Set against the backdrop of the black struggle in society, Slow Fade to Black is the definitive history of African-American accomplishment in film--both before and behind the camera--from the earliest movies through World War II. As he records the changing attitudes toward African-Americans both in Hollywood and the nation at large, Cripps explores the growth of discrimination as filmmakers became more and more intrigued with myths of the Old South: the "lost cause" aspect of the Civil War, the stately mansions and gracious ladies of the antebellum South, the "happy" slaves singing in the fields. Cripps shows how these characterizations culminated in the blatantly racist attitudes of Griffith's The Birth of a Nation, and how this film inspired the N.A.A.C.P. to campaign vigorously--and successfully--for change. While the period of the 1920s to 1940s was one replete with Hollywood stereotypes (blacks most often appeared as domestics or "natives," or were portrayed in shiftless, cowardly "Stepin Fetchit" roles), there was also an attempt at independent black production--on the whole unsuccessful. But with the coming of World War II, increasing pressures for a wider use of blacks in films, and calls for more equitable treatment, African-Americans did begin to receive more sympathetic roles, such as that of Sam, the piano player in the 1942 classic Casablanca. A lively, thorough history of African-Americans in the movies, Slow Fade to Black is also a perceptive social commentary on evolving racial attitudes in this country during the first four decades of the twentieth century.
Their lives forever changed by a childhood incident, two brothers--Colin, a struggling writer, and Courtney, an NBA superstar--driven by rivalry, find their lives spiralling out of control, exposing past secrets that will force them to overcome their anger and discover the power of brotherhood. Original. 25,000 first printing.
In this smart, fast-paced mystery debut, Thomas Shawver introduces a charming, unlikely hero from the rarefied world of antique books. Book merchant Michael Bevan arrives at the Kansas City auction house hoping to uncover some hidden literary gold. Though the auction ad had mentioned erotica, Michael is amazed to find lovely Japanese Shunga scrolls and a first edition of a novel by French author Colette with an inscription by Ernest Hemingway. This one item alone could fetch a small fortune in the right market. As Michael and fellow dealer Gareth Hughes are warming up for battle, a stranger comes out of nowhere and outbids them—to the tune of sixty grand. But Gareth is unwilling to leave the auction house empty-handed, so he steals two volumes, including the Colette novel. When Gareth is found dead the next day, Michael quickly becomes the prime suspect: Not only had the pair been tossed out of a bar mid-fistfight the night before, but there is evidence from Michael’s shop at the crime scene. Now the attorney-turned-bookman must find out who wanted the Colette so badly that they would kill for it—and frame Michael. Desperate to stay out of police custody, Michael follows the murderer’s trail into the wealthiest echelons of the city, where power and influence meet corruption—and mystery and eroticism are perverted by pure evil. Unfortunately for Michael, one dead book dealer is only the opening chapter in a terrifying tale of high culture and lowlifes. Praise for The Dirty Book Murder “A page-turner . . . gripping and engaging . . . or, as dealers rate rare books, definitely VF—Very Fine!”—Carolyn Hart, New York Times bestselling author of the Death on Demand mysteries “An antique book auction, complex characters driven by greed, and bittersweet family tensions come together in this atmospheric thriller. Readers of crime fiction will enjoy the ride and look forward to bookstore owner Michael Bevan’s next adventure.”—Sally Goldenbaum, bestselling author of the Seaside Knitters series
KYLIE: Mexico? What a nightmare! I should be putting the finishing touches on my valedictorian speech. Graduation is TODAY! Wait! Is this a wedding band on my finger?? MAX: It started with Kylie's laptop and a truck full of stolen electronics and it ended in Ensenada. It was hot, the way she broke us out like some chick in an action movie. But now we're stranded here, with less than twenty-four hours before graduation. WILL: Saving Kylie Flores from herself is kind of a full-time occupation. Luckily, I, Will Bixby, was born for the job. And when I found out she was stuck in Mexico with dreamy Max Langston, sure, I agreed to bring their passports across the border but there's no reason to rush back home right away. This party is just getting started. LILY: This cannot be happening. It's like some cruel joke. Or a bad dream. I close my eyes and when I reopen them, they're still there. Max and Kylie Flores, freak of the century. In bed together. If Kylie thinks I'm giving him up without a fight, she's dead wrong.
