Most public administration texts overly compartmentalize the subject and don't interconnect the various specializations within government, which leaves a serious gap in preparing students for public service. Government: A Public Adminstration Perspective is designed to fill that void. It provides a comprehensive, multidisciplinary view of government that includes perspectives from political science, political theory, international relations, organizational sociology, economics, and history. The text draws on classic and modern literature from all these areas to analyze government at four different levels--ideational, societal, organizational, and individual layers. It links public administration's various subfields--human resource management, budgeting, policy making, organizational theory, etc.--into a holistic framework for the study of government. It also includes an extensive bibliography drawing from American and Europen literature in support of the book's global, historical, and comparative approach.
In the year 726 C.E., the Byzantine emperor Leo III issued an edict declaring images to be idols, forbidden by Exodus, and ordering all such images in churches to be destroyed. Thus commenced the first wave of Byzantine iconoclasm, which ran its violent course until 787, when the underlying issues were temporarily resolved at the Second Council of Nicaea. In 815, a second great wave of iconoclasm was set off, only to end in 842 when the icons were restored to the churches of the East and the iconoclasts excommunicated. The iconoclast controversies have long been understood as marking major fissures between the Western and Eastern churches. Thomas F. X. Noble reveals that the lines of division were not so clear. It is traditionally maintained that the Carolingians in the 790s did not understand the basic issues involved in the Byzantine dispute. Noble contends that there was, in fact, a significant Carolingian controversy about visual art and, if its ties to Byzantine iconoclasm were tenuous, they were also complex and deeply rooted in central concerns of the Carolingian court. Furthermore, he asserts that the Carolingians made distinctive and original contributions to the whole debate over religious art. Images, Iconoclasm, and the Carolingians is the first book to provide a comprehensive study of the Western response to Byzantine iconoclasm. By comparing art-texts with laws, letters, poems, and other sources, Noble reveals the power and magnitude of the key discourses of the Carolingian world during its most dynamic and creative decades.
While Syria has been dominated since the 1960s by a determinedly secular regime, the 2011 uprising has raised many questions about the role of Islam in the country's politics. This book demonstrates that with the eradication of the Muslim Brothers after the failed insurrection of 1982, Sunni men of religion became the only voice of the Islamic trend in the country. Through educational programs, charitable foundations and their deft handling of tribal and merchant networks, they took advantage of popular disaffection with secular ideologies to increase their influence over society. In recent years, with the Islamic resurgence, the Alawi-dominated Ba'thist regime was compelled to bring the clergy into the political fold. This relationship was exposed in 2011 by the division of the Sunni clergy between regime supporters, bystanders and opponents. This book affords a new perspective on Syrian society as it stands at the crossroads of political and social fragmentation.
This volume comprises systematic as well as historical essays, including contributions intended to give comprehensive overviews of such areas as genetic phenomenology, transcendental phenomenology, philosophy and history of logic and mathematics, Kant, hermeneutics, Hegel, and philosophy of language. The book is addressed to phenomenologists, particularly those who are interested in some or all of the areas mentioned. In his introduction Joseph J. Kockelmans indicates that these diverse areas enter into dialogue in the work of Thomas M. Seebohm, whom the editors and authors wish to honor, and the systematic papers mirror the state of the art of research in the above-mentioned disciplines.
Mammals of Africa (MoA) is a series of six volumes which describes, in detail, every currently recognized species of African land mammal. This is the first time that such extensive coverage has ever been attempted, and the volumes incorporate the very latest information and detailed discussion of the morphology, distribution, biology and evolution (including reference to fossil and molecular data) of Africa's mammals. With 1,160 species and 16 orders, Africa has the greatest diversity and abundance of mammals in the world. The reasons for this and the mechanisms behind their evolution are given special attention in the series. Each volume follows the same format, with detailed profiles of every species and higher taxa. The series includes some 660 colour illustrations by Jonathan Kingdon and his many drawings highlight details of morphology and behaviour of the species concerned. Diagrams, schematic details and line drawings of skulls and jaws are by Jonathan Kingdon and Meredith Happold. Every species also includes a detailed distribution map. Extensive references alert readers to more detailed information. Volume I: Introductory Chapters and Afrotheria (352 pages) Volume II: Primates (560 pages) Volume III: Rodents, Hares and Rabbits (784 pages) Volume IV: Hedgehogs, Shrews and Bats (800 pages) Volume V: Carnivores, Pangolins, Equids and Rhinoceroses (560 pages) Volume VI: Pigs, Hippopotamuses, Chevrotain, Giraffes, Deer and Bovids (704 pages)
Challenging many established narratives of literary history, this book investigates how the earliest known Greek poets (seventh to fifth centuries BCE) signposted their debts to their predecessors and prior traditions – placing markers in their works for audiences to recognise (much like the 'Easter eggs' of modern cinema). Within antiquity, such signposting has often been considered the preserve of later literary cultures, closely linked with the development of libraries, literacy and writing. In this wide-ranging new study, Thomas Nelson shows that these devices were already deeply ingrained in oral archaic Greek poetry, deconstructing the artificial boundary between a supposedly 'primal' archaic literature and a supposedly 'sophisticated' book culture of Hellenistic Alexandria and Rome. In three interlocking case studies, he highlights how poets from Homer to Pindar employed the language of hearsay, memory and time to index their allusive relationships, as they variously embraced, reworked and challenged their inherited tradition.
