This edition of a 1995 book (Sage Publications) contains a new introduction by the series editor and a new preface. Readers familiar with Foucault's work will appreciate the difficulty in critically studying its arresting paradoxical nature. Dumm (political science, Amherst College) negotiates the problem by creating a thematic framework--the idea of being "free" in a modern Western capitalist democracy--and examining it through a Foucaultian lens. He focuses on the politics of freedom, negative freedom, the disciplinary society, ethics, seduction, governments, and provides an enlightening companion to Foucault's postmodern philosophy. Annotation copyrighted by Book News, Inc., Portland, OR
Dumm says the worst, but instead of leaving us in despair, he subtly induces a kind of hope that borders on exhilaration.'--George Kateb, Princeton University Alternately impish, penetrating, and scathing, Tom Dumm reflects on recent media events--including the Rodney King episode--along with many aspects of popular culture, current political thought and feminist art. The result is a powerful new view of politics and the American political scene.
In A Politics of the Ordinary, Thomas Dumm dramatizes how everyday life in the United States intersects with and is influenced by the power of events, on the one hand, and forces of conformity and normalcy on the other. Combining poststructuralist analysis with a sympathetic reading of a strain of American thought that begins with Emerson and culminates in the work of Stanley Cavell, A Politics of the Ordinary investigates incidents from everyday life, political spectacles, and popular culture. Whether juxtaposing reflections about boredom in rural New Mexico with Emerson's theory of constitutional amendment, Richard Nixon's letter of resignation with Thoreau's writings to overcome quiet desperation, or demonstrating how Disney's Toy Story allegorizes the downsizing of the American white-collar work force, Dumm's constant concern is to show how the ordinary is the primary source of the democratic political imagination.
In A Politics of the Ordinary, Thomas Dumm dramatizes how everyday life in the United States intersects with and is influenced by the power of events, on the one hand, and forces of conformity and normalcy on the other. Combining poststructuralist analysis with a sympathetic reading of a strain of American thought that begins with Emerson and culminates in the work of Stanley Cavell, A Politics of the Ordinary investigates incidents from everyday life, political spectacles, and popular culture. Whether juxtaposing reflections about boredom in rural New Mexico with Emerson's theory of constitutional amendment, Richard Nixon's letter of resignation with Thoreau's writings to overcome quiet desperation, or demonstrating how Disney's Toy Story allegorizes the downsizing of the American white-collar work force, Dumm's constant concern is to show how the ordinary is the primary source of the democratic political imagination.
What is freedom? In this study, Thomas Dumm challenges the conventions that have governed discussions and debates concerning modern freedom by bringing the work of Michel Foucault into dialogue with contemporary liberal thought. While Foucault has been widely understood to have characterized the modern era as being opposed to the realization of freedom, Dumm shows how this characterization conflates FoucaultOs genealogy of discipline with his overall view of the practices of being free. Dumm demonstrates how FoucaultOs critical genealogy does not shrink from understanding the ways in which modern subjects are constrained and shaped by forces greater than themselves, but how it instead works through these constraints to provide, not simply a vision of liberation, but a joyous wisdom concerned with showing us, in his words, that we Oare much freer than we feel.O Both as an introduction to Foucault and as an intervention in liberal theory, Michel Foucault and the Politics of Freedom is bound to change how we think about the limits and possibilities of freedom in late modernity.
ÒWhat does it mean to be lonely?Ó Thomas Dumm asks. His inquiry, documented in this book, takes us beyond social circumstances and into the deeper forces that shape our very existence as modern individuals. The modern individual, Dumm suggests, is fundamentally a lonely self. Through reflections on philosophy, political theory, literature, and tragic drama, he proceeds to illuminate a hidden dimension of the human condition. His book shows how loneliness shapes the contemporary division between public and private, our inability to live with each other honestly and in comity, the estranged forms that our intimate relationships assume, and the weakness of our common bonds. A reading of the relationship between Cordelia and her father in ShakespeareÕs King Lear points to the most basic dynamic of modern lonelinessÑhow it is a response to the problem of the Òmissing mother.Ó Dumm goes on to explore the most important dimensions of lonely experienceÑBeing, Having, Loving, and Grieving. As the book unfolds, he juxtaposes new interpretations of iconic cultural textsÑMoby-Dick, Death of a Salesman, the film Paris, Texas, EmersonÕs ÒExperience,Ó to name a fewÑwith his own experiences of loneliness, as a son, as a father, and as a grieving husband and widower. Written with deceptive simplicity, Loneliness as a Way of Life is something rareÑan intellectual study that is passionately personal. It challenges us, not to overcome our loneliness, but to learn how to re-inhabit it in a better way. To fail to do so, this book reveals, will only intensify the power that it holds over us.
Americans encounter their homes in ways comforting and haunting: as an imagined refuge or a place of mastery and domination, a destination or a place to escape. Drawing on literature, personal experience, and the histories of slavery, incarceration, and homesteading, Thomas Dumm offers a meditation on the richness and poverty of the idea of home.
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