, billiard halls, bordellos, and gambling dens. During these travels many of the Wild West’s most famous icons—Wyatt Earp, Doc Holliday, Bat Masterson, Wild Bill Hickok, John Wesley Hardin, John Ringo, and Buffalo Bill Cody—became acquainted with Ben Thompson. Some of these men called him a friend; others considered him a deadly enemy. In life and in death no one ever doubted Ben Thompson’s courage; one Texas newspaperman asserted he was “perfectly fearless, a perfect lion in nature when aroused.” This willingness to trust his life to his expertise with a pistol placed Thompson prominently among the western frontier’s most flamboyant breed of men: gunfighters.
A revealing look at the rise of these influential institutions, and the effect they’ve had on the United States. Think tanks have become fixtures of American politics, supplying advice to presidents and policy makers, expert testimony on Capitol Hill, and convenient facts and figures to journalists and media specialists. But what are think tanks? Who funds them? What kind of research do they produce? Where does their authority come from? And how influential have they become? In Think Tanks in America, Thomas Medvetz argues that the unsettling ambiguity of the think tank is less an accidental feature of its existence than the very key to its impact. By combining elements of more established sources of public knowledge—universities, government agencies, businesses, and the media—think tanks exert a tremendous amount of influence on the way citizens and lawmakers perceive the world, unbound by the more clearly defined roles of those other institutions. In the process, they transform the government of this country, the press, and the political role of intellectuals. Timely, succinct, and instructive, this provocative book will force us to rethink our understanding of the drivers of political debate in the United States.
America’s Wild West created an untold number of notorious characters, and in southwestern Texas, John King Fisher (1855-1884) was foremost among them. To friends and foes alike, he insisted he be called “King.” Standing over six feet tall, a dark and handsome man, King often dressed as a frontier dandy. A Texas Ranger remembered King as wearing an “ornamented Mexican sombrero, a black Mexican jacket embroidered with gold, a crimson sash and boots, with two silver-plated, ivory-handled revolvers swinging from his belt.” Early in life King fell victim to bad influences. After a stint in Huntsville Prison as a teenager, he found a home in the tough sun-beaten Nueces Strip, a lawless land between the Nueces River and the Rio Grande. There he gathered a gang of rustlers around him at his ranch on Pendencia Creek. For a decade King and his gang raided both sides of the Rio Grande, shooting down any who opposed them. Newspapers claimed King avoided the penalties prescribed by law by killing potential witnesses—in spite of many charges he was never convicted of cattle or horse stealing, or murder. King’s reign ended when he was arrested by Texas Ranger Captain Leander McNelly. In no uncertain terms he advised Fisher to change his ways. Having emerged victorious in gunfights with outlaws from across the Rio Grande, King Fisher chose a life style which would prove to be just as dangerous—deputy sheriff of Uvalde County. Now he would enforce the law, with his badge as well as his six-shooter. But his hard-won respectability would not last. On a spring night in 1884, King made the mistake of accompanying the truly notorious gambler and gunfighter Ben Thompson on a tour of San Antonio, where several years prior, over a gambling dispute, Thompson shot down Jack Harris at the latter’s saloon and theater, the Vaudeville. Recklessly, King Fisher accompanied Thompson back to the theater to call upon Harris’s former partners. Warned of their coming, assassins were waiting. Within minutes of entering the theater, when the smoke cleared, Fisher was stretched out beside Thompson, dead from thirteen gunshot wounds.
