The third book in the hilarious New York Times bestselling middle-grade series set in the world of law-breaking leprechauns from actor and writer Thomas Lennon Ronan Boyle may be the youngest detective of the secret Garda, but now that he’s saved the captain from a spooky cult, he’s also the only detective that has the head of an old Irish god in his vastsack! But his adventures are far from over. His parents are still on the run (he told them the prison break was a bad idea!), and he still has to turn over the corrupt wee folk to the leprechaun king and return to the Human Republic of Ireland to turn over the god’s head. Simple, right? VERY WRONG! Between having to get swallowed by a whale to take a short cut, avoiding a jar of hot pickle farts, and figuring out how he can prove his parents’ innocence, Ronan’s really got his hands full. Will our small, nervous hero be able to somehow save the day once again? Fast-paced, action-packed, and sidesplittingly funny, the third book in the New York Times bestselling series delivers strange creatures, heart-pounding thrills, and plenty of laughs.
Fourteen-year-old Ronan Boyle is the youngest and lowliest recruit to the secret Garda, an Irish police force that handles the misdeeds of numerous magical creatures. Ronan’s parents are in jail, but Ronan is convinced that they were framed by the wee people. So, despite his small size, poor eyesight, and social awkwardness, he’s determined to learn all he can in the Garda in order to prove his parents’ innocence. To show he’s got what it takes, he’ll have to confront a fiery leprechaun, a sinister harpy, and a whole world of monsters hidden in plain sight next to real-life Ireland. Fast paced, action packed, and completely hilarious, this is the start to an exciting new middle-grade series by actor and writer Thomas Lennon.
Lennon and McCartney: Painting with Sound explores the work of two of the most influential composers of the twentieth century. Five decades after the breakup of the Beatles, the music of John Lennon and Paul McCartney continues to fascinate and inspire. Evidence suggests that their uniquely eclectic approach can be traced back to the Liverpool College of Art. Following on that idea, this book explores the creative dialogue between John Lennon and Paul McCartney, both with the Beatles and on their own, that grew out of that early influence. The book is presented in three sections: I. Stretching the Canvas considers the Liverpool College of Art as the backdrop for John and Paul’s early collaborations with painter and musician Stuart Sutcliffe. This is followed by discussions of select works created by the Beatles between 1962-69. II. Extending the Space focuses on the long-distance creative dialogue between Lennon and McCartney as demonstrated in their respective solo recordings of the 1970s. III. New Colours considers the final works of the Lennon and McCartney creative dialogue as well as various McCartney solo projects released in the years that followed Lennon’s death in 1980. Here, the focus is on Paul’s development as a painter, its effect on his creativity, and his subsequent efforts to establish the Liverpool Institute for Performing Arts as a world-class arts conservatory.
By the mid-1600s, the commonsense, manifest picture of the world associated with Aristotle had been undermined by skeptical arguments on the one hand and by the rise of the New Science on the other. What would be the scientific image to succeed the Aristotelian model? Thomas Lennon argues here that the contest between the supporters of Descartes and the supporters of Gassendi to decide this issue was the most important philosophical debate of the latter half of the seventeenth century. Descartes and Gassendi inspired their followers with radically opposed perspectives on space, the objects in it, and how these objects are known. Lennon maintains that differing concepts on these matters implied significant moral and political differences: the Descartes/Gassendi conflict was typical of Plato's perennial battle of the gods (friends of forms) and giants (materialists), and the crux of that enduring philosophical struggle is the exercise of moral and political authority. Lennon demonstrates, in addition, that John Locke should be read as having taken up Gassendi's cause against Descartes. In Lennon's reinterpretation of the history of philosophy between the death dates of Gassendi and Malebranche, Locke's acknowledged opposition to Descartes on some issues is applied to the most important questions of Locke exegesis. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The hilarious sequel to the instant New York Times bestseller, set in the world of law-breaking leprechauns, from actor and writer Thomas Lennon—now in paperback Ronan Boyle may not be the strongest, or the smartest, or the best looking, or the most dexterous member of the secret Garda . . . So why was he picked to save the captain from the harpy who dragged her into Tir Na Nog? He’s not entirely sure. But he may be the captain’s only hope—if he can outrun cannibalistic elves, escape a job in a unicorn’s lounge act, and find the captain before she’s sacrificed to a cult. Eventually Ronan must battle the scariest monster of all: imposter syndrome. Fast-paced, action-packed, and utterly hilarious, the second book in the New York Times bestselling series delivers laughs and much, much more.
A stunning new book showing how the Beatles' song lyrics contain secret conversations between John Lennon and Paul McCartney. Varying between strong affection and outright hostility, these hidden messages clearly mirror the fluctuations the two Beatles were experiencing in their personal relationship at the time. The Beatles themselves have made only fleeting references to this troubled phase. Paul McCartney acknowledges what he calls the "song wars" period, confirming that, at the time, "I was really writing a lot of songs to John." John Lennon meanwhile played down the negative tone of his messages saying "I'm entitled to call Paul what I want and vice versa. It's in our family
The Battle of the Gods and Giants Redux' is a collection of 14 original essays in early modern philosophy by leading scholars in the field presented in honour of Thomas M. Lennon.
A critical but sympathetic treatment of Pierre Bayle. Once known as the 'Arsenal of the Enlightenment, ' his concepts were widely adopted by later thinkers, but since his time there has been nothing but disagreement about how Bayle is to be interpreted
Through a series of candid photographs and detailed captions, this book charts the life story of an extraordinarily gifted individual. He courted fame and fortune but wore it lightly. He could be savagely abrasive but became the spokesman of the pe.