An Esquire “Best Christmas Book to Read During the Holidays” A collection of Christmas stories written by African-American journalists, activists, and writers from the late 19th century to the modern civil rights movement. Back in print for the first time in over a decade, this landmark collection features writings from well-known black writers, activists, and visionaries such as Pauline Hopkins, Langston Hughes, and John Henrik Clarke along with literary gems from rediscovered writers. Originally published in African American newspapers, periodicals, and journals between 1880 and 1953, these enchanting Christmas tales are part of the black literary tradition that flourished after the Civil War. Edited and assembled by esteemed historian Dr. Bettye Collier-Thomas, the short stories and poems in this collection reflect the Christmas experiences of everyday African Americans and explore familial and romantic love, faith, and more serious topics such as racism, violence, poverty, and racial identity. Featuring the best stories and poems from previous editions along with new material including “The Sermon in the Cradle” by W. E. B. Du Bois, A Treasury of African American Christmas Stories celebrates a rich storytelling tradition and will be cherished by readers for years to come.
Crime/Drama/Mystery The dominoes start to fall when Jake and his partner, Harry, go on a deadly carjacking spree. Butch Marable and his best friend and partner, Ernie “Cowboy” Kaloskivitch, along with the DEA, plan a sting operation that will put an end to a Vegas mobster’s drug smuggling, and money laundering operation. At the same time, saving a "some what" innocent Hollywood talent agent, who has gotten himself in too deep, and wants out. A passed around, wannabe movie star, Sylvia, and a lost, lonely washed up motorcycle racer get thrown into the mix. Their romance blossoms behind a veil of murder and deceit. With the help of some dubious motorcycle riders and ex-army buddies, Butch and Cowboy help the Los Angeles and San Diego Police Departments stop the car stealing murderers. It all comes together in the California/Nevada desert where the end justifies the means.
My name is Thomas or TAM in print. I was born in Bridgeport, Connecticut during the Crash of '29 and only those who left before me know when I will leave. I was raised by a loving family, with four older siblings and Doc and Esther as parents and role models. I was educated by the Jesuits, groomed by the Marine Corps, and blessed with JC, my life's treasure in a growing marriage of over fifty years, and four talented and caring children. Professionally, I was an elementary and high school teacher, a college professor, assistant school superintendent, senior university administrator, publisher and editor of a specialized newspaper, The Minority Enterprise, an entrepreneur, and a dreamer. Graduated from Fairfield College Preparatory School (1947), received a bachelor's degree (1951) and master's degrees (1954) from Fairfield University. Earned a doctorate in education and American literature from the University of California, Los Angeles (1964) and completed a post-doctoral program in urban planning from UCLA (1976). I always have been curious and wanting to be better. From childhood I was steeped in writing, music, and sports, waiting for my turn at bat or on the court. I wrote poems for personal pleasure and professional articles to validate my role as an educator. Through Rhythm and Muse, I want to share over seventy five years of life's adventure and start a new season on an upbeat.
This book explores the transformative energy and excitement that African Americans expressed in aesthetic and civic currents that percolated during the opening of the 20th century and proved to be a force in the modernization of America. This engaging reference text represents the voices of the era in poetry and prose, in full or excerpted from anecdotes, editorials, essays, manifestoes, orations, and reminiscences, with appearances by major figures and often overlooked contributors to the Harlem Renaissance. Organized topically and, within topics, chronologically, the volume reaches beyond the typical representation of the spirit and substance of the movement, examinations of which are typically confined to the New York City community and from U.S. entry into World War I in 1917 to the depths of the Great Depression in 1935. It carries readers from the opening of the Harlem Renaissance, which began at the top of the 20th century, to its heights in the 1920s and '30s and through to its artistic and literary echoes in the shadows of World War II (1939–1945).