Political Handbook of the World annually provides up-to-date political information on all the world's countries in a balanced, accurate and comprehensive manner. A singular and authoritative reference work for nearly 70 years, each new volume builds on the research and scholarship of previous editions, offering rare insight into stories making headlines, judiciously outlining contemporary conflicts and analysing current foreign policy within the informed context of past events and decisions. It is considered to be the single-volume reference work of choice for libraries, diplomats, academic faculties, international corporations, and others needing accurate, timely information.
The swastika and similar symbols were employed by the ancestors of the modern-day Germans. With the Nazi seizure of power, studies of such ideographs became directly supported by the state. The Science of the Swastika is the first theoretically informed study of the relationship between an academic discipline and what the Nazis termed their Weltanschauung. It surveys the fate of Old Germanic studies under the Nazis, a discipline of especial interest to the forces of German reaction. German swastika studies also gave rise to the SS-Ahnenerbe, the antiquarian research organization through which medical experiments were later to be performed on the inmates of concentration camps. The Old Germanic studies of the Nazi period proved to be a creative foil to the almost overwhelmingly destructive side of National Socialism."--BOOK JACKET.
Experimentation and Dutch design have long gone hand in hand, from postage stamps to the Rietveld chair to the clean simplicity of Schiphol airport. Mienke Simon Thomas skillfully details the groundbreaking accomplishments and popular products of Dutch design in Dutch Design Culture. Thomas, a museum curator, delves deeply into the rich design history of the Netherlands, beginning with the historical roots of Dutch crafts education and the moral and social ideals of modernism that became central to the nation’s cultural dialogue. Touching upon such issues as the emergence of the professional industrial designer, public work initiatives, debates about design as art, and the provocative notion of “anti-design,” Thomas argues that though Dutch design from the beginning has been driven by aims of functionality, simplicity, and affordability, it has also embraced luxury and exclusivity. The book also discusses the role played by leading Dutch designers and their works, including Wim Crouwel, Marcel Wanders, and the design collective Droog Design. An unprecedented, detailed history, Dutch Design Culture is a critical primer on one of the leading national design movements today.
The oeuvre of the Greek historian Xenophon, whose works stand with those of Plato as essential accounts of the teachings of Socrates, has seen a new surge of attention after decades in the shadows. And no one has done more in recent years to spearhead the revival than Thomas L. Pangle. Here, Pangle provides a sequel to his study of Xenophon’s longest account of Socrates, the Memorabilia, expanding the scope of inquiry through an incisive treatment of Xenophon’s shorter Socratic dialogues, the Economist, the Symposium, and the Apology of Socrates to the Jury. What Pangle reveals is that these three depictions of Socrates complement and, in fact, serve to complete the Memorabilia in meaningful ways. Unlike the Socrates of Plato, Xenophon’s Socrates is more complicated and human, an individual working out the problem of what it means to live well and virtuously. While the Memorabilia defends Socrates by stressing his likeness to conventionally respectable gentlemen, Xenophon’s remaining Socratic texts offer a more nuanced characterization by highlighting how Socrates also diverges from conventions of gentlemanliness in his virtues, behaviors, and peculiar views of quotidian life and governmental rule. One question threads through the three writings: Which way of life best promotes human existence, politics, and economics—that of the Socratic political philosopher with his philosophic virtues or that of the gentleman with his familial, civic, and moral virtues? In uncovering the nuances of Xenophon’s approach to the issue in the Economist, Symposium, and Apology, Pangle’s book cements the significance of these writings for the field and their value for shaping a fuller conception of just who Socrates was and what he taught.
With more than 200 entries on countries and territories throughout the world, this bestselling volume is the most authoritative one-stop source for findingfacts and analysis on each country's governmental and political makeup.
What characterizes the relationship between literature and the state? Should literature serve the needs of the state by constructing national consciousness, espousing state propaganda, and molding good citizens? Or should it be dedicated to a different kind of creative social endeavor? In this important book about literature and the politics of nation-building, Dominic Thomas assesses the contributions of Francophone African writers whose works have played a key role in the recent transition to democracy in the Congo. Exploring the works of Sony Labou Tansi, Henri Lopes, and Emmanuel Dongala, among others, Thomas highlights writers intimately involved with government and politics -- whether in support of the state's vision or with the intention of articulating a more open view of citizens and society. Focusing on themes such as collaboration, reconciliation, identity, history, and memory, Nation-Building, Propaganda, and Literature in Francophone Africa elaborates a broader understanding of the circumstances of African colonization, modern African nation-state formation, and the complex cultural dynamics at work in Africa since independence.
This study is the first comprehensive history of the impact of the modern missionary movement on the understanding of and work toward Christian unity. It tells stories from all branches of the church: Roman Catholic, Orthodox, and Protestant in its many types (conciliar, evangelical, Pentecostal, and independent). Part 1, "Historical," highlights the contribution of modern missions to Christian unity, from William Carey and his antecedents and peers to present-day missions. Part 2, "Ten Models of Unity," takes an inductive approach to history, asking not "how should Christians cooperate?" but "how has the missionary movement helped Christians to work together at the local, national, regional, and global level?" Part 3, "Wider Ecumenism," broadens the evidence to include how the missions movement has helped not only institutional churches but also broader society to have concern for the unity of the entire human family. Included here is the story of how the Protestant missionary movement influenced the forming of the United Nations as well as the drafting of the Universal Declaration of Human Rights. The study also covers the movement's impact on Christian attitudes toward, and relations with, persons of other faiths. Mission and Unity is the standard reference work in the field for persons studying modern history, modern church history, missions, and ecumenics.
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