This volume provides accurate and reliable data from 1,159 common cognates found in 19 dialects from the Tai language family. Originally collected by noted Tai linguist, the late William J. Gedney, the data are organized into the three branches of the Tai language family, the Southwestern, the Central, and the Northern, to facilitate comparisons among the various sound systems within the individual branches and within the Tai language family as a whole. Supplementing the cognates are phonological descriptions of each of the dialects. Included among the nineteen dialects are Siamese, White Tai, Black Tai, Shan, Lue, Yay, Saek, and dialects found at Leiping, Lungming, Pingsiang, and Ningming in China. The meticulous attention paid to consonants, vowels, and tones found in each cognate will allow for further dialect studies, for the investigation of questions concerning the tripartite division of the Tai language family, and for the continuing investigation into the reconstruction of the Proto-Tai language family and its wider genetic relationships.
The Southeast Asian Linguistics Society (SEALS) is a forum for linguists focusing on languages of mainland and Pacific Southeast Asia. The 1997 edition, Papers from the Seventh Annual Meeting of the Southeast Asian Linguistics Society, compiles many relevant topics from the 1997 annual meeting which was held at the University of Illinois at Urbana-Champaign in May of 1997 and covered a variety of linguistic topics pertaining to languages that include: Lai, Malay, Tai, Filipino, Mishmi, Khmer, Hmong, Burmese, and others.
This volume provides accurate and reliable data from 1,159 common cognates found in 19 dialects from the Tai language family. Originally collected by noted Tai linguist, the late William J. Gedney, the data are organized into the three branches of the Tai language family, the Southwestern, the Central, and the Northern, to facilitate comparisons among the various sound systems within the individual branches and within the Tai language family as a whole. Supplementing the cognates are phonological descriptions of each of the dialects. Included among the nineteen dialects are Siamese, White Tai, Black Tai, Shan, Lue, Yay, Saek, and dialects found at Leiping, Lungming, Pingsiang, and Ningming in China. The meticulous attention paid to consonants, vowels, and tones found in each cognate will allow for further dialect studies, for the investigation of questions concerning the tripartite division of the Tai language family, and for the continuing investigation into the reconstruction of the Proto-Tai language family and its wider genetic relationships.
In this book, Barbara Ellison and Thomas B. W. Bailey lay out and explore the mystifying and evanescent musical territory of 'sonic phantoms': auditory illusions within the musical material that convey a 'phantasmatic' presence. Structured around a large body of compositional work developed by Ellison over the past decade, sonic phantoms are revealed and illustrated as they arise through a diverse array of musical sources, materials, techniques, and compositional tools: voices (real and synthetic), field recordings, instrument manipulation, object amplification, improvisation, and recording studio techniques. Somehow inherent in all music--and perhaps in all sound--sonic phantoms lurk and stalk with the promise of mystery and elevation. We just need to conjure them.
Micro Bionic is an exciting survey of electronic music and sound art from cultural critic and mixed-media artist Thomas Bey William Bailey. This superior revised edition includes all of the original supplements neglected by the publishers of the first edition, including a full index, bibliography, additional notes / commentary and an updated discography. As the title suggests, the unifying theme of the book is that of musicians and sound artists taking bold leaps forward in spite of (or sometimes because of) their financial, technological, and social restrictions. Some symptoms of this condition include the gigantic discography amassed by the one-man project Merzbow, the drama of silence enacted by onkyo and New Berlin Minimalism, the annihilating noise transmitted from the humble laptop computers of Russell Haswell and Peter Rehberg and much more besides. Although the journey begins in the Industrial 1980s, in order to trace how the innovations of that period have gained greater currency in the present, it surveys a wide array of artists breaking ground in the 21st century with radical attitudes and techniques. A healthy amount of global travel and concentrated listening have combined to make this a sophisticated yet accessible document, unafraid to explore both the transgressive extremes of this culture and the more deftly concealed interstices thereof. Part historical document, part survival manual for the marginalized electronic musician, part sociological investigation, Micro Bionic is a number of different things, and as such will likely generate a variety of reactions from inspiration to offense. Numerous exclusive interviews with leading lights of the field were also conducted for this book: William Bennett (Whitehouse), Peter Christopherson (r.i.p., Throbbing Gristle / Coil), Peter Rehberg, John Duncan, Francisco López, Carl Michael von Hausswolff, Bob Ostertag, Zbigniew Karkowski and many others weigh in with a diversity of thoughts and opinions that underscore the incredible diversity to be found within new electronic music itself.
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