Poems & Songs Old & New is a collection of 120 songs and 55 poems by a writer that clearly adores them. There is a lot of love in the reproduction of so many songs and poems that people remember and appreciate, including such classic songs as, "Bohemian Rhapsody," "Hey Jude," "Hotel California," "November Rain," Let It Be," "Beer Barrel Polka." "Sounds of Silence," "You Are My Sunshine," "Mama Mia," "Ramblin Rose," " Yellow Bird," "Goodnight Irene," "You Are My Sunshine" and "Satisfaction." A brief biography of some of the famous singers , who sang the songs, such as Frank Sinatra, Perry Como, Nelson Eddy and Jeanette MacDonald is also included. The collection of poems includes "In Flanders Fields" by John McRae, "The Raven" by Edgar Allen Poe, "A Girl" by Ezra Pound and "Daffodils" by William Wordsworth. McCavour also includes some of his own poems, including "A Friend of Ours," which was first published when he was only fourteen years old.
A recent graduate of Southern Tier University, Tom McEnearney is working as a reporter for Arnett Newspapers in Rochester, New York. Working for the local section, he is bored covering town council meetings and writing obituaries. His girlfriend, Rachael, is also a reporter. She is a rising star and has interviewed celebrities like Neil Young and Robert Goulet. Rachael's neighbor is found dead, hanging in her basement. The police rule it a suicide. Tom suspects foul play. His investigation hits many roadblocks, including corrupt cops and people who know what Tom needs to know winding up with a bullet in their heads. These deaths are connected to a diamond that was embezzled several years prior. Receiving death threats himself, Tom needs to draw on his adroit skills as a marksman and a pugilist to prevent his own life from being snuffed out. A successful investigation would lead to the best story of his young career.
Covers the social, political, and economic history of the 1920s, including developments in science, from astrophysics to laboratory science to discoveries and inventions; the creation of new professional sports leagues; the labor union movement; censorship, and writers, artists, and moviemakers. This volume captures the complexities of the 1920s.
Originally published in 1984, this is a documented account of the political history of the former British colony of Guyana. Providing a reflection of the increasing involvement of the United States in the Caribbean and Central America on the long-term political, social and economic effect that intervention can have on the small states of less developed countries during the period of 1945 to 1983. The text includes a detailed historical account of post-World War II politics and moves onto the emergence of the nationalist movement in Guyana in the late 1940s and the cold war period of the 1950s; concluding with the consequences both politically and economically in the 1980s.
In the follow-up to the shattering bestseller Out of Control; Confessions of an NFL Casualty, former Dallas Cowboys star Thomas "Hollywood" Henderson shares the story of his recovery from the abuse of alcohol and other drugs. He has been clean and sober for over 20 years and has not had a drink or done any drugs since November 8, 1983. In Control takes readers from Henderson's 1986 prison release to his current life as a community activist, philanthropist, and distributor of alcohol and drug education films to prison programs and rehabilitation centers. He also discusses how his life has changed since March 22, 2000, when he won a $28 million jackpot in the Texas lottery
Tracing the development of a black community in the trans-Mississippi West, Blacks in Topeka, Kansas, 1865--1915 is a thorough, insightful examination of an area of black history that has received, at best, scant attention. Thomas C. Cox probes in this study the political, social, and economic standing of blacks and the growth of black institutions in the Topeka area from early settlement during the territorial period through the rise of an urban Topeka in the late nineteenth and early twentieth centuries.Pivotal In the development of the black community was the Great Exodus of the 1870s -- the massive migration of southern blacks that brought the community new leaders, businessmen, and skilled laborers, and provided the impetus for establishment of institutions and elaborate social structures. Assessing the impact of the Exodus on social stratification and on the destruction of power, Cox closely examines the establishment of political and social clubs, the founding of churches, the rise of the black press -- including the influential Colored Citizen and Plaindealer -- and the emergence of such community leaders a John Wright, William Eagle son, and James Guy.The racial discrimination that permeated Topeka and intensified in the wake of the Great Exodus soon brought about organized protest by the black community to advance the causes of reform and social progress. As this movement grew in strength, it became a powerful bond that overcame divisions within black Topeka, and gave rise to a cohesive community grounded in strong local institutions through which blacks could challenge city, state, and national attitudes and events. In the case of Topeka, which in many ways was exceptional, discrimination helped to create a significant degree of self-determination.With relevance to American social history in general, Thomas Cox's Blacks in Topeka, Kansas, 1865--1915 fully utilizes the methods and materials of social history -- including census analysis and group biography -- to conclusively demonstrate the significance of Topeka in the history of race relations and the growth of black political and nonpolitical institutions.