During the 1980s Black athletes and other athletes of color broadened the popularity and profitability of major-college televised sports by infusing games with a "Black style" of play. At a moment ripe for a revolution in men's college basketball and football, clashes between "good guy" white protagonists and bombastic "bad boy" Black antagonists attracted new fans and spectators. And no two teams in the 1980s welcomed the enemy's role more than Georgetown Hoya basketball and Miami Hurricane football. Georgetown and Miami taunted opponents. They celebrated scores and victories with in-your-face swagger. Coaches at both programs changed the tenor of postgame media appearances and the language journalists and broadcasters used to describe athletes. Athletes of color at both schools made sports apparel fashionable for younger fans, particularly young African American men. The Hoyas and the 'Canes were a sensation because they made the bad-boy image look good. Popular culture took notice. In the United States sports and race have always been tightly, if sometimes uncomfortably, entwined. Black athletes who dare to challenge the sporting status quo are often initially vilified but later accepted. The 1980s generation of barrier-busting college athletes took this process a step further. True to form, Georgetown's and Miami's aggressive style of play angered many fans and commentators. But in time their style was not only accepted but imitated by others, both Black and white. Love them or hate them, there was simply no way you could deny the Hoyas and the Hurricanes.
This is the first complete introduction to Irish thought ever available. This volume will be of great value to anyone interested in Irish culture and its intellectual history.
The need for American presidential candidates and sitting presidents to connect with citizens has led to the adoption of diverse media strategies that include traditional news initiatives with established journalists, face-to-face interaction with small groups of supporters, and visits to traditionally non-political entertainment-based venues. The American Presidency and Entertainment Media: How Technology Affects Political Communication examines the recent embrace of entertainment forums for political purposes. Featuring interviews with White House insiders and late night talk show veterans, this book analyzes the major moments in the presidency’s increasingly cozy relationship with entertainment-based television shows and the major factors leading individual administrations and campaigns to take chances to reach largely non-political audience. It offers a new theoretical underpinning for this phenomenon, predicts how future campaigns will operate in this regard as media technology and American political culture evolve, and connects the marriage of politics and televised entertainment to the ascension of Donald Trump to the presidency.
Before there was Shirley Temple or Judy Garland or Fanny Brice, before musical comedy even existed as a genre, Maggie Mitchell (1836-1918) consistently drew sold-out crowds for four decades as a musical comedy star. Admired by Abraham Lincoln as well as John Wilkes Booth, along with millions of adoring fans, both female and male, Maggie blazed across the American stage, her energy unstoppable in her signature roles: Fanchon, Little Barefoot, Pearl of Savoy, French Spy, Little Savage, and Jane Eyre. Trying to capture her appeal, reviewers exhausted their store of adjectives and metaphors, among them “vivacious,” “beautiful,” “hoydenish,” “sprightly,” “piquant,” “elfin,” “impish,” “mischievous,” “winsome,” “electric,” “versatile,” “chaste,” “a fascinating little witch,” “a materialized sunbeam” and “a champagne sparkle.” When she finally retired, one of the wealthiest actresses in the world, she left in her wake dozens of Maggie Mitchell imitators, and critics ever since have spoken of the “Maggie Mitchell style” of acting: effervescent, endearing, and eternally youthful. As an actress, a faithful wife and mother, and an icon of respectability in a field often condemned by moralists, she left a legacy of unparalleled achievement.
Serving in the military is often a disruptive event in the lives of those who join, precipitating a reassessment of the service member’s ethical sensibilities or, tragically, resulting in lasting moral injury and trauma. The military experience compels them to navigate multiple identities, from citizen to warrior and back. Their religious identity, sometimes rooted in a civilian religious community, can be altered by military participation. Through a series of inductive, in-depth qualitative interviews, Suitt explores how varied religious resources and potentially traumatic events affect the lives of post-9/11 veterans who once or currently identified as Christian. Adding to existing research on moral injury, it traces how military chaplains, ethics education, just war theory rhetoric, and formal religious practice supplied by the military alter the course of service members’ moral lives. These narrative trajectories reveal how veterans use Christian faith or other systems of meaning-making to understand war and their identities as service members and veterans.