This historical study of Pierre-Daniel Hueta (TM)s "Censura philosophiae cartesiana" (1689) and the controversy surrounding it, shows that there are good answers to the perennial standard criticisms of Descartesa (TM)s philosophy: the method of doubt, the cogito, proofs of Goda (TM)s existence, etc.
Lennon and McCartney: Painting with Sound explores the work of two of the most influential composers of the twentieth century. Five decades after the breakup of the Beatles, the music of John Lennon and Paul McCartney continues to fascinate and inspire. Evidence suggests that their uniquely eclectic approach can be traced back to the Liverpool College of Art. Following on that idea, this book explores the creative dialogue between John Lennon and Paul McCartney, both with the Beatles and on their own, that grew out of that early influence. The book is presented in three sections: I. Stretching the Canvas considers the Liverpool College of Art as the backdrop for John and Paul’s early collaborations with painter and musician Stuart Sutcliffe. This is followed by discussions of select works created by the Beatles between 1962-69. II. Extending the Space focuses on the long-distance creative dialogue between Lennon and McCartney as demonstrated in their respective solo recordings of the 1970s. III. New Colours considers the final works of the Lennon and McCartney creative dialogue as well as various McCartney solo projects released in the years that followed Lennon’s death in 1980. Here, the focus is on Paul’s development as a painter, its effect on his creativity, and his subsequent efforts to establish the Liverpool Institute for Performing Arts as a world-class arts conservatory.
The debate in 17th-century France between the Quietists and their opponents raised the question whether we should be willing to sacrifice the salvation of our own souls for love of another. Descartes’s views on freewill were cited by both sides.
The fascinating story of how creative cooperation inspired two of the world’s most celebrated musical acts. The Beatles and Duke Ellington’s Orchestra stand as the two greatest examples of collaboration in music history. Through his highly original examination of these two musical legends, Duke University musicologist Thomas Brothers delivers a portrait of the creative process at work, demonstrating that the cooperative method at the foundation of these two artist- groups was the primary reason for their unmatched musical success. While clarifying the historical record of who wrote what, with whom, and how, Brothers brings the past to life with a breadth of musical knowledge that reverberates through every page, and analyses of songs from Lennon and McCartney’s Strawberry Fields Forever to Billy Strayhorn’s Chelsea Bridge. Help! describes in rich detail the music and mastery of two cultural leaders whose popularity has never dimmed. “This is musicology with taste as well as ears.” — Wall Street Journal “Adds significantly to our knowledge of popular music and iconic musicians of the 20th century.” — Philadelphia Inquirer
In the 1960s, The Beatles would address like no other musical act a radical shift in the cultural mindset of the late twentieth century. Through tools of "electric technology," this shift encompassed the decline of visual modes of perception and the emergence of a "way-of-knowing" based increasingly on sound. In this respect, the musical works of The Beatles would come to resonate with and ultimately reflect Marshall McLuhan's ideas on the transition into a culture of "all-at-once-ness" a simultaneous world in which immersion in vibrant global community increasingly trumps the fixed viewpoint of the individual. By engaging with recording technologies in a way that no popular act had before, The Beatles opened up for exploration the acoustical space precipitated by this shift. In The Beatles and McLuhan: Understanding the Electric Age, scholar and musician Thomas MacFarlane examines how the incorporation of electric technology in The Beatles' art would enhance their musical impact. MacFarlane surveys the relationship between McLuhan's ideas on the nature and effects of electric technology and The Beatles own engagement of that technology; offers analyses of key works from The Beatles' studio years, with particular attention paid to the presence of cultural metaphors embedded in the medium of multi-track recording; and collates these data to offer stunning conclusions about The Beatles' creative process in the recording studio and its cultural implications. This work also features the first published transcriptions ever of the complete filmed conversation between John Lennon and Marshall McLuhan on their respective ideas, as well as an interview between MacFarlane and McLuhan's son and executor, Michael McLuhan, on his father's and the Beatles' legacy. The Beatles and McLuhan will interest scholars and students of music and music history, recording technology, media studies, communications, and popular culture.
A critical but sympathetic treatment of Pierre Bayle. Once known as the 'Arsenal of the Enlightenment, ' his concepts were widely adopted by later thinkers, but since his time there has been nothing but disagreement about how Bayle is to be interpreted.
Extensive reading improves fluency and there is a real need in the ELT classroom for motivating, graded material that will instantly appeal to students. Night at the Museum is based on the family movie starring Ben Stiller, set in the Museum of Natural History in New York.
Extensive reading improves fluency and there is a real need in the ELT classroom for motivating, graded material that will instantly appeal to students. Night at the Museum: Battle of the Smithsonian is based on the film of the same name, a follow up to the hugely successful first film, released in 2006. Popular comedy actor Ben Stiller stars again and this time the action revolves around the Smithsonian Museum in Washington.
The writers of Reno 911! and several other feature films trace their haphazard experiences in the movie industry, revealing the process through which they worked on script development with executives and stars, pacified exploitative decision makers and fought to be paid for their work.
This brand-new novelization is based directly on the hilarious 20th Century Fox comedy-adventure movie of the same name, scheduled for release on May 22 and starring Ben Stiller as the whimsical museum guard Larry Daley.
Extensive reading improves fluency and there is a real need in the ELT classroom for motivating, graded material that will instantly appeal to students. Night at the Museum is based on the family movie starring Ben Stiller, set in the Museum of Natural History in New York.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.