Grounded in the work of liberation theologians, this book considers peace, love and social justice within a democratic curriculum and underscores the importance of integrating critical discourses with Catholic education.
In 1905 Lawrence Peter Hollis went to Springfield, Massachusetts, before beginning his job as the secretary of the YMCA at Monaghan Mill in Greenville, South Carolina. While there, he met James Naismith, the inventor of basketball, and learned of the fledgling game. Armed with Dr. Naismith's rules of the game and a basketball he bought in New York, Hollis returned to the mill and changed the face of athletics in South Carolina. Lawrence Peter Hollis was one of the first to introduce basketball south of the Mason-Dixon line, and the game quickly gained popularity in the textile mill villages throughout South Carolina. In 1921 Hollis and others organized a tournament to determine the best mill team, and thus the southern Textile Basketball Tournament was born. Over the years, some of the south's top cage talent played in the tourney, including "Smokey" Barbare, Lucille Foster Thomas, Bert Hill, Earl Wooten, Billy Cunningham, Pete Maravich, Sue Vickers and Tree Rollins. Decade-by-decade, the history of one of the longest running basketball tournaments is provided, along with profiles of many prominent participants. Full rosters for all teams in all tournaments are given in the appendices, along with all-tournament selections and members of the Southern Textile Athletic Hall of Fame.
The Civil War and Reconstruction were characterized by two lasting legacies—the failure to bring racial harmony to the South and the failure to foster reconciliation between the North and South. The nation was left with a festering race problem, as a white-dominated society and political structure debated the +proper role for blacks. At the national level, both sides harbored bitter feelings toward the other, which often resulted in clashes among congressmen that inflamed, rather than solved, the race problem. No Congress expended more energy debating this issue than the Fifty-First, or "Billion Dollar," Congress of 1889-1891. The Congress debated several controversial solutions, provoking discussion far beyond the halls of government and shaping the course of race relations for twentieth-century America. Legislating Racism proposes that these congressional debates actually created a climate for the first truly frank national discussion of racial issues in the United States. In an historic moment of unusual honesty and openness, a majority of congressmen, newspaper editors, magazine contributors, and the American public came to admit their racial prejudice against not only blacks, but all minority races. If the majority of white Americans—not just those in the South—harbored racist sentiments, many wondered whether Americans should simply accept racism as the American way. Thomas Adams Upchurch contends that the Fifty-First Congress, in trying to solve the race problem, in fact began the process of making racism socially and politically acceptable for a whole generation, inadvertently giving birth to the Jim Crow era of American history.
This vivid portrait of contemporary parenting blends memoir and cultural analysis to explore evolving ideas of disability and human difference. An Ordinary Future is a deeply moving work that weaves an account of Margaret Mead's path to disability rights activism with one anthropologist's experience as the parent of a child with Down syndrome. With this book, Thomas W. Pearson confronts the dominant ideas, disturbing contradictions, and dramatic transformations that have shaped our perspectives on disability over the last century. Pearson examines his family's story through the lens of Mead's evolving relationship to disability—a topic once so stigmatized that she advised Erik Erikson to institutionalize his son, born with Down syndrome in 1944. Over the course of her career, Mead would become an advocate for disability rights and call on anthropology to embrace a wider understanding of humanity that values diverse bodies and minds. Powerful and personal, An Ordinary Future reveals why this call is still relevant in the ongoing fight for disability justice and inclusion, while shedding light on the history of Down syndrome and how we raise children born different.