Wizards with magical powers to heal the sick, possess the bodies of their followers, and defend their tradition against outside threats are far from the typical picture of Buddhism. Yet belief in wizard-saints who protect their devotees and intervene in the world is widespread among Burmese Buddhists. The Buddha’s Wizards is a historically informed ethnographic study that explores the supernatural landscape of Buddhism in Myanmar to explain the persistence of wizardry as a form of lived religion in the modern era. Thomas Nathan Patton explains the world of wizards, spells, and supernatural powers in terms of both the broader social, political, and religious context and the intimate roles that wizards play in people’s everyday lives. He draws on affect theory, material and visual culture, long-term participant observation, and the testimonies of the devout to show how devotees perceive the protective power of wizard-saints. Patton considers beliefs and practices associated with wizards to be forms of defending Buddhist traditions from colonial and state power and culturally sanctioned responses to restrictive gender roles. The book also offers a new lens on the political struggles and social transformations that have taken place in Myanmar in recent years. Featuring close attention to the voices of individual wizard devotees and the wizards themselves, The Buddha’s Wizards provides a striking new look at a little-known aspect of Buddhist belief that helps expand our ways of thinking about the daily experience of lived religious practices.
A Year with G.K.Chesterton will be a treasure, both for those who are coming to his wit andwisdom as a fresh discovery, and for those who have known and loved his workfor years. . . . Chesterton's talent for paradox, and his ability to embodyprofound truth in simple images, makes him as compelling now as he was ahundred years ago. . . . He was a prophet in his own time and a prophet forours, speaking out against insidious evils and kindling us all again to acommon love of the common good." --The Reverend Dr. Malcolm Guite, chaplain of Girton College, Cambridge University "This world of ours has some purpose; and if there is apurpose, there is a Person. I had always felt life first as a story: and ifthere is a story, there is a Storyteller." --G. K. Chesterton A Year with G. K. Chesterton daily brings this truth to life. And we areheir to the winsome, arresting, utterly original outpouring of Chesterton'sreasons for hope. During his lifetime, a host of perspectives clamored for hisattention, but he saw nothing as vital and alive as Christianity. Readers ofthis book will find their faith strengthened and enriched, even as they see themany reasons why George Bernard Shaw called Chesterton "a colossal genius." A true anthology, the best of Chesterton's many works are presented in concise, memorableselections. From New Year's Day to New Year's Eve, each page contains a passageof Scripture and myriad moments for reflection, appreciation, and laughter. "Chesterton once aday? Well, that's a start. It is good to see that someone is finallyrecognizing the need for a daily minimum requirement of mirth and meditationfrom GKC." --Dale Ahlquist, President, AmericanChesterton Society "Kevin Belmonte writes in the preface to this excellent bookthat his editing of it has been a gift. As an author who has written regularlyon Chesterton I can understand his sense of gratitude at having been able tospend so much time with a genius as genial as the great GKC. Thanks toBelmonte's labor of love we can all spend a few moments of every day of the yearin Chesterton's inimitable company. All admirers of Chesterton and theChristian truth he explicates so sublimely will be grateful to Kevin Belmontefor this gem of a gift." --Joseph Pearce, author of Wisdom and Innocence: A Life of G. K.Chesterton "Who could not be grateful for a year spent with GKC?The great subverter of everything taken for granted, he stretches and deepensus with his insights, shakes us with his startling paradoxes and delights uswith his wit. Thank God there is no getting to the end of Chesterton." --Os Guinness, author of A Free People's Suicide
America is still at war in the year 2068, constantly threatened by terrorism. Its last chance of victory rests in a Special Operations branch, the Elite, which is composed of teenagers showing extraordinary prowess in the military. But many go MIA, kidnapped by terrorists or captured overseas. Some are never seen again, while others are rescued, only to betray their country. Irene Hunt is the only one who returns alone, having no recollection of her disappearance. She struggles to recover her memory, suspected of treason while Elite bases are targeted and bombed. Their destruction is inevitable when she finally remembers her ordeal, learning that a hidden enemy operates inside America, adding a deadly internal threat to the ongoing war.