Few will dispute the profound influence that African American music and movement has had in American and world culture. Dancing Many Drums explores that influence through a groundbreaking collection of essays on African American dance history, theory, and practice. In so doing, it reevaluates "black" and "African American " as both racial and dance categories. Abundantly illustrated, the volume includes images of a wide variety of dance forms and performers, from ring shouts, vaudeville, and social dances to professional dance companies and Hollywood movie dancing. Bringing together issues of race, gender, politics, history, and dance, Dancing Many Drums ranges widely, including discussions of dance instruction songs, the blues aesthetic, and Katherine Dunham’s controversial ballet about lynching, Southland. In addition, there are two photo essays: the first on African dance in New York by noted dance photographer Mansa Mussa, and another on the 1934 "African opera," Kykunkor, or the Witch Woman.
A lively guide to fifty popular musicals from the comedy classics of the 1930s and 1940s to the frequently produced darlings of modern theater. Broadway musicals are set in a variety of different places and periods of history, so they are filled with references, expressions, names, objects, and slang that might not be familiar to modern audiences. Thomas Hischak guides us through these oddities of classic musicals in Broadway Decoded.
Sweet Land of Liberty is Thomas J. Sugrue’s epic account of the abiding quest for racial equality in states from Illinois to New York, and of how the intense northern struggle differed from and was inspired by the fight down South. Sugrue’s panoramic view sweeps from the 1920s to the present–more than eighty of the most decisive years in American history. He uncovers the forgotten stories of battles to open up lunch counters, beaches, and movie theaters in the North; the untold history of struggles against Jim Crow schools in northern towns; the dramatic story of racial conflict in northern cities and suburbs; and the long and tangled histories of integration and black power. Filled with unforgettable characters and riveting incidents, and making use of information and accounts both public and private, such as the writings of obscure African American journalists and the records of civil rights and black power groups, Sweet Land of Liberty creates an indelible history.
With expert contributions from experienced educators, research scientists and clinicians, Foye’s Principles of Medicinal Chemistry, Eighth Edition is an invaluable resource for professional students, graduate students and pharmacy faculty alike. This ‘gold standard’ text explains the chemical basis of drug action, emphasizing the structure-activity relationships, physicochemical-pharmacokinetic properties, and metabolic profiles of the most commonly used drugs.
Despite his celebrity and his fame, a series of literary feuds and the huge volume of sources have, until now, precluded a satisfying biography of Allen Tate. Anyone interested in the literature and history of the American South, or in modern letters, will be fascinated by his life. Poetry readers recognize Tate, whom T. S. Eliot once called the best poet writing in America, as the author of some of the twentieth century's most powerful modernist verse. Others know him as a founder of The Fugitive, the first significant poetry journal to emerge from the South. Tate joined William Faulkner and others in launching what came to be known as the Southern Literary Renaissance. In 1930, he became a leader of the Southern Agrarian movement, perhaps America's final potent critique of industrial capitalism. By 1938, Tate had departed politics and written The Fathers, a critically acclaimed novel about the dissolution of the antebellum South. He went on to earn almost every honor available to an American poet. His fatherly mentoring of younger poets, from Robert Penn Warren to Robert Lowell, and of southern novelists--including his first wife, Caroline Gordon--elicited as much rebellion as it did loyalty. Long-awaited and based on the author's unprecedented access to Tate's personal papers and surviving relatives, Orphan of the South brings Tate to 1938. It explores his attempt, first through politics and then through art, to reconcile his fierce talent and ambition with the painful history of his family and of the South. Tate was subjected to, and also perpetuated, fictional interpretations of his ancestry. He alternately abandoned and championed Southern culture. Viewing himself as an orphan from a region where family history is identity, he developed a curious blend of spiritual loneliness and ideological assuredness. His greatest challenge was transforming his troubled genealogy into a meaningful statement about himself and Southern culture as a whole. It was this problem that consumed Tate for the first half of his life, the years recorded here. This portrait of a man who both made and endured American literary history depicts the South through the story of one of its treasured, ambivalent, and sometimes wayward sons. Readers will gain a fertile understanding of the Southern upbringing, education, and literary battles that produced the brilliant poet who was Allen Tate.
Poet, Thomas Carper, and scholar, Derek Attridge, join forces in Meter and Meaning to present an illuminating and user-friendly way to explore the rhythms of poetry in English. They begin by showing the value of performing any poem aloud, so that we can sense its unique use of rhythm. From this starting point they suggest an entirely fresh, jargon-free approach to reading poetry. Illustrating their 'beat/offbeat' method with a series of exercises, they help readers to appreciate the use of rhythm in poems of all periods and to understand the vital relationship between meter and meaning. Beginning with the very basics, Meter and Meaning enables a smooth progression to an advanced knowledge of poetic rhythms. It is the essential guide to meter for anyone who wants to study, write, better appreciate, or simply enjoy poetry. Carper and Attridge make studying meter a pleasure and reading poetry a revelation.
Looking for entertaining stories of drama, glamour and passion featuring sophisticated and sensual African American and multicultural heroes and heroines? Harlequin Kimani Romance brings you all this and more with these four new full-length books for one great price! IT MUST BE LOVE The Chandler Legacy Nicki Night Jewel Chandler’s list of boyfriend requirements is extensive—and Sterling Bishop doesn’t meet any of them. Sure, the wealthy businessman is gorgeous, but he also has an ex-wife and a young daughter. When steamy days melt into desire-fueled nights, Jewel wonders if he’s truly the one for her. A SAN DIEGO ROMANCE Millionaire Moguls Kianna Alexander Christopher Marland, president of Millionaire Moguls of San Diego, is too busy for a personal life. When Eliza Ellicott arrives back in town, he knows no woman has ever compared. A broken heart gave Eliza the drive to succeed, and she’s opened a new boutique. Can she trust him again? RETURN TO ME The DuGrandpres of Charleston Jacquelin Thomas Austin DuGrandpre never had a relationship with his father. Determined that his son—put up for adoption without his knowledge—won’t suffer the same fate, he tracks him to the home of Bree Collins. The all-consuming attraction is unexpected, but when Bree learns Austin’s true motives she faces potential heartbreak. WINNING HER HEART Bay Point Confessions Harmony Evans Celebrity chef Micah Langston’s ambition keeps him successful and single. He plans to open a restaurant in his hometown—and that means checking out the competition. Jasmine Kennedy is falling for Micah until she discovers his new venture will ruin her grandmother’s business. Has betrayal spoiled her appetite for love?
The promise of America has always been creative potential: enterprise, industry, optimism, idealism, and hope. This promise, known since the beginning of the New World and named since the Great Depression as the “American Dream”, is what makes immigrants cry at the base of the Statue of Liberty. But there is a dark side to the American Dream, too—one that we don’t talk about much in polite company. A side characterized by the exploitation and domination of subjected people. The national climate has caused many to question the validity of the American Dream, and whether it even offers a viable vision for the nation. There are few greater questions to ask. Our collective future depends on a common vision. If the American Dream is dead, then what happens next? This book evaluates the American Dream, establishes its roots, gives reasons for its decline, and offers solutions to reclaim the promise of the American Dream that is more aligned with Jesus’ vision of the kingdom of God and Martin Luther King Jr’ s vision of the “Beloved Community”. Our challenge is to develop a redesigned American Dream, a sustainable future for all, free from exploitation and domination of subjected people.
The American Dream and Dreams Deferred: A Dialectical Fairy Tale shows how rival interpretations of the Dream reveal the dialectical tensions therein. Exploring often neglected voices, literatures, and histories, Carlton D. Floyd and Thomas Ehrlich Reifer highlight moments when the American Dream appears both simultaneously possible and out of reach. In so doing, the authors invite readers to make a new collective dream of a better future, on socially just, multicultural, and ecologically sustainable foundations.
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