Bean Blossom, Indiana is home to the annual Bean Blossom Bluegrass Festival, founded in 1967 by Bill Monroe, the father of bluegrass. Here, Adler discusses the development of bluegrass music, the many personalities involved in the bluegrass music scene, the interplay of local, regional, and national interests, and more.
This is the fifth volume from the International Sparta Seminar, in the series founded by Anton Powell and Stephen Hodkinson. Thomas J. Figueira is here the editor of sixteen papers; fifteen are new, the other is newly translated from the French. Among the authors are most of the world's leading authorities on the history of Sparta. There are particular concentrations of papers on Spartan women; the economy of Sparta; helots and Messenians; Xenophon and Sparta; and the modern reception of Sparta.
This book, first published in 1974, analyses the position of the Gypsies in Britain in the twentieth century, and assesses its significance in their overall history. Two dramatic shifts in Government policy towards the Gypsies are examined – in the 1880s and the 1960s – as are the changes in the stereotype of the ‘true Gypsy’. Dr Acton traces the developments of attitudes and economic conditions that gave rise to the 1970s increase in interest in Gypsies, and discusses the concomitant political and pressure group activity. He gives an account of the historical background to modern Gypsy politics; describes the postwar situation of the Gypsies in England and Wales, including pro-Gypsy pressure group activity up to 1965, and goes on to cover the campaigns of the Gypsy Council, including a sociological assessment of its work. He considers these aspects of Gypsy life in the light of modern sociological theory on minorities and race relations.
There is a specter haunting advanced industrial countries: structural unemployment. Recent years have seen growing concern over declining jobs, and though corporate profits have picked up after the Great Recession of 2008, jobs have not. It is possible that “jobless recoveries” could become a permanent feature of Western economies. This illuminating book focuses on the employment futures of advanced industrial countries, providing readers with the sociological imagination to appreciate the bigger picture of where workers fit in the new international division of labor. The authors piece together a puzzle that reveals deep structural forces underlying unemployment: skills mismatches caused by a shift from manufacturing to service jobs; increased offshoring in search of lower wages; the rise of advanced communication and automated technologies; and the growing financialization of the global economy that aggravates all of these factors. Weaving together varied literatures and data, the authors also consider what actions and policy initiatives societies might take to alleviate these threats. Addressing a problem that should be front and center for political economists and policymakers, this book will be illuminating reading for students of the sociology of work, labor studies, inequality, and economic sociology.
The humor of the Old South -- tales, almanac entries, turf reports, historical sketches, gentlemen's essays on outdoor sports, profiles of local characters -- flourished between 1830 and 1860. The genre's popularity and influence can be traced in the works of major southern writers such as William Faulkner, Erskine Caldwell, Eudora Welty, Flannery O'Connor, and Harry Crews, as well as in contemporary popular culture focusing on the rural South. This collection of essays includes some of the past twenty five years' best writing on the subject, as well as ten new works bringing fresh insights and original approaches to the subject. A number of the essays focus on well known humorists such as Augustus Baldwin Longstreet, Johnson Jones Hooper, William Tappan Thompson, and George Washington Harris, all of whom have long been recognized as key figures in Southwestern humor. Other chapters examine the origins of this early humor, in particular selected poems of William Henry Timrod and Washington Irving's "The Legend of Sleepy Hollow," which anticipate the subject matter, character types, structural elements, and motifs that would become part of the Southwestern tradition. Renditions of "Sleepy Hollow" were later echoed in sketches by William Tappan Thompson, Joseph Beckman Cobb, Orlando Benedict Mayer, Francis James Robinson, and William Gilmore Simms. Several essays also explore antebellum southern humor in the context of race and gender. This literary legacy left an indelible mark on the works of later writers such as Mark Twain and William Faulkner, whose works in a comic vein reflect affinities and connections to the rich lode of materials initially popularized by the Southwestern humorists